Japanese Fairy World Part 6

So strongly do some people believe this that they sleep under quilts figured with the device of this long-snouted beast. If in spite of this precaution one should have a bad dream, he must cry out on awaking, "tapir, come eat, tapir, come eat"; when the tapir will swallow the dream, and no evil results will happen to the dreamer.

Little Silver listened with both eyes and open mouth to this account of the tapir, and then making the picture and wrapping it around her pillow, she fell asleep. I suspect that the kowameshi (red rice) of which she had eaten so heartily at supper time, until her waist strings tightened, had something to do with her travels in dream-land.

She thought she had gone down to Ozaka, and there got on a junk and sailed far away to the southwest, through the Inland sea. One night the water seemed full of white ghosts of men and women. Some of them were walking on, and in, the water. Some were running about. Here and there groups appeared to be talking together. Once in a while the junk would run against one of them; and when Little Silver looked to see if he were hurt or knocked over, she could see nothing until the junk pa.s.sed by, when the ghost would appear standing in the same place, as though the ship had gone through empty air.

Occasionally a ghost would come up to the side of the ship, and in a squeaky voice ask for a dipper. While she would be wondering what a ghost wanted to do with a dipper, a sailor would quietly open a locker, take out a dipper having no bottom, and give one every time he was asked for them. Little Silver noticed a large bundle of these dippers ready. The ghosts would then begin to bail up water out of the sea to empty it in the boat. All night they followed the junk, holding on with one hand to the gunwale, while they vainly dipped up water with the other, trying to swamp the boat. If dippers with bottoms in them had been given them, the sailors said, the boat would have been sunk. When daylight appeared the shadowy host of people vanished.

In the morning they pa.s.sed an island, the sh.o.r.es of which were high rocks of red coral. A great earthen jar stood on the beach, and around it lay long-handled ladles holding a half-gallon or more, and piles of very large shallow red lacquered wine cups, which seemed as big as the full moon. After the sun had been risen some time, there came down from over the hills a troop of the most curious looking people. Many were short, little wizen-faced folks, that looked very old; or rather, they seemed old before they ought to be. Some were very aged and crooked, with hickory-nut faces, and hair of a reddish gray tint. All the others had long scarlet locks hanging loose over their heads, and streaming down their backs. Their faces were flushed as if by hard drinking, and their pimpled noses resembled huge red barnacles. No sooner did they arrive at the great earthen jar than they ranged themselves round it. The old ones dipped out ladles full, and drank of the wine till they reeled. The younger ones poured the liquor into cups and drank. Even the little infants guzzled quant.i.ties of the yellow sake from the shallow cups of very thin red-lacquered wood.

Then began the dance, and wild and furious it was. The leather-faced old sots tossed their long reddish-grey locks in the air, and pirouetted round the big sake jar. The younger ones of all ages clapped their hands, knotted their handkerchiefs over their foreheads, waved their dippers or cups or fans, and practiced all kinds of antics, while their scarlet hair streamed in the wind or was blown in their eyes.

The dance over, they threw down their cups and dippers, rested a few minutes and then took another heavy drink all around.

"Now to work" shouted an old fellow whose face was redder than his half-bleached hair, and who having only two teeth like tusks left looked just like an _oni_ (imp.) As for his wife, her teeth had long ago fallen out and the skin of her face seemed to have added a pucker for every year since a half century had rolled over her head.

Then Little Silver looked and saw them scatter. Some gathered sh.e.l.ls and burned them to make lime. Others carried water and made mortar, which they thickened by a pulp made of paper, and a glue made by boiling fish skin. Some dived under the sea for red coral, which they hauled up by means of straw ropes, in great sprigs as thick as the branches of a tree.

They quickly ran up a scaffold, and while some of the scarlet-headed plasterers smeared the walls, others below pa.s.sed up the tempered mortar on long sh.e.l.l shovels, to the hand mortar-boards. Even at work they had casks and cups of sake at hand, while children played in the empty kegs and licked the gummy sugar left in some of them.

"What is that house for?" asked Little Silver of the sailors.

"Oh, that is the Kura (storehouse) in which the King of the Shoji stores the treasures of life, and health, and happiness, and property, which men throw away, or exchange for the sake, which he gives them, by making funnels of themselves."

"Oh, Yes," said Little Silver to herself, as she remembered how her father had said of a certain neighbor who had lately been drinking hard, "he swills sake like a Shoji."

She also understood why picnic or "chow-chow" boxes were often decorated with pictures of Shoji, with their cups and dippers. For, at these picnics, many men get drunk; so much so indeed, that after a while the master of the feast orders very poor and cheap wine to be served to the guests. He also replaces the delicate wine cups of egg-sh.e.l.l porcelain, with big thick tea-cups or wooden bowls, for the guests when drunk, do not know the difference.

She also now understood why it was commonly said of a Mr. Matsu, who had once been very rich but was now a poor sot, "His property has all gone to the Shoji."

Just then the ship in which she was sailing struck a rock, and the sudden jerk woke up Little Silver, who cried out, "Tapir, come eat; tapir, come eat."

No tapir came, but if he had I fear Little Silver would have been more frightened than she was by her dream of the ghosts; for next morning she laughed to think how they had all their work a-dipping water for nothing, and at her old nurse for thinking a picture of a tapir could keep off dreams.

THE TENGUS, OR THE ELVES WITH LONG NOSES.

(After Hokusai.)

Curious creatures are the tengus, with the head of a hawk and the body of a man. They have very hairy hands or paws with two fingers, and feet with two toes. They are hatched out of eggs, and have wings and feathers, until full grown. Then their wings moult, and the stumps are concealed behind their dress, which is like that of a man. They walk, when grown up, on clogs a foot high, which are like stilts, as they have but one support instead of two, like the sort which men wear. The tengus strut about easily on these, without stumbling.

The Dai Tengu, or master, is a solemn-faced, scowling individual with a very proud expression, and a nose about eight finger-breadths long. When he goes abroad, his retainers march before him, for fear he might break his nose against something. He wears a long grey beard down to his girdle, and moustaches to his chin. In his left hand he carries a large fan made of seven wide feathers. This is the sign of his rank. He has a mouth, but he rarely opens it. He is very wise, and rules over all the tengus in j.a.pan.

The Karasu or crow-tengu is a black fellow, with a long beak, in the place where his nose and mouth ought to be. He looks as if some one had squeezed out the lower part of his face, and pulled his nose down so as to make a beak like a crow's. He is the Dai Tengu's lictor. He carries the axe of authority over his left shoulder, to chop bad people's heads off. In his right fist is his master's book of wisdom, and roll of authority. Even these two highest in authority in Tengu-land are servants of the great lord Kampira, the long-haired patron of sailors and mountaineers.

The greatest of the Dai Tengu lived in Kurama mountain and taught Yos.h.i.tsune. This lad, while a pupil in the monastery, would slip out in the evening, when the priests thought him asleep, and come to the King of the Tengus, who instructed him in the military arts, in cunning, magic, and wisdom. Every night the boy would spread the roll of wisdom before him, and sit at the feet of the h.o.a.ry-headed tengu, and learn the strange letters in which tengu wisdom is written, while the long-nosed servant tengus, propped up on their stilt-clogs, looked on. The boy was not afraid, but quickly learned the knowledge which birds, beasts and fishes have, how to understand their language and to fly, swim and leap like them.

When a tengu stumbles and falls down on his nose, it takes a long while to heal, and if he breaks it, the doctor puts it in splints like a broken arm, until it straightens out and heals up again.

Some of the amus.e.m.e.nts in Tengu-land are very curious. A pair of young tengus will fence with their noses as if they were foils. Their faces are well protected by masks, for if one tengu should "poke his nose" into the other's eye he might put it out, and a blind tengu could not walk about, because he would be knocking his nose against everything.

Two old tengus with noses nearly two feet long, sometimes try the strength of their face-handles. One fellow has his beak straight up in the air like a supporting post, while the other sits a yard off with his elastic nose stretched across like a tight-rope, and tied with twine at the top of the other one's nose. On this tight nose-rope a little tengu boy, with a tiny pug only two inches long, dances a jig. He holds an umbrella in his hand, now dancing, and now standing upon one foot. The tengu-daddy, whose nose serves as a tent-pole, waves his fan and sings a song, keeping time to the dance.

There is another tengu who sometimes quarrels with his wife, and when angry boxes her ears with his nose.

A lady-tengu who is inclined to be literary and sentimental, writes poetry. When the mood seizes her she ties the pen to her nose, dips it in ink and writes a poem on the wall.

