January Justice Part 13

Forty minutes later, I pulled into the garage at El Nido and parked between the Bentley and the stretch Mercedes. I strolled over to the guesthouse, changed into a pair of swimming trunks, grabbed a towel and a pair of goggles, and then headed for the pool.

A couple of years before Haley and I met, she had installed the regulation twenty-five-yard, short-course-length pool, three lanes wide. I had always been a runner, but Haley loved to swim and usually did forty laps in the morning before breakfast, alternating between a crawl and a b.r.e.a.s.t.stroke. Watching her slip almost effortlessly through the water had gotten me interested, and after a while I learned to enjoy it almost as much as she did.

I stretched a little on the flagstone ap.r.o.n, then dove in and did one hundred laps. While I swam, I thought about the fact that the old men at the Guatemalan social club believed Alejandra Delarosa was still living in their neighborhood. I wondered if it might be true and decided it was certainly possible. After all, where better to hide from the law than in the most densely populated urban area on the West Coast, among several hundred thousand people who think you're a hero?

When I was done swimming, I climbed the ladder to find Simon sitting in the shade of a market umbrella at one of the tables. He was reading the Times.

Toweling myself off as I walked over, I said, "What ho, Jeeves. Any news of Parliament?"

He stood as I came, looking at me over the top of his reading gla.s.ses. "I take your Wodehouse reference, Mr. Cutter. It is very humorous."

He remained standing as I settled into a chair. On the table between us were two gla.s.ses of lemonade and two plates with ham-and-swiss sandwiches.

I said, "Is one of these for me?"

"Yes. While preparing a meal for myself, I glanced outside and noticed you were exercising. It seemed improper to consume food from your larder without including you."

"It's not my larder. It's Haley's."

"As you say."

"Let's dig in."

"As you wish, Mr. Cutter."

He sat across from me, folded the paper precisely placed it on the table, then went to work on his sandwich. I couldn't help noticing the paper was turned to the employment section of the cla.s.sifieds.

I said, "Are you looking for a job in the UK?"

"I had considered it."

The day was fast approaching when I wouldn't see Simon or Teru anymore, when I wouldn't live in Haley's guesthouse anymore, when the connections to my life with her would be finally and completely severed. I couldn't bear the thought of staying on, and yet, strangely, when I thought of Simon leaving, my stomach seemed to ball up into a knot. Haley had led a splendid life, a life of honor and integrity and courage, and I wouldn't let her memory be tarnished, not for all the money in the world. But something about Simon's newspaper made the coming changes seem more real. I felt a wave of loneliness. It was a dangerous feeling, which led back to dark and disconnected places.

To distract myself, I told Simon about my morning at Pico-Union. When I was done, he said, "What are your plans now?"

"I've spoken with her neighbors. I think the next logical step is to see what her victim has to say, but I can't figure out how to get to Dona Elena. With my background, the congressman isn't going to let me get within a mile of his wife."

Simon took a small bite of his sandwich, chewed it thoughtfully, swallowed, then said, "Perhaps something could be arranged."

About an hour later, after I had rinsed the swimming pool's chlorine off in the shower and slipped back into my jeans and black-silk T-shirt, there was a knock at the front door of the guesthouse. When I opened it, Simon stood there in his perfectly tailored suit. He handed me a folded piece of cream-colored stationary. On it were his embossed initials centered at the top, and below that a handwritten address in Beverly Hills and the time, 2:30 p.m. The penmanship was impeccable.

I looked at him.

He said, "Mrs. Montes will be expecting you."

"How'd you do this?"

"One does have one's contacts."

"b.u.t.tling contacts?"

He offered a slight smile, turned, and walked away.

I called after him, "You might as well explain this. I'll find out how you did it sooner or later."

Simon lifted one hand slightly to signify he had heard me and kept walking. I watched his back for few more seconds, suddenly aware of how much I didn't know about the man. What kind of butler could arrange a meeting with one of Hollywood's leading stars on an hour's notice? I should have known Haley would never hire a butler who was simply a butler. She had always surrounded herself with interesting people, and it seemed Simon had more going on beneath the surface than I had realized.

But a 2:30 appointment didn't leave much time to consider Simon's background, so my thoughts shifted to strategy. I decided not to bother changing into something more formal. During my time as a chauffeur and a bodyguard, I'd found the well-to-do in California often affect a casual wardrobe. Besides, there wasn't time. I had to leave immediately to make the appointment. I set out across the grounds toward the garage. I decided to borrow Haley's Bentley. Blue jeans and a black T-shirt were one thing, but it was Beverly Hills, after all. I was pretty sure it would help break the ice with the movie star and the congressman if I met certain standards.

I took the 5 to the Hollywood Freeway, then the Santa Monica exit. I bore right at the fork to cut over to Sunset Boulevard and then turned right again on Benedict Canyon to climb up into the hills. Rolls-Royces, Maseratis, Jaguars, Porsches, and Ferraris ebbed and flowed around me. The Bentley didn't get a second look. There were no curbs or sidewalks, just the asphalt road winding up and up between ten-foot-tall stone and stucco walls and perfectly manicured hedges penetrated every two or three hundred yards by pairs of imposing gates. I took a hairpin turn to the right and then veered off the canyon road at Wallingford Drive. About five hundreds yards farther up, I reached the Montes's estate.

There was the usual pair of gates with a speaker box discretely mounted on a post to the left of the driveway ap.r.o.n. I pushed a b.u.t.ton marked "Call," and a woman's voice came on to say, "May I help you?"

I told her who I was. She asked me to wait. A moment later, the gates began to swing in, and her voice came from the speaker again. "Ms. Montes is looking forward to meeting you, Mr. Cutter. Please drive up the hill and bear to your right at the first fork. You'll see a gravel area when you arrive at the house. Park there and come to the front door."

Everything was exactly as the woman had described. When I got out of the Bentley, I was standing before a cla.s.sic example of the fifties modern style of architecture: a sleek collection of sheet-gla.s.s panes and limestone slabs balanced on steel poles. I climbed seventeen steps to the front door. Before I could push the b.u.t.ton on the jamb beside it, a spectacular young woman opened the door and smiled at me.

She was about five foot ten and slender in an athletic way. She wore a black blouse of some kind of elastic material that showed her figure to full advantage. The blouse was tucked into white slacks decorated along the sides with rows of botonadura, the silver b.u.t.tons typically seen along the legs of mariachi trousers. On her feet were a pair of white leather boots. A pair of large silver hoops dangled from her ears. Around her waist was a black silk sash. My thoughts turned to Salma Hayek, whom I had seen with Haley at a party about a year before. But this woman was much younger than Ms. Hayek. I put her at about twenty-three or twenty-four, about ten years younger than I was.

"Mr. Cutter," she said, "I'm Olivia Soto, Ms. Montes's personal a.s.sistant."

"What an interesting name," I said. "I used to know a guy named Walnut Tree, but everybody called him Wally." In Spanish, "Olivia Soto" meant "olive grove."

She smiled at me again. Her teeth were flawlessly straight and perfectly white; her lips were succulently full. She wasn't as beautiful as Haley, but it was a very close call. "You speak Spanish," she said, offering her hand. "How nice."

I took her hand and smiled. She gave one vigorous shake and then released me. "Would you please come this way?"

I followed her into the entry hall. It was darker than I had expected, what with all the sheets of gla.s.s I'd seen outside. The floor was a highly polished dark-blue stone of some kind, and the walls seemed to float on either side of us, set off along the bottom as they were by deep reveals.

As Olivia Soto led the way, I admired her black hair hanging in a loose french braid halfway to her waist. Her hips swayed seductively beneath the fabric of her white cotton mariachi slacks, but somehow I got the feeling she was unaware of that. She had the unselfconscious air of a girl next door who has somehow managed to grow up to become a beautiful woman without realizing it.

We stepped from the dark entry into a huge living room flooded with light from a wall of floor-to-ceiling gla.s.s that overlooked Los Angeles far below.

"Ms. Montes, may I present Mr. Malcolm Cutter?" said Olivia. "Mr. Cutter, this is Dona Elena Montes."

The woman rose from where she had been sitting and turned to face me. She was blond and barefoot, in a simple white cotton T-shirt and a pair of plain white trousers cut short at calve length. She could have been dressed in sackcloth and ashes, and I would still have recognized the iconic cheekbones, the perfectly sculpted lips, the arched eyebrows, and the flashing eyes that conveyed such pa.s.sion in her close-ups. She was a small woman, but the proportions were exactly right in all regards. Dona Elena Montes was that rarest of Hollywood stars: an old-fashioned s.e.x symbol in the tradition of Marilyn Monroe and Sophia Loren. At a time when nudity clauses were boilerplate in female actors' contracts, Dona Elena could arouse any male audience while completely clothed from head to toe.

"Mr. Cutter," she said, approaching me with her hand extended. "What a pleasure."

She had a professional's control over her words, speaking English without a trace of an accent, although I knew she had moved to the States only a decade before.

"It's very good of you to see me," I replied.

"Not at all. Would you like a drink? I'm having a gla.s.s of Chablis."

"That sounds good, thanks."

"Olivia, darling, would you please bring a gla.s.s for Mr. Cutter, and refresh mine?"

"Certainly," replied her a.s.sistant, who picked up Dona Elena's nearly empty gla.s.s, then left the room.

I turned toward the view. It was breathtaking. The house must have been cantilevered out over a cliff. The canyon floor was at least one hundred feet below the windows, and it fell farther away toward LA from there.

"Magnificent," I said.

"Yes, isn't it? I especially love it after dark. The city lights. The stars. It's like hovering above the planet in a s.p.a.ceship."

