Irma in Italy Part 34

"Nonsense," rejoined Aunt Caroline. "A few days more or less will be nothing to Irma, when once her face is turned toward the United States."

"I feel better now," cried Irma. "Those were only makebelieve tears, but I do feel better to be going home. I am glad that we are not to be away three months more, and, if you please, I would rather not go to the Bridge of Sighs to-day."

"You can look at it without any qualms," said Uncle Jim, "for our matter of fact historians say that since that bridge was built more than two hundred years ago, only one prisoner has been sent across to the _pozzi_, under sentence of death."

"_Pozzi?_" asked Irma.

"Yes, _pozzi_, or wells, is a good name for those dungeons across from the palace. The water used to rise two feet in them, and the poor wretch had to spend his time on a kind of trestle. I went through the _pozzi_ the other day, but I shouldn't care to have you or your aunt there; they are too depressing for tender-hearted people."

"Why not take a last look at the Doge's Palace to-day; that would be more cheerful," suggested Aunt Caroline.

"Certainly," and in a short time their gondola was at the steps near St.

Mark's, the usual old man rose from his slumbers and steadied the gondola with his hook, and the three, after getting their tickets, wandered through the immense halls of the Doge's Palace.

"When I was here the other day," said Irma, "the carvings and gildings and the enormous paintings dazzled me. Yes, I feel it is the same now, and I believe, after all, I care more for the general impression. I cannot remember each separate painting."

"Why should you try to?" asked Uncle Jim. "These gray-bearded doges in their caps and ermine-trimmed cloaks are much alike, whether t.i.tian or Veronese, or some other one of the great masters painted them."

"Doesn't it seem as if those old doges were pretty conceited," said Irma, "to have themselves painted in sacred pictures with the Madonna and Christ?"

"But you will notice that they are generally in an att.i.tude of humility, and perhaps in that way they meant to attribute their greatness to something besides themselves."

"A Doge could not do whatever he wished. Weren't they something like our presidents, simply elected to be the executive officer of the state?"

asked Aunt Caroline.

"Yes, it was the Great Council, and not the Doge, that held the supreme power, at least until the time of the Council of Ten. But the Doge, although at first chosen for only a year, was often re-elected term after term, and with his councillors he often had great power."

"Yet the Venetians didn't like him to have too great power?"

"Oh, no. You noticed the black tablet in the great hall in place of the portrait of Marino Faliero, beheaded for his ambition."

"Yes, I have read about him, but I feel almost sorrier for Ludovico Manin, the last Doge. You know the French made him abdicate in 1797, and they burnt his Doge's bonnet, and the Libro d'oro--the Golden Book of Venetian n.o.bility under the Liberty-tree, and they say this nearly broke his heart, although he lived a number of years longer. When he died he left all his fortune to some charity."

"The history of Italy is full of tragedies," responded Uncle Jim. "So don't waste your sorrow on any one man, even though he is the last of the doges."

A little later the three were in front of St. Mark's.

"I must look my last at the Piazza," said Irma.

"But I thought you were coming down this evening to hear the band play."

"Oh, yes, but there will be such a crowd that we shall only sit at the little tables."

"Yes, and sip lemonade."

"Of course. It is Muriel's party. It is singular that we have seen her so little. But the music and the lemonade and all we shall have to say to each other--for she goes away to-morrow--will prevent my thinking much of the Piazza. Just now," and Irma half closed her eyes, "I am imagining the day when the Venetians gathered here to decide whether or not they should help the Crusaders. What a grand sight it must have been; and now, I open my eyes and see nothing but pigeons."

"Aunt Caroline," said Irma, as they glided homeward, "I like Venice better than any other place. There seem to be more really old buildings here than anywhere else. I have not tried to remember the great pictures as I did in Rome and Florence. I have a general impression of Bellini and the Vivarini, t.i.tian and Veronese and Tintoretto, they are the great Venetian painters, but I cannot describe any one picture."

"We hardly expect a girl of your age to care for artistic details,"

responded Aunt Caroline, smiling. "You could probably tell more about the palaces."

"I am not sure that I could describe a single one of them, so that any one would recognize it. It is the effect of Venice as a whole that pleases me, even if it isn't just what artists paint it. The palaces are really much grayer than they look in pictures, and there are never many sails on the ca.n.a.l, and even down toward the Lido there is seldom one of those bright painted sails."

"Is there any other thing that falls below your expectations?"

"Oh, some things are different, but I like them all the better. I used to think that only gondolas and small pleasure boats went on the Grand Ca.n.a.l. But there are so many other things--these little steamboats that pa.s.s constantly up and down, and take people so quickly and cheaply, and those large _barche_ that are like express wagons. Why, the other morning I sat at my window before breakfast, and first a large gondola pa.s.sed, loaded with vegetables; and then a larger one piled high with bricks for building; and then it really looked so funny--some family was moving, and there was a boat full of furniture, with the mother and children sitting at one end, while the father and eldest son were pushing it on with their long sticks. Then the gondolas, too! I thought they were only pleasure boats; but the other day, when I saw a funeral procession going across to the island where the cemetery is, I realized they took the place of horses and carriages for everything."

"I believe there isn't a horse in all Venice," said Uncle Jim, "and only two or three at the Lido. But here we are," and a moment later they had landed at the hotel.

That evening, in spite of the charm of the music on the Piazza, and the evident gaiety of the crowd of listeners, the young people of the Sanford and Curtin parties were less gay than usual. Muriel, the next morning, was to start for the Dolomites, and later in the day Mrs.

Sanford and her party were to begin their journey to Paris, allowing a few days for Switzerland on the way.

"Irma," whispered Richard, in one of the pauses of the music, "I must tell you that I think Marion and Katie have struck a bargain about Nap.

It seems Marion was able to prove that that ring we have seen Katie wear around her scarf really belongs to him. He showed her his initials inside. They were very small, but could be seen under a gla.s.s. He lost a purse one day when he visited the Rag Fair in Rome."

"Yes, I was with him," said Irma.

"Well, the same day Katie and a friend whom we met at our hotel in Rome also went to the fair. The ring was offered for sale at one of the booths, and Katie took a great fancy to it. She ought to have known it was stolen; for she got it for almost nothing."

"Then she can afford to give it back to Marion; for of course she ought to do so."

"That's just the point. Katie hates to give it up; I heard her talking to Marion about it. She said she'd like to buy it, but he wouldn't listen to that. Then he began to talk about your little dog, and I am pretty sure it ended in Katie's promising to give up all claim to the dog if Marion would let her keep the ring. Rather it was just the other way. Marion made the offer and Katie agreed, but it amounts to the same thing, and as soon as Katie is out of the way Marion will tell you."

It happened, however, that after all the good-byes had been said to Muriel and her mother and Mademoiselle Potin, the other young people and their elders walked home to their hotel. It chanced that Katie was near Irma part of the way, and thus had a chance to announce her decision about Nap.

"After all," she said, "a dog is a great trouble, and Nap is so much better acquainted with your family that I think I will let him stay with them."

"Oh, thank you," replied Irma, wishing she felt free to tell Katie what she had heard about Marion's offer. "Thank you," she repeated. "It would break my little sister's heart to give him up, and I should feel very badly myself."

At this moment they reached a bridge where they went single file. When they were on the level road again, Irma found herself beside Aunt Caroline, and she had no chance to discuss Nap either with Katie or Marion.

"Our last evening together!" exclaimed Richard, as they reached the hotel. "There's a faint moon, and if so young a thing as that can sit up late, why not we?" and before Aunt Caroline and Mrs. Sanford had time to protest, four young people were seated around the little table on the balcony overlooking the Ca.n.a.l, and Richard had sent the waiter for what he called "a last lemonade."

Marion had not joined the others. He stood with his hand on the railing.

The water was lapping the steps just below him.

"Don't fall in," cried Richard, from his seat at the table. "You look as if you were meditating a bath. But it's late, and in spite of the moon the water is cold."

As Richard spoke the girls turned their heads in Marion's direction, and there, under their very eyes, Marion was hurling his coat from him.

With his hand on the railing a moment later he had sprung into the Grand Ca.n.a.l.

The others jumped to their feet; Katie screamed, and in an instant Richard might have plunged after Marion, had he not seen a reason for Marion's act. Some one had fallen into the water, and Marion had made his wild leap to rescue him. It all happened very quickly, and when, a few minutes later, rescuer and rescued stood on the balcony some distance from where Marion had gone in, the latter was seen to be a boy of about ten. He was evidently more frightened than hurt, and he whimpered a little as the crowd gathered around him.

"I don't see how it could have happened," cried Katie. "No one _ever_ falls from a gondola," and her tone implied that this particular boy could not possibly have been in need of rescuing.

"But he _did_ fall in; you can see that for yourself; a small boy can always get into impossible mischief."