Isaac Asimov_ The Complete Stories Part 23

Byme tried not to look virtuous and did not entirely succeed. "I prefer music."

"Well, that's all right, too," said Weill tolerantly, "but it makes it a little harder to explain overtones. Even people who absorb dreamies would not be able to explain if you asked them. Still they'd know a dreamie was no good if the overtones were missing, even if they couldn't tell you why. Look, when an experienced dreamer goes into reverie, he doesn't think a story like in the old-fashioned television or book films. It's a series of little visions. Each one has several meanings. If you studied them carefully, you'd find maybe five or six. While absorbing in the ordinary way, you would never notice, but careful study shows it. Believe me, my psychological staff puts in long hours on just that point. All the overtones, the different meanings, blend together into a ma.s.s of guided emotion. Without them, everything would be flat, tasteless.

"Now, this morning, I tested a young boy. A ten-year-old with possibilities. A cloud to him isn't a cloud, it's a pillow, too. Having the sensations of both, it was more than either. Of course, the boy's very primitive. But when he's through with his schooling, he'll be trained and disciplined. He'll be subjected to all sorts of sensations. He'll store up experience. He'll study and a.n.a.lyze cla.s.sic dreamies of the past. He'll learn how to control and direct his thoughts, though, mind you, I have always said that when a good dreamer improvises-"

Weill halted abruptly, then proceeded in less impa.s.sioned tones, "I shouldn't get excited. All I try to bring out now is that every professional dreamer has his own type of overtones which he can't mask. To an expert it's like signing his name on the dreamie. And I, Mr. Byrne, know all the signatures. Now that piece of dirt you brought me has no overtones at all. It was done by an ordinary person. A little talent, maybe, but like you and me, he really can't think."

Byrne reddened a trifle. "A lot of people can think, Mr. Weill, even if they don't make dreamies."

"Oh, tush," and Weill wagged his hand in the air. "Don't be angry with what an old man says. I don't mean think as in reason. I mean think as in dream. We all can dream after a fashion, just like we all can run. But can you and I run a mile in four minutes? You and I can talk, but are we Daniel Websters? Now when I think of a steak, I think of the word. Maybe I have a quick picture of a brown steak on a platter. Maybe you have a better pictori-alization of it and you can see the crisp fat and the onions and the baked potato. I don't know. But a dreamer . . . He sees it and smells it and tastes it and everything about it, with the charcoal and the satisfied feeling in the stomach and the way the knife cuts through it and a hundred other things all at once. Very sensual. Very sensual. You and I can't do it."

"Well, then," said Byrne, "no professional dreamer has done this. That's something anyway." He put the cylinder in his inner jacket pocket. "I hope we'll have your full cooperation in squelching this sort of thing."

"Positively, Mr. Byrne. With a whole heart."

"I hope so." Byrne spoke with a consciousness of power. "It's not up to me, Mr. Weill, to say what will be done and what won't be done, but this sort of thing," he tapped the cylinder he had brought, "will make it awfully tempting to impose a really strict censorship on dreamies."

He rose. "Good day, Mr. Weill."

"Good day, Mr. Byrne. I'll hope always for the best."

Francis Belanger burst into Jesse Weill's office in his usual steaming tizzy, his reddish hair disordered and his face aglow with worry and a mild perspiration. He was brought up sharply by the sight of Weill's head cradled in the crook of his elbow and bent on the desk until only the glimmer of white hair was visible.

Belanger swallowed. "Boss?"

Weill's head lifted. "It's you, Frank?"

"What's the matter, boss? Are you sick?"

"I'm old enough to be sick, but I'm on my feet. Staggering, but on my feet. A government man was here."

"What did he want?"

"He threatens censorship. He brought a sample of what's going round. Cheap dreamies for bottle parties."

"G.o.d d.a.m.n!" said Belanger feelingly.

"The only trouble is that morality makes for good campaign fodder. They'll be hitting out everywhere. And, to tell the truth, we're vulnerable, Frank."

"We are? Our stuff is clean. We play up straight adventure and romance."

Weill thrust out his lower lip and wrinkled his forehead. "Between us, Frank, we don't have to make believe. Clean? It depends on how you look at it. It's not for publication, maybe, but you know and I know that every dreamie has its Freudian connotations. You can't deny it."