I was glad it wasn't after dark, glad I didn't have to stand there and look down on the same city lights Haley had seen on her fall to the rocks. I shuddered. I turned away from the horrific memory as Olivia Soto came back in with the wine. She refilled Dona Elena's gla.s.s, poured one for me, and then left the room again. The Chablis was excellent.

I said, "Apparently you know my friend Simon."

"Such a remarkable man." She gestured toward the seating area and a large white C-shaped sectional surrounding a white pine table covered with expensively printed photography books. She was on the cover of a few of them. "Shall we?"

As we sat I said, "Do you mind if I ask how you know Simon?"

"Didn't he tell you? He and my husband met each other years ago, when Hector first started working for the State Department."

"You're talking about Congressman Montes? Him and Simon, Miss Lane's butler?"

"Oh, Simon wasn't a butler back then, of course. I believe Hector said he was with the British Foreign Office, or something like that, when they met. Anyway, Hector needed Simon's help on some kind of problem in Africa or somewhere, and apparently it worked out well, and they've stayed in touch ever since."

"I had no idea."

"I know. Hector said it was strange to find out Simon's been over here working for a movie star." She leaned toward me suddenly, bending at the waist. I had to work hard to keep from staring down at her world-famous cleavage.

"Say," she said earnestly, "do you think Simon might consider working for us, now that Haley's gone?"

The desperate loneliness rose up. Of course the woman had no idea how it was for me to hear her speak of Haley being simply gone, but the severity of the word, the finality, coming as it did without warning... I looked away. I blinked a few times. I breathed in deeply, then breathed out and tried to think of what was excellent and good.

"I know Simon's looking for a job," I said. "You might want to call and ask."

She sat back again. "Oh, that would just be marvelous."

"Did he tell you why I wanted to come over?"

"He didn't actually speak to me. He called Hector. But yes, Hector said it's about Arturo. You're some sort of investigator, apparently, and you're looking into Arturo's murder."

I said, "Do you mind if we talk about it?"

"Whatever for, after all these years?"

Given her husband's vehement condemnations of the URNG on Capitol Hill, I had a feeling it would be a mistake to explain that I was there to try to clear them.

I said, "There have been some new developments. But if you'd rather not, I can pursue other avenues."

Half a dozen slender golden bracelets tinkled on her wrist as she waved her hand between us. "No, no. If Hector thinks we should discuss it, of course we will. I'd do anything to put that wh.o.r.e away."

"You mean Alejandra Delarosa."

She nodded, then drank deeply from her wine gla.s.s.

I said, "Can you tell me anything about what happened that might help me find her?"

"Nothing I haven't told everybody else already."

"I'm sorry, Mrs. Montes. I know this is painful. But sometimes it helps to hear details directly from the victim."

She drank deeply again, almost finishing the wine. She swallowed, and I heard the liquid going down. Leaning back against the cushions, she sighed and then said, "All right."

19.

"I was at home," said Dona Elena Montes. "I was sitting on the sofa reading, when someone came up behind me and covered my face with some kind of cloth, and then I pa.s.sed out. The police said they probably used ether. I woke up again in a small room. It was made all of wood. Wood floor, wood walls, wood ceiling. I heard coyotes outside sometimes. And crows. They kept me chained to a hook in the floor beside a mattress. They gave me a bucket for a bathroom, and they fed me once a day. Horrible things from cans. They made me sit in front of a video camera a few times and recite lines. They gave me the lines about an hour ahead of time and told me if I got them wrong, they'd kill me."

I interrupted. "You keep saying 'they.' Was there someone in addition to Alejandra Delarosa?"

"There were men. I never saw their faces."

"How many?"

"I never saw more than two at a time, but there might have been more outside the room. Maybe they rotated in and out. I couldn't tell because they all wore masks."

"And Alejandra Delarosa? Did she wear a mask?"

"Only when she was in the videos. There was no point in it the rest of the time. She knew I'd recognize her anyway."

"How would you have known it was her?"

"She worked for Arturo for more than a year. I know her voice. The way she walks."

"The way she walks?"

Dona Elena stood up and walked to the gla.s.s and back. Whereas before she had moved with great grace, now she seemed to lunge ahead, as if her feet hurt. "Like that," she said. "I always wondered if she had bunions or something, but I never asked." She sat back down.

Of course I knew the real reason Alejandra Delarosa never wore a mask. She hadn't planned to let Dona Elena live. But there was no reason to explain that, so instead I said, "The things they made you read, were they handwritten?"

"They were printed out on paper, what I was supposed to say, what she was supposed to say, with my name and hers, except of course they called her 'Comrade X.' It was like a regular script."

"That's strange."

"Not really. That Alejandra wants to be an actor. I always thought that was why she went to work for Arturo, to get close to me. She wanted me to help her get good parts, the little gold digger."