Invisible Links Part 18

The street boys who stood nearest stared and consulted. Through the shining, black window-panes their glances penetrated no further than to the white lace curtains. One of the boys climbed up on the vines and pressed his face against the pane. "What do you see?"

whispered the others. "What do you see?" The shoemaker's shop and the shoemaker's bench, grease-pots and bundles of leather, lasts and pegs, rings and straps. "Don't you see anybody?" He sees the apprentice, who is repairing a shoe. n.o.body else, n.o.body else? Big, black flies crawl over the pane and make his sight uncertain. "Do you see n.o.body except the apprentice?" n.o.body. The master's chair is empty. He looked once, twice, three times; the master's chair was empty.

The crowd stood still, guessing and wondering. So it was true; the old shoemaker had absconded. n.o.body would believe it. They stood and waited for a sign. The cat came out on the steep roof. He stretched out his claws and slid down to the gutter. Yes, the master was away, the cat could hunt as he pleased. The sparrows fluttered and chirped, quite helpless.

A white chicken looked round the corner of the house. He was almost full-grown. His comb shone red as wine. He peered and spied, crowed and called. The hens came, a row of white hens at full speed, bodies rocking, wings fluttering, yellow legs like drumsticks. The hens hopped among the stacked peas. Battles began. Envy broke out.

A hen fled with a full pea-pod. Two c.o.c.ks pecked her in the neck.

The cat left the sparrow nests to look on. Plump, there he fell down in the midst of the flock. The hens fled in a long, scurrying line. The crowd thought: "It must be true that the shoemaker has run away. One can see by the cat and the hens that the master is away."

The uneven street, muddy from the autumn rains, resounded with talk. Doors stood open, windows swung. Heads were put together in wondering whisperings. "He has run off." The people whispered, the sparrows chirped, the wooden shoes clattered: "He has run away. The old shoemaker has run away. The owner of the little house, the young wife's husband, the father of the beautiful child, he has run away. Who can understand it? who can explain it?"

There is an old song: "Old husband in the cottage; young lover in the wood; wife, who runs away, child who cries; home without a mistress." The song is old. It is often sung. Everybody understands it.

This was a new song. The old man was gone. On the workshop table lay his explanation, that he never meant to come back. Beside it a letter had also lain. The wife had read it, but no one else.

The young wife was in the kitchen. She was doing nothing. The neighbors went backwards and forwards, arranging busily, set out the cups, made up the fire, boiled the coffee, wept a little and wiped away the tears with the dish-towel.

The good women of the quarter sat stiffly about the walls. They knew what was suitable in a house of mourning. They kept silent by force, mourned by force. They celebrated their holiday by supporting the forsaken wife in her grief. Coa.r.s.e hands lay quiet in their laps, weather-beaten skin lay in deep wrinkles, thin lips were pressed together over toothless jaws.

The wife sat among the bronze-hued women, gently blonde, with a sweet face like a dove. She did not weep, but she trembled. She was so afraid, that the fear was almost killing her. She bit her teeth together, so that no one should hear how they chattered. When steps were heard, when the clattering sounded, when some one spoke to her, she started up.

She sat with her husband's letter in her pocket. She thought of now one line in it and now another. There stood: "I can bear no longer to see you both." And in another place: "I know now that you and Erikson mean to elope." And again: "You shall not do that, for people's evil talk would make you unhappy. I shall disappear, so that you can get a divorce and be properly married. Erikson is a good workman and can support you well." Then farther down: "Let people say what they will about me. I am content if only they do not think any evil of you, for you could not bear it."

She did not understand it. She had not meant to deceive him. Even if she had liked to chat with the young apprentice, what had her husband to do with that? Love is an illness, but it is not mortal.

She had meant to bear it through life with patience. How had her husband discovered her most secret thoughts?

She was tortured at the thought of him! He must have grieved and brooded. He had wept over his years. He had raged over the young man's strength and spirits. He had trembled at the whisperings, at the smiles, at the hand pressures. In burning madness, in glowing jealousy, he had made it into a whole elopement history, of which there was as yet nothing.

