King of Camargue Part 23

When he went down again, Blanchet was standing alone in front of the mangers, nibbling at the hay.--Renaud ran to the door. Livette, having removed Prince's halter, was shouting at him and waving her pretty arms to drive him away, naked and free. Honest Audiffret, delighted at his daughter's cunning, laughed and laughed. And Prince, overjoyed to return to the desert after these few days of slavery, thinking no more of the oats to be had at the chateau, stood erect like a goat, neighed shrilly with delight, shook his luxuriant mane, flung up his tail and thrashed the air, alive with the flies he had driven from his flanks--and darted away toward the horizon through the lane between the trees in the park.

Renaud had no choice but to submit with an affectation of grat.i.tude, and to laugh with the rest;--but it was more distasteful to him than ever to ride a horse that belonged to him less than any other in the drove, a horse that was his fiancee's.

Thereupon, Audiffret went about his various tasks; and, two hours later, when they were all a.s.sembled in the lower room of the farm-house, Renaud, being suddenly seized with _ennui_ at the thought that he was likely at any moment to have to endure an embarra.s.sing tete-a-tete with this same Livette whose company he had so ardently desired a few days before, spoke of taking his leave. Audiffret remonstrated, and invited him to supper. They would drink a gla.s.s in honor of his victory. Renaud refused awkwardly, conscious how lacking in courtesy such an utterly motiveless refusal was.

But when the grandmother, who hardly ever spoke, urged him to stay, he stayed.

The old woman rarely spoke, for her thoughts were always with the dead and gone grandfather, who had been the faithful companion of her toilsome life. She was slowly drying up, like wood that is sound in all its fibres, but has lost its sap. Hers was a lovely old age, such as are seen in the land of the gra.s.shopper, where people live sober lives, preserved by the light. Already advanced in years when she came to Camargue, she had never suffered from the malevolence of the swamps. It was too late. The cypress-tree does not allow the worms to draw their lines upon its surface.

She was patiently awaiting death, sometimes mumbling _paters_ upon her rosary of olive-nuts, gazing fearlessly, with her dimmed eyes, straight before her at the vague shadow wherein her departed old man, her good, faithful Tiennet, was waiting for her;--Tiennet, who had never, in forty years, caused her a pang, and whom she had never wronged by a smile, even in the days of her gayest youth. Tiennet, from the depths of the shadow, sometimes called to her softly, and then the old woman would be heard to murmur, in a dreamy voice: "I am coming, good man! I am coming!"

Being left alone for a moment with Livette, just before supper, Renaud did not know what to say. Nor did she. He did not dare to lie, and she hoped that he would open his heart and confess. At one moment, she felt that the very fact of his silence was sufficient proof of his treachery, and the next moment, on the contrary, she said to herself: "If there was an understanding between them, he would not be here! I was mad! He loves me."

At supper, he was very talkative, told about his battles and his hunting exploits; how, the year before, with that rascal of a Rampal, he had beaten up two coveys of partridges, on horseback, in a single morning. They had taken twenty-eight, more than twenty being killed on the wing at a single casting of their staves, Arab-fashion.

Audiffret, overjoyed at the recovery of a horse he had thought lost forever, drew from under the woodpile an old-fashioned bottle, a gift from the masters, those masters who are always absent--like all the landowners of Camargue, who prefer to dwell in cities,--Paris, Ma.r.s.eilles, or Montpellier,--leaving the desert to their _bailiffs_.

"Ah! the masters in old times!" said Audiffret, "they had more courage and were better served and better loved!" Renaud, becoming more and more animated, stood up for the times we live in. The grandmother, grave and serious as always, said once to Audiffret at table, speaking of Renaud: "Wait upon your son, my son." Well, well, he was decidedly one of the family.

And that certainty, which it behooved him to retain at any price, instead of moving his heart to grat.i.tude, led him on to play the hypocrite. He was ready to betray Livette, without renouncing her, for he loved her so dearly, so sincerely, that he felt that he was ready, on the other hand, to renounce the gitana, without too great a pang, if circ.u.mstances should make it necessary. He laughed a great deal, raising his gla.s.s with great frequency, and winking involuntarily at Audiffret, as if to say: "We are sly fellows!" But honest Audiffret could not detect his excitement. He had never interested himself in anything except the farm accounts. He had never divined anything in all his life, not he!--As far as the gipsy was concerned, she certainly would not leave Saintes-Maries before the fete, that is to say, for a week or more. After that, she could go where she chose! it would make little difference to him. What could he hope for from a wandering creature like that? An hour's meeting at the cross-roads on the way to Arles! Nothing more!

As to Zinzara, he had hopes; as to Livette, he had certainty. And he was very light of heart.

So it was, that, when the time came for him to take his leave, he indulged in an outburst of affection toward his new family, quite contrary to his usual habit, and to the habit of all drovers, who are rough-mannered by profession.

You must know that the peasants, in general, do not kiss except on great occasions--weddings or baptisms. Only the mothers kiss their young children. The man of the soil is of stern mould.

"Audiffret," the grandmother suddenly said to her son, laying her knitting on the table and her spectacles on her knitting;--"Audiffret, every day brings me a little nearer the end, and I would like to see this marriage take place before I die. You must hurry it as much as possible, now that it's decided on. And if I can't be present on the wedding-day, don't forget, my children, that the old woman blessed you from the bottom of her heart to-night."

And, without another word, she calmly took up the stockings and needles.

She had spoken almost without inflection, in a grave, calm tone, moving her lips only.

Every one was deeply moved. Livette looked at Renaud. He, carried away by his emotion, forgot everything except this new family that offered itself to him, the orphan. Livette saw it and was grateful to him for it. She felt that he was won back, like the stolen horse, and she sprang to her feet in a burst of enthusiasm.

