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Isaac Asimov_ The Complete Stories Part 87

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"Ah," he said with contrition, "how I have neglected the innocent joys of my younger days. My child, in view of this continuing incapacity of my right arm, would you be so kind as to turn the pages until I tell you to stop?"

Together they managed, in such a tableau of preconnubial bliss as is rarely seen, he holding the book with his left hand, she turning the pages slowly with her right.

"I am right!" Nitely said with sudden force. "Professor Johns, my dear fellow, do come here. This is the most amazing coincidence-a frightening example of the mysterious unfelt power that must sport with us on occasion for some hidden purpose."

Professor Johns, who had prepared his own tea and was sipping it patiently, as befitted a discreet gentleman of intellectual habit in the presence of two ardent lovers who had suddenly retired to the next room, called out, "Surely you do not wish my presence?"

"But I do, sir. I would fain consult one of your scientific attainments."

"But you are in a position-"

Alice screamed, faintly, "Professor!"

"A thousand pardons, my dear," said Professor Johns, entering. "My cobwebby old mind is filled with ridiculous fancies. It is long since I-" and he pulled mightily at his tea (which he had made strong) and was himself again at once.

"Professor," said Nitely. "This dear child referred to you as an up-to-date sorcerer and that turned my mind instantly to Gilbert and Sullivan's The Sorcerer."

"What," asked Professor Johns, mildly, "are Gilbert and Sullivan?"

Nitely cast a devout glance upward, as though with the intention of gauging the direction of the inevitable thunderbolt and dodging. He said in a hoa.r.s.e whisper, "Sir William Schwenck Gilbert and Sir Arthur Sullivan wrote, respectively, the words and music of the greatest musical comedies the world has ever seen. One of these is ent.i.tled The Sorcerer. In it, too, a philtre was used: a highly moral one which did not affect married people, but which did manage to deflect the young heroine away from her handsome young lover and into the arms of an elderly man."

"And," asked Professor Johns, "were matters allowed to remain so?"

"Well, no. -Really, my dear, the movements of your fingers in the region of the nape of my neck, while giving rise to undeniably pleasurable sensations, do rather distract me. -There is a reunion of the young lovers, Professor."

"Ah," said Professor Johns. "Then in view of the close resemblance of the fictional plot to real life, perhaps the solution in the play will help point the way to the reunion of Alice and Alexander. At least, I presume you do not wish to go through life with one arm permanently useless."

Alice said, "I have no wish to be reunited. I want only my own Nicholas."

"There is something," said Nitely, "to be said for that refreshing point of view, but tush-youth must be served. There is a solution in the play, Professor Johns, and it is for that reason that I most particularly wanted to talk to you." He smiled with a gentle benevolence. "In the play, the effects of the potion were completely neutralized by the actions of the gentleman who administered the potion in the first place: the gentleman, in other words, a.n.a.logous to yourself."

"And those actions were?"

"Suicide! Simply that! In some manner unexplained by the authors, the effect of this suicide was to break the sp-"

But by now Professor Johns had recovered his equilibrium and said in the most sepulchrally forceful tone that could be imagined, "My dear sir, may I state instantly that, despite my affection for the young persons involved in this sad dilemma, I cannot under any circ.u.mstances consent to self-immolation. Such a procedure might be extremely efficacious in connection with love potions of ordinary vintage, but my amatogenic principle, I a.s.sure you, would be completely unaffected by my death."

Nitely sighed. "I feared that. As a matter of fact, between ourselves, it was a very poor ending for the play, perhaps the poorest in the canon," and he looked up briefly in mute apology to the spirit of William S. Gilbert. "It was pulled out of a hat. It had not been properly foreshadowed earlier in the play. It punished an individual who did not deserve the punishment. In short, it was, alas, completely unworthy of Gilbert's powerful genius."

Professor Johns said, "Perhaps it was not Gilbert. Perhaps some bungler had interfered and botched the job."

"There is no record of that."

But Professor Johns, his scientific mind keenly aroused by an unsolved puzzle, said at once, "We can test this. Let us study the mind of this-this Gilbert. He wrote other plays, did he?"

"Fourteen, in collaboration with Sullivan."

"Were there endings that resolved a.n.a.logous situations in ways which were more appropriate?"

Nitely nodded. "One, certainly. There was Ruddigore."

"Who was he?"

"Ruddigore is a place. The main character is revealed as the true bad baronet of Ruddigore and is, of course, under a curse."

"To be sure," muttered Professor Johns, who realized that such an eventuality frequently befell bad baronets and was even inclined to think it served them right.

Nitely said, "The curse compelled him to commit one crime or more each day. Were one day to pa.s.s without a crime, he would inevitably die in agonizing torture."

"How horrible," murmured the soft-hearted Alice.

"Naturally," said Nitely, "no one can think up a crime each day, so our hero was forced to use his ingenuity to circ.u.mvent the curse."

"How?"

