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"You think," he said in a low voice, "that Ernest and Ada ...?"
She smiled.
"Oh! well!"
He started back angrily.
"No! No! It is impossible! You don't think that!... No! No!"
She put her hands on his shoulders and rocked with laughter.
"How dense you are, how dense, my dear!"
He shook her violently.
"Don't laugh! Why do you laugh? You would not laugh if it were true. You love Ernest...."
She went on laughing and drew him to her and kissed him. In spite of himself he returned her kiss. But when he felt her lips on his, her lips, still warm with his brother's kisses, he flung her away from him and held her face away from his own: he asked:
"You knew it? It was arranged between you?"
She said "Yes," and laughed.
Christophe did not cry out, he made no movement of anger. He opened his mouth as though he could not breathe: he closed his eyes and clutched at his breast with his hands: his heart was bursting. Then he lay down on the ground with his face buried in his hands and he was shaken by a crisis of disgust and despair like a child.
Myrrha, who was not very soft-hearted, was sorry for him: involuntarily she was filled with motherly compa.s.sion, and leaned over him, and spoke affectionately to him, and tried to make him sniff at her smelling-bottle.
But he thrust her away in horror and got up so sharply that she was afraid.
He had neither strength nor desire for revenge. He looked at her with his face twisted with grief.
"You drab," he said in despair. "You do not know the harm you have done...."
She tried to hold him back. He fled through the woods, spitting out his disgust with such ignominy, with such muddy hearts, with such incestuous sharing as that to which they had tried to bring him. He wept, he trembled: he sobbed with disgust. He was filled with horror, of them all, of himself, of his body and soul. A storm of contempt broke loose in him: it had long been brewing: sooner or later there had to come the reaction against the base thoughts, the degrading compromises, the stale and pestilential atmosphere in which he had been living for months: but the need of loving, of deceiving himself about the woman he loved, had postponed the crisis as long as possible. Suddenly it burst upon him: and it was better so. There was a great gust of wind of a biting purity, an icy breeze which swept away the miasma. Disgust in one swoop had killed his love for Ada.
If Ada thought more firmly to establish her domination over Christophe by such an act, that proved once more her gross inappreciation of her lover.
Jealousy which binds souls that are besmirched could only revolt a nature like Christophe's, young, proud, and pure. But what he could not forgive, what he never would forgive, was that the betrayal was not the outcome of pa.s.sion in Ada, hardly even of one of those absurd and degrading though often irresistible caprices to which the reason of a woman is sometimes hard put to it not to surrender. No--he understood now,--it was in her a secret desire to degrade him, to humiliate him, to punish him for his moral resistance, for his inimical faith, to lower him to the common level, to bring him to her feet, to prove to herself her own power for evil. And he asked himself with horror: what is this impulse towards dirtiness, which is in the majority of human beings--this desire to besmirch the purity of themselves and others,--these swinish souls, who take a delight in rolling in filth, and are happy when not one inch of their skins is left clean!...
Ada waited two days for Christophe to return to her. Then she began to be anxious, and sent him a tender note in which she made no allusion to what had happened. Christophe did not even reply. He hated Ada so profoundly that no words could express his hatred. He had cut her out of his life. She no longer existed for him.
Christophe was free of Ada, but he was not free of himself. In vain did he try to return into illusion and to take up again the calm and chaste strength of the past. We cannot return to the past. We have to go onward: it is useless to turn back, save only to see the places by which we have pa.s.sed, the distant smoke from the roofs under which we have slept, dying away on the horizon in the mists of memory. But nothing so distances us from the soul that we had as a few months of pa.s.sion. The road takes a sudden turn: the country is changed: it is as though we were saying good-bye for the last time to all that we are leaving behind.
Christophe could not yield to it. He held out his arms to the past: he strove desperately to bring to life again the soul that had been his, lonely and resigned. But it was gone. Pa.s.sion itself is not so dangerous as the ruins that it heaps up and leaves behind. In vain did Christophe not love, in vain--for a moment--did he despise love: he bore the marks of its talons: his whole being was steeped in it: there was in his heart a void which must be filled. With that terrible need of tenderness and pleasure which devours men and women when they have once tasted it, some other pa.s.sion was needed, were it only the contrary pa.s.sion, the pa.s.sion of contempt, of proud purity, of faith in virtue.--They were not enough, they were not enough to stay his hunger: they were only the food of a moment.
His life consisted of a succession of violent reactions--leaps from one extreme to the other. Sometimes he would bend his pa.s.sion to rules inhumanly ascetic: not eating, drinking water, wearing himself out with walking, heavy tasks, and so not sleeping, denying himself every sort of pleasure. Sometimes he would persuade himself that strength is the true morality for people like himself: and he would plunge into the quest of joy. In either case he was unhappy. He could no longer be alone. He could no longer not be alone.