"Sure, if you look for it. If you're a psychiatrist-"

"If you're an ordinary person, too. The ordinary observer doesn't know it's there and maybe he couldn't tell a phallic symbol from a mother image even if you pointed it out. Still, his subconscious knows. And it's the connotations that make many a dreamie click."

"All right, what's the government going to do? Clean up the subconscious?"

"It's a problem. I don't know what they're going to do. What we have on our side, and what I'm mainly depending on, is the fact that the public loves its dreamies and won't give them up. ... Meanwhile, what did you come in for? You want to see me about something, I suppose?"

Belanger tossed an object onto Weill's desk and shoved his shirttail deeper into his trousers.

Weill broke open the glistening plastic cover and took out the enclosed cylinder. At one end was engraved in a too fancy script in pastel blue "Along the Himalayan Trail." It bore the mark of l.u.s.ter-Think.

"The Compet.i.tor's Product." Weill said it with capitals, and his lips twitched. "It hasn't been published yet. Where did you get it, Frank?"

"Never mind. I just want you to absorb it."

Weill sighed. "Today, everyone wants me to absorb dreams. Frank, it's not dirty?"

Belanger said testily, "It has your Freudian symbols. Narrow creva.s.ses between the mountain peaks. I hope that won't bother you."

"I'm an old man. It stopped bothering me years ago, but that other thing was so poorly done, it hurt. ... All right, let's see what you've got here."

Again the recorder. Again the unfreezer over his skull and at the temples. This time, Weill rested back in his chair for fifteen minutes or more, while Francis Belanger went hurriedly through two cigarettes.

When Weill removed the headpiece and blinked dream out of his eyes, Belanger said, "Well, what's your reaction, boss?"

Weill corrugated his forehead. "It's not for me. It was repet.i.tious. With compet.i.tion like this, Dreams, Inc., doesn't have to worry for a while."

"That's your mistake, boss. l.u.s.ter-Think's going to win with stuff like this. We've got to do something."

"Now, Frank-"

"No, you listen. This is the coming thing."

"This!" Weill stared with a half-humorous dubiety at the cylinder. "It's amateurish, it's repet.i.tious. Its overtones are very unsubtle. The snow had a distinct lemon sherbet taste. Who tastes lemon sherbet in snow these days, Frank? In the old days, yes. Twenty years ago, maybe. When Lyman Harri-son first made his Snow Symphonies for sale down south, it was a big thing.

Sherbet and candy-striped mountaintops and sliding down chocolate-covered cliffs. It's slapstick, Frank. These days it doesn't go."

"Because," said Belanger, "you're not up with the times, boss. I've got to talk to you straight. When you started the dreamie business, when you bought up the basic patents and began putting them out, dreamies were luxury stuff. The market was small and individual. You could afford to turn out specialized dreamies and sell them to people at high prices."

"I know," said Weill, "and we've kept that up. But also we've opened a rental business for the ma.s.ses."

"Yes, we have and it's not enough. Our dreamies have subtlety, yes. They can be used over and over again. The tenth time you're still finding new things, still getting new enjoyment. But how many people are connoisseurs? And another thing. Our stuff is strongly individualized. They're First Person."

"Well?"

"Well, l.u.s.ter-Think is opening dream palaces. They've opened one with three hundred booths in Nashville. You walk in, take your seat, put on your unfreezer and get your dream. Everyone in the audience gets the same one."

"I've heard of it, Frank, and it's been done before. It didn't work the first time and it won't work now. You want to know why it won't work? Because, in the first place, dreaming is a private thing. Do you like your neighbor to know what you're dreaming? In the second place, in a dream palace, the dreams have to start on schedule, don't they? So the dreamer has to dream not when he wants to but when some palace manager says he should. Finally, a dream one person likes another person doesn't like. In those three hundred booths, I guarantee you, a hundred fifty people are dissatisfied. And if they're dissatisfied, they won't come back."

Slowly, Belanger rolled up his sleeves and opened his collar. "Boss," he said, "you're talking through your hat. What's the use of proving they won't work? They are working. The word came through today that l.u.s.ter-Think is breaking ground for a thousand-booth palace in St. Louis. People can get used to public dreaming, if everyone else in the same room is having the same dream. And they can adjust themselves to having it at a given time, as long as it's cheap and convenient.

