Invisible Links Part 13

Reor now grew eager to possess the wisest of beasts. He ran after the snake, but was not able to reach it, and the latter lured him away from the path into the trackless forest.

It was overgrown with pines, and in such places one seldom finds gra.s.sy ground. But now the dry moss and brown pine-needles suddenly disappeared, the stiff cranberry bushes vanished, and Reor felt under foot velvet like turf. Over the green carpet trembled flower cl.u.s.ters, light as down, on bending stems, and between the long, narrow leaves could he seen the half-opened blossoms of the red gillyflower. It was only a little spot, and over it spread the gnarled, red-brown branches of the lofty pines, with bunches of close-growing needles. Through these the sun's rays could find many paths to the ground, and there was suffocating heat.

In the midst of the little meadow a cliff rose perpendicularly out of the ground. It lay in sharp sunshine, and the mossy stones were plainly visible, and in the fresh fractures, where the winter's frost had last loosened some mighty blocks, the long stalks of ferns clung with their brown roots in the earth-filled cracks, and on the inch-wide projections a gra.s.s-green moss lifted on needle-like stems the little, grey caps, which concealed its spores.

The cliff seemed in all ways like every other cliff, but Reor noticed instantly that he had come upon the gable-wall of a giant's house, and he discovered under moss and lichen the great hinges on which the mountain's granite door swung.

He now believed that the snake had crept in, in the gra.s.s to hide there, until it could come in among the rocks unnoticed, and he gave up all hope of catching it. He perceived now again the honey-sweet fragrance of the longing flowers and noticed that here under the cliff the heat was suffocating. It was also marvellously quiet; not a bird moved, not a leaf played in the wind; it was as if everything held its breath, waiting and listening in unspeakable tension. It was as if he had come into a room where he was not alone, although he saw no one. He thought that some one was watching him, he felt as if he had been expected. He knew no alarm, but was thrilled by a pleasant shiver, as if he were soon to see something above-the-common beautiful.

In that moment he again became aware of the snake. It had not hidden itself, it had instead crawled up on one of the blocks which the frost had broken from the cliff. And just below the white snake he saw the bright body of a girl, who lay asleep in the soft gra.s.s.

She lay without any other covering than a light, web-like veil, just as if she had thrown herself down there after having taken part the whole night in some elfin dance; but the long blades of gra.s.s and the trembling flower-cl.u.s.ters stood high over the sleeper, so that Reor could scarcely catch a glimpse of the soft lines of her body. Nor did he go nearer in order to see better. He drew his good knife from its sheath and threw it between the girl and the cliff, so that the steel-shy daughter of the giants should not be able to flee into the mountain when she awoke.

Then he stood still in deep thought. One thing he knew, that he wished to possess the maiden who lay there; but as yet he had not quite made up his mind how he would behave towards her.

He, who knew the language of nature better than that of man, listened to the great, solemn forest and the stern mountain. "See,"

they said, "to you, who love the wilderness, we give our fair daughter. She will suit you better than the daughters of the plain.

Reor, are you worthy of this most precious of gifts?"

Then he thanked in his heart the great, kind Nature and decided to make the maiden his wife and not merely a slave. He thought that since she had come to Christendom and human ways, she would be confused at the thought that she had lain so uncovered, so he loosened the bearskin from his back, unfolded the stiff hide, and threw the old bear's s.h.a.ggy, grizzled pelt over her.

And as he did so a laugh, which made the ground shake, thundered behind the cliff. It did not sound like derision, but as if some one had sat in great fear and could not help laughing, when suddenly relieved of it. The terrible silence and oppressive heat were also at an end. Over the gra.s.s floated a cooling wind, and the pine-branches began their murmuring song. The happy huntsman felt that the whole forest had held its breath, wondering how the daughter of the wilderness would be treated by the son of man.

The snake now glided down into the high gra.s.s; but the sleeper lay bound in a magic sleep and did not move. Then Reor wrapped her in the coa.r.s.e bear-skin, so that only her head showed above the s.h.a.ggy fur. Although she certainly was a daughter of the old giant of the mountain, she was slender and delicately made, and the strong hunter lifted her on his arm and carried her away through the forest.

After a while he felt that some one lifted his broad-brimmed hat.

He looked up and found that the giant's daughter was awake. She sat quiet on his arm, but she wished to see what the man looked like who was carrying her. He let her do as she pleased. He went on with longer strides, but said nothing.

