Last Words Part 16

What do yeh want, anyhow? Quit!"

Somebody back in the throng suddenly said: "Say, young feller, cheese that pushin'! I ain't no peach!"

Another voice said: "Well, dat's all right--"

The boy who had been with the Italian was standing helplessly, a frightened look in his eyes, and holding the man's hand. Sometimes he looked about him dumbly, with indefinite hope, as if he expected sudden a.s.sistance to come from the clouds. The men about him frequently jostled him until he was obliged to put his hand upon the breast of the body to maintain his balance. Those nearest the man upon the sidewalk at first saw his body go through a singular contortion. It was as if an invisible hand had reached up from the earth and had seized him by the hair. He seemed dragged slowly, pitilessly backward, while his body stiffened convulsively, his hands clenched, and his arms swung rigidly upward.

Through his pallid, half-closed lids one could see the steel-coloured, a.s.sa.s.sin-like gleam of his eye, that shone with a mystic light as a corpse might glare at those live ones who seemed about to trample it under foot. As for the men near, they hung back, appearing as if they expected it might spring erect and grab them. Their eyes, however, were held in a spell of fascination. They scarce seemed to breathe. They were contemplating a depth into which a human being had sunk, and the marvel of this mystery of life or death held them chained. Occasionally from the rear a man came thrusting his way impetuously, satisfied that there was a horror to be seen, and apparently insane to get a view of it.

More self-contained men swore at these persons when they tread upon their toes.

The street cars jingled past this scene in endless parade. Occasionally, down where the elevated road crossed the street, one could hear sometimes a thunder, suddenly begun and suddenly ended. Over the heads of the crowd hung an immovable canvas sign: "Regular Dinner twenty cents."

The body on the pave seemed like a bit of debris sunk in this human ocean.

But after the first spasm of curiosity had pa.s.sed away, there were those in the crowd who began to bethink themselves of some way to help. A voice called out: "Rub his wrists." The boy and a man on the other side of the body began to rub the wrists and slap the palms of the man. A tall German suddenly appeared, and resolutely began to push the crowd back. "Get back there--get back," he repeated continually while he pushed at them. He seemed to have authority; the crowd obeyed him. He and another man knelt down by the man in the darkness and loosened his shirt at the throat. Once they struck a match and held it close to the man's face. This livid visage suddenly appearing under their feet in the light of the match's yellow glare, made the crowd shudder. Half articulate exclamations could be heard. There were men who nearly created a riot in the madness of their desire to see the thing.

Meanwhile others had been questioning the boy. "What's his name? Where does he live?"

Then a policeman appeared. The first part of this little drama had gone on without his a.s.sistance, but now he came, striding swiftly, his helmet towering over the crowd and shading that impenetrable police face. He charged the crowd as if he were a squadron of Irish Lancers. The people fairly withered before this onslaught. Occasionally he shouted: "Come, make way there. Come, now!" He was evidently a man whose life was half-pestered out of him by people who were sufficiently unreasonable and stupid as to insist on walking in the streets. He felt the rage toward them that a placid cow feels toward the flies that hover in clouds and disturb its repose. When he arrived at the centre of the crowd he first said, threateningly: "What's th' matter here?" And then when he saw that human bit of wreckage at the bottom of the sea of men, he said to it: "Come, git up out that! Git out a here!"

Whereupon hands were raised in the crowd and a volley of decorated information was blazed at the officer.

"Ah, he's got a fit, can't yeh see?"

"He's got a fit!"

"What th'ell yeh doin'? Leave 'im be!"

The policeman menaced with a glance the crowd from whose safe precincts the defiant voices had emerged.

A doctor had come. He and the policeman bended down at the man's side.

Occasionally the officer reared up to create room. The crowd fell away before his admonitions, his threats, his sarcastic questions, and before the sweep of those two huge buckskin gloves.