"He reasoned thus: If he deliberately refused to commit a crime, he was courting death by his own act. In other words, he was attempting suicide, and attempting suicide is, of course, a crime-and so he fulfills the conditions of the curse."

"I see. I see," said Professor Johns. "Gilbert obviously believes in solving matters by carrying them forward to their logical conclusions." He closed his eyes, and his n.o.ble brow clearly bulged with the numerous intense thought waves it contained.

He opened them. "Nitely, old chap, when was The Sorcerer first produced?"

"In eighteen hundred and seventy-seven."

"Then that is it, my dear fellow. In eighteen seventy-seven, we were faced with the Victorian age. The inst.i.tution of marriage was not to be made sport of on the stage. It could not be made a comic matter for the sake of the plot. Marriage was holy, spiritual, a sacrament-"

"Enough," said Nitely, "of this apostrophe. What is in your mind?"

"Marriage. Marry the girl, Nitely. Have all your couples marry, and that at once. I'm sure that was Gilbert's original intention."

"But that," said Nitely, who was strangely attracted by the notion, "is precisely what we are trying to avoid."

"I am not," said Alice, stoutly (though she was not stout, but, on the contrary, enchantingly lithe and slender).

Professor Johns said, "Don't you see? Once each couple is married, the amatogenic principle-which does not affect married people-loses its power over them. Those who would have been in love without the aid of the principle remain in love; those who would not are no longer in love-and consequently apply for an annulment."

"Good heavens," said Nitely. "How admirably simple. Of course! Gilbert must have intended that until a shocked producer or theater manager-a bungler, as you say-forced the change."

"And did it work?" I asked. "After all, you said quite distinctly that the professor had said its effect on married couples was only to inhibit extramarital re-"

"It worked," said Nitely, ignoring my comment. A tear trembled on his eyelid, but whether it was induced by memories or by the fact that he was on his fourth gin and tonic, I could not tell.

"It worked," he said. "Alice and I were married, and our marriage was almost instantly-annulled by mutual consent on the grounds of the use of undue pressure. And yet, because of the incessant chaperoning to which we were subjected, the incidence of undue pressure between ourselves was, unfortunately, virtually nil." He sighed again. "At any rate, Alice and Alexander were married soon after and she is now, I understand, as a result of various concomitant events, expecting a child."

He withdrew his eyes from the deep recesses of what was left of his drink and gasped with sudden alarm. "Dear me! She again."

I looked up, startled. A vision in pastel blue was in the doorway. Imagine, if you will, a charming face made for kissing; a lovely body made for loving.

She called, "Nicholas! Wait!"

"Is that Alice?" I asked.

"No, no. This is someone else entirely: a completely different story. -But I must not remain here."

He rose and, with an agility remarkable in one so advanced in years and weight, made his way through a window. The feminine vision of desirability, with an agility only slightly less remarkable, followed.

I shook my head in pity and sympathy. Obviously, the poor man was continually plagued by these wondrous things of beauty who, for one reason oj another, were enamored of him. At the thought of this horrible fate, I downed my own drink at a gulp and considered the odd fact that no such difficulties had ever troubled me.

And at that thought, strange to tell, I ordered another drink savagely, and a scatological exclamation rose, unbidden, to my lips.

Unto the Fourth Generation

At ten of noon, Sam Marten hitched his way out of the taxicab, trying as usual to open the door with one hand, hold his briefcase in another and reach for his wallet with a third. Having only two hands, he found it a difficult job and, again as usual, he thudded his knee against the cab-door and found himself still groping uselessly for his wallet when his feet touched pavement.

The traffic of Madison Avenue inched past. A red truck slowed its crawl reluctantly, then moved on with a rasp as the light changed. White script on its side informed an unresponsive world that its ownership was that of F. Lewkowitz and Sons, Wholesale Clothiers.

Levkowich, thought Marten with brief inconsequence, and finally fished out his wallet. He cast an eye on the meter as he clamped his briefcase under his arm. Dollar sixty-five, make that twenty cents more as a tip, two singles gone would leave him only one for emergencies, better break a fiver.

"Okay," he said, "take out one-eighty-five, bud."

"Thanks," said the cabbie with mechanical insincerity and made the change.

Marten crammed three singles into his wallet, put it away, lifted his briefcase and breasted the human currents on the sidewalk to reach the gla.s.s doors of the building.

Levkovich? he thought sharply, and stopped. A pa.s.serby glanced off his elbow.

"Sorry," muttered Marten, and made for the door again.

'^Copyright 1959 by Mercury Press, Inc.

Levkovich? That wasn't what the sign on the truck had said. The name had read Lewkowitz, Lookoh-itz. Why did he think Levkovich? Even with his college German in the near past changing the w's to v's, where did he get the "-ich" from?

Levkovich? He shrugged the whole matter away roughly. Give it a chance and it would haunt him like a Hit Parade tinkle.

Concentrate on business. He was here for a luncheon appointment with this man, Naylor. He was here to turn a contract into an account and begin, at twenty-three, the smooth business rise which, as he planned it, would marry him to Elizabeth in two years and make him a paterfamilias in the suburbs in ten.

He entered the lobby with grim firmness and headed for the banks of elevators, his eye catching at the white-lettered directory as he pa.s.sed.

It was a silly habit of his to want to catch suite numbers as he pa.s.sed, without slowing, or (heaven forbid) coming to a full halt. With no break in his progress, he told himself, he could maintain the impression of belonging, of knowing his way around, and that was important to a man whose job involved dealing with other human beings.

Kulin-etts was what he wanted, and the word amused him. A firm specializing in the production of minor kitchen gadgets, striving manfully for a name that was significant, feminine, and coy, all at once- His eyes snagged at the M's and moved upward as he walked. Mandel, Lusk, Lippert Publishing Company (two full floors), Lafkowitz, Kulin-etts. There it was-1024. Tenth floor. OK.

And then, after all, he came to a dead halt, turned in reluctant fascination, returned to the directory, and stared at it as though he were an out-of-towner.

Lafkowitz?

What kind of spelling was that?

It was clear enough. Lafkowitz, Henry }., 701. With an A. That was no good. That was useless.

Useless? Why useless? He gave his head one violent shake as though to clear it of mist. d.a.m.n it, what did he care how it was spelled? He turned away, frowning and angry, and hastened to an elevator door, which closed just before he reached it, leaving him fl.u.s.tered.

Another door opened and he stepped in briskly. He tucked his briefcase under his arm and tried to look bright alive-junior executive in its finest sense. He had to make an impression on Alex Naylor, with whom so far he had communicated only by telephone. If he was going to brood about Lewkowitzes and Lafkowitzes- The elevator slid noiselessly to a halt at seven. A youth in shirt-sleeves stepped off, balancing what looked like a desk-drawer in which were three J containers of coffee and three sandwiches.

Then, just as the doors began closing, frosted gla.s.s with black lettering S loomed before Marten's eyes. It read: 701-henry j. lefkowitz-importer and was pinched off by the inexorable coming together of the elevator doors.

Marten leaned forward in excitement. It was his impulse to say: Take me back down to 7.

But there were others in the car. And after all, he had no reason.

Yet there was a tingle of excitement within him. The Directory had been wrong. It wasn't A, it was E. Some fool of a non-spelling menial with a packet of small letters to go on the board and only one hind foot to do it with.

Lefkowitz. Still not right, though. s Again, he shook his head. Twice. Not right for what?

The elevator stopped at ten and Marten got off.

Alex Naylor of Kulin-etts turned out to be a bluff, middle-aged man with a shock of white hair, a ruddy complexion, and a broad smile. His palms were dry and rough, and he shook hands with a considerable pressure, putting his left hand on Marten's shoulder in an earnest display of friendliness.

He said, "Be with you in two minutes. How about eating right here in the building? Excellent restaurant, and they've got a boy who makes a good martini. That sound all right?"

"Fine. Fine." Marten pumped up enthusiasm from a somehow-clogged reservoir.

It was nearer ten minutes than two, and Marten waited with the usual uneasiness of a man in a strange office. He stared at the upholstery on the chairs and at the little cubby-hole within which a young and bored switchboard operator sat. He gazed at the pictures on the wall and even made a half-hearted attempt to glance through a trade journal on the table next to him.

What he did not do was think of Lev- He did not think of it.

The restaurant was good, or it would have been good if Marten had been perfectly at ease. Fortunately, he was freed of the necessity of carrying the burden of the conversation. Naylor talked rapidly and loudly, glanced over the menu with a practiced eye, recommended the Eggs Benedict, and commented on the weather and the miserable traffic situation.

On occasion, Marten tried to snap out of it, to lose that edge of fuzzed absence of mind. But each time the restlessness would return. Something was wrong. The name was wrong. It stood in the way of what he had to do.

With main force, he tried to break through the madness. In sudden verbal clatter, he led the conversation into the subject of wiring. It was reckless of him. There was no proper foundation; the transition was too abrupt.

But the lunch had been a good one; the dessert was on its way; and Naylor responded nicely.

He admitted dissatisfaction with existing arrangements. Yes, he had been looking into Marten's firm and, actually, it seemed to him that, yes, there was a chance, a good chance, he thought, that- A hand came down on Naylor's shoulder as a man pa.s.sed behind his chair. "How's the boy, Alex?"

Naylor looked up, grin ready-made and flashing. "Hey, Lefk, how's business?"

"Can't complain. See you at the-" He faded into the distance.

Marten wasn't listening. He felt his knees trembling, as he half-rose. "Who was that man?" he asked, intensely. It sounded more peremptory than he intended.

"Who? Lefk? Jerry Lefkovitz. You know him?" Naylor stared with cool surprise at his lunch companion.

"No. How do you spell his name?"

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Isaac Asimov_ The Complete Stories Part 87 summary

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