Jack Sheppard Part 76

"Curiosity, I suppose," returned Jack, carelessly.

"No such thing," rejoined the jailer; "he's coming on business."

"On what business, in the name of wonder?" asked Sheppard.

"To paint your portrait," answered the jailer.

"My portrait!" echoed Jack.

"By desire of his Majesty," said the jailer, consequentially. "He has heard of your wonderful escapes, and wishes to see what you're like.

There's a feather in your cap! No house-breaker was ever so highly honoured before."

"And have my escapes really made so much noise as to reach the ear of royalty?" mused Jack. "I have done nothing--nothing to what I _could_ do--to what I _will_ do!"

"You've done quite enough," rejoined Austin; "more than you'll ever do again."

"And then to be taken thus, in these disgraceful bonds!" continued Jack, "to be held up as a sight for ever!"

"Why, how else would you be taken?" exclaimed the jailer, with a coa.r.s.e laugh. "It's very well Mr. Wild allowed you to have your fine clothes again, or you might have been taken in a still more disgraceful garb.

For my part, I think those shackles extremely becoming. But, here they are."

Voices being heard at the door, Austin flew to open it, and admitted Mr.

Pitt, the governor, a tall pompous personage, who, in his turn, ushered in four other individuals. The first of these, whom he addressed as Mr.

Gay, was a stout, good-looking, good-humoured man, about thirty-six, with a dark complexion, an oval face, fine black eyes, full of fire and sensibility, and twinkling with roguish humour--an expression fully borne out by the mouth, which had a very shrewd and sarcastic curl. The poet's appearance altogether was highly prepossessing. With a strong tendency to satire, but without a particle of malice or ill-nature in its display. Gay, by his strokes of pleasantry, whether in his writings or conversation, never lost a friend. On the contrary, he was a universal favourite, and numbered amongst his intimate acquaintances the choicest spirits of the time,--Pope, Swift, Arbuthnot, and "all the better brothers." His demeanour was polished; his manners singularly affable and gentle; and he was remarkable, for the generosity of his temper. In worldly matters Gay was not fortunate. Possessed, at one time, of a share in the South Sea stock, he conceived himself worth twenty thousand pounds. But, on the bursting of that bubble, his hopes vanished with it. Neither did his interest,--which was by no means inconsiderable,--nor his general popularity, procure him the preferment he desired. A constant attendant at court, he had the mortification to see every one promoted but himself, and thus bewails his ill-luck.

Places, I found, were daily given away, And yet no friendly gazette mentioned Gay.

The prodigious success of the "Beggars' Opera," which was produced about four years after the date of this history, rewarded him for all his previous disappointments, though it did not fully justify the well-known epigram, alluding to himself and the manager, and "make Gay _rich_, and Rich _gay_." At the time of his present introduction, his play of "The Captives," had just been produced at Drury Lane, and he was meditating his "Fables," which were published two years afterwards.

Behind the poet came Sir James Thornhill. The eminent painter had handsome, expressive features, an aquiline nose, and a good deal of dignity in his manner. His age was not far from fifty. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canva.s.s upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most a.s.siduous attention. This young man, whose features, though rather plain and coa.r.s.e, bore the strongest impress of genius, and who had a dark gray, penetrating eye, so quick in its glances that it seemed to survey twenty objects at once, and yet only to fasten upon one, bore the honoured name of William Hogarth. Why he paid so much attention to Sir James Thornhill may be explained anon.

The rear of the party was brought up by a large, powerfully-built man, with a bluff, honest, but rugged countenance, slashed with many a cut and scar, and stamped with that surly, st.u.r.dy, bull-dog-like look, which an Englishman always delights to contemplate, because he conceives it to be characteristic of his countrymen. This formidable person, who was no other than the renowned Figg, the "Atlas of the sword," as he is termed by Captain G.o.dfrey, had removed his hat and "skull covering," and was wiping the heat from his bepatched and close-shaven pate. His shirt also was unb.u.t.toned, and disclosed a neck like that of an ox, and a chest which might have served as a model for a Hercules. He had a flattish, perhaps, it should be called, a _flattened_ nose, and a brown, leathern-looking hide, that seemed as if it had not unfrequently undergone the process of tanning. Under his arm he carried a thick, knotted crab-stick. The above description of

--the great Figg, by the prize-fighting swains Sole monarch acknowledged of Mary'bone plains--

may sound somewhat tame by the side of the glowing account given of him by his gallant biographer, who a.s.serts that "there was a majesty shone in his countenance, and blazed in his actions, beyond all I ever saw;"

but it may, possibly, convey a more accurate notion of his personal appearance. James Figg was the most perfect master of self-defence of his day. Seconded by his strength and temper, his skill rendered him invincible and he is reputed never to have lost a battle. His imperturbable demeanour in the fight has been well portrayed by Captain G.o.dfrey, who here condescends to lay aside his stilts. "His right leg bold and firm, and his left, which could hardly ever be disturbed, gave him a surprising advantage, and struck his adversary with despair and panic. He had a peculiar way of stepping in, in a parry; knew his arm, and its just time of moving; put a firm faith in that, and never let his opponent escape. He was just as much a greater master than any other I ever saw, as he was a greater judge of time and measure." Figg's prowess in a combat with b.u.t.ton has been celebrated by Dr. Byrom,--a poet of whom his native town, Manchester, may be justly proud; and his features and figure have been preserved by the most ill.u.s.trious of his companions on the present occasion,--Hogarth,--in the levee in the "Rake's Progress," and in "Southwark Fair."