"d.a.m.n it, boss, it's a social affair. A boy and a girl go to a dream palace and absorb some cheap romantic thing with stereotyped overtones and commonplace situations, but still they come out with stars sprinkling their hair. They've had the same dream together. They've gone through identical sloppy emotions. They're in tune, boss. You bet they go back to the dream palace, and all their friends go, too." "And if they don't like the dream?"

"That's the point. That's the nub of the whole thing. They're bound to like it. If you prepare Hillary specials with wheels within wheels within wheels, with surprise twists on the third-level undertones, with clever shifts of significance and all the other things we're so proud of, why, naturally, it won't appeal to everyone. Specialized dreamies are for specialized tastes. But l.u.s.ter-Think is turning out simple jobs in Third Person so both s.e.xes can be hit at once. Like what you've just absorbed. Simple, repet.i.tious, commonplace. They're aiming at the lowest common denominator. No one will love it, maybe, but no one will hate it."

Weill sat silent for a long time and Belanger watched him. Then Weill said, "Frank, I started on quality and I'm staying there. Maybe you're right. Maybe dream palaces are the coming thing. If so we'll open them, but we'll use good stuff. Maybe l.u.s.ter-Think underestimates ordinary people. Let's go slowly and not panic. I have based all my policies on the theory that there's always a market for quality. Sometimes, my boy, it would surprise you how big a market."

"Boss-"

The sounding of the intercom interrupted Belanger.

"What is it, Ruth?" said Weill.

The voice of his secretary said, "It's Mr. Hillary, sir. He wants to see you right away. He says it's important."

"Hillary?" Weill's voice registered shock. Then, "Wait five minutes, Ruth, then send him in."

Weill turned to Belanger. "Today, Frank, is definitely not one of my good days. A dreamer's place is in his home with his thinker. And Hillary's our best dreamer so he especially should be at home. What do you suppose is wrong with him?"

Belanger, still brooding over l.u.s.ter-Think and dream palaces, said shortly, "Call him in and find out."

"In one minute. Tell me, how was his last dream? I haven't tried the one that came in last week."

Belanger came down to earth. He wrinkled his nose. "Not so good."

"Why not?"

"It was ragged. Too jumpy. I don't mind sharp transitions for the liveliness, you know, but there's got to be some connection, even if only on a deep level."

"Is it a total loss?"

"No Hillary dream is a total loss. It took a lot of editing, though. We cut it down quite a bit and spliced in some odd pieces he'd sent us now and then. You know, detached scenes. It's still not Grade A, but it will pa.s.s."

"You told him about this, Frank?"

"Think I'm crazy, boss? Think I'm going to say a harsh word to a dreamer?"

And at that point the door opened and Weill's comely young secretary smiled Sherman Hillary into the office.

Sherman Hillary, at the age of thirty-one, could have been recognized as a dreamer by anyone. His eyes, unspectacled, had nevertheless the misty look of one who either needs gla.s.ses or who rarely focuses on anything mundane. He was of average height but underweight, with black hair that needed cutting, a narrow chin, a pale skin and a troubled look.

He muttered, "h.e.l.lo, Mr. Weill," and half-nodded in hangdog fashion in the direction of Belanger.

Weill said heartily, "Sherman, my boy, you look fine. What's the matter? A dream is cooking only so-so at home? You're worried about it? ... Sit down, sit down."

The dreamer did, sitting at the edge of the chair and holding his thighs stiffly together as though to be ready for instant obedience to a possible order to stand up once more.

He said, "I've come to tell you, Mr. Weill, I'm quitting."

"Quitting?"

"I don't want to dream any more, Mr. Weill."

Weill's old face looked older now than at any time in the day. "Why, Sherman?"

The dreamer's lips twisted. He blurted out, "Because I'm not living, Mr. Weill. Everything pa.s.ses me by. It wasn't so bad at first. It was even relaxing. I'd dream evenings, weekends when I felt like, or any other time. And when I felt like I wouldn't. But now, Mr. Weill, I'm an old pro. You tell me I'm one of the best in the business and the industry looks to me to think up new subtleties and new changes on the old reliables like the flying reveries, and the worm-turning skits."

Weill said, "And is anyone better than you, Sherman? Your little sequence on leading an orchestra is selling steadily after ten years."