At last the peering ones saw the man on the side-walk begin to breathe heavily, strainedly, as if he had just come to the surface from some deep water. He uttered a low cry in his foreign way. It was like a baby's squeal or the side wail of a little storm-tossed kitten. As this cry went forth to all those eager ears the jostling, crowding recommenced again furiously, until the doctor was obliged to yell warningly a dozen times. The policeman had gone to send the ambulance call.

Then a man struck another match, and in its meagre light the doctor felt the skull of the prostrate man carefully to discover if any wound had been caused by his fall to the stone side-walk. The crowd pressed and crushed again. It was as if they fully expected to see blood by the light of the match, and the desire made them appear almost insane. The policeman returned and fought with them. The doctor looked up occasionally to scold and demand room.

At last, out of the faint haze of light far up the street, there came the sound of a gong beating rapidly. A monstrous truck loaded to the sky with barrels scurried to one side with marvellous agility. And then the black waggon, with its gleam of gold lettering and bright bra.s.s gong, clattered into view, the horse galloping. A young man, as imperturbable almost as if he were at a picnic, sat upon the rear seat. When they picked up the limp body, from which came little moans and howls, the crowd almost turned into a mob. When the ambulance started on its banging and clanging return, they stood and gazed until it was quite out of sight. Some resumed their way with an air of relief. Others still continued to stare after the vanished ambulance and its burden as if they had been cheated, as if the curtain had been rung down on a tragedy that was but half completed; and this impenetrable blanket intervening between a sufferer and their curiosity seemed to make them feel an injustice.

MINETTA LANE, NEW YORK.

ITS WORST DAYS HAVE NOW Pa.s.sED AWAY. BUT ITS INHABITANTS STILL INCLUDE MANY WHOSE DEEDS ARE EVIL.

THE CELEBRATED RESORT OF MAMMY ROSS.

Minetta Lane is a small and becobbled valley between hills and dingy brick. At night the street lamps, burning dimly, cause the shadows to be important, and in the gloom one sees groups of quietly conversant negroes, with occasionally the gleam of a pa.s.sing growler. Everything is vaguely outlined and of uncertain ident.i.ty, unless, indeed, it be the flashing b.u.t.tons and shield of the policeman on his coast. The Sixth Avenue horse-cars jingle past one end of the lane, and a block eastward the little thoroughfare ends in the darkness of M'Dougall Street.

One wonders how such an insignificant alley could get such an a.s.suredly large reputation, but, as a matter of fact, Minetta Lane and Minetta Street, which leads from it southward to Bleecker Street, were, until a few years ago, two of the most enthusiastically murderous thoroughfares in New York. Bleecker Street, M'Dougall Street, and nearly all the streets thereabouts were most unmistakably bad; the other streets went away and hid. To gain a reputation in Minetta Lane in those days a man was obliged to commit a number of furious crimes, and no celebrity was more important than the man who had a good honest killing to his credit.

The inhabitants, for the most part, were negroes, and they represented the very worst element of their race. The razor habit clung to them with the tenacity of an epidemic, and every night the uneven cobbles felt blood. Minetta Lane was not a public thoroughfare at this period. It was a street set apart, a refuge for criminals. Thieves came here preferably with their gains, and almost any day peculiar sentences pa.s.sed among the inhabitants. "Big Jim turned a thousand last night."

"No-Toe's made another haul." And the worshipful citizens would make haste to be present at the consequent revel.

As has been said, Minetta Lane was then no thoroughfare. A peaceable citizen chose to make a circuit rather than venture through this place, that swarmed with the most dangerous people in the city. Indeed, the thieves of the district used to say: "Once get in the lane and you're all right." Even a policeman in chase of a criminal would probably shy away instead of pursuing him into the lane. The odds were too great against a lone officer.

Sailors, and any men who might appear to have money about them, were welcomed with all proper ceremony at the terrible dens of the lane. At departure they were fortunate if they still retained their teeth. It was the custom to leave very little else to them. There was every facility for the capture of coin, from trap-doors to plain ordinary knock-out drops.