She thought how old he must have been that night when he went. His back was bent, his hands shook. The agony of many long nights had made him so. He had gone to escape that existence of pa.s.sionate doubting.

She remembered other lines in the letter: "It is not my intention to destroy your character. I have always been too old for you." And then another: "You shall always be respected and honored. Only be silent, and all the shame will fall on me!"

The wife felt deeper and deeper remorse. Was it possible that people would be deceived? Would it do to lie so too before G.o.d? Why did she sit in the cottage, pitied like a mourning mother, honored like a bride on her wedding day? Why was it not she who was homeless, friendless, despised? How can such things be? How can G.o.d let himself be so deceived?

Over the great dresser hung a little bookcase. On the top shelf stood a big book with bra.s.s clasps. Behind those clasps was hidden the story of a man and a woman who lied before G.o.d and men. "Who has suggested to you, woman, to do such things? Look, young men stand outside to lead you away."

The woman stared at the book, listened for the young men's footsteps. She trembled at every knock, shuddered at every step.

She was ready to stand up and confess, ready to fall down and die.

The coffee was ready. The women glided sedately forward to the table. They filled their cups, took a lump of sugar in their mouths and began to sip their boiling coffee, silently and decently, the wives of mechanics first, the scrub-women last. But the wife did not see what was going on. Remorse made her quite beside herself.

She had a vision. She sat at night out in a freshly ploughed field.

Round about her sat great birds with mighty wings and pointed beaks. They were gray, scarcely perceptible against the gray ground, but they held watch over her. They were pa.s.sing sentence upon her. Suddenly they flew up and sank down over her head. She saw their sharp claws, their pointed beaks, their beating wings coming nearer and nearer. It was like a deadly rain of steel. She bent her head and knew that she must die. But when they came near, quite near to her, she had to look up. Then she saw that the gray birds were all these old women.

One of them began to speak. She knew what was proper, what was fitting in a house of mourning. They had now been silent long enough. But the wife started up as from a blow. What did the woman mean to say? "You, Matts Wik's wife, Anna Wik, confess! You have lied long enough before G.o.d and before us. We are your judges. We will judge you and rend you to pieces."

No, the woman began to speak of husbands. And the others chimed in, as the occasion demanded. What was said was not in the husbands'

praise. All the evil husbands had done was dragged forward. It was as consolation for a deserted wife.

Injury was heaped upon injury. Strange beings these husbands! They beat us, they drink up our money, they p.a.w.n our furniture. Why on earth had Our Lord created them?

The tongues became like dragons' fangs; they spat venom, they spouted fire. Each one added her word. Anecdotes were piled upon anecdotes. A wife fled from her home before a drunken husband.

Wives slaved for idle husbands. Wives were deserted for other women. The tongues whistled like whip lashes. The misery of homes was laid bare. Long litanies were read. From the tyranny of the husband deliver us, good Lord!

Illness and poverty, the children's death, the winter's cold, trouble with the old people, everything was the husband's fault.

The slaves hissed at their masters. They turned their stings against them, before whose feet they crept.

The deserted wife felt how it cut and stabbed in her ears. She dared to defend the incorrigible ones. "My husband," she said, "is good." The women started up, hissed and snorted. "He has run away.

He is no better than anybody else. He, who is an old man, ought to know better than to run away from wife and child. Can you believe that he is better than the others?"

The wife trembled; she felt as if she was being dragged through p.r.i.c.kly bramble-bushes. Her husband considered a sinner! She flushed with shame, wished to speak, but was silent. She was afraid; she had not the power. But why did G.o.d keep silent? Why did G.o.d let such things be?

If she should take the letter and read it aloud, then the stream of poison would be turned. The venom would sprinkle upon her. The horror of death came over her. She did not dare. She half wished that an insolent hand had been thrust into her pocket and had drawn out the letter. She could not give herself as a prize. Within the workshop was heard a shoemaker's hammer. Did no one hear how it hammered in triumph? She had heard that hammering and had been vexed by it the whole day. But none of the women understood it.

