Keats Part 6

As the best criticism on Keats's _Endymion_ is in his own preface, so its best defence is in a letter he wrote six months after it was printed. "It is as good," he says, "as I had power to make it by myself." Hunt had warned him against the risks of a long poem, and Sh.e.l.ley against those of hasty publication. From much in his performance that was exuberant and crude the cla.s.sical training and now ripening taste of Sh.e.l.ley might doubtless have saved him, had he been willing to listen. But he was determined that his poetry should at all times be the true spontaneous expression of his mind. "Had I been nervous," he goes on, "about its being a perfect piece, and with that view asked advice, and trembled over every page, it would not have been written; for it is not in my nature to fumble. I will write independently. I have written independently _without judgment_. I may write independently and _with judgment_ hereafter. The genius of poetry must work out its own salvation in a man. It cannot be matured by law and precept, but by sensation and watchfulness in itself."

How well Keats was able to turn the fruits of experience to the benefit of his art, how swift the genius of poetry in him was to work out, as he says, its own salvation, we shall see when we come to consider his next labours.

CHAPTER VI.

Northern Tour--The _Blackwood_ and _Quarterly_ reviews--Death of Tom Keats--Removal to Wentworth Place--f.a.n.n.y Brawne--Excursion to Chichester--Absorption in Love and Poetry--Haydon and Money Difficulties--Family Correspondence--Darkening Prospects--Summer at Shanklin and Winchester--Wise Resolutions--Return from Winchester.

[June 1818-October, 1819.]

While Keats in the spring of 1818 was still at Teignmouth, with _Endymion_ on the eve of publication, he had been wavering between two different plans for the immediate future. One was to go for a summer's walking tour through Scotland with Charles Brown. "I have many reasons," he writes to Reynolds, "for going wonder-ways; to make my winter chair free from spleen; to enlarge my vision; to escape disquisitions on poetry, and Kingston-criticism; to promote digestion and economize shoe-leather. I'll have leather b.u.t.tons and belt, and if Brown hold his mind, 'over the hills we go.' If my books will keep me to it, then will I take all Europe in turn, and see the kingdoms of the earth and the glory of them." A fortnight later we find him inclining to give up this purpose under an over-mastering sense of the inadequacy of his own attainments, and of the necessity of acquiring knowledge, and ever more knowledge, to sustain the flight of poetry:--

"I was proposing to travel over the North this summer. There is but one thing to prevent me. I know nothing--I have read nothing--and I mean to follow Solomon's directions, 'Get learning--get understanding.' I find earlier days are gone by--I find that I can have no enjoyment in the world but continual drinking of knowledge. I find there is no worthy pursuit but the idea of doing some good to the world. Some do it with their society; some with their wit; some with their benevolence; some with a sort of power of conferring pleasure and good-humour on all they meet--and in a thousand ways, all dutiful to the command of great nature. There is but one way for me. The road lies through application, study, and thought. I will pursue it; and, for that end, purpose retiring for some years. I have been hovering for some time between an exquisite sense of the luxurious and a love for philosophy: were I calculated for the former I should be glad; but as I am not, I shall turn all my soul to the latter."

After he had come back to Hampstead in May, however, Keats allowed himself to be persuaded, no doubt partly by considerations of health, and the recollection of his failure to stand the strain of solitary thought a year before, to resume his original intention. It was agreed between him and Brown that they should accompany George Keats and his bride as far as Liverpool, and then start on foot from Lancaster. They left London accordingly on Monday, June 22[37]. The coach stopped for dinner the first day at Redbourn near St Albans, where Keats's friend of medical-student days, Mr Stephens, was in practice. He came to shake hands with the travelling party at the poet's request, and many years afterwards wrote an account of the interview, the chief point of which is a description of Mrs George Keats. "Rather short, not what might be strictly called handsome, but looked like a being whom any man of moderate sensibility might easily love. She had the imaginative poetical cast. Somewhat singular and girlish in her attire.... There was something original about her, and John seemed to regard her as a being whom he delighted to honour, and introduced her with evident satisfaction[38]." With no other woman or girl friend was Keats ever on such easy and cordial terms of intimacy as with this 'Nymph of the downward smile and side-long glance' of his early sonnet--'Sister George' as she had now become; and for that reason, and on account of the series of charming playful affectionate letters he wrote to her afterwards in America, the portrait above quoted, such as it is, seems worth preserving.

The farewells at Liverpool over, Keats and Brown went on by coach to Lancaster, and thence began their walk, Keats taking for his reading one book only, the little three-volume edition of Cary's _Dante_. "I cannot,"

writes Brown, "forget the joy, the rapture of my friend when he suddenly, and for the first time, became sensible to the full effect of mountain scenery. It was just before our descent to the village of Bowness, at a turn of the road, when the lake of Windermere at once came into view....

