L'Abbe Constantin Part 1

L'Abbe Constantin.

by Ludovic Halevy.

LUDOVIC HALEVY

Ludovic Halevy was born in Paris, January 1, 1834. His father was Leon Halevy, the celebrated author; his grandfather, Fromenthal, the eminent composer. Ludovic was destined for the civil service, and, after finishing his studies, entered successively the Department of State (1852); the Algerian Department (1858), and later on became editorial secretary of the Corps Legislatif (1860). When his patron, the Duc de Morny, died in 1865, Halevy resigned, giving up a lucrative position for the uncertain profession of a playwright: At this period he devoted himself exclusively to the theatre.

He had already written plays as early as 1856, and had also tried his hand at fiction, but did not meet with very great success. Toward 1860, however, he became acquainted with Henri Meilhac, and with him formed a kind of literary union, lasting for almost twenty years, when Halevy rather abruptly abandoned the theatre and became a writer of fiction.

We have seen such kinds of co-partnerships, for instance, in Beaumont and Fletcher; more recently in the beautiful French tales of Erckmann-Chatrian, and still later in the English novels of Besant and Rice.

Some say it was a fortunate event for Meilhac; others a.s.sert that Halevy reaped a great profit by the union. Be this as it may, a great number of plays-drama, comedy, farce, opera, operetta and ballet--were jointly produced, as is shown by the t.i.tle-pages of two score or more of their pieces. When Ludovic Halevy was a candidate for L'Academie--he entered that glorious body in 1884--the question was ventilated by Pailleron: "What was the author's literary relation in his union with Meilhac?" It was answered by M. Sarcey, who criticised the character and quality of the work achieved. Public opinion has a long time since brought in quite another verdict in the case.

Halevy's cooperation endowed the plays of Meilhac with a fuller ethical richness--tempered them, so to speak, and made them real, for it can not be denied that Meilhac was inclined to extravagance.

Halevy's novels are remarkable for the elegance of literary style, tenderness of spirit and keenness of observation. He excels in ironical sketches. He has often been compared to Eugene Sue, but his touch is lighter than Sue's, and his humor less unctuous. Most of his little sketches, originally written for La Vie Parisienne, were collected in his 'Monsieur et Madame Cardinal' (1873); and 'Les Pet.i.tes Cardinal', (1880). They are not intended 'virginibus puerisque', and the author's att.i.tude is that of a half-pitying, half-contemptuous moralist, yet the virility of his criticism has brought him immortality.

Personal recollections of the great war are to be found in 'L'Invasion'

(1872); and 'Notes et Souvenirs', 1871-1872 (1889). Most extraordinary, however, was the success of 'L'Abbe Constantin' (1882), crowned by the Academy, which has gone through no less than one hundred and fifty editions up to 1904, and ranks as one of the greatest successes of contemporaneous literature. It is, indeed, his 'chef-d'oeuvre', very delicate, earnest, and at the same time ironical, a most entrancing family story. It was then that the doors of the French Academy opened wide before Halevy. 'L'Abbe Constantin' was adapted for the stage by Cremieux and Decourcelle (Le Gymnase, 1882). Further notable novels are: 'Criquette, Deux Mariages, Un Grand Mariage, Un Mariage d'Amour', all in 1883; 'Princesse, Les Trois Coups de Foudre, Mon Camarade Moussard', all in 1884; and the romances, 'Karikari (1892), and Mariette (1893)'. Since that time, I think, Halevy has not published anything of importance.

E. LEGOUVE de l'Academie Francaise.

THE ABBE CONSTANTIN

BOOK 1.

CHAPTER I. THE SALE OF LONGUEVAL

With a step still valiant and firm, an old priest walked along the dusty road in the full rays of a brilliant sun. For more than thirty years the Abbe Constantin had been Cure of the little village which slept there in the plain, on the banks of a slender stream called La Lizotte. The Abbe Constantin was walking by the wall which surrounded the park of the castle of Longueval; at last he reached the entrance-gate, which rested high and ma.s.sive on two ancient pillars of stone, embrowned and gnawed by time. The Cure stopped, and mournfully regarded two immense blue posters fixed on the pillars.

