King Arthur's Socks and Other Village Plays Part 28

THE MAID. He is rewriting his book--you know, the one Hedda burned up-- for use as a text-book in the public schools. And Hedda is helping him.

THE STRANGER. No more adventure--no more beauty--the flame . . . gone out! My G.o.d!

_He staggers toward the wall, where a pistol is hanging, and puts his hand on it_.

THE MAID. Look out! That's Hedda's pistol. You never can tell when an old piece of junk like that is loaded.

THE STRANGER. Yes--I know. (_He takes it down and aims it at his heart_.) The old Hedda is gone. I cannot bear the new. It would be too--(_The maid screams_)--too dull.

_He fires, and falls_.

THE MAID. (_going over and looking down at him_) But--people don't do such things!

KING ARTHUR'S SOCKS

A COMEDY

To MAX EASTMAN

"King Arthur's Socks" was first produced by the Provincetown Players, New York City, in 1916, with the following cast:

Guenevere Robinson...Edna James Vivien Smith.........Jane Burr Mary.................Augusta Gary Lancelot Jones.......Max Eastman

_The living room of a summer cottage in Camelot, Maine. A pretty woman of between twenty-five and thirty-five is sitting in a big chair in the lamplight darning socks. She is Mrs. Arthur B. Robinson--or, to give her her own name, Guenevere. She is dressed in a light summer frock, and with her feet elevated on a settle there is revealed a glimpse of slender silk-clad ankles. It is a pleasant summer evening, and, one might wonder why so attractive a woman should be sitting at home darning her husband's socks, there being so many other interesting things to do in this world. The girl standing in the doorway, smiling amusedly, seems to wonder at it too. The girl's name is Vivien Smith_.

VIVIEN. h.e.l.lo, Gwen!

GUENEVERE. h.e.l.lo, Vivien! Come in.

VIVIEN. I'm just pa.s.sing by.

GUENEVERE. Come in and console me for a minute or two, anyway. I'm a widow at present.

VIVIEN. (_enters and lounges against the mantelpiece_) Arthur gone to New York again?

GUENEVERE. Yes, for over Sunday. And I'm lonely.

VIVIEN. You don't seem to mind. Think of a woman being that happy darning her husband's socks!

GUENEVERE. Stay here and talk to me--unless you've something else on.

It's been ages since I've seen you.

VIVIEN. I'm afraid I have got something else on, Gwen--I'll give you one guess.

GUENEVERE. You can't pretend to be art-ing at this hour of the night.

VIVIEN. I could pretend, but I won't. No, Gwen dear, it's not the pursuit of art, it's the pursuit of a man.

GUENEVERE. Don't try to talk like a woman in a Shaw play. I don't like this rigmarole about "pursuit." Say you're in love, like a civilized human being. And take a cigarette, and tell me about it.

VIVIEN. _(lighting a cigarette)_ I don't know whether I'm so civilized, at that. You know me, Gwen. When I paint, do I paint like a lady?--or like a savage! (_She does, in fact, appear to be a very headstrong and reckless young woman_.)

GUENEVERE. (_mildly_) Oh, be a savage all you want to, Gwen. But don't tell me you're going in for this modern free-love stuff, because I won't believe it. You're not that kind of fool, Vivien. (_She darns placidly away_.)

VIVIEN. No, I'm not. I'm not a fool at all, Gwen dear. I know exactly what I want--and it doesn't include being disowned by my family and having my picture in the morning papers. Free-love? Not at all. I want to be married.

GUENEVERE. Well, for heaven's sake, who is it?

VIVIEN. Is it possible that it's not being gossiped about? You really haven't heard?

GUENEVERE. Not a syllable.

VIVIEN. Then I shan't tell you.

GUENEVERE. But--why?

VIVIEN. Because you'll think I've a nerve to want him.

GUENEVERE. Nonsense. I don't know any male person in these parts who is good enough for you, Vivien.

VIVIEN. Thanks, darling. That's just what I think in my calmer moments.

But mostly I'm so crazy about him that I'm almost humble. Can you imagine it?

GUENEVERE. Well, what's the matter, then? Doesn't he reciprocate? You don't look like the victim of a hopeless pa.s.sion.

VIVIEN. Oh, he's in love with me all right. But he doesn't want to be.

He says being in love interferes with his work.

GUENEVERE. What nonsense!

VIVIEN. Oh, I don't know about that! I think being in love with me would interfere with a man's work. I should hope so!

GUENEVERE. (_primly_) I don't interfere with Arthur's work.

VIVIEN. Arthur's a professor of philosophy. Besides, Arthur had written a book and settled down before he fell in love with you. I'm dealing with a man who has his work still to do. He thinks if he had about three years of peace and quiet and hard work, he'd put something big across. He put it up to me as a fellow-artist. I know just how he feels. I suppose I am very distracting!

GUENEVERE. Well, why don't you give him his three years?

VIVIEN. Gwen! What do you think I am? An altruist? A benefactor of humanity? Well, I'm not, I'm a woman. Three years? I've given him three hours, and threatened to marry a man back at home if he doesn't make up his mind before then.