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International Short Stories: English Part 16

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But the people, roused by the death of the ill-fated priest, rose against this third execution with a resolution before which the local government gave way. The cause of the young men was taken up by the hot-blooded populace, as the cause of all fathers and all sons; their filial piety was exalted to the skies; their youth was pleaded in their behalf; their ignorance of the terrible responsibility which they had confronted in forcing the secret from the priest was loudly alleged in their favor. More than this, the authorities were actually warned that the appearance of the prisoners on the scaffold would be the signal for an organized revolt and rescue. Under this serious pressure, the execution was deferred, and the prisoners were kept in confinement until the popular ferment had subsided.

The delay not only saved their lives, it gave them back their liberty as well. The infection of the popular sympathy had penetrated through the prison doors. All three brothers were handsome, well-grown young men. The gentlest of the three in disposition--Thomas Siadoux--aroused the interest and won the affection of the head-jailer's daughter. Her father was prevailed on at her intercession to relax a little in his customary vigilance; and the rest was accomplished by the girl herself.

One morning, the population of Toulouse heard, with every testimony of the most extravagant rejoicing, that the three brothers had escaped, accompanied by the jailer's daughter. As a necessary legal formality, they were pursued, but no extraordinary efforts were used to overtake them; and they succeeded, accordingly, in crossing the nearest frontier.

Twenty days later, orders were received from the capital to execute their sentence in effigy. They were then permitted to return to France, on condition that they never again appeared in their native place, or in any other part of the province of Languedoc. With this reservation they were left free to live where they pleased, and to repent the fatal act which had avenged them on the murderer of their father at the cost of the priest's life.

Beyond this point the official doc.u.ments do not enable us to follow their career. All that is now known has been now told of the village tragedy at Croix-Daurade.

THE BURIAL OF THE t.i.tHE

By SAMUEL LOVER

With the help of a surgeon he might yet recover--_Shakespeare_

It was a fine morning in the autumn of 1832, and the sun had not yet robbed the gra.s.s of its dew, as a stout-built peasant was moving briskly along a small by-road in the county of Tipperary. The elasticity of his step bespoke the lightness of his heart, and the rapidity of his walk did not seem sufficient, even, for the exuberance of his glee, for every now and then the walk was exchanged for a sort of dancing shuffle, which terminated with a short capering kick that threw up the dust about him, and all the while he whistled one of those whimsical jig tunes with which Ireland abounds, and twirled his stick over his head in a triumphal flourish. Then off he started again in his original pace, and hummed a rollicking song, and occasionally broke out into soliloquy--"Why then, an' isn't it the grate day intirely for Ireland, that is in it this blessed day. Whoo! your sowl to glory but well do the job complate"--and here he cut a caper.--"Divil a more they'll ever get, and it's only a pity they ever got any--but there's an ind o' them now--they're cut down from this out," and here he made an appropriate down stroke of his shillelah through a bunch of thistles that skirted the road. "Where will be their grand doin's now?--eh?--I'd like to know that. Where'll be their lazy livery sarvants?--ow! ow!!"--and he sprang lightly over a stile. "And what will they do for their coaches and four?" Here, a lark sprang up at his feet and darted into the air with its thrilling rush of exquisite melody.--"Faith, you've given me my answer sure enough, my purty lark--that's as much as to say, they may go whistle for them--oh, my poor fellows, how I pity yiz;"--and here he broke into a "too ra lal loo" and danced along the path:--then suddenly dropping into silence he resumed his walk, and applying his hand behind his head, c.o.c.ked up his caubeen[1] and began to rub behind his ear, according to the most approved peasant practice of a.s.sisting the powers of reflection.--"Faix an' it's mysef that's puzzled to know what'll the procthors, and the process sarvers, and 'praisers[2] do at all. By gorra they must go rob an the road, since they won't be let to rob any more in the fields; robbin' is all that is left for them, for sure they couldn't turn to any honest thrade afther the coorses they have been used to. Oh what a power o' miscrayants will be out of bread for the want of their owld thrade of false swearin'. Why the vagabones will be lost, barrin'

they're sent to Bot[3]--and indeed if a bridge could be built of false oaths, by my sowkins, they could sware themselves there without wettin'

their feet."--Here he overtook another peasant, whom he accosted with the universal salutation of "G.o.d save you!"--"G.o.d save you kindly," was returned for answer.--"And is it yourself that's there Mikee Noonan?"

said the one first introduced to the reader.

"Indeed it's mysef and n.o.body else," said Noonan; "an' where is it you're goin' this fine mornin'?"