Omniscient G.o.d, hast Thou no servant who could read hearts? She would gladly accept her sentence, if only she did not need to confess. She wished to hear some one say: "Who has given you the idea to lie before G.o.d?" She listened for the sound of the young men's footsteps in order to fall down and die.

Several years after this a divorced woman was married to a shoemaker, who had been apprentice to her husband. She had not wished it, but had been drawn to it, as a pickerel is drawn to the side of a boat when it has been caught on the line. The fisherman lets it play. He lets it rush here and there. He lets it believe it is free. But when it is tired out, when it can do no more, then he drags with a light pull, then he lifts it up and jerks it down into the bottom of the boat before it knows what it is all about.

The wife of the absconded shoemaker had dismissed her apprentice and wished to live alone. She had wished to show her husband that she was innocent. But where was her husband? Did he not care for her faithfulness. She suffered want. Her child went in rags. How long did her husband think that she could wait? She was unhappy when she had no one upon whom she could depend.

Erikson succeeded. He had a shop in the town. His shoes stood on gla.s.s shelves behind broad plate-gla.s.s windows. His workshop grew.

He hired an apartment and put plush furniture in the parlor.

Everything waited only for her. When she was too wearied of poverty, she came.

She was very much afraid in the beginning. But no misfortunes befell her. She became more confident as time went on and more happy. She had people's regard, and knew within herself that she had not deserved it. That kept her conscience awake, so that she became a good woman.

Her first husband, after some years, came back to the house in the suburbs. It was still his, and he settled down again there and wished to begin work. But he got no work, nor would anybody have anything to do with him. He was despised, while his wife enjoyed great honor. It was nevertheless he who had done right, and she who had done wrong.

The husband kept his secret, but it almost suffocated him. He felt how he sank, because everybody considered him bad. No one had any confidence in him, no one would trust any work to him. He took what company he could get, and learned to drink.

While he was going down hill, the Salvation Army came to the town.

It hired a big hall and began its work. From the very first evening all the loafers gathered at the meetings to make a disturbance.

When it had gone on for about a week, Matts Wik came too to take part in the fun.

There was a crowd in the street, a crowd in the door-way. Sharp elbows and angry tongues were there; street boys and soldiers, maids and scrub-women; peaceable police and stormy rabble. The army was new and the fashion. The well-to-do and the wharf-rats, everybody went to the Salvation Army. Within, the hall was low-studded. At the farthest end was an empty platform; unpainted benches, borrowed chairs, an uneven floor, blotches on the ceiling, lamps that smoked. The iron stove in the middle of the floor gave out warmth and coal gas. All the places were filled in a moment.

Nearest the platform sat the women, demure as if in church, and back of them workmen and sewing-women. Farthest away sat the boys on one another's knees, and in the door-way there was a fight among those who could not get in.

The platform was empty. The clock had not struck, the entertainment had not begun. One whistled, one laughed. The benches were kicked to pieces. "The War-cry" flew like a kite between the groups. The public were enjoying themselves.

A side-door opened. Cold air streamed into the room. The fire flamed up. There was silence. Attentive expectation filled the hall. At last they came, three young women, carrying guitars and with faces almost hidden by broad-brimmed hats. They fell on their knees as soon as they had ascended the steps of the platform.

One of them prayed aloud. She lifted her head, but closed her eyes.

Her voice cut like a knife. During the prayer there was silence.

The street-boys and loafers had not yet begun. They were waiting for the confessions and the inspiring music.

The women settled down to their work. They sang and prayed, sang and preached. They smiled and spoke of their happiness. In front of them they had an audience of ruffians. They began to rise, they climbed upon the benches. A threatening noise pa.s.sed through the throng. The women on the platform caught glimpses of dreadful faces through the smoky air. The men had wet, dirty clothes, which smelt badly. They spat tobacco every other second, swore with every word.

Those women, who were to struggle with them, spoke of their happiness.

How brave that little army was! Ah, is it not beautiful to be brave?

Is it not something to be proud of to have G.o.d on one's side? It was not worth while to laugh at them in their big hats. It was most probable that they would conquer the hard hands, the cruel faces, the blaspheming lips.