And yet Minetta Lane is built on the grave of Minetta Brook, where, in olden times, lovers walked under the willows on the bank, and Minetta Lane, in later times, was the home of many of the best families of the town.

A negro named Bloodthirsty was perhaps the most luminous figure of Minetta Lane's aggregation of desperadoes. Bloodthirsty supposedly is alive now, but he has vanished from the lane. The police want him for murder. Bloodthirsty is a large negro, and very hideous. He has a rolling eye that shows white at the wrong time, and his neck, under the jaw, is dreadfully scarred and pitted.

Bloodthirsty was particularly eloquent when drunk, and in the wildness of a spree he would rave so graphically about gore that even the habitated wool of old timers would stand straight.

Bloodthirsty meant most of it, too. That is why his orations were impressive. His remarks were usually followed by the wide, lightning sweep of his razor. None cared to exchange epithets with Bloodthirsty. A man in a boiler iron suit would walk down to City Hall and look at the clock before he would ask the time of day from the single-minded and ingenuous Bloodthirsty.

After Bloodthirsty, in combative importance, came No-Toe Charley.

Singularly enough, Charley was called No-Toe Charley because he did not have a toe on his feet. Charley was a small negro, and his manner of amus.e.m.e.nt befitting a smaller man. Charley was more wise, more sly, more round-about than the other man. The path of his crimes was like a corkscrew in architecture, and his method led him to make many tunnels.

With all his cleverness, however, No-Toe was finally induced to pay a visit to the gentlemen in the grim, grey building up the river--Sing Sing.

Black-Cat was another famous bandit who made the land his home.

Black-Cat is dead. Jube Tyler has been sent to prison, and after mentioning the recent disappearance of Old Man Spriggs it may be said that the lane is now dest.i.tute of the men who once crowned it with a glory of crime. It is hardly essential to mention Guinea Johnson.

Guinea is not a great figure. Guinea is just an ordinary little crook.

Sometimes Guinea pays a visit to his friends, the other little crooks who make homes in the lane, but he himself does not live there, and with him out of it there is now no one whose industry's unlawfulness has yet earned him the dignity of a nickname. Indeed, it is difficult to find people now who remember the old gorgeous days, although it is but two years since the lane shone with sin like a new head-light. But after a search the reporter found three.

Mammy Ross is one of the last relics of the days of slaughter still living there. Her weird history also reaches back to the blossoming of the first members of the Whyo gang in the Old Sixth Ward, and her mind is stored with b.l.o.o.d.y memories. She at one time kept a sailors'

boarding-house near the Tombs prison, and the accounts of all the festive crimes of that neighbourhood in ancient years roll easily from her tongue. They killed a sailor man every day, and pedestrians went about the streets wearing stoves for fear of the handy knives. At the present day the route to Mammy's home is up a flight of grimy stairs that are pasted on the outside of an old and tottering frame house. Then there is a hall blacker than a wolf's throat, and this hall leads to a little kitchen where Mammy usually sits groaning by the fire. She is, of course, very old, and she is also very fat. She seems always to be in great pain. She says she is suffering from "de very las' dregs of de yaller fever."

During the first part of a reporter's recent visit, old Mammy seemed most dolefully oppressed by her various diseases. Her great body shook and her teeth clicked spasmodically during her long and painful respirations. From time to time she reached her trembling hand and drew a shawl closer about her shoulders. She presented as true a picture of a person undergoing steady, unchangeable, chronic pain as a patent medicine firm could wish to discover for miraculous purposes. She breathed like a fish thrown out on the bank, and her old head continually quivered in the nervous tremors of the extremely aged and debilitated person. Meanwhile her daughter hung over the stove and placidly cooked sausages.