The posters announced that on Wednesday, May 18, 1881, at one o'clock P.M., would take place, before the Civil Tribunal of Souvigny, the sale of the domain of Longueval, divided into four lots:

1. The castle of Longueval, its dependencies, fine pieces of water, extensive offices, park of 150 hectares in extent, completely surrounded by a wall, and traversed by the little river Lizotte. Valued at 600,000 francs.

2. The farm of Blanche-Couronne, 300 hectares, valued at 500,000 francs.

3. The farm of La Rozeraie, 250 hectares, valued at 400,000 francs.

4. The woods and forests of La Mionne, containing 450 hectares, valued at 550,000 francs.

And these four amounts, added together at the foot of the bill, gave the respectable sum of 2,050,000 francs.

Then they were really going to dismember this magnificent domain, which, escaping all mutilation, had for more than two centuries always been transmitted intact from father to son in the family of Longueval. The placards also announced that after the temporary division into four lots, it would be possible to unite them again, and offer for sale the entire domain; but it was a very large morsel, and, to all appearance, no purchaser would present himself.

The Marquise de Longueval had died six months before; in 1873 she had lost her only son, Robert de Longueval; the three heirs were the grandchildren of the Marquise: Pierre, Helene, and Camille. It had been found necessary to offer the domain for sale, as Helene and Camille were minors. Pierre, a young man of three-and-twenty, had lived rather fast, was already half-ruined, and could not hope to redeem Longueval.

It was mid-day. In an hour it would have a new master, this old castle of Longueval; and this master, who would he be? What woman would take the place of the old Marquise in the chimney-corner of the grand salon, all adorned with ancient tapestry?--the old Marquise, the friend of the old priest. It was she who had restored the church; it was she who had established and furnished a complete dispensary at the vicarage under the care of Pauline, the Cure's servant; it was she who, twice a week, in her great barouche, all crowded with little children's clothes and thick woolen petticoats, came to fetch the Abbe Constantin to make with him what she called 'la cha.s.se aux pauvres'.

The old priest continued his walk, musing over all this; then he thought, too--the greatest saints have their little weaknesses--he thought, too, of the beloved habits of thirty years thus rudely interrupted. Every Thursday and every Sunday he had dined at the castle.

How he had been petted, coaxed, indulged! Little Camille--she was eight years old--would come and sit on his knee and say to him:

"You know, Monsieur le Cure, it is in your church that I mean to be married, and grandmamma will send such heaps of flowers to fill, quite fill the church--more than for the month of Mary. It will be like a large garden--all white, all white, all white!"

The month of Mary! It was then the month of Mary. Formerly, at this season, the altar disappeared under the flowers brought from the conservatories of Longueval. None this year were on the altar, except a few bouquets of lily-of-the-valley and white lilac in gilded china vases. Formerly, every Sunday at high ma.s.s, and every evening during the month of Mary, Mademoiselle Hebert, the reader to Madame de Longueval, played the little harmonium given by the Marquise. Now the poor harmonium, reduced to silence, no longer accompanied the voices of the choir or the children's hymns. Mademoiselle Marbeau, the postmistress, would, with all her heart, have taken the place of Mademoiselle Hebert, but she dared not, though she was a little musical! She was afraid of being remarked as of the clerical party, and denounced by the Mayor, who was a Freethinker. That might have been injurious to her interests, and prevented her promotion.

He had nearly reached the end of the wall of the park--that park of which every corner was known to the old priest. The road now followed the banks of the Lizotte, and on the other side of the little stream stretched the fields belonging to the two farms; then, still farther off, rose the dark woods of La Mionne.

Divided! The domain was going to be divided! The heart of the poor priest was rent by this bitter thought. All that for thirty years had been inseparable, indivisible to him. It was a little his own, his very own, his estate, this great property. He felt at home on the lands of Longueval. It had happened more than once that he had stopped complacently before an immense cornfield, plucked an ear, removed the husk, and said to himself:

"Come! the grain is fine, firm, and sound. This year we shall have a good harvest!"