The only thing that could have saved him would have been to find a true friendship,--Rosa's perhaps: he could have taken refuge in that. But the rupture was complete between the two families. They no longer met. Only once had Christophe seen Rosa. She was just coming out from Ma.s.s. He had hesitated to bow to her: and when she saw him she had made a movement towards him: but when he had tried to go to her through the stream of the devout walking down the steps, she had turned her eyes away: and when he approached her she bowed coldly and pa.s.sed on. In the girl's heart he felt intense, icy contempt. And he did not feel that she still loved him and would have liked to tell him so: but she had come to think of her love as a fault and foolishness: she thought Christophe bad and corrupt, and further from her than ever. So they were lost to each other forever. And perhaps it was as well for both of them. In spite of her goodness, she was not near enough to life to be able to understand him. In spite of his need of affection and respect he would have stifled in a commonplace and confined existence, without joy, without sorrow, without air. They would both have suffered. The unfortunate occurrence which cut them apart was, when all was told, perhaps, fortunate as often happens--as always happens--to those who are strong and endure.
But at the moment it was a great sorrow and a great misfortune for them.
Especially for Christophe. Such virtuous intolerance, such narrowness of soul, which sometimes seems to deprive those who have the most of them of all intelligence, and those who are most good of kindness, irritated him, hurt him, and flung him back in protest into a freer life.
During his loafing with Ada in the beer gardens of the neighborhood he had made acquaintance with several good fellows--Bohemians, whose carelessness and freedom of manners had not been altogether distasteful to him. One of them, Friedemann, a musician like himself, an organist, a man of thirty, was not without intelligence, and was good at his work, but he was incurably lazy and rather than make the slightest effort to be more than mediocre, he would have died of hunger, though not, perhaps, of thirst.
He comforted himself in his indolence by speaking ill of those who lived energetically, G.o.d knows why; and his sallies, rather heavy for the most part, generally made people laugh. Having more liberty than his companions, he was not afraid,--though timidly, and with winks and nods and suggestive remarks,--to sneer at those who held positions: he was even capable of not having ready-made opinions about music, and of having a sly fling at the forged reputations of the great men of the day. He had no mercy upon women either: when he was making his jokes he loved to repeat the old saying of some misogynist monk about them, and Christophe enjoyed its bitterness just then more than anybody:
_"Femina mors animae."_
In his state of upheaval Christophe found some distraction in talking to Friedemann. He judged him, he could not long take pleasure in this vulgar bantering wit: his mockery and perpetual denial became irritating before long and he felt the impotence of it all: but it did soothe his exasperation with the self-sufficient stupidity of the Philistines. While he heartily despised his companion, Christophe could not do without him.
They were continually seen together sitting with the uncla.s.sed and doubtful people of Friedemann's acquaintance, who were even more worthless than himself. They used to play, and harangue, and drink the whole evening.
Christophe would suddenly wake up in the midst of the dreadful smell of food and tobacco: he would look at the people about him with strange eyes: he would not recognize them: he would think in agony:
"Where am I? Who are these people? What have I to do with them?"
Their remarks and their laughter would make him sick. But he could not bring himself to leave them: he was afraid of going home and of being left alone face to face with his soul, his desires, and remorse. He was going to the dogs: he knew it: he was doing it deliberately,--with cruel clarity he saw in Friedemann the degraded image of what he was--of what he would be one day: and he was pa.s.sing through a phase of such disheartenedness and disgust that instead of being brought to himself by such a menace, it actually brought him low.
He would have gone to the dogs, if he could. Fortunately, like all creatures of his kind, he had a spring, a succor against destruction which others do not possess: his strength, his instinct for life, his instinct against letting himself perish, an instinct more intelligent than his intelligence, and stronger than his will. And also, unknown to himself, he had the strange curiosity of the artist, that pa.s.sionate, impersonal quality, which is in every creature really endowed with creative power. In vain did he love, suffer, give himself utterly to all his pa.s.sions: he saw them. They were in him but they were not himself. A myriad of little souls moved obscurely in him towards a fixed point unknown, yet certain, just like the planetary worlds which are drawn through s.p.a.ce into a mysterious abyss. That perpetual state of unconscious action and reaction was shown especially in those giddy moments when sleep came over his daily life, and from the depths of sleep and the night rose the multiform face of Being with its sphinx-like gaze. For a year Christophe had been obsessed with dreams in which in a second of time he felt clearly with perfect illusion that he _was_ at one and the same time several different creatures, often far removed from each other by countries, worlds, centuries. In his waking state Christophe was still under his hallucination and uneasiness, though he could not remember what had caused it. It was like the weariness left by some fixed idea that is gone, though traces of it are left and there is no understanding it. But while his soul was so troublously struggling through the network of the days, another soul, eager and serene, was watching all his desperate efforts. He did not see it: but it cast over him the reflection of its hidden light. That soul was joyously greedy to feel everything, to suffer everything, to observe and understand men, women, the earth, life, desires, pa.s.sions, thoughts, even those that were torturing, even those that were mediocre, even those that were vile: and it was enough to lend them a little of its light, to save Christophe from destruction. It made him feel--he did not know how--that he was not altogether alone. That love of being and of knowing everything, that second soul, raised a rampart against his destroying pa.s.sions.
