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Japanese Literature Part 16

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Genji, when he had listened to Koremitz, thought, "This will never do; I must not lose her in this way. But the difficulty is indeed perplexing. If, on the one hand, she goes to her father, it will not become me to ask him for her. If, on the other hand, I carry her off, people may say that I stole her. However, upon consideration, this latter plan, if I can manage to shut people's mouths beforehand, will be much better than that I should demand her from her father."

So, turning to Koremitz, he said, "I must go there. See that the carriage is ready at whatever hour I may appoint. Let two or three attendants be in readiness." Koremitz, having received these orders, retired.

Long before dawn broke, Genji prepared to leave the mansion. Lady Aoi, as usual, was a little out of temper, but Genji told her that he had some particular arrangements to make at his mansion at Nijio, but that he would soon return to her. He soon started, Koremitz alone following him on horseback.

On their arrival Koremitz proceeded to a small private entrance and announced himself. Shionagon recognized his voice and came out, and upon this he informed her that the Prince had come. She, presuming that he did so only because he happened to pa.s.s by them, said, "What!

at this late hour?" As she spoke, Genji came up and said:--

"I hear that the little one is to go to the Prince, her father, and I wish to say a few words to her before she goes."

"She is asleep; really, I am afraid that she cannot talk with you at this hour. Besides, what is the use?" replied Shionagon, with a smile.

Genji, however, pressed his way into the house, saying:--

"Perhaps the girl is not awake yet, but I will awake her," and, as the people could not prevent his doing so, he proceeded to the room where she was unconsciously sleeping on a couch. He shook her gently. She started up, thinking it was her father who had come.

Genji pushed the hair back from her face, as he said to her, "I am come from your father;" but this she knew to be false, and was alarmed. "Don't be frightened," said Genji; "there is nothing in me to alarm you." And in spite of Shionagon's request not to disturb her, he lifted her from the couch, abruptly saying that he could not allow her to go elsewhere, and that he had made up his mind that he himself would be her guardian. He also said she should go with him, and that some of them should go with her.

Shionagon was thunderstruck. "We are expecting her father to-morrow, and what are we to say to him?" She added, "Surely, you can find some better opportunity to manage matters than this."

"All right, you can come afterward; we will go first," retorted Genji, as he ordered his carriage to drive up.

Shionagon was perplexed, and Violet also cried, thinking how strange all this was. At last Shionagon saw it was no use to resist, and so having hurriedly changed her own dress for a better one, and taking with her the pretty dress of Violet which she had been making in the evening, got into the carriage, where Genji had already placed the little one.

It was no great distance to Nijio, and they arrived there before dawn.

The carriage was driven up to the western wing of the mansion. To Shionagon the whole affair seemed like a dream. "What am I to do?" she said to Genji, who teasingly answered, "What you choose. You may go if you like; so long as this darling is here I am content." Genji lifted the girl out and carried her into the house. That part of the mansion in which they now were, had not been inhabited, and the furniture was scanty and inappropriate; so, calling Koremitz, the Prince ordered him to see that proper furniture was brought. The beds were therefore taken from the eastern wing, where he himself lived.

Day broke, and Shionagon surveyed with admiration all the magnificence with which she was surrounded. Both the exterior of the building and its internal arrangements left nothing to be desired. Going to the cas.e.m.e.nt, she saw the gravelled walks flashing brightly in the sun.

"Ah," thought she, "where am I amidst all this splendor? This is too grand for me!"

Bath water for their ablutions, and rice soup were now brought into the apartment, and Genji afterward made his appearance.

"What! no attendants? No one to play with the girl? I will send some,"

and he then ordered some young persons from the eastern wing of the mansion. Four accordingly came.

Violet was still fast asleep in her night-dress, and now Genji gently shook and woke her. "Do not be frightened any more," he said quietly to her; "a good girl would not be so, but would know that it is best to be obedient." She became more and more pleasing to him, and he tried to please her by presenting to her a variety of pretty pictures and playthings, and by consulting her wishes in whatever she desired.

She was still wearing the dress of mourning, of sombre color and of soft material, and it was only now at last that she began to smile a little, and this filled Genji with delight. He now had to return to the eastern wing, and Violet, for the first time, went to the cas.e.m.e.nt and looked out on the scenery around. The trees covered with foliage, a small lake, and the plantations round about expanded before her as in a picture. Here and there young people were going in and out. "Ah!

what a pretty place," she exclaimed, charmed as she gazed around.

Then, turning again into the apartment, she saw beautiful pictures painted on the screens and walls, which could not but please her.

Genji did not go to the Palace for two or three days, but spent his time in trying to train Violet. "She must soon take lessons in writing," he thought, and he wrote several writing copies for her.

Among these was one in plain characters on violet-colored paper, with the t.i.tle, "Musashi-no" (The field of Musashi is known for its violets). She took it up, and in handwriting plain and clear though small, she found the following:

Though still a bud the violet be, A still unopened blossom here, Its tenderness has charms for me, Recalling one no longer near.

"Come, _you_ must write one now," said Genji.

"I cannot write well enough," said Violet, looking up at him, with an extremely charming look.

"Never mind, whether good or bad," said he, "but still write something, to refuse is unkind. When there is any difficulty I will help you through with it."

Thereupon she turned aside shyly and wrote something, handling the pen gracefully with her tiny fingers. "I have done it badly," she cried out, and tried to conceal what she had written, but Genji insisted on seeing it and found the following:--

I wonder what's the floweret's name, From which that bud its charm may claim!

This was, of course, written in a childish hand, but the writing was large and plain, giving promise of future excellence.

"How like her grandmother's it is," thought Genji. "Were she to take lessons from a good professor she might become a master of the art."

He ordered for her a beautiful doll's house, and played with her different innocent and amusing games.

In the meantime, the Prince, her father, had duly arrived at the old home of Violet and asked for her. The servants were embarra.s.sed, but as they had been requested by Genji not to tell, and as Shionagon had also enjoined them to keep silence, they simply told him that the nurse had taken her and absconded. The Prince was greatly amazed, but he remembered that the girl's grandmother never consented to send his daughter to his house, and knowing Shionagon to be a shrewd and intelligent woman, he concluded that she had found out the reasons which influenced her, and that so out of respect to her, and out of dislike to tell him the reason of it, she had carried the girl off in order that she might be kept away from him. He therefore merely told the servants to inform him at once if they heard anything about them, and he returned home.

Our story again brings us back to Nijio. The girl gradually became reconciled to her new home, as she was most kindly treated by Genji.

True, during those evenings when Genji was absent she thought of her dead grandmother, but the image of her father never presented itself to her, as she had seldom seen him. And now, naturally enough, Genji, whom she had learned to look upon as a second father, was the only one for whom she cared. She was the first to greet him when he came home, and she came forward to be fondled and caressed by him without shame or diffidence. Girls at her age are usually shy and under restraint, but with her it was quite different. And again, if a girl has somewhat of jealousy in her disposition, and looks upon every little trifle in a serious light, a man will have to be cautious in his dealings with her, and she herself, too, will often have to undergo vexation. Thus many disagreeable and unexpected incidents might often result. In the case of Violet, however, things were very different, and she was ever amiable and invariably pleasant.

FOOTNOTES:

[Footnote 61: An Indian theological writing.]

[Footnote 62: In the Buddhist Bible it is stated that there is in Paradise a divine tree, called Udon, which rarely blossoms. When, however, it does blossom, Buddha is said to appear in the world, therefore we make use of this expression when referring to any rare event.]

[Footnote 63: The name of a song which in those days formed the first lesson in writing.]

[Footnote 64: The auth.o.r.ess represents her in a subsequent chapter as suffering punishment in the next world for this sin. The real cause of Genji's exile is also supposed to have resulted from the same sin.]

CHAPTER VI

SAFFRON FLOWER

The beauteous Yugao of Genji was lost, but memory of her never vanished from his mind. Her attractive nature, thoughtfulness, and patient manner had seemed to him surpa.s.singly charming. At last he began to think of seeking for some other maiden who might resemble her in these qualities. True, his thoughts had often reverted to Cicada, and to her young friend; but it was now of little use thinking of them, for one had gone to the country, and the other was married.

Now, Genji had another nurse, next in degree to Daini. The daughter of this nurse, Tayu-no-Miobu, was in Court service. She was still young, and full of mirth and life. Genji was wont to make her useful when in the palace. Her father, who had been remotely connected with the Royal blood, was an official in the War Department. Her mother, however, had been married again to the Governor of the province of Chikzen, and had gone there with her husband; so Tayu made her father's house her home, and went from there backwards and forwards to the palace. She was an intimate acquaintance of a young Princess, the daughter of the late Lord-Lieutenant of Hitachi, and she had been the child of his old age, and was at this time his survivor. The life that she pa.s.sed was somewhat lonely, and her circ.u.mstances miserable. Tayu mentioned this young lady to Genji, who exclaimed:--

"How sad! Tell me all about her."

"I cannot say that I know so much about her," replied Tayu. "She leads a very retired life, and is seldom seen in society. Perhaps, some favorable evening, you might see her from a hiding-place. The _koto_ is her favorite instrument, and the favorite amus.e.m.e.nt of her solitude."

"Ah!" said Genji, "I see, one of the three friends (as the Chinese poets call them)--Music, Poetry, and Wine; but, of the other two, one is not always a good friend." And he added, "Well, you may manage some time to let me hear her _koto_. The Prince, her father, had great taste and reputation in such arts; so, I believe, she is no ordinary performer."

"But, perhaps, after all, not so good as you imagine," replied Tayu, disingenuously.

"Oh! that remains to be discovered," cried Genji, nibbling at the bait. "One of these evenings I will come, and you had better be there also."

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Japanese Literature Part 16 summary

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