Joe Burke's Last Stand Part 35

Every Story is a Love Story

1

A red MG came racketing around the corner. It pa.s.sed, stopped, and reversed, one front fender swinging freely.

"Where you going?" The driver had wild eyes and a two day growth.

"Woodstock."

"Get in, get in." Patrick lowered himself into the small seat, holding his AWOL bag on his lap. "Whisky in the JAR," the driver sang to himself shifting through gears. "Musharingumgoogee . . . WAK for the Daddy-O . . . " He turned and shouted over the engine, "Where you coming from?"

"Wiesbaden."

"Germany?"

"Yes," Patrick shouted back.

"WAK for the Daddy-O . . . Good beer, the Krauts." They flew off b.u.mps and jolted around curves for five or six miles. Conversation was impossible. They pa.s.sed a golf course, rolling and open before a dark wall of mountain, then climbed a hill by three gas stations.

"Woodstock!" the driver shouted, stopping at a narrow triangular green.

"Thanks for the ride."

The sound of the MG diminished in the distance as Patrick looked around at trees, a neatly painted white church, and a row of stores. He walked in the direction that the MG had gone until he reached a field about a mile from the green. He turned back and stopped at a house that had a large porch and a sign announcing "ROOMS."

An older woman answered his ring. Her hair was white, elaborately piled above her head.

"I'd like to rent a room--if you have any vacancies."

"Hmmph." She was shorter than Patrick but seemed to be looking down at him. "This is a quiet house."

"Yes, ma'am."

"No smoking."

"Yes, ma'am."

She opened the door and showed him a corner room with a matching bed and bureau and a small rocking chair. "Bathroom down the hall." He paid for a week and signed the guest register. "O'Shaunessy?"

"Yes."

She handed him two keys. "I lock the front door after dark." Patrick nodded and retreated to the room. He unpacked his clothes and a paperback copy of The Origin of Species which he placed on the bedside table. He lay on the bed a few minutes adjusting to his new home, then left, closing the door silently behind him.

In town, he decided to try the Cafe Espresso. He walked down wide stone steps, crossed a patio, and entered an open door. Two people at the end of a small bar leaned towards each other, laughing and talking in lowered tones. At the other end of the room, a young man was practicing on an upright piano.

Patrick sat at a window table and waited until a tall woman emerged from the kitchen. She wore bead necklaces, a tight gray jersey, and a wrap around red and orange Indian print skirt. A thick blonde braid hung to her waist. Patrick ordered rice and vegetables and watched her hips move to a gentle repeating melody from the piano. The player varied the tempo and the emphasis, working further into the piece, exploring its edges without losing its rhythmic heart.

A man in his thirties with a round face and curly hair came in and sat at the next table. He placed black and white stones on a Go board, studying each move.

"That is Go, isn't it? I've read about it," Patrick offered.

"Go is an ancient j.a.panese game," the player said without looking up.

"It requires intelligence and concentration."

"That leaves me out," Patrick said. The couple at the bar walked out.

As the woman pa.s.sed through the door, she looked back at Patrick and smiled. Her eyes were gray, her shoulders half-turned, her weight evenly balanced. She was about 21, his age. He smiled back, surprised.

Women didn't usually pay attention to Patrick. He was compact, medium sized. He had reddish-brown hair and a square face with high cheekbones and traces of freckles. His blue eyes were set deeply behind thick eyebrows. He had been called "cute" a couple of times. Mostly he got sympathetic smiles as women pushed past him, going for the tall, dark, and handsomes, or the ones with money, or the major losers. It was a mystery to him how people got coupled up.

"My name is Eve," the waitress said in a luxurious voice as she bent forward with his plate. She had G.o.ddess b.r.e.a.s.t.s and smelled of patchouli.

"I'm Patrick," he said and choked. "King of repartee," he added, regaining his voice. She smiled as if she had known him deeply in another life, and then she swayed away into the kitchen. The Go player remained immersed in study, an air of relief emanating from his face.

Perhaps he was recovering from the attentions of dark beauties with trust funds. Don't be jealous, Patrick told himself. When the G.o.ds want a good laugh, they give you what you want. "Try me," another voice in him said. "Long dark hair."

He ate dinner and began to confront the next problem. He had a few travelers checks in reserve, but he'd always found work before he had to cash them. He had paid for his own flight back to Wiesbaden.

"Come on, Pat, let me pay," his father offered.

"Nope."

"You're a hard case, Patrick."

It had been a good visit, but Patrick was ready to go after a week. "I thought I'd try Woodstock, New York," he told his father. "You used to talk about it."

"My old stomping grounds," his father said. "I have a friend there, Heidi Merrill. Haven't heard from her since her husband died. She has a son. Look her up for me, Pat--give her my best."

"Will do."

Patrick checked around the cafe for a pay phone, wondering whether there was a listing for his father's friend. No phone. On his way out of the cafe, he changed his mind and ordered a beer at the bar. The room was filling. A Van Morrison alb.u.m had replaced the piano player.

Attractive women crowded around guys who wore hammer hooks and Stanley tapes like jewelry on their belts, totems of a better way.

"Feels good to stand up," he said to the guy next to him. "This is a happening place."

"You just get here?"

"Yep. Any work around?"

"What kind of work?"

"Wash dishes, construction, paint houses . . . "

"Hey Parker, you need anybody?" A heavyset fellow came over. He had a pleasant ironic expression.