Then she must have noticed how hot the sun burned on his head, since she had taken off his hat. She held it out over his head like a parasol, but she did not put it back, rather held it so, that she could still look down into his face. Then it seemed to him that he did not need to ask or to speak. He carried her silently down to his mother's hut. But his whole being was filled with happiness, and when he stood on the threshold of his home, he saw the white snake, which gives good fortune, glide in under its foundation.

VALDEMAR ATTERDAG

The spring that h.e.l.lqvist's great picture "Valdemar Atterdag levies a Contribution on Visby" was exhibited at the Art League, I went in there one quiet morning not knowing that that work of art was there. The big, richly colored canvas with its many figures made at the first glance an extraordinary impression. I could not look at any other picture, but went straight to that one, took a chair and sank into silent contemplation. For half an hour I lived in the Middle Ages.

Soon I was within the scene that was pa.s.sing in the Visby market-place.

I saw the beer vats which began to be filled with the golden brew that King Valdemar had ordered, and the groups which gathered around them. I saw the rich merchant with his page bending under his gold and silver dishes; the young burgher who shakes his fist at the king; the monk with the sharp face who closely watches His Majesty; the ragged beggar who offers his copper; the woman who has sunk down beside one of the vats; the king on his throne; the soldiers who some swarming out of the narrow streets; the high gables, and the scattered groups of insolent guards and refractory people.

But suddenly I noticed that the chief figure of the picture is not the king, nor any of the burghers, but one of the king's steel-clad shield-bearers, the one with the closed vizor.

Into that figure the artist has put a strange force. There is not a hair of him to be seen; he is steel and iron, the whole man, and yet he gives the impression of being the rightful master of the situation.

"I am Violence; I am Rapacity," he says. "It is I who am levying contribution on Visby. I am not a human being; I am merely steel and iron. My pleasure is in suffering and evil. Let them go on and torture one another. To-day it is I who am lord of Visby."

"Look," he says to the beholder, "can you see that it is I who am master? As far as your eye can reach, there is nothing here but people who are torturing one another. Groaning the conquered come and leave their gold. They hate and threaten, but they obey. And the desires of the victors grow wilder the more gold they can extort. What are Denmark's king and his soldiers but my servants, at least for this one day? To-morrow they will go to church, or sit in peaceful mirth in their inns, or also perhaps be good fathers in their own homes, but to-day they serve me; to-day they are evil-doers and ravishers."

The longer one listens to him, the better one understands what the picture is; nothing but an ill.u.s.tration of the old story of how people can torture one another. There is not one redeeming feature, only cruel violence and defiant hate and hopeless suffering.

Those three beer vats were to be filled that Visby should not be plundered and burned. Why do they not come, those Hanseaters, with glowing enthusiasm? Why do the women not hasten with their jewels; the revellers with their cups, the priest with his relics, eager, burning with enthusiasm for the sacrifice? "For thee, for thee, our beloved town! It is needless to send soldiers for us when it concerns thee! Oh, Visby, our mother, our honor! Take back what thou hast given us!"

But the painter has not wished to see them so, and it was not so either. No enthusiasm, only constraint, only suppressed defiance, only bewailings. Gold is everything to them, women and men sigh over that gold which they have to give.

"Look at them!" says the power that stands on the steps of the throne. "It goes to their very hearts to offer it. May he who will feel sympathy for them! They are mean, avaricious, arrogant. They are no better than the covetous brigand whom I have sent against them."

A woman has sunk down on the ground by the vats. Does it cost her so much pain to give her gold? Or is she perhaps the guilty one? Is she the cause of the laments? Is it she who has betrayed the town?

Yes, it is she who has been King Valdemar's mistress. It is Ung-Hanse's daughter.

She knows well that she need give no gold. Her father's house will not be plundered, but she has collected what she possesses and brings it. In the market-place she has been overcome by all the misery she has seen and has sunk down in infinite despair.

He had been active and merry, the young goldsmith's apprentice who served the year before in her father's house. It had been glorious to stroll at his side through this same market-place, when the moon rose from behind the gables and illumined the beauties of Visby.

She had been proud of him, proud of her father, proud of her town.