A tengu-painter makes a long-handled brush to whitewash the ceiling, by strapping it to his nose.

Sometimes the little tengus get fighting, and then the feathers fly as they tear each other with their little claws which have talons on them shaped like a chicken's, but which when fully grown look like hands.

All the big tengus are fond of trying the strength of their noses, and how far they can bend them up and down without breaking. They have two favorite games of which they sometimes give exhibitions. The player has long strings of iron cash (that is, one hundred of the little iron coins, with a square hole in the centre). Several of these he slides on a rope like b.u.t.tons on a string, or counters on a wire. Then he lifts them off with the tip of his nose. Sometimes his nose bends so much under the weight that the coins slip off. Whichever tengu can pick off the greater number of strings without letting any slip, wins the game, and is called O-hana (The King of Noses).

Another balances hoops and poles on his nose and throws b.a.l.l.s through the hoops; or he poises a saucer of water on the tip of his nose without spilling a drop. Another fellow hangs a bell from the ceiling. Then, with a handkerchief tied loosely round his head, he pulls his nose back like a snapping-turtle's beak, and then suddenly lets go. His nose then strikes the bell and rings it. It hurts very much, but he does not mind it.

The tengus have one great fault. They love liquor too much. They often get drunk. They buy great casks of rice-wine, sling them round their necks, and drink out of long cups shaped like their faces, using the nose for a handle. A drunken tengu makes a funny sight, as he staggers about with his big wings drooping and flapping around him, and the feathers trailing in the mud, and his long nose limp, pendulous and groggy.

When the master of the tengus wishes to "see the flowers," which means to go on a picnic, he punishes his drunken servant by swinging the box of eatables over the fellow's red nose. Putting the end over his shoulders, he compels the sot to come along. It sobers the fellow, for the weight on his nose and the pulling on it hurts dreadfully, and often makes him squeal.

Oyama, a mountain near Tokio, is said to be full of these long-nosed elves, but many other mountains are inhabited by them, for they like lonely places away from men.

Dancers often put on masks like the tengu's face and dance a curious dance which they call the Tengu's quadrille.

The tengus are very proud fellows, and think themselves above human beings. They are afraid of brave men, however, and never dare to hurt them. They scare children, especially bad boys. They watch a boy telling lies and catch him. Then the tengus pull out his tongue by the roots, and run away with it.

When a tengu walks, he folds his arms, throws back his head till his nose is far up in the air, and struts around as if he were a daimio. When a man becomes vain and carries his nose too high, the people say "He has become a tengu."

KINTARO, OR THE WILD BABY.

Long, long ago, when the tallest fir trees on the Hakone mountains were no higher than a rice-stalk, there lived in that part of the range called Ashigara, a little ruddy boy, whom his mother had named Kintaro, or Golden Darling. He was not like other boys, for having no children to play with, he made companions of the wild animals of the forest.

He romped with the little bears, and often when the old she bear would come for her cubs to give them their supper and put them to bed, Kintaro would jump on her back and have a ride to her cave. He also put his arms around the neck of the deer, which were not afraid of him. He was prince of the forest, and the rabbits, wild boars, squirrels and martens, pheasants and hawks were his servants and messengers.

Although not much more than a fat baby, Kintaro wielded a big axe, and could chop a snake to pieces before he had time to wriggle.

Kintaro's father had been a brave soldier in Kioto, who through the malice of enemies at court, had fallen into disgrace. He had loved a beautiful lady whom he married. When her husband died she fled eastward to the Ashigara mountains, and there in the lonely forests in which no human being except poor woodcutters ever came, her boy was born.

She lived in a cave, nourishing herself on roots and herbs. The woodcutters soon learned about the strange pair living wild but peacefully in the woods, though they did not dream of her n.o.ble rank. The boy was known among them as "Little Wonder," and the woman as "The old nurse of the mountain."

Thus, all alone, the little fellow grew up, exercising himself daily, so that even though a child he could easily wrestle with a bear. Among his retainers were the tengus, though they were often rebellious and disobedient, not liking to be governed by a boy.

One day, an old mother-tengu, who had always laughed at the idea of obeying a little dumpling of a fellow like Kintaro, flew up to her nest in a high fir tree. Kintaro watched to see where it was, and waited till she left it to go and seek for food. Then going up to the tree, he shook it with all his might, until the nest came tumbling down, and the two young squabs of tengus with it.