On the appearance of his visitors, Sheppard arose,--his gyves clanking heavily as he made the movement,--and folding his arms, so far as his manacles would permit him, upon his breast, steadily returned the glances fixed upon him.

"This is the noted house-breaker and prison-breaker, gentlemen," said Mr. Pitt, pointing to the prisoner.

"Odd's life!" cried Gay, in astonishment; "is this slight-made stripling Jack Sheppard? Why, I expected to see a man six foot high at the least, and as broad across the shoulders as our friend Figg. This is a mere boy. Are you sure you haven't mistaken the ward, Mr. Pitt?"

"There is no mistake, Sir," rejoined the prisoner, drawing himself up, "I am Jack Sheppard."

"Well, I never was more surprised in my life," said the poet,--"never!"

"He's just the man _I_ expected to see," observed Hogarth, who, having arranged everything to Thornhill's satisfaction, had turned to look at the prisoner, and was now with his chin upon his wrist, and his elbow supported by the other hand, bending his keen gray eyes upon him, "just the man! Look at that light, lithe figure,--all muscle and activity, with not an ounce of superfluous flesh upon it. In my search after strange characters, Mr. Gay, I've been in many odd quarters of our city--have visited haunts frequented only by thieves--the Old Mint, the New Mint, the worst part of St. Giles's, and other places--but I've nowhere seen any one who came up so completely to my notion of a first-rate housebreaker as the individual before us. Wherever I saw him, I should pick him out as a man designed by nature to plan and accomplish the wonderful escapes he has effected."

As he spoke, a smile crossed Sheppard's countenance.

"He understands me, you perceive," said Hogarth.

"Well, I won't dispute your judgment in such matters, Mr. Hogarth,"

replied Gay. "But I appeal to you, Sir James, whether it isn't extraordinary that so very slight a person should be such a desperate robber as he is represented--so young, too, for such an _old_ offender.

Why, he can scarcely be twenty."

"I am one-and-twenty," observed Jack.

"One-and-twenty, ah!" repeated Gay. "Well, I'm not far from the mark."

"He is certainly extremely youthful-looking and very slightly made,"

said Thornhill, who had been attentively studying Sheppard's countenance. "But I agree with Hogarth, that he is precisely the person to do what he has done. Like a thorough-bred racer, he would sustain twice as much fatigue as a person of heavier mould. Can I be accommodated with a seat, Mr. Pitt?"

"Certainly, Sir James, certainly," replied the governor. "Get a chair, Austin."

While this order was obeyed, Figg, who had been standing near the door, made his way to the prisoner, and offered him his huge hand, which Jack warmly grasped.

"Well, Jack," said the prize-fighter, in a rough, but friendly voice, and with a cut-and-thrust abrupt manner peculiar to himself; "how are you, lad, eh? Sorry to see you here. Wouldn't take my advice. Told you how it would be. One mistress enough to ruin a man,--two, the devil.

Laughed at me, then. Laugh on the wrong side of your mouth, now."

"You're not come here to insult me, Mr. Figg?" said Jack, peevishly.

"Insult you! not I;" returned Figg. "Heard of your escapes. Everybody talking of you. Wished to see you. Old pupil. Capital swordsman. Shortly to be executed. Come to take leave. Trifle useful?" he added, slipping a few gold pieces into Jack's hand.

"You are very kind," said Jack, returning the money; "but I don't require a.s.sistance."

"Too proud, eh?" rejoined the prize-fighter. "Won't be under an obligation."

"There you're wrong, Mr. Figg," replied Jack, smiling; "for, before I'm taken to Tyburn, I mean to borrow a shirt for the occasion from you."

"Have it, and welcome," rejoined Figg. "Always plenty to spare. Never bought a shirt in my life, Mr. Gay," he added, turning to the poet.

"Sold a good many, though."

"How do you manage that, Mr. Figg?" asked Gay.

"Thus," replied the prize-fighter. "Proclaim a public fight. Challenge accepted. Fifty pupils. Day before, send round to each to borrow a shirt. Fifty sent home. All superfine holland. Wear one on the stage on the following day. Cut to pieces--slashed--bloodied. Each of my scholars thinks it his own shirt. Offer to return it to each in private. All make the same answer--'d--n you, keep it.'"

"An ingenious device," laughed Gay.

Sir James Thornhill's preparations being completed, Mr. Pitt desired to know if he wanted anything further, and being answered in the negative, he excused himself on the plea that his attendance was required in the court at the Old Bailey, which was then sitting, and withdrew.

"Do me the favour to seat yourself, Jack," said Sir James. "Gentlemen, a little further off, if you please."

Sheppard immediately complied with the painter's request; while Gay and Figg drew back on one side, and Hogarth on the other. The latter took from his pocket a small note-book and pencil.

"I'll make a sketch, too," he said. "Jack Sheppard's face is well worth preserving."