But if it was enough to keep his head above water, it did not allow him to climb out of it unaided. He could not succeed in seeing clearly into himself, and mastering himself, and regaining possession of himself. Work was impossible for him. He was pa.s.sing through an intellectual crisis: the most fruitful of his life: all his future life was germinating in it: but that inner wealth for the time being only showed itself in extravagance: and the immediate effect of such superabundance was not different from that of the flattest sterility. Christophe was submerged by his life. All his powers had shot up and grown too fast, all at once, suddenly. Only his will had not grown with them: and it was dismayed by such a throng of monsters.
His personality was cracking in every part. Of this earthquake, this inner cataclysm, others saw nothing. Christophe himself could see only his impotence to will, to create, to be. Desires, instincts, thoughts issued one after another like clouds of sulphur from the fissures of a volcano: and he was forever asking himself: "And now, what will come out? What will become of me? Will it always be so? or is this the end of all? Shall I be nothing, always?"
And now there sprang up in him his hereditary fires, the vices of those who had gone before him.--He got drunk. He would return home smelling of wine, laughing, in a state of collapse.
Poor Louisa would look at him, sigh, say nothing, and pray.
But one evening when he was coming out of an inn by the gates of the town he saw, a few yards in front of him on the road, the droll shadow of his uncle Gottfried, with his pack on his back. The little man had not been home for months, and his periods of absence were growing longer and longer.
Christophe hailed him gleefully. Gottfried, bending under his load, turned round: he looked at Christophe, who was making extravagant gestures, and sat down on a milestone to wait for him. Christophe came up to him with a beaming face, skipping along, and shook his uncle's hand with great demonstrations of affection. Gottfried took a long look at him and then he said:
"Good-day, Melchior."
Christophe thought his uncle had made a mistake, and burst out laughing.
"The poor man is breaking up," he thought; "he is losing his memory."
Indeed, Gottfried did look old, shriveled, shrunken, and dried: his breathing came short and painfully. Christophe went on talking. Gottfried took his pack on his shoulders again and went on in silence. They went home together, Christophe gesticulating and talking at the top of his voice, Gottfried coughing and saying nothing. And when Christophe questioned him, Gottfried still called him Melchior. And then Christophe asked him:
"What do you mean by calling me Melchior? My name is Christophe, you know.
Have you forgotten my name?"
Gottfried did not stop. He raised his eyes toward Christophe and looked at him, shook his head, and said coldly:
"No. You are Melchior: I know you."
Christophe stopped dumfounded. Gottfried trotted along: Christophe followed him without a word. He was sobered. As they pa.s.sed the door of a cafe he went up to the dark panes of gla.s.s, in which the gas-jets of the entrance and the empty streets were reflected, and he looked at himself: he recognized Melchior. He went home crushed.
He spent the night--a night of anguish--in examining himself, in soul-searching. He understood now. Yes: he recognized the instincts and vices that had come to light in him: they horrified him. He thought of that dark watching by the body of Melchior, of all that he had sworn to do, and, surveying his life since then, he knew that he had failed to keep his vows.
What had he done in the year? What had he done for his G.o.d, for his art, for his soul? What had he done for eternity? There was not a day that had not been wasted, botched, besmirched. Not a single piece of work, not a thought, not an effort of enduring quality. A chaos of desires destructive of each other. Wind, dust, nothing.... What did his intentions avail him?
He had fulfilled none of them. He had done exactly the opposite of what he had intended. He had become what he had no wish to be: that was the balance-sheet of his life.
He did not go to bed. About six in the morning it was still dark,--he heard Gottfried getting ready to depart.--For Gottfried had had no intentions of staying on. As he was pa.s.sing the town he had come as usual to embrace his sister and nephew: but he had announced that he would go on next morning.
Christophe went downstairs. Gottfried saw his pale face and his eyes hollow with a night of torment. He smiled fondly at him and asked him to go a little of the way with him. They set out together before dawn. They had no need to talk: they understood each other. As they pa.s.sed the cemetery Gottfried said: