John Keble's Parishes: A History of Hursley and Otterbourne Part 7

It was a baby sister of his who drew herself up in her nurse's arms with a pretty gesture, like a pheasant's neck in a sort of reproof, as she said "Thank you" to her little self, when she had held out a flower to Mr. Keble, which, for once in his life, he did not notice; and his self-reproach produced the thoughts of thankfulness. One of the gems of the Lyra, "Bereavement," was the thought that came to the mind of the Pastor as he buried the little sister, the only child except the elder girl, of the bailiff at Dr. Moberly's farm. "Fire"

embodied his feeling about a burnt child at Ampfield -

We miss thee from thy place at school And on thy homeward way, Where violets, by the shady pool, Peep out so shyly gay

The Lullaby, with the view of the burnished cross upon the spire, and the girl singing the baby to sleep with the old Psalm -

In Thee I put my stedfast trust, Defend me, Lord, for Thou art just,

is another Ampfield scene, inspiring n.o.ble and gentle thoughts for Innocents' Day.

"Lifting up to the Cross" (St. James's Day) was the product of a drawing brought home from Germany of a sight beheld by Miss Maria Trench, on a journey with Sir William and Lady Heathcote. She afterwards became Mrs. Robert F. Wilson, and made her first wedded home at Ampfield; and there is another commemoration of that journey in the fountain under the bank in Ampfield churchyard, an imitation of one observed in Tyrol and with the motto -

While cooling waters here you drink Rest not your thoughts below, Look to the sacred sign and think Whence living waters flow, Then fearlessly advance by night or day, The holy Cross stands guardian of your way.

"More Stars" (All Saints' Day) and "Wakefulness" (The Annunciation) are reminiscences of Charles Coleridge Pode, a little nephew of Mr.

Yonge, and his ecstatic joy on the first night of being out of doors late enough to see the glory of the stars. A few months later, on a sister being born, he hoped that her name would be Mary "because he liked the Virgin Mary." And when, only a few days later, his own mother was taken from him, he lay awake and silent, night after night. He, too, was one who fulfilled his early promise, till, as a young physician, he was cut off after much patient suffering. "More Stars" is also attributed to an exclamation of one of Mr. Peter Young's children; but in point of fact, most little ones have broken out in a similar joyous shout on their first conscious sight of the starry heavens.

Mrs. Keble used to forbear telling of the subjects of these poems, lest, as she said, there might be a sort of blight on the children in breaking the reserve; but most of them are beyond the reach of that danger in publicity; and I can only further mention that the village children en ma.s.se, and the curate's in detail, furnished many more of the subjects, while still they only regarded Mr. Keble as their best of playmates.

They cheered him when the great sorrow of his life befell him in the secession of John Henry Newman, hitherto his friend and fellow- worker. It came at a time when perhaps he was most fitted to bear it, when his brother in Gloucestershire and his wife at home had just begun to recover from a terrible typhoid fever caught at Bude.

Words spoken in the immediate prospect of death, by Mrs. Keble, strengthened her husband's faith and made him more than ever determined to hold fast by the Church of his fathers; and the thankfulness and exhilaration caused by the improvement in her health carried him the better over the first blow, though he went out alone to a quiet deserted chalk-pit to open the letter which he knew would bring the final news of the reception of his friend into the Roman Church.

Nor did his Hursley plans stand still. Under the management of Sir John Taylor Coleridge and other friends, the Christian Year had become much more profitable, and the Lyra also brought in a considerable quota, so that the entire work could be undertaken at Mr. Keble's expense.

It was decided, partly by Mr. Yonge himself, that the enterprise was on too large a scale for his partial knowledge, and moreover, much progress had been made during these nine years in ecclesiology, so that architects who had made it their study were to be found. The design was committed to William Harrison, Esq., a relation of Archdeacon Harrison, a very old friend and contemporary. It followed the lines of the existing church, which were found to be so solid and well built as for the most part only to need casing and not renewal, nor was the old tower taken down.

The contract with Locke and Nesham was for 3380 pounds, exclusive of the flooring, the wood-work, and other fittings of the interior. For this 1200 pounds was set aside, but the sum was much exceeded, and there were many offerings from private friends.

The altar of cedar-wood was the gift of Robert Williams, Esq.; the altar plate was given by Mrs. Heathcote; the rails by the architect; the font by the Rev. William Butler and Emma his wife, and the clergy and sisters of Wantage. Mr. Butler was then vicar of Wantage, later canon of Worcester and dean of Lincoln. The present cedar credence table was made long after Mr. Keble's death, the original one was walnut, matching the chancel fittings.

This was proposed as the inscription on the base of the font, to be entirely hidden--

Ecclesiae Parochiali Sanctorum Omnium In agro Hursleiense Hunc Fontem, Lavacrum Regenerationis, In honorem D. N. J. C.

Gratis animis D.D.D.

Presbyteri, Diacones, Lectores, Sorores Ecclesiae SS. Petri et Pauli Indigna familia Apud Wantagium

Whether the whole was actually cut out on the under side of the granite step must be uncertain.

The steps of the sanctuary have in encaustic tiles these texts. On the lowest:

Blessed are they that do His commandments, that they may have a right to the Tree of Life, and enter through the gates into the city.

On the step on which the rails stand:

Blessed are they which do hunger and thirst after righteousness, for they shall be filled.

On the next:

Blessed are they that mourn, for they shall be comforted. Blessed are the pure in heart, for they shall see G.o.d.

And on the highest:

Thine eyes shall see the King in His beauty, they shall behold the land that is very far off.

The lectern was the offering of the friend of his youth, the Rev.

Charles Dyson, Rector of Dogmersfield, copied from that at Corpus Christi College, where they first met.

The corbels were carefully chosen: those by the chancel arch are heads of St. Peter and St. Paul, as exponents of the inner mysteries; those by the east window are St. Athanasius and St. Augustine as champions of the faith. On the corbels of the north porch, looking towards the hills of Winchester, are Bishops Andrewes and Ken on the outside; on the inside, Wykeham and Waynflete. On the south porch, St. Augustine of Canterbury, and the Empress Helena over the door; on the outside, Bishop Sumner and Queen Victoria to mark the date of building.

"How would you like to have the book boards of the seats?" wrote the architect; "perhaps it would suggest the idea of a prayer desk if they were made to slope as the chancel stalls?"

And certainly their finials do suggest kneeling, and the arrangement is such that it is nearly impossible not to a.s.sume a really devotional att.i.tude.

A stranger clergyman visited the church, measured the font and the height to the ceiling, and in due time, in 1850, there arrived the beautiful carved canopy, the donor never being known.

The windows did not receive their coloured gla.s.s at first; but Mr.

Keble had an earnest wish to make them follow the wonderful emblematic series to which he had been accustomed in the really unique Church of Fairford, where he had grown up. The gla.s.s of these windows had been taken in a Flemish ship on the way to Spain by one John Tame, a Gloucestershire merchant, who had proceeded to rebuild his parish church so as fitly to receive it, and he must also have obtained the key to their wonderful and suggestive arrangement.

Fairford Church is much larger than Hursley, so that the plan could not be exactly followed, but it was always in Mr. Keble's mind. It was proposed that the gla.s.s should be given by the contribution of friends and lovers of the Christian Year. Two of the windows came from the Offertory on the Consecration day, one three-light was given by Mrs. Heathcote (mother of Sir William), another by Sir William and Lady Heathcote, one by the Marchioness of Bath, and one by the Marchioness of Lothian. The designs were more or less suggested by Dyce and Copley Fielding, but the execution was carried out by Wailes, under the supervision of b.u.t.terfield. The whole work was an immense delight to Mr. Keble, and so anxious was he that the whole should be in keeping, that the east window was actually put in three times before it was judged satisfactory. The plan of the whole was Mr. Keble's own; and though the colours are deeper, and what is now called more crude, than suits the taste of the present day, they must be looked upon with reverence as the outcome of his meditations and his great delight. I transcribe the explanation that his sister Elisabeth wrote of their arrangement:

The Hursley windows are meant to be a course of Instruction in Sacred History from Adam to the last day the church being dedicated to All Saints.

The north-west window has Adam and Noah. The windows along the north aisle each represent two persons from the Old Testament.

The three-light window on the north side, David with the ground plan of the Temple, Moses with the Tables of the Law, Solomon with the Model of the Temple. The Medallion under Moses is the Altar of Incense, and some of the Holy things.

The whole of that window means to represent the fixing and finishing of the Old Religion.

Then comes in the north chancel, Isaiah, Jeremiah, Ezekiel, and Daniel, the prophets preparing for the Gospel.