All was enchantment to us both." Keats in his own letters says comparatively little about the scenery, and that quite simply and quietly, not at all with the descriptive enthusiasm of the modern picturesque tourist; nor indeed with so much of that quality as the sedate and fastidious Gray had shown in his itineraries fifty years before. The truth is that an intensely active, intuitive genius for nature like his needs not for its exercise the stimulus of the continued presence of beauty, but on a minimum of experience can summon up and multiply for itself spirit sunsets, and glories of dream and lake and mountain, richer and more varied than the mere receptive lover of scenery, eager to enjoy but impotent to create, can witness in a life-time of travel and pursuit.

Moreover, whatever the effect on him of that first burst of Windermere, it is evident that as Keats proceeded northwards he found the scenery somewhat foreign to his taste. Besides the familiar home beauties of England, two ideals of landscape, cla.s.sic and mediaeval, haunted and allured his imagination almost equally; that of the sunny and fabled south, and that of the shadowed and adventurous north; and the Scottish border, with its bleak and moorish, rain-swept and cloud-empurpled hills, and its unhomely cold stone villages, struck him at first as answering to neither. "I know not how it is, the clouds, the sky, the houses, all seem anti-Grecian and anti-Charlemagnish."

A change, besides, was coming over Keats's thoughts and feelings whereby scenery altogether was beginning to interest him less, and his fellow-creatures more. In the acuteness of childish and boyish sensation, among the suburban fields or on sea-side holidays, he had unconsciously absorbed images of nature enough for his faculties to work on through a life-time of poetry; and now, in his second chamber of Maiden-thought, the appeal of nature yields in his mind to that of humanity. "Scenery is fine," he had already written from Devonshire in the spring, "but human nature is finer." In the Lake country, after climbing Skiddaw one morning early, and walking to Treby the same afternoon, where they watched with amus.e.m.e.nt the exercises in a country dancing-school: "There was as fine a row of boys and girls," says Keats, "as you ever saw; some beautiful faces, and one exquisite mouth. I never felt so near the glory of patriotism, the glory of making, by any means, a country happier. This is what I like better than scenery." The same note recurs frequently in letters of a later date.

From Lancaster the travellers walked first to Ambleside; from Ambleside to the foot of Helvellyn, where they slept, having called by the way on Wordsworth at Rydal, and been disappointed to find him away electioneering. From Helvellyn to Keswick, whence they made the circuit of Derwent.w.a.ter; Keswick to Treby, Treby to Wigton, and Wigton to Carlisle, where they arrived on the 1st of July. Thence by coach to Dumfries, visiting at the latter place the tomb and house of Burns, to whose memory Keats wrote a sonnet, by no means in his best vein. From Dumfries they started southwestwards for Galloway, a region little frequented even now, and then hardly at all, by tourists. Reaching the Kirkcudbrightshire coast, with its scenery at once wild and soft, its embosomed inlets and rocky tufted headlands, its views over the glimmering Solway to the hazy hills of Man, Brown bethought him that this was Guy Mannering's country, and began to tell Keats about Meg Merrilies. Keats, who according to the fashion of his circle was no enthusiast for Scott's poetry, and of the Waverley novels had read the _Antiquary_ but not _Guy Mannering_, was much struck; and presently, writes Brown,--"there was a little spot, close to our pathway. 'There,' he said, 'in that very spot, without a shadow of doubt, has old Meg Merrilies often boiled her kettle.' It was among pieces of rock, and brambles, and broom, ornamented with a profusion of honeysuckles and roses, and foxgloves, and all in the very blush and fulness of blossom." As they went along, Keats composed on Scott's theme the spirited ballad beginning 'Old Meg, she was a gipsy,' and stopping to breakfast at Auchencairn, copied it out in a letter which he was writing to his young sister at odd moments, and again in another letter which he began at the same place to Tom. It was his way on his tour, and indeed always, thus to keep by him the letters he was writing, and add sc.r.a.ps to them as the fancy took him. The systematic Brown, on the other hand, wrote regularly and uniformly in the evenings. "He affronts my indolence and luxury," says Keats, "by pulling out of his knapsack, first his paper; secondly his pens; and last, his ink. Now I would not care if he would change a little. I say now, why not take out his pens first sometimes? But I might as well tell a hen to hold up her head before she drinks, instead of afterwards."