And now she is lying there, broken with grief. Innocent and yet guilty! He who is sitting cold and cruel on the throne and who has brought all this devastation on the town, is he the same as the one who whispered sweet words to her? Was it to meet him that she crept, when the night before she stole her father's keys and opened the town-gate? And when she found her goldsmith's apprentice a knight with sword in hand and a steel clad host behind him, what did she think? Did she go mad at the sight of that stream of steel surging in through the gate which she had opened? Too late to bemoan, maiden! Why did you love the enemy of your town? Visby is fallen, its glory shall pa.s.s away. Why did you not throw yourself down before the gate and let the steel-shod heels trample you to death? Did you wish to live in order to see heaven's thunder-bolts strike the transgressor?

Oh maiden, at his side stands Violence and protects him. He has violated holier things than a trusting maiden. He does not even spare G.o.d's own temple. He breaks away the shining carbuncles from the church walls to fill the last vat.

The bearing of all the figures in the picture changes. Blind terror fills everything living. The wildest soldier grows pale; the burghers turn their eyes towards heaven; all await G.o.d's punishment; all tremble except Violence on the steps of the throne and the king who is his servant.

I wish that the artist had lived long enough to take me down to the harbor of Visby and let me see those same burghers, when they followed the departing fleet with their eyes. They cry curses out over the waves. "Destroy them!" they cry. "Destroy them! Oh sea, our friend, take back our treasures! Open thy choking depths under the unG.o.dly, under the faithless!"

And the sea murmurs a faint a.s.sent, and Violence, who stands on the royal ship, nods approvingly. "That is right," he says. "To persecute and to be persecuted, that is my law. May storm and sea destroy the pirate fleet and take to itself the treasures of my royal servant! So much the sooner it will be our lot to set out on new devastating expeditions."

The burghers on the sh.o.r.e turn and look up at their town. Fire has raged there; plunder has pa.s.sed through it; behind broken panes gape pillaged dwellings. They see emptied streets, desecrated churches; b.l.o.o.d.y corpses are lying in the narrow courts, and women crazed by fright flee through the town. Shall they stand impotent before such things? Is there no one whom their vengeance can reach, no one whom they in their turn can torture and destroy?

G.o.d in Heaven, see! The goldsmith's house is not plundered nor burned. What does it mean? Was he in league with the enemy? Had he not the key to one of the town gates in his keeping? Oh, you daughter of Ung-Hanse, answer, what does it mean?

Far away on the royal ship Violence stands and watches his royal servant, smiling behind his vizor. "Listen to the storm, Sire, listen to the storm! The gold that you have ravished will soon lie on the bottom of the sea, inaccessible to you. And look back at Visby, my n.o.ble lord! The woman whom you deceived is being led between the clergy and the soldiers to the town-wall. Can you hear the crowd following her, cursing, insulting? Look, the masons come with mortar and trowel! Look, the women come with stones! They are all bringing stones, all, all!

Oh king, if you cannot see what is pa.s.sing in Visby, may you yet hear and know what is happening there. You are not of steel and iron, like Violence at your side. When the gloomy days of old age come, and you live under the shadow of death, the image of Ung-Hanse's daughter will rise in your memory.

You shall see her pale as death sink under the contempt and scorn of her people. You shall see her dragged along between the priests and the soldiers to the ringing of bells and the singing of hymns.

She is already dead in the eyes of the people. She feels herself dead in her heart, killed by what she has loved. You shall see her mount in the tower, see how the stones are inserted, hear the sc.r.a.ping of the trowels and hear the people who hurry forward with their stones. "Oh mason, take mine, take mine! Use my stone for the work of vengeance! Let my stone help to shut Ung-Hanse's daughter in from light and air! Visby is fallen, the glorious Visby! G.o.d bless your hands, oh masons! Let me help to complete the vengeance!"

Hymns sound and bells ring as for a burial.

Oh Valdemar, King of Denmark, it will be your fate to meet death also. Then you will lie on your bed, hear and see much and suffer great pains. You shall hear that sc.r.a.ping of the trowels, those cries for vengeance. Where are the consecrated bells that drown the martyrdom of the soul? Where are they, with their wide, bronze throats, whose tongues cry out to G.o.d for grace for you? Where is that air trembling with harmony, which bears the soul up to G.o.d's s.p.a.ce?

Oh help Esrom, help Soro, and you big bells of Lund!

What a .gloomy story that picture told! It seemed curious and strange to come out into the park, in glowing sunshine, among living human beings.

MAMSELL FREDRIKA

It was Christmas night, a real Christmas night.