"An' is it yoursef that's axin' that same, Mikee?--why where is it I would be goin' but to the berrin'?"

"I thought so in throth. It's yoursef that is always ripe and ready for fun."

"And small blame to me."

"Why then it was a mighty complate thing, whoever it was that thought of makin' a berrin', out of it."

"And don't you know?"

"Not to my knowledge."

"Why then who 'ud you think now laid it all out?"

"Faix I dunna--maybe 't was Pether Conolly."

"No it wasn't, though Pether's a cute chap--guess again."

"Well, was it Phil Mulligan?"

"No it wasn't, though you made a good offer at it sure enough, for if it wasn't Phil, it was his sisther--"

"'Tare alive, is it Biddy, it was?"

"'Scure to the one else.--Oh she's the quarest craythur in life.--There's not a thrick out, that one's not up to, and more besides. By the powdhers o' war, she'd bate a field full o' lawyers at schkamin'--she's the Divil's Biddy."

"Why thin but it was a grate iday intirely."

"You may say that in throth--maybe it's we won't have the fun--but see who's before us there. Isn't it that owld Coogan?"

"Sure enough by dad."

"Why thin isn't he the rale fine ould c.o.c.k to come so far to see the rights o' the thing?"

"Faix he was always the right sort--sure in Nointy-eight, as I hear, he was malthrated a power, and his place rummaged, and himself a'most kilt, bekase he wouldn't inform an his neighbours."

"G.o.d's blessin' be an him and the likes av him that wouldn't prove thraitor to a friend in disthress."

Here they came up with the old man to whom they alluded--he was the remains of a stately figure, and his white hair hung at some length round the back of his head and his temples, while a black and well marked eyebrow overshadowed his keen grey eye--the contrast of the dark eyebrow to the white hair rendered the intelligent cast of his features more striking, and he was, altogether, a figure that one would not be likely to pa.s.s without notice. He was riding a small horse at an easy pace, and he answered the rather respectful salutation of the two foot pa.s.sengers with kindness and freedom. They addressed him as "Mr.

Coogan," while to them he returned the familiar term "boys."

"And av coorse it's goin' to the berrin, you are, Mr. Coogan, and long life to you."

"Aye, boys.--It's hard for an owld horse to leave off his thricks."

"Owld is it?--faix and it's yourself that has more heart in you this blessed mornin' than many a man that's not half your age."

"By dad I'm not a cowlt, boys, though I kick up my heels sometimes."

"Well, you'll never do it younger, sir,--but sure why wouldn't you be there when all the counthry is goin' I hear, and no wondher sure.--By the hole in my hat it's enough, so it is, to make a sick man lave his bed to see the fun that'll be in it, and sure it's right and proper, and shows the sperit that's in the counthry, when a man like yourself, Mr. Coogan, joins the poor people in doin' it."

"I like to stand up for the right," answered the old man.

"And always was a good warrant to do that same," said Larry, in his most laudatory tone.

"Will you tell us who's that forninst us an the road there?" asked the old man, as he pointed to a person that seemed to make his way with some difficulty, for he laboured under an infirmity of limb that caused a grotesque jerking action in his walk, if walk it might be called.

"Why, thin, don't you know him, Mr. Coogan? by dad I thought there wasn't a parish in the country that didn't know poor Hoppy Houligan."

It has been often observed before, the love of soubriquet that the Irish possess; but let it not be supposed that their nicknames are given in a spirit of unkindness--far from it. A sense of the ridiculous is so closely interwoven in an Irishman's nature, that he will even jest upon his own misfortunes; and while he indulges in a joke (one of the few indulgences he can command), the person that excites it may as frequently be the object of his openheartedness as his mirth.

"And is that Hoppy Houligan?" said old Coogan, "I often heerd of him, to be sure, but I never seen him before."

"Oh, then, you may see him before and behind now," said Larry; "and, indeed, if he had a match for that odd skirt of his coat, he wouldn't be the worse iv it; and in throth the cordheroys themselves aren't a bit too good, and there's the laste taste in life of his--"

"Whisht," said the old man, "he is looking back, and maybe he hears you."

"Not he in throth. Sure he's partly bothered."

"How can he play the fiddle then, and be bothered?" said Coogan.

"Faix an' that's the very raison he is bothered; sure he moidhers the ears off of him intirely with the noise of his own fiddle. Oh he's a powerful fiddler."

"So I often heerd, indeed," said the old man.

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International Short Stories: English Part 16 summary

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