From Kirkcudbright they walked on July 5,--skirting the wild moors about the Water of Fleet, and pa.s.sing where Cairnsmore looks down over wooded slopes to the steaming estuary of the Cree,--as far as Newton Stewart: thence across the Wigtonshire levels by Glenluce to Stranraer and Portpatrick. Here they took the Donaghadee packet for Ireland, with the intention of seeing the Giant's Causeway, but finding the distances and expense exceed their calculation, contented themselves with a walk to Belfast, and crossed again to Portpatrick on the third day. In letters written during and immediately after this excursion, Keats has some striking pa.s.sages of human observation and reflection:--

"These Kirk-men have done Scotland good. They have made men, women, old men, young men, old women, young women, hags, girls, and infants, all careful; so they are formed into regular phalanges of savers and gainers.... These Kirk-men have done Scotland harm; they have banished puns, love, and laughing. To remind you of the fate of Burns:--poor, unfortunate fellow! his disposition was Southern! How sad it is when a luxurious imagination is obliged, in self-defence, to deaden its delicacy in vulgarity and in things attainable, that it may not have leisure to go mad after things that are not!... I would sooner be a wild deer, than a girl under the dominion of the Kirk; and I would sooner be a wild hog, than be the occasion of a poor creature's penance before those execrable elders."

"On our return from Belfast we met a sedan--the d.u.c.h.ess of Dunghill.

It was no laughing matter though. Imagine the worst dog-kennel you ever saw, placed upon two poles from a mouldy fencing. In such a wretched thing sat a squalid old woman, squat like an ape half-starved from a scarcity of biscuit in its pa.s.sage from Madagascar to the Cape, with a pipe in her mouth and looking out with a round-eyed, skinny-lidded inanity, with a sort of horizontal idiotic movement of her head: squat and lean she sat, and puffed out the smoke, while two ragged, tattered girls carried her along. What a thing would be a history of her life and sensations!"--.

From Stranraer the friends made straight for Burns's country, walking along the coast by Ballantrae, Girvan, Kirkoswald, and Maybole, to Ayr, with the lonely ma.s.s of Ailsa Crag, and presently the mountains of Arran, looming ever above the Atlantic floor on the left: and here again we find Keats taking a keen pleasure in the mingled richness and wildness of the coast scenery. They went to Kirk Alloway, and he was delighted to find the home of Burns amid scenes so fair. He had made up his mind to write a sonnet in the cottage of that poet's birth, and did so, but was worried by the prate of the man in charge--"a mahogany-faced old jacka.s.s who knew Burns: he ought to have been kicked for having spoken to him"--"his gab hindered my sublimity: the flat dog made me write a flat sonnet." And again, as they journeyed on toward Glasgow he composed with considerable pains (as Brown particularly mentions) the lines beginning 'There is a charm in footing slow across a silent plain.' They were meant to express the temper in which his pilgrimage through the Burns country had been made, but in spite of an occasional striking breadth and concentration of imagery, are on the whole forced and unlike himself.

From Ayr Keats and Brown tramped on to Glasgow, and from Glasgow by Dumbarton through the _Lady of the Lake_ country, which they found vexatiously full of tourists, to Inverary, and thence by Loch Awe to Oban.

At Inverary Keats was amused and exasperated by a performance of _The Stranger_ to an accompaniment of bagpipe music. Bathing in Loch Fyne the next morning, he got horribly bitten by gadflies, and vented his smart in a set of doggrel rhymes. The walk along the sh.o.r.es of Loch Awe impressed him greatly, and for once he writes of it something like a set description, for the benefit of his brother Tom. At the same point occur for the first time complaints, slight at first, of fatigue and discomfort.

At the beginning of his tour Keats had written to his sister of its effects upon his sleep and appet.i.te: telling her how he tumbled into bed "so fatigued that when I am asleep you might sew my nose to my great toe and trundle me round the town, like a hoop, without waking me. Then I get so hungry a ham goes but a very little way and fowls are like larks to me.... I can eat a bull's head as easily as I used to do bull's eyes."

Presently he writes that he is getting used to it, and doing his twenty miles or more a day without inconvenience. But now in the remoter parts of the Highlands the coa.r.s.e fare and accommodation, and rough journeys and frequent drenchings, begin to tell upon both him and Brown, and he grumbles at the perpetual diet of oatcake and eggs. Arrived at Oban, the friends undertook one journey in especial which proved too much for Keats's strength. Finding the regular tourist route by water to Staffa and Iona too expensive, they were persuaded to take the ferry to the hither side of the island of Mull, and then with a guide cross on foot to the farther side opposite Iona: a wretched walk, as Keats calls it, of some thirty-seven miles over difficult ground and in the very roughest weather.

