Les Miserables Part 131

Near Grantaire, an almost silent table, a sheet of paper, an inkstand and a pen between two gla.s.ses of brandy, announced that a vaudeville was being sketched out.

This great affair was being discussed in a low voice, and the two heads at work touched each other: "Let us begin by finding names. When one has the names, one finds the subject."

"That is true. Dictate. I will write."

"Monsieur Dorimon."

"An independent gentleman?"

"Of course."

"His daughter, Celestine."

"--tine. What next?"

"Colonel Sainval."

"Sainval is stale. I should say Valsin."

Beside the vaudeville aspirants, another group, which was also taking advantage of the uproar to talk low, was discussing a duel. An old fellow of thirty was counselling a young one of eighteen, and explaining to him what sort of an adversary he had to deal with.

"The deuce! Look out for yourself. He is a fine swordsman. His play is neat. He has the attack, no wasted feints, wrist, dash, lightning, a just parade, mathematical parries, bigre! and he is left-handed."

In the angle opposite Grantaire, Joly and Bah.o.r.el were playing dominoes, and talking of love.

"You are in luck, that you are," Joly was saying. "You have a mistress who is always laughing."

"That is a fault of hers," returned Bah.o.r.el. "One's mistress does wrong to laugh. That encourages one to deceive her. To see her gay removes your remorse; if you see her sad, your conscience p.r.i.c.ks you."

"Ingrate! a woman who laughs is such a good thing! And you never quarrel!"

"That is because of the treaty which we have made. On forming our little Holy Alliance we a.s.signed ourselves each our frontier, which we never cross. What is situated on the side of winter belongs to Vaud, on the side of the wind to Gex. Hence the peace."

"Peace is happiness digesting."

"And you, Jolllly, where do you stand in your entanglement with Mamselle--you know whom I mean?"

"She sulks at me with cruel patience."

"Yet you are a lover to soften the heart with gauntness."

"Alas!"

"In your place, I would let her alone."

"That is easy enough to say."

"And to do. Is not her name Musichetta?"

"Yes. Ah! my poor Bah.o.r.el, she is a superb girl, very literary, with tiny feet, little hands, she dresses well, and is white and dimpled, with the eyes of a fortune-teller. I am wild over her."

"My dear fellow, then in order to please her, you must be elegant, and produce effects with your knees. Buy a good pair of trousers of double-milled cloth at Staub's. That will a.s.sist."

"At what price?" shouted Grantaire.

The third corner was delivered up to a poetical discussion. Pagan mythology was giving battle to Christian mythology. The question was about Olympus, whose part was taken by Jean Prouvaire, out of pure romanticism.

Jean Prouvaire was timid only in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric.

"Let us not insult the G.o.ds," said he. "The G.o.ds may not have taken their departure. Jupiter does not impress me as dead. The G.o.ds are dreams, you say. Well, even in nature, such as it is to-day, after the flight of these dreams, we still find all the grand old pagan myths.

Such and such a mountain with the profile of a citadel, like the Vignemale, for example, is still to me the headdress of Cybele; it has not been proved to me that Pan does not come at night to breathe into the hollow trunks of the willows, stopping up the holes in turn with his fingers, and I have always believed that Io had something to do with the cascade of p.i.s.sevache."

In the last corner, they were talking politics. The Charter which had been granted was getting roughly handled. Combeferre was upholding it weakly. Courfeyrac was energetically making a breach in it. On the table lay an unfortunate copy of the famous Touquet Charter. Courfeyrac had seized it, and was brandishing it, mingling with his arguments the rattling of this sheet of paper.

"In the first place, I won't have any kings; if it were only from an economical point of view, I don't want any; a king is a parasite. One does not have kings gratis. Listen to this: the dearness of kings. At the death of Francois I., the national debt of France amounted to an income of thirty thousand livres; at the death of Louis XIV. it was two milliards, six hundred millions, at twenty-eight livres the mark, which was equivalent in 1760, according to Desmarets, to four milliards, five hundred millions, which would to-day be equivalent to twelve milliards.

In the second place, and no offence to Combeferre, a charter granted is but a poor expedient of civilization. To save the transition, to soften the pa.s.sage, to deaden the shock, to cause the nation to pa.s.s insensibly from the monarchy to democracy by the practice of const.i.tutional fictions,--what detestable reasons all those are! No! no! let us never enlighten the people with false daylight. Principles dwindle and pale in your const.i.tutional cellar. No illegitimacy, no compromise, no grant from the king to the people. In all such grants there is an Article 14.

By the side of the hand which gives there is the claw which s.n.a.t.c.hes back. I refuse your charter point-blank. A charter is a mask; the lie lurks beneath it. A people which accepts a charter abdicates. The law is only the law when entire. No! no charter!"

It was winter; a couple of f.a.gots were crackling in the fireplace. This was tempting, and Courfeyrac could not resist. He crumpled the poor Touquet Charter in his fist, and flung it in the fire. The paper flashed up. Combeferre watched the masterpiece of Louis XVIII. burn philosophically, and contented himself with saying:--

"The charter metamorphosed into flame."

And sarcasms, sallies, jests, that French thing which is called entrain, and that English thing which is called humor, good and bad taste, good and bad reasons, all the wild pyrotechnics of dialogue, mounting together and crossing from all points of the room, produced a sort of merry bombardment over their heads.

CHAPTER V--ENLARGEMENT OF HORIZON

The shocks of youthful minds among themselves have this admirable property, that one can never foresee the spark, nor divine the lightning flash. What will dart out presently? No one knows. The burst of laughter starts from a tender feeling.

At the moment of jest, the serious makes its entry. Impulses depend on the first chance word. The spirit of each is sovereign, jest suffices to open the field to the unexpected. These are conversations with abrupt turns, in which the perspective changes suddenly. Chance is the stage-manager of such conversations.

A severe thought, starting oddly from a clash of words, suddenly traversed the conflict of quips in which Grantaire, Bah.o.r.el, Prouvaire, Bossuet, Combeferre, and Courfeyrac were confusedly fencing.

How does a phrase crop up in a dialogue? Whence comes it that it suddenly impresses itself on the attention of those who hear it? We have just said, that no one knows anything about it. In the midst of the uproar, Bossuet all at once terminated some apostrophe to Combeferre, with this date:--

"June 18th, 1815, Waterloo."

At this name of Waterloo, Marius, who was leaning his elbows on a table, beside a gla.s.s of water, removed his wrist from beneath his chin, and began to gaze fixedly at the audience.

"Pardieu!" exclaimed Courfeyrac ("Parbleu" was falling into disuse at this period), "that number 18 is strange and strikes me. It is Bonaparte's fatal number. Place Louis in front and Brumaire behind, you have the whole destiny of the man, with this significant peculiarity, that the end treads close on the heels of the commencement."

Enjolras, who had remained mute up to that point, broke the silence and addressed this remark to Combeferre:--

"You mean to say, the crime and the expiation."

This word crime overpa.s.sed the measure of what Marius, who was already greatly agitated by the abrupt evocation of Waterloo, could accept.