Appeals were made to the old woman's memory. Various personages who had been sublime figures of crime in the long-gone days were mentioned to her, and presently her eyes began to brighten. Her head no longer quivered. She seemed to lose for a period her sense of pain in the gentle excitement caused by the invocation of the spirits of her memory.

It appears that she had had a historic quarrel with Apple Mag. She first recited the prowess of Apple Mag; how this emphatic lady used to argue with paving stones, carving knives, and bricks. Then she told of the quarrel; what Mag said; what she said. It seems that they cited each other as spectacles of sin and corruption in more fully explanatory terms than are commonly known to be possible. But it was one of Mammy's most gorgeous recollections, and, as she told it, a smile widened over her face.

Finally she explained her celebrated retort to one of the most ill.u.s.trious thugs that had blessed the city in bygone days. "Ah says to 'im, ah says: 'You--you'll die in yer boots like Gallopin'

Thompson--dat's what you'll do. You des min' dat', honey. Ah got o'ny one chile, an' he ain't nuthin' but er cripple; but le'me tel' you, man, dat boy'll live t' pick de feathers f'm de goose dat'll eat de gra.s.s dat grows over your grave, man.' Dat's what I tol' 'm. But--law sake--how I know dat in less'n three day, dat man be lying in de gutter wif a knife stickin' out'n his back. Lawd, no, I sholy never s'pected noting like dat."

These reminiscences, at once maimed and reconstructed, have been treasured by old Mammy as carefully, as tenderly, as if they were the various little tokens of an early love. She applies the same black-handed sentiment to them, and, as she sits groaning by the fire, it is plainly to be seen that there is only one food for her ancient brain, and that is the recollection of the beautiful fights and murders of the past.

On the other side of the lane, but near Mammy's house, Pop Babc.o.c.k keeps a restaurant. Pop says it is a restaurant, and so it must be one; but you could pa.s.s there ninety times each day and never know you were pa.s.sing a restaurant. There is one obscure little window in the bas.e.m.e.nt, and if you went close and peered in you might, after a time, be able to make out a small, dusty sign, lying amid jars on a dusty shelf. This sign reads: "Oysters in every style." If you are of a gambling turn of mind, you will probably stand out in the street and bet yourself black in the face that there isn't an oyster within a hundred yards. But Pop Babc.o.c.k made that sign, and Pop Babc.o.c.k could not tell an untruth. Pop is a model of all the virtues which an inventive fate has made for us. He says so.

As far as goes the management of Pop's restaurant, it differs from Sherry's. In the first place, the door is always kept locked. The wardmen of the Fifteenth precinct have a way of prowling through the restaurant almost every night, and Pop keeps the door locked in order to keep out the objectionable people that cause the wardmen's visits. He says so. The cooking stove is located in the main room of the restaurant, and it is placed in such a strategic manner that it occupies about all the s.p.a.ce that is not already occupied by a table, a bench, and two chairs. The table will, on a pinch, furnish room for the plates of two people if they are willing to crowd. Pop says he is the best cook in the world.

When questioned concerning the present condition of the lane, Pop said: "Quiet! Quiet! Lo'd save us, maybe it ain't. Quiet! Quiet!" His emphasis was arranged crescendo, until the last word was really a vocal explosion. "Why, dish er' lane ain't nohow like what it uster be--no, indeed it ain't. No, sir. 'Deed it ain't. Why, I kin remember when dey was a-cuttin' an' a-slashin' long yere all night. 'Deed dey wos. My-my, dem times was different. Dat der Kent, he kep' de place at Green Gate cou't down yer ol' Mammy's--an' he was a hard baby--'deed he was--an'

ol' Black-Cat an' ol' Bloodthirsty, dey was a-comin' round yere a-cuttin', an' a-slashin', an' a-cuttin', an' a-slashin'. Didn't dar'

say boo to a goose in dose days, dat you didn't, less'n you lookin' fer a sc.r.a.p. No, sir." Then he gave information concerning his own prowess at that time. Pop is about as tall as a picket of an undersized fence.