By good luck the sky lifted at the critical moment, and the travellers had a favourable view of Staffa. By the power of the past and its a.s.sociations in the one 'ill.u.s.trious island,' and of nature's architecture in the other, Keats shows himself naturally much impressed. Fingal's cave in especial touched his imagination, and on it and its profanation by the race of tourists he wrote, in the seven-syllable metre which no writer since Ben Jonson has handled better or more vigorously, the lines beginning 'Not Aladdin Magian.' Avoiding mere epithet-work and description, like the true poet he is, he begins by calling up for comparison the visions of other fanes or palaces of enchantment, and then, bethinking himself of Milton's cry to Lycidas,

"--where'er thy bones are hurl'd, Whether beyond the stormy Hebrides"--

imagines that lost one to have been found by the divinity of Ocean, and put by him in charge of this cathedral of his building. In his priestly character Lycidas tells his latter-day visitant of the religion of the place, complains of the violation of its solitude, and ends, with a fine abruptness which is the most effective stroke of art in the piece:--

"So for ever I will leave Such a taint, and soon unweave All the magic of the place![39]

So saying, with a spirit's glance He dived--."

From the exertion and exposure which he underwent on his Scotch tour, and especially in this Mull expedition, are to be traced the first distinct and settled symptoms of failure in Keats's health, and of the development of his hereditary tendency to consumption. In the same letter to his brother Tom which contains the transcript of the Fingal poem, he speaks of a 'slight sore throat,' and of being obliged to rest for a day or two at Oban. Thence they pushed on in bad weather to Fort William, made the ascent of Ben Nevis in a dissolving mist, and so by the 6th of August to Inverness. Keats's throat had in the meantime been getting worse: the ascent, and especially the descent, of Ben Nevis had, as he confesses, tried him: feverish symptoms set in, and the doctor whom he consulted at Inverness thought his condition threatening, and forbade him to continue his tour. Accordingly he took pa.s.sage on the 8th or 9th of August from the port of Cromarty for London, leaving his companion to pursue his journey alone,--"much lamenting," to quote Brown's own words, "the loss of his beloved intelligence at my side." Keats in some degree picked up strength during a nine days' sea pa.s.sage, the humours of which he afterwards described pleasantly in a letter to his brother George. But his throat trouble, the premonitory sign of worse, never really or for any length of time left him afterwards. On the 18th of August he arrived at Hampstead, and made his appearance among his friends the next day, "as brown and as shabby as you can imagine," writes Mrs Dilke, "scarcely any shoes left, his jacket all torn at the back, a fur cap, a great plaid, and his knapsack. I cannot tell what he looked like." When he found himself seated, for the first time after his hardships, in a comfortable stuffed chair, we are told how he expressed a comic enjoyment of the sensation, quoting at himself the words in which Quince the carpenter congratulates his gossip the weaver on his metamorphosis[40].

Simultaneously, almost, with Keats's return from the North appeared attacks on him in _Blackwood's Magazine_ and the _Quarterly Review_. The _Blackwood_ article, being No. IV. of a series bearing the signature 'Z'

on the 'c.o.c.kney School of Poetry,' was printed in the August number of the magazine. The previous articles of the same series, as well as a letter similarly signed, had been directed against Leigh Hunt, in a strain of insult so preposterous as to be obviously inspired by the mere wantonness of partisan licence. It is not quite certain who wrote them, but they were most probably the work either of Lockhart or of Wilson, suggested and perhaps revised by the publisher William Blackwood, at this time his own sole editor. Not content with attacking Hunt's opinions, or his real weaknesses as a writer or a man, his Edinburgh critics must needs heap on him the grossest accusations of vice and infamy. In the course of these articles allusion had several times been made to 'Johnny Keats' as an 'amiable bardling' and puling satellite of the arch-offender and king of c.o.c.kaigne, Hunt. When now Keats's own turn came, his treatment was mild in comparison with that of his supposed leader. The strictures on his work are idle and offensive, but not more so than is natural to unsympathetic persons full of prejudice and wishing to hurt. 'c.o.c.kney' had been in itself a fair enough label for a hostile critic to fasten upon Hunt; neither was it altogether inapplicable to Keats, having regard to the facts of his origin and training: that is if we choose to forget that the measure of a man is not his experience, but the use he is able to make of it. The worst part of the Keats review was in its personalities,--"so back to the shop, Mr John, stick to 'plasters, pills, ointment boxes,'

&c."--and what made these worse was the manner in which the materials for them had been obtained. Keats's friend Bailey had by this time taken his degree, and after publishing a friendly notice of _Endymion_ in the _Oxford Herald_ for June, had left the University and gone to settle in a curacy in c.u.mberland. In the course of the summer he staid at Stirling, at the house of Bishop Gleig; whose son, afterwards the well-known writer and Chaplain-general to the forces, was his friend, and whose daughter (a previous love-affair with one of the Reynolds sisters having fallen through) he soon afterwards married. Here Bailey met Lockhart, then in the hey-day of his brilliant and bitter youth; lately admitted to the intimacy of Scott; and earning, on the staff of _Blackwood_ and otherwise, the reputation and the nickname of 'Scorpion.' Bailey, anxious to save Keats from the sort of treatment to which Hunt had already been exposed, took the opportunity of telling Lockhart in a friendly way his circ.u.mstances and history, explaining at the same time that his attachment to Leigh Hunt was personal and not political; pleading that he should not be made an object of party denunciation; and ending with the request that at any rate what had been thus said in confidence should not be used to his disadvantage. To which Lockhart replied that certainly it should not be so used by _him_. Within three weeks the article appeared, making use to all appearance, and to Bailey's great indignation, of the very facts he had thus confidentially communicated.

To the end of his life Bailey remained convinced that whether or not Lockhart himself wrote the piece, he must at any rate have prompted and supplied the materials for it[41]. It seems in fact all but certain that he actually wrote it[42]. If so, it was a felon stroke on Lockhart's part, and to forgive him we must needs remember all the grat.i.tude that is his due for his filial allegiance to and his immortal biography of Scott. But even in that connection our grudge against him revives again; since in the party violence of the time and place Scott himself was drawn into encouraging the savage polemics of his young Edinburgh friends; and that he was in some measure privy to the c.o.c.kney School outrages seems certain.

Such, at least, was the impression prevailing at the time[43]; and when Severn, who did not know it, years afterwards innocently approached the subject of Keats and his detractors in conversation with Scott at Rome, he observed both in Scott and his daughter signs of pain and confusion which he could only interpret in the same sense[44]. It is hard to say whether the thought of the great-hearted Scott, the soul most free from jealousy or harshness, thus a.s.sociated with an act of stupid cruelty to genius, is one to make us the more indignant against those who so misled him, or the more patient of mistakes committed by commoner spirits among the distracting cries and blind collisions of the world.

The _Quarterly_ article on _Endymion_ followed in the last week of September (in the number dated April), and was in an equally contemptuous strain; the writer professing to have been unable to read beyond the first canto, or to make head or tail of that. In this case again the question of authorship must remain uncertain: but Gifford, as editor, and an editor who never shrank from cutting a contributor's work to his own pattern, must bear the responsibility with posterity. The review is quite in his manner, that of a man insensible to the higher charm of poetry, incapable of judging it except by mechanical rule and precedent, and careless of the pain he gives. Considering the perfect modesty and good judgment with which Keats had in his preface pointed out the weaknesses of his own work, the attacks are both alike inexcusable. They had the effect of promptly rousing the poet's friends in his defence. Reynolds published a warm rejoinder to the Quarterly reviewer in a west-country paper, the _Alfred_; an indignant letter on the same side appeared in the _Morning Chronicle_ with the initials J. S.--those probably of John Scott, then editor of the _London Magazine_, and soon afterwards killed by a friend of Lockhart's in a duel, arising out of these very Blackwood brawls, in which it was thought that Lockhart himself ought to have come forward. Leigh Hunt reprinted Reynolds's letter, with some introductory words, in the _Examiner_, and later in his life regretted that he had not done more. But he could not have done more to any purpose. He was not himself an enthusiastic admirer of _Endymion_, and had plainly said so to Keats and to his friends. Reynolds's piece, which he reprinted, was quite effective and to the point; and moreover any formal defence of Keats by Hunt would only have increased the virulence of his enemies, as they both perfectly well knew; folly and spite being always ready to cry out that praise of a friend by a friend must needs be interested or blind.

Neither was Keats's demeanour under the lash such as could make his friends suppose him particularly hurt. Proud in the extreme, he had no irritable vanity; and aiming in his art, if not always steadily, yet always at the highest, he rather despised than courted such success as he saw some of his contemporaries enjoy:--"I hate," he says, "a mawkish popularity." Even in the hopes of permanent fame which he avowedly cherished, there was nothing intemperate or impatient; and he was conscious of perceiving his own shortcomings at least as clearly as his critics. Accordingly he took his treatment at their hands more coolly than older and less sensitive men had taken the like. Hunt had replied indignantly to his Blackwood traducers, repelling scorn with scorn.

Hazlitt endeavoured to have the law of them. Keats at the first sting declared, indeed, that he would write no more poetry, but try to do what good he could to the world in some other way. Then quickly recovering himself, he with great dignity and simplicity treated the annoyance as one merely temporary, indifferent, and external. When Mr Hessey sent for his encouragement the extracts from the papers in which he had been defended, he wrote:--

"I cannot but feel indebted to those gentlemen who have taken my part.

As for the rest, I begin to get a little acquainted with my own strength and weakness. Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works. My own domestic criticism has given me pain without comparison beyond what 'Blackwood' or the 'Quarterly' could possibly inflict: and also when I feel I am right, no external praise can give me such a glow as my own solitary reperception and ratification of what is fine."

And again:--"There have been two letters in my defence in the 'Chronicle,' and one in the 'Examiner,' copied from the Exeter paper, and written by Reynolds. I don't know who wrote those in the 'Chronicle.' This is a mere matter of the moment: I think I shall be among the English Poets after my death. Even as a matter of present interest, the attempt to crush me in the 'Quarterly' has only brought me more into notice, and it is a common expression among book-men, 'I wonder the 'Quarterly' should cut its own throat.'"

In point of fact an unknown admirer from the west country sent Keats about this time a letter and sonnet of sympathy, with which was enclosed a further tribute in the shape of a 25 note. Keats was both pleased and displeased: "if I had refused it," he says, "I should have behaved in a very braggadocio dunderheaded manner; and yet the present galls me a little." About the same time he received, through his friend Richard Woodhouse, a young barrister who acted in some sort as literary adviser or a.s.sistant to Messrs Taylor and Hessey[45], a glowing letter of sympathy and encouragement from Miss Porter, 'of Romance celebrity': by which he shows himself in his reply not more flattered than politeness demands.

Keats was really living, during the stress of these _Blackwood_ and _Quarterly_ storms, under the pressure of another and far more heartfelt trouble. His Hampstead friends, before they heard of his intended return from Scotland, had felt reluctantly bound to write and summon him home on account of the alarming condition of his brother Tom. He had left the invalid behind in their lodgings at Well Walk, and found that he had grown rapidly worse during his absence. In fact the case was desperate, and for the next few months Keats's chief occupation was the harrowing one of watching and ministering to this dying brother. In a letter written in the third week of September, he speaks thus of his feelings and occupations:--"I wish I could say Tom was better. His ident.i.ty presses upon me so all day that I am obliged to go out--and although I had intended to have given some time to study alone, I am obliged to write and plunge into abstract images to ease myself of his countenance, his voice, and feebleness--so that I live now in a continual fever. It must be poisonous to life, although I feel well. Imagine 'the hateful siege of contraries'--if I think of fame, of poetry, it seems a crime to me, and yet I must do so or suffer." And again about the same time to Reynolds:--"I never was in love, yet the voice and shape of a woman has haunted me these two days--at such a time when the relief, the feverous relief of poetry, seems a much less crime. This morning poetry has conquered--I have relapsed into those abstractions which are my only life--I feel escaped from a new, strange, and threatening sorrow, and I am thankful for it. There is an awful warmth about my heart, like a load of immortality." As the autumn wore on, the task of the watcher grew ever more sorrowful and absorbing[46]. On the 29th of October Keats wrote to his brother and sister-in-law in America, warning them, in language of a beautiful tender moderation and sincerity, to be prepared for the worst.

For the next month his time was almost wholly taken up by the sickbed, and in the first week of December the end came. "Early one morning," writes Brown, "I was awakened in my bed by a pressure on my hand. It was Keats, who came to tell me that his brother was no more. I said nothing, and we both remained silent for a while, my hand fast locked in his. At length, my thoughts returning from the dead to the living, I said,--'Have nothing more to do with those lodgings,--and alone too! Had you not better live with me?' He paused, pressed my hand warmly, and replied,--'I think it would be better.' From that moment he was my inmate[47]."

Brown, as has been said already, had built, and lived in, one part--the smaller eastern part--of the block of two semi-detached houses near the bottom of John Street, Hampstead, to which Dilke, who built and occupied the other part, had given the name of Wentworth Place[48]. The accommodation in Brown's quarters included a front and back sitting-room on the ground floor, with a front and back bedroom over them. The arrangement with Keats was that he should share household expenses, occupying the front sitting-room for the sake of quiet at his work. As soon, relates Brown, as the consolations of nature and friendship had in some measure alleviated his grief, Keats became gradually once more absorbed in poetry: his special task being _Hyperion_, at which he had already begun to work before his brother died. But not wholly absorbed; for there was beginning to wind itself about his heart a new spell more powerful than that of poetry itself. It was at this time that the flame caught him, which he had always presciently sought to avoid 'lest it should burn him up.' With his quick self-knowledge he had early realised, not to his satisfaction, his own peculiar mode of feeling towards womankind. Chivalrously and tremulously devoted to his mind's ideal of the s.e.x, he found himself only too critical of the real women that he met, and too ready to perceive or suspect faults in them. Conscious at the same time of the fire of sense and blood within him, he had thought himself partly fortunate in being saved from the entanglements of pa.s.sion by his sense of this difference between the reality and his ideal. The set of three sonnets in his first volume, beginning 'Woman, when I beheld thee flippant, vain,' had given expression half gracefully, half awkwardly, to this state of mind. Its persistency is affirmed often in his letters.

"I am certain," he wrote to Bailey from Scotland, "I have not a right feeling towards women--at this moment I am striving to be just to them, but I cannot. Is it because they fall so far beneath my boyish imagination? When I was a schoolboy I thought a fair woman a pure G.o.ddess; my mind was a soft nest in which some one of them slept, though she knew it not. I have no right to expect more than their reality. I thought them ethereal, above men. I find them perhaps equal--great by comparison is very small.... Is it not extraordinary?--when among men, I have no evil thoughts, no malice, no spleen; I feel free to speak or to be silent; I can listen, and from every one I can learn; my hands are in my pockets, I am free from all suspicion, and comfortable. When I am among women, I have evil thoughts, malice, spleen; I cannot speak, or be silent; I am full of suspicions, and therefore listen to nothing; I am in a hurry to be gone.... I must absolutely get over this--but how?"

In a fine pa.s.sage of a letter to his relatives in America, he alleges this general opinion of women, and with it his absorption in the life, or rather the hundred lives, of imagination, as reasons for hoping that he will never marry:--

"The roaring of the wind is my wife; and the stars through my window-panes are my children; the mighty abstract idea of Beauty in all things, I have, stifles the more divided and minute domestic happiness. An amiable wife and sweet children I contemplate as part of that Beauty, but I must have a thousand of those beautiful particles to fill up my heart. I feel more and more every day, as my imagination strengthens, that I do not live in this world alone, but in a thousand worlds. No sooner am I alone, than shapes of epic greatness are stationed around me, and serve my spirit the office which is equivalent to a King's Bodyguard: "then Tragedy with scepter'd pall comes sweeping by." According to my state of mind, I am with Achilles shouting in the trenches, or with Theocritus in the vales of Sicily; or throw my whole being into Troilus, and, repeating those lines, "I wander like a lost soul upon the Stygian bank, staying for waftage," I melt into the air with a voluptuousness so delicate, that I am content to be alone. These things, combined with the opinion I have formed of the generality of women, who appear to me as children to whom I would rather give a sugar-plum than my time, form a barrier against matrimony that I rejoice in."

But now Keats's hour was come. Since his return from Scotland, in the midst of his watching by his brother's sick-bed, we have seen him confessing himself haunted already by the shape of a woman. This was a certain Miss Charlotte c.o.x, a West-Indian cousin of Reynolds's, to whom he did not think the Reynolds sisters were quite kind. A few days later he writes again how he has been attracted by her rich Eastern look and grace.

Very soon, however, the attraction pa.s.sed, and this 'Charmian' left him fancy-free; but only to find his fate elsewhere. A Mrs Brawne, a widow lady of some little property, with a daughter just grown up and two younger children, had taken Brown's house for the summer while he was away in Scotland. Here the Brawnes had naturally become acquainted with the Dilkes, living next door: the acquaintance was kept up when they moved from Brown's house to one in Downshire Street close by: and it was at the Dilkes' that Keats met Miss f.a.n.n.y Brawne after his return. Her ways and presence at first irritated and after a little while completely fascinated him. From his first sarcastic account of her written to his brother, as well as from Severn's mention of her likeness to the draped figure in t.i.tian's picture of Sacred and Profane Love, and from the full-length silhouette of her that has been preserved, it is not difficult to realise her aspect and presence. A brisk and blooming, very young beauty, of the far from uncommon English hawk blonde type, with aquiline nose and retreating forehead, sharp-cut nostril and gray-blue eye, a slight, shapely figure rather short than tall, a taking smile, and good hair, carriage and complexion,--such was f.a.n.n.y Brawne externally, but of her character we have little means of judging. She was certainly high-spirited, inexperienced, and self-confident: as certainly, though kind and constant to her lover in spite of prospects that before long grew dark, she did not fully realise what manner of man he was. Both his men and women friends, without thinking unkindly of her, were apparently of one opinion in holding her no mate for him either in heart or mind, and in regarding the attachment as unlucky.

So it a.s.suredly was: so probably under the circ.u.mstances must any pa.s.sion for a woman have been. Stroke on stroke of untoward fortune had in truth begun to fall on Keats, as if in fulfilment of the const.i.tutional misgivings of his darker moods. First the departure of his brother George had deprived him of his chief friend, to whom almost alone he had from boyhood been accustomed to turn for relief in hours of despondency. Next the exertions of his Scotch tour had over-taxed his strength, and unchained, though as yet he knew it not, the deadly hereditary enemy in his blood. Coming back, he had found the grasp of that enemy closed inexorably upon his brother Tom, and in nursing him had lived in spirit through all his pains. At the same time the gibes of the reviewers, little as they might touch his inner self, came to teach him the harshness and carelessness of the world's judgments, and the precariousness of his practical hopes from literature. Last were added the pangs of love--love requited indeed, but having no near or sure prospect of fruition: and even love disdained might have made him suffer less. The pa.s.sion wrought fiercely in his already fevered blood; its alternations of doubt and torment and tantalising rapture sapped his powers, and redoubled every strain to which bereavement, shaken health, and antic.i.p.ations of poverty, exposed them. Within a year the combined a.s.sault proved too much for his strength, and he broke down. But in the meantime he showed a brave face to the world, and while anxiety gnawed and pa.s.sion wasted him, was able to throw himself into the labours of his art with a fruitful, if a fitful, energy. During the first few weeks of winter following his brother's death, he wrote indeed, as he tells Haydon, "only a little now and then: but nothing to speak of--being discontented and as it were moulting." Yet such work as Keats did at this time was done at the very height of his powers, and included parts both of _Hyperion_ and _The Eve of St Agnes_.

Within a month of the date of the above extract the latter piece was finished, having been written out during a visit which Keats and Brown paid in Suss.e.x in the latter part of January (1819). They stayed for a few days with the father of their friend Dilke in Chichester, and for nearly a fortnight with his sister and brother-in-law, the Snooks, at Bedhampton close by. Keats liked his hosts and received pleasure from his visit; but his health kept him much indoors, his only outings being to 'a couple of dowager card-parties,' and to a gathering of country clergy on a wet day, at the consecration of a chapel for converted Jews. The latter ceremony jarred on his nerves, and caused him to write afterwards to his brother an entertaining splenetic diatribe on the clerical character and physiognomy.

During his stay at Chichester he also seems to have begun, or at any rate conceived, the poem on the _Eve of St Mark_, which he never finished, and which remains so interesting a pre-Raphaelite fragment in his work.

Returning at the beginning of February, Keats resumed his life at Hampstead under Brown's roof. He saw much less society than the winter before, the state of his throat compelling him, for one thing, generally to avoid the night air. But the chief cause of his seclusion was no doubt the pa.s.sion which was beginning to engross him, and to deaden his interest in the other relations of life. The stages by which it grew on him we cannot follow. His own account of the matter to f.a.n.n.y Brawne was that he had written himself her va.s.sal within a week of their first meeting. His real first feeling for her, as we can see by his letters written at the time, had been one, the most perilous indeed to peace of mind, of strong mixed attraction and aversion. He might seem to have got no farther by the 14th of February, when he writes to his brother and sister-in-law in America, "Miss Brawne and I have every now and then a chat and a tiff;"

but this is rather to be taken as an instance of his extreme general reticence on the subject, and it is probable that by this time, if not sooner, the attachment was in fact avowed and the engagement made. The secret violence of Keats's pa.s.sion, and the restless physical jealousy which accompanied it, betray themselves in the verses addressed _To f.a.n.n.y_, which belong apparently to this date. They are written very unequally, but with his true and brilliant felicity of touch here and there. The occasion is the presence of his mistress at some dance:--

"Who now with greedy looks, eats up my feast, What stare outfaces now my silver moon?

Ah! keep that hand unravished at the least; Let, let the amorous burn-- But, pr'ythee, do not turn The current of your heart from me so soon, O! save, in charity, The quickest pulse for me.

Save it for me, sweet love! though music breathe Voluptuous visions into the warm air, Though swimming through the dance's dangerous wreath; Be like an April day, Smiling and cold and gay, A temperate lily, temperate as fair; Then, Heaven! there will be A warmer June for me."

If Keats thus found in verse occasional relief from the violence of his feelings, he sought for none in his correspondence either with his brother or his friends. Except in the lightest pa.s.sing allusion, he makes no direct mention of Miss Brawne in his letters; partly, no doubt, from mere excess of sensitiveness, dreading to profane his treasure; partly because he knew, and could not bear the thought, that both his friends and hers, in so far as they guessed the attachment, looked on it unfavourably. Brown after a little while could hardly help being in the secret, inasmuch as when the Dilkes left Hampstead in April, and went to live at Westminster, the Brawnes again took their house; so that Keats and Brown thenceforth had the young lady and her family for next-door neighbours. Dilke himself, but apparently not till many months later, writes, "It is quite a settled thing between John Keats and Miss Brawne, G.o.d help them. It's a bad thing for them. The mother says she cannot prevent it, and her only hope is that it will go off. He don't like any one to look at her or speak to her."