"All right, Mr. Weill. I've done my part. It's gotten so I don't go out any more. I neglect my wife. My little girl doesn't know me. Last week, we went to a dinner party-Sarah made me-and I don't remember a bit of it. Sarah says I was sitting on the couch all evening just staring at nothing and humming. She said everyone kept looking at me. She cried all night. I'm tired of things like that, Mr. Weill. I want to be a normal person and live in this world. I promised her I'd quit and I will, so it's good-by, Mr. Weill." Hillary stood up and held out his hand awkwardly.

Weill waved it gently away. "If you want to quit, Sherman, it's all right. But do an old man a favor and let me explain something to you."

"I'm not going to change my mind," said Hillary.

"I'm not going to try to make you. I just want to explain something. I'm an old man and even before you were born I was in this business so I like to talk about it. Humor me, Sherman? Please?"

Hillary sat down. His teeth clamped down on his lower lip and he stared sullenly at his fingernails.

Weill said, "Do you know what a dreamer is, Sherman? Do you know what he means to ordinary people? Do you know what it is to be like me, like Frank Belanger, like your wife, Sarah? To have crippled minds that can't imagine, that can't build up thoughts? People like myself, ordinary people, would like to escape just once in a while this life of ours. We can't. We need help.

"In olden times it was books, plays, radio, movies, television. They gave us make-believe, but that wasn't important. What was important was that for a little while our own imaginations were stimulated. We could think of handsome lovers and beautiful princesses. We could be beautiful, witty, strong, capable, everything we weren't.

"But, always, the pa.s.sing of the dream from dreamer to absorber was not perfect. It had to be translated into words in one way or another. The best dreamer in the world might not be able to get any of it into words. And the best writer in the world could put only the smallest part of his dreams into words. You understand?

"But now, with dream recording, any man can dream. You, Sherman, and a handful of men like you, supply those dreams directly and exactly. It's straight from your head into ours, full strength. You dream for a hundred million people every time you dream. You dream a hundred million dreams at once. This is a great thing, my boy. You give all those people a glimpse of something they could not have by themselves."

Hillary mumbled, "I've done my share." He rose desperately to his feet. "I'm through. I don't care what you say. And if you want to sue me for breaking our contract, go ahead and sue. I don't care."

Weill stood up, too. "Would I sue you? . . . Ruth," he spoke into the intercom, "bring in our copy of Mr. Hillary's contract."

He waited. So did Hillary and so did Belanger. Weill smiled faintly and his yellowed fingers drummed softly on his desk.

His secretary brought in the contract. Weill took it, showed its face to Hillary and said, "Sherman, my boy, unless you want to be with me, it's not right you should stay."

Then, before Belanger could make more than the beginning of a horrified gesture to stop him, he tore the contract into four pieces and tossed them down the waste chute. "That's all."

Hillary's hand shot out to seize Weill's. "Thanks, Mr. Weill," he said earnestly, his voice husky. "You've always treated me very well, and I'm grateful. I'm sorry it had to be like this."

"It's all right, my boy. It's all right."

Half in tears, still muttering thanks, Sherman Hillary left.

"For the love of Pete, boss, why did you let him go?" demanded Belanger distractedly. "Don't you see the game? He'll be going straight to l.u.s.ter-Think. They've bought him off."

Weill raised his hand. "You're wrong. You're quite wrong. I know the boy and this would not be his style. Besides," he added dryly, "Ruth is a good secretary and she knows what to bring me when I ask for a dreamer's contract. What I had was a fake. The real contract is still in the safe, believe me.

"Meanwhile, a fine day I've had. I had to argue with a father to give me a chance at new talent, with a government man to avoid censorship, with you to keep from adopting fatal policies and now with my best dreamer to keep him from leaving. The father I probably won out over. The government man and you, I don't know. Maybe yes, maybe no. But about Sherman Hillary, at least, there is no question. The dreamer will be back."

"How do you know?"

Weill smiled at Belanger and crinkled his cheeks into a network of fine lines. "Frank, my boy, you know how to edit dreamies so you think you know all the tools and machines of the trade. But let me tell you something. The most important tool in the dreamie business is the dreamer himself. He is the one you have to understand most of all, and I understand them.

"Listen. When I was a youngster-there were no dreamies then-I knew a fellow who wrote television scripts. He would complain to me bitterly that when someone met him for the first time and found out who he was, they would say: Where do you get those crazy ideas?