And with a joyous heart he would continue his way through his fields, his meadows, his pastures; in short, by every chord of his heart, by every tie of his life, by all his habits, his memories, he clung to this domain whose last hour had come.

The Abbe perceived in the distance the farm of Blanche-Couronne; its red-tiled roofs showed distinctly against the verdure of the forest.

There, again, the Cure was at home. Bernard, the farmer of the Marquise, was his friend; and when the old priest was delayed in his visits to the poor and sick, when the sun was sinking below the horizon, and the Abbe began to feel a little fatigued in his limbs, and a sensation of exhaustion in his stomach, he stopped and supped with Bernard, regaled himself with a savory stew and potatoes, and emptied his pitcher of cider; then, after supper, the farmer harnessed his old black mare to his cart, and took the vicar back to Longueval. The whole distance they chatted and quarrelled. The Abbe reproached the farmer with not going to ma.s.s, and the latter replied:

"The wife and the girls go for me. You know very well, Monsieur le Cure, that is how it is with us. The women have enough religion for the men.

They will open the gates of paradise for us."

And he added maliciously, while giving a touch of the whip to his old black mare:

"If there is one!"

The Cure sprang from his seat.

"What! if there is one! Of a certainty there is one."

"Then you will be there, Monsieur le Cure. You say that is not certain, and I say it is. You will be there, you will be there, at the gate, on the watch for your parishioners, and still busy with their little affairs; and you will say to St. Peter--for it is St. Peter, isn't it, who keeps the keys of paradise?"

"Yes, it is St. Peter."

"Well, you will say to him, to St. Peter, if he wants to shut the door in my face under the pretense that I did not go to ma.s.s--you will say to him: 'Bah! let him in all the same. It is Bernard, one of the farmers of Madame la Marquise, an honest man. He was common councilman, and he voted for the maintenance of the sisters when they were going to be expelled from the village school.' That will touch St. Peter, who will answer: 'Well, well, you may pa.s.s, Bernard, but it is only to please Monsieur le Cure.' For you will be Monsieur le Cure up there, and Cure of Longueval, too, for paradise itself would be dull for you if you must give up being Cure of Longueval."

Cure of Longueval! Yes, all his life he had been nothing but Cure of Longueval, had never dreamed of anything else, had never wished to be anything else. Three or four times excellent livings, with one or two curates, had been offered to him, but he had always refused them. He loved his little church, his little village, his little vicarage. There he had it all to himself, saw to everything himself; calm, tranquil, he went and came, summer and winter, in sunshine or storm, in wind or rain.

His frame became hardened by fatigue and exposure, but his soul remained gentle, tender, and pure.

He lived in his vicarage, which was only a larger laborer's cottage, separated from the church by the churchyard. When the Cure mounted the ladder to train his pear and peach trees, over the top of the wall he perceived the graves over which he had said the last prayer, and cast the first spadeful of earth. Then, while continuing his work, he said in his heart a little prayer for the repose of those among his dead whose fate disturbed him, and who might be still detained in purgatory. He had a tranquil and childlike faith.

But among these graves there was one which, oftener than all the others, received his visits and his prayers. It was the tomb of his old friend Dr. Reynaud, who had died in his arms in 1871, and under what circ.u.mstances! The doctor had been like Bernard; he never went to ma.s.s or to confession; but he was so good, so charitable, so compa.s.sionate to the suffering. This was the cause of the Cure's great anxiety, of his great solicitude. His friend Reynaud, where was he? Where was he? Then he called to mind the n.o.ble life of the country doctor, all made up of courage and self-denial; he recalled his death, above all his death, and said to himself:

"In paradise; he can be nowhere but in paradise. The good G.o.d may have sent him to purgatory just for form's sake--but he must have delivered him after five minutes."

All this pa.s.sed through the mind of the old man, as he continued his walk toward Souvigny. He was going to the town, to the solicitor of the Marquise, to inquire the result of the sale; to learn who were to be the new masters of the castle of Longueval. The Abbe had still about a mile to walk before reaching the first houses of Souvigny, and was pa.s.sing the park of Lavardens when he heard, above his head, voices calling to him: