Jane Austen, Her Life and Letters Part 4

[29] Beaumont Lodge, Old Windsor, where Warren Hastings was then living.

[30] Henry Austen, and his elder brother, James.

[31] In the _Memoir_ this action is by mistake attributed to the Count.

[32] _National Archives_, Paris (de Feuillide), W. 328, dossier 541, and T. 738; (Marboeuf), W. 320, dossier 481.

CHAPTER IV

FAMILY LIFE

1779-1792

The eldest brother of the family, James, was nearly eleven years older than Jane, and had taken his degree at Oxford before she left school. He had matriculated at St. John's (where he obtained a 'founder's kin'

Scholarship and, subsequently, a Fellowship) in 1779, at the early age of fourteen; his departure from home having been perhaps hastened in order to make room for the three or four pupils who were sharing his brothers' studies at that time. His was a scholarly type of mind; he was well read in English literature, had a correct taste, and wrote readily and happily, both in prose and verse. His son, the author of the _Memoir_, believes that he had a large share in directing the reading, and forming the taste, of his sister Jane. James was evidently in sympathy with Cowper's return to nature from the more artificial and mechanical style of Pope's imitators, and so was she; in _Sense and Sensibility_, Marianne, after her first conversation with Willoughby, had happily a.s.sured herself of his admiring Pope 'no more than is proper.' In 1786 we hear of James being in France; his cousin Eliza was hoping for a visit of some months from him; but in the next year he had returned, and he must have soon gone into residence at Oxford as a young Fellow of his College; for there, in 1789, he became the originator and chief author of a periodical paper called _The Loiterer_, modelled on _The Spectator_ and its successors. It existed for more than a twelvemonth, and in the last number the whole was offered to the world as a 'rough, but not entirely inaccurate Sketch of the Character, the Manners, and the Amus.e.m.e.nts of Oxford, at the close of the eighteenth century.' In after life, we are told, he used to speak very slightingly of this early work, 'which he had the better right to do, as, whatever may have been the degree of their merits, the best papers had certainly been written by himself.'

Edward Austen's disposition and tastes were as different from James's as his lot in life proved to be. Edward, as his mother says, 'made no pretensions' to literary taste and scholarship; but he was an excellent man of business, kind-hearted and affectionate; and he possessed also a spirit of fun and liveliness, which made him--as time went on--especially delightful to all young people. His history was more like fiction than reality. Most children have at some time or other indulged in day-dreams, in which they succeed to unexpected estates and consequent power; and it all happened to Edward. Mr. Thomas Knight of G.o.dmersham Park in Kent, and Chawton House in Hampshire, had married a second cousin of George Austen, and had placed him in his Rectory at Steventon. His son, another Thomas Knight, and his charming wife, Catherine Knatchbull, took a fancy to young Edward, had him often to their house, and eventually adopted him. The story remains in the family of Mr. and Mrs. Knight's asking for the company of young Edward during his holidays, of his father's hesitating in the interests of the Latin Grammar, and of his mother's clinching the matter by saying 'I think, my dear, you had better oblige your cousins and let the child go.' There was no issue of the marriage of Mr. and Mrs. Knight, and by degrees they made up their minds to adopt Edward Austen as their heir. This resolution was not only a mark of their regard for Edward but also a compliment to the Austen family in general, whose early promise their cousins had probably observed; the relationship not being near enough to const.i.tute any claim. But Mr. Knight was most serious in his intentions, for in his will he left the estates in remainder to Edward's brothers in succession in case of the failure of his issue, and Mrs. Knight always showed the kindest interest in all the family. Edward was now more and more at G.o.dmersham and less and less at home. Under the Knights'

auspices, he was sent, not to the University, but on a 'grand tour,'

which included Dresden and Rome. He was probably away on this tour at the date which we have now reached.

Jane's favourite brother, Henry, was nearly four years younger than Edward, and was no doubt still profiting by his father's instructions.

By 1789 he was not only at Oxford but was contributing to _The Loiterer_ a paper on the sentimental school of Rousseau, and considering 'how far the indulgence of the above-named sentiments affects the immediate happiness or misery of human life.' Henry, whose course in life was marked by sharper curves than that of any of his brothers, was no doubt a very attractive personality. His niece, Mrs. Lefroy, says of him:--

He was the handsomest of his family and, in the opinion of his own father, also the most talented.

There were others who formed a different estimate, and considered his abilities greater in show than in reality; but for the most part he was greatly admired. Brilliant in conversation he was, and, like his father, blessed with a hopefulness of temper which in adapting itself to all circ.u.mstances, even the most adverse, seemed to create a perpetual sunshine. The race, however, is not all to the swift, it never has been, and, though so highly gifted by nature, my uncle was not prosperous in life.

There can be no doubt that by his bright and lovable nature he contributed greatly to the happiness of his sister Jane. She tells us that he could not help being amusing, and she was so good a judge of that quality that we accept her opinion of Henry's humour without demur; but he became so grandiloquent when wishing to be serious that he certainly must have wanted that last and rarest gift of a humorist--the art of laughing at himself.

Very different again was the self-contained and steadfast Francis--the future Admiral of the Fleet; who was born in April 1774, and divided in age from Henry by their sister Ca.s.sandra. He must have spent some time at home with his sisters, after their return from school, before he entered the Royal Naval Academy, established in 1775 at Portsmouth under the supreme direction of the Lords of the Admiralty. Francis joined it when he was just twelve, and, 'having attracted the particular notice of the Lords of the Admiralty by the closeness of his application, and been in consequence marked out for early promotion,'[33] embarked two and a half years later as a volunteer on board the frigate _Perseverance_ (captain, Isaac Smith), bound to the East Indies. His father on this occasion wrote him a long letter--of which a great part is given in _Jane Austen's Sailor Brothers_.[34] Nothing in this wise and kind letter is more remarkable than the courtesy and delicacy with which the father addresses his advice to the son, who was but a boy, but whom he treats as an officer, and as a young man of whom he already cherished the highest hopes, consequent upon his previous good conduct. He speaks on many topics, religious duties being given the first place among them.

He rejoices in the high character Francis had acquired in the academy and a.s.sures him that 'your good mother, brothers, sisters and myself will all exult in your reputation and rejoice in your happiness.' The letter concludes thus: 'I have nothing more to add but my blessing and best prayers for your health and prosperity, and to beg you would never forget you have not upon earth a more disinterested and warm friend than your truly affectionate father, Geo. Austen.' We need not be surprised to learn that this letter was found among the Admiral's private papers when he died at the age of ninety-one.

The remaining brother, Charles, his sisters' 'own particular little brother,' born in 1779, must have been still in the nursery when his sisters left school.

These brothers meant a great deal to Jane[35]; 'but dearest of all to her heart was her sister Ca.s.sandra, about three years her senior. Their sisterly affection for each other could scarcely be exceeded. Perhaps it began on Jane's side with the feeling of deference natural to a loving child towards a kind elder sister. Something of this feeling always remained; and even in the maturity of her powers, and in the enjoyment of increasing success, she would still speak of Ca.s.sandra as of one wiser and better than herself.' 'Their attachment was never interrupted or weakened; they lived in the same home, and shared the same bedroom, till separated by death. They were not exactly alike. Ca.s.sandra's was the colder and calmer disposition; she was always prudent and well-judging, but with less outward demonstration of feeling and less sunniness of temper than Jane possessed. It was remarked in the family that "Ca.s.sandra had the _merit_ of having her temper always under command, but that Jane had the _happiness_ of a temper which never required to be commanded."'

Such was the family party at Steventon; and 'there was so much that was agreeable in it that its members may be excused if they were inclined to live somewhat too exclusively within it.[36] They might see in each other much to love and esteem, and something to admire. The family talk had abundance of spirit and vivacity, and was never troubled by disagreements even in little matters, for it was not their habit to dispute or argue with each other; above all, there was strong family affection and firm union, never to be broken but by death. It cannot be doubted that all this had its influence with the author in the construction of her stories,' in which family life often plays a large part.

The party which we have described was for many years 'unbroken[37] by death and seldom visited by sorrow. Their situation had some peculiar advantages beyond those of ordinary rectories. Steventon was a family living. Mr. Knight, the patron, was also proprietor of nearly the whole parish. He never resided there, and, consequently, the Rector and his children came to be regarded in the neighbourhood as representatives of the family. They shared with the princ.i.p.al tenant the command of an excellent manor, and enjoyed, in this reflected way, some of the consideration usually awarded to landed proprietors. They were not rich, but, aided by Mr. Austen's power of teaching, they had enough to afford a good education to their sons and daughters, to mix in the best society of the neighbourhood, and to exercise a liberal hospitality to their own relations and friends.' 'A carriage and pair of horses were kept'; but this could be done more cheaply in the eighteenth century than in the nineteenth. 'There were then no a.s.sessed taxes; the carriage, once bought, entailed little further expense; and the horses, probably, like Mr. Bennet's (in _Pride and Prejudice_), were often employed on farm work. Moreover, it should be remembered that a pair of horses in those days were almost a necessity, if ladies were to move about at all; for neither the condition of the roads nor the style of carriage-building admitted of any comfortable vehicle being drawn by a single horse'; indeed, the object of the builders seems to have been 'to combine the greatest possible weight with the least possible amount of accommodation.'[38]

Jane Austen lost no time in entering on the career of authorship. She wrote because she must, and with very little prevision of the path which her genius was afterwards to mark out for her. She was urged onward 'by the first stirrings of talent within her and the absorbing interest of early composition.

'It is impossible to say at how early an age she began. There are copy-books extant containing tales, some of which must have been composed while she was a young girl, as they had amounted to a considerable number by the time she was sixteen. Her earliest stories are of a slight and flimsy texture, and are generally intended to be nonsensical, but the nonsense has much spirit in it. They are usually preceded by a dedication of mock solemnity to some one of her family. It would seem that the grandiloquent dedications prevalent in those days had not escaped her youthful penetration. Perhaps the most characteristic feature in those early productions is that, however puerile the matter, they are always composed in pure simple English, quite free from the over-ornamented style which might be expected from so young a writer.'[39] The following is a specimen:--

THE MYSTERY.

AN UNFINISHED COMEDY.

DEDICATION.

TO THE REV. GEORGE AUSTEN.

SIR,--I humbly solicit your patronage to the following Comedy, which, though an unfinished one, is, I flatter myself, as complete a _Mystery_ as any of its kind.

I am, Sir, your most humble Servant, THE AUTHOR.

THE MYSTERY, A COMEDY.

_DRAMATIS PERSONae._

_Men._

Col. ELLIOT.

OLD HUMBUG.

YOUNG HUMBUG.

Sir EDWARD SPANGLE _and_ CORYDON.

_Women._

f.a.n.n.y ELLIOTT.

MRS. HUMBUG _and_ DAPHNE.

ACT I.

SCENE I.--_A Garden._

_Enter_ CORYDON.

_Corydon._ But hush: I am interrupted. [_Exit_ CORYDON.

_Enter_ OLD HUMBUG _and his_ SON, _talking._