"Kiss me, my betrothed!" said she proudly.

He kissed her with heartfelt sincerity.

The father and the grandmother looked on with eyes that gradually became dim with tears.

When he had pressed the father's hand, Renaud turned to the grandmother, as she stuck her knitting-needle into the white hair that fluttered about her temples.

"Kiss me, grandmother!" he said, with a smile.

The old woman gave a leap, then stood erect, recoiling a little as if in fear:

"Since my husband died, no man has ever kissed me," she said, "not even my son there! Let young people kiss. Life is before them. I," she added, "am already with the dead."

And with that, the old peasant-woman, straight and stiff and withered,--the image of a by-gone time, when it was deemed a praiseworthy thing to remain true to a single sentiment,--sought the bed of her old age, which was soon to see her lying dead, with the tranquillity of a simple, loving, faithful heart upon her parchment-like face.

XVIII

THE BLESSED RELICS

The great day has arrived. From all parts of Languedoc and Provence, pilgrims, rich and poor, have come to Saintes-Maries. There are fully ten thousand strangers in the town.

For three days past they have been arriving in vehicles of all shapes and of all ages.

Many of these pilgrims lodge with the villagers at extraordinary, princely rates. A bunch of straw on the floor brings twenty francs.

The villager himself sleeps on a chair, or pa.s.ses the night in the open air on the warm sand of the dunes. If the bulls arrive during the night for the sports of the following day, he a.s.sists the drovers to drive them into the compound, in the wake of the _dondare_, the enormous ox with a bell.

The houses are soon filled to overflowing. New-comers are obliged to camp. Tents are pitched. People live in carts and wagons, in breaks, tilburys, caleches, omnibuses, as far away as possible, be it understood, from the gipsy encampment.

Around the little town, the hundreds of vehicles const.i.tute a roving town of their own, resting there like a flock of birds of pa.s.sage around a swamp.

And on all sides naught can be seen but tattered, crippled, hunchbacked, deformed, blind, or one-eyed creatures, broken in health, lame, maimed, scrofulous, and paralytic, dragging themselves along or dragged by others, carried in men's arms or on litters, some with bandages over their faces, others displaying unhealed wounds from which one turns aside in horror.

Here a poor fellow who has been bitten by a mad dog wanders about with gloomy brow, tormented by insane anxiety and hope, for a pilgrimage to Saintes-Maries is especially efficacious against hydrophobia.

All varieties of misfortune are represented. All the children of Job and Tobias have journeyed hither to find the healing angel and the miraculous fish.

A motley crowd swarms upon the public square in the bright sunlight, and in the narrow streets, under the luminous shadow of the awnings.

From time to time, it parts, with loud shouts, before a drover, who rides proudly by, his sweetheart _en croupe_ with her arms about his waist.

Here and there flat baskets laden with rosaries, sacred images, Catalan knives, and handkerchiefs of brilliant hue stand out like islets in the midst of the sea of promenaders, and all the merchandise displayed for sale takes on a pink or pale-blue tint through the great stationary umbrellas that shield it from the sun.

Amid the fantastic piercing notes of a _galoubet_, or high-pitched flute, tambourines can be heard humming in cadence in the interior of a wine-shop, where young girls of the province are dancing in Provencal costume, dark-skinned girls with white teeth beneath their sensuous lips; very like Moors they are, the descendants of some Saracen pirate who ravaged the Ligurian sh.o.r.e.

The town is flooded with joyous light. Everybody is in his Sunday dress. Upon the fever-haunted strand, whither a whole people flocks to pray to the Saintes Maries for bodily health, that joyous sun is dangerous. The whole scene has the appearance of a hospital ball, a fete given by dying men. The devil wields the baton, it may be. One would think it, to see the faces of the gipsies, whose expression, notwithstanding certain cunning leers, is and remains undecipherable.

In the church with the black, dirt-begrimed walls, filled with a fetid odor by such an acc.u.mulation of misery, diseased flesh, and perspiring humanity, the people crowd about the iron bal.u.s.trade of the little well, as if it were the Fountain of Youth. The poor, green, dilapidated pitcher humbly descends at the end of its cord to bring up from the sand below brackish water that to-day seems sweet.

Keep faith with them, O saints!--Faith gives what one wishes.

They are waiting for four o'clock, the hour at which the relics descend.

At four o'clock precisely, the shutter of the high window up yonder, under the ogive arch of the nave, will open. The relics will come down toward the outstretched arms. The little children will be lifted up toward them. The dead arms of the paralytics will be raised toward them. The blind will turn toward them their sightless eyes, or their empty, blood-stained orbits.

Meanwhile, Livette, who is standing there in the centre of the crowd, directly in front of the altar, facing the grated door through which you go down into the crypt, is preparing to sing the solo of invocation. Her fresh, pure voice is to be the voice of all these wretched creatures, crushed under the weight of impurity and disease.

Just below the high altar, which is studded with tapers, the gipsies are huddled together in their crypt, with tapers in their hands, invoking Saint Sara. The vault is dark. The gipsies are black. The little gla.s.s shrine of Saint Sara has become black under the acc.u.mulated filth of years. From the centre of the church you can see through the grated opening, which resembles an air-hole of h.e.l.l, the innumerable twinkling lights of the tapers below, waving to and fro in the hands that hold them. A m.u.f.fled sound of praying comes up through the opening.

In the church, every hand now has its taper, and they are rapidly lighted one from another. The lights dance about in the air. But the interior of the nave is dark. The high walls, pierced by narrow windows, are grimy with age. And all this obscurity, where suffering and misery crawl and cower, is studded with stars like heaven. To the gipsies in the crypt, who will not see the blessed relics descend, the body of the church, which they can see from below through the air-hole, is a heaven beyond their reach, the world of the elect.