Inheritance. Part 1

Inheritance.

JENNY PETTRICK.

To Peter and Sue Barlow.

Note:.

The background events mentioned in this novel the hurricane and its aftermath, the failure of the banana crop, the filariasis campaign, the switch to decimal currency, the opening of the new wharf and the grand concert to raise funds for the Women's Committee Headquarters all happened during 1966-67 as described. The characters and plot, however, come from my imagination.

Two annual events mentioned in the novel Tapololo and White Sunday usually occur in the same month October. For narrative reasons, I have taken the liberty of separating them by a few months.

ACKNOWLEDGEMENTS.

This novel was written in Menton France, where I held the New Zealand Post Mansfield Prize 2009. I thank New Zealand Post and the Winn-Manson Menton Trust for their great generosity.

I wish to thank Guy and Maureen Powles and Taimalieutu Kiwi Tamasese for their generous and patient answers to my many queries. Also Flora Usipua Tamasese-Va'a, Lynn Barlow, Tim Barlow, Peter Barlow, and Laughton Pattrick.

The following books were among those which a.s.sisted my research:.

The Making of Modern Samoa by Malama Meleisea.

Cyclopaedia of Samoa 1907, reprinted 1984.

An Introduction to Samoan Custom by FJH Grattan.

Salamasina by Augustin Kramer.

and various archaeological research papers by Janet Davidson.

Any errors of fact in the text are entirely my own.

CONTENTS.

Part One: Gertrude's Family.

Part Two: Invasions.

Part Three: Fa'asamoa..

Part Four: Tapalolo.

Part Five: Inheritance.

Part Six: Truth.

Doubt that the stars are fire.

Doubt that the sun doth move.

Doubt truth to be a liar; But never doubt I love.

Hamlet, William Shakespeare Truth is rarely pure and never simple.

The Importance of Being Earnest, Oscar Wilde.

Reunited with her aunt after many lost years, Jeanie spoke of her father's death in Samoa.

Aunt Mary was horrified. 'It wasn't like that!' she cried, tapping Jeanie's sleeve softly with a twisted old finger. 'Not at all like that.'

'But you weren't there, Aunt Mary,' said Jeanie, wondering if her old aunt was losing touch with reality.

'At his death, no. I'm talking about his birth. John's birth. It wasn't ugly or horrible. Poor John. He should never have been told that.'

Jeanie thought that her old aunt, her father's stepsister, might have trouble with the idea of rape; would not, perhaps, admit its possibility. 'What do you know of father's birth?' she asked gently, not wanting to spoil long-held and perhaps tender beliefs with the harsher truth.

Aunt Mary seemed lost in some memory, but then she stirred and sighed. 'Your Granny Stella, bless her soul, would not tell your father, you see. Our mother was very firm on that. John was a sensitive little boy, p.r.o.ne to tears and silences. Mother thought it best to bend the truth a little.' She looked sternly at Jeanie. 'Only a little, my dear, and out of kindness. At any rate, he seemed to have little interest in the details of his birth.' Aunt Mary smiled, the soft old skin crinkling around her smoky-blue eyes. 'Not like me. I wanted to know everything, was always asking questions. I heard part of the truth, you see, from a river-man. We went for a picnic on the river steamer; I suppose we would have been eleven or twelve, my brother and I. I always thought of John as my brother. This old fellow told me about John. His story was different from Mother's version, so of course I had to know.

'How was it different?' Jeanie was disturbed; on edge to hear. But the old lady would not be hurried.

'Your Granny Stella told me then, but said I was not to tell John. He might take ill, she said. I seem to remember John was having trouble at school at that time; often begged to stay home with Mother. You know what he was like.'

'Yes,' said Jeanie, 'but not always.' She felt disloyal, accepting her aunt's matter-of-fact a.s.sessment of her father's periods of depression.

'It's true that the girl Bridie his real mother had lost her mind. Yes, that is true. You say it was on John's birth certificate?'

Jeanie nodded and Aunt Mary tut-tutted crossly. 'They don't need to write down that sort of thing. What on earth is the point? But, Jeanie, there was no mention of of violence. My mother said that the Chinese man, John's birth father, was a lovely gentle fellow, who grew vegetables up the river and was lonely. She told me that he looked after the mad girl, Bridie, when others shunned her. The way Mother told it, the story was sad and beautiful, not violent or shameful.'

'Dad was told the Chinese man hanged himself out of shame.'

Aunt Mary looked up sharply. 'That's rubbish. Who told him that?'

'Gertrude Schroder must have mentioned it, I suppose, and then it ... it got out.'

The old lady snorted. 'That would be Gertrude. A McPhee she was. Mother had no time at all for that family. They were Chinese haters, every one of them, she said. John was their blood relative, she said, but not one of them showed the slightest interest in him. Until that, Gertrude suddenly needed an heir up there in Samoa and came snooping around, inspecting his credentials his suitability. I knew there'd be trouble.'

Aunt Mary sighed. She poured a little more tea and sipped, holding with two hands so that her shaking would not spill it. 'No, Mother was very firm that I was not to mention the McPhee family to John. I think, now, that was a mistake. Wouldn't you say?'

Jeanie frowned. 'Surely if they hated him ...?'

'But, dear, look what happened. Wouldn't it have been better if he had been told about his birth in a loving way? By a loving mother?'

Jeanie was silent.

'He should have been told,' said Aunt Mary firmly.

Jeanie felt trapped. She wanted to argue. 'Why didn't you tell him then? After Granny Stella died?'

The old lady put her cup down. 'It was not my place, Jeanie. It was Mother's.'

PART ONE.

Gertrude's Family.

Elena.

Invercargill, New Zealand, 1990.

The moment I saw her walk through from the exhibition room towards the gardens I knew it was Jeanie Roper. No shred of doubt. The hair was grey, the face partially obscured by a large knitted scarf, but there she was! My friend resurrected. That unmistakable little frame, occupying so neatly the s.p.a.ce around her (so unlike mine!); the same quick way of walking that even a tropical climate had never slowed; the birdlike tilt of her head, looking this way and that as if she might miss something vital. I held my breath to see her stop and examine a possum-fur hat. That delicate, long-fingered touch! I had seen it a hundred times in other places, other times.

She was at the far end of the foyer. It would not be proper, even for a colourful lady like me, to scream or dance in that quiet museum atmosphere, but I couldn't help raising my voice. 'Jeanie!' I called. 'Jeanie Roper!'

She paused for a moment, then without looking in my direction walked quickly through the tuatara room and out of sight. I suppose it took me less than a minute to walk across the foyer one doesn't run in a museum, and my size doesn't allow me to move quickly these days but there were only an old man and a child in the room when I reached it.

'My good friend!' I called out to the empty air. 'Jeanie!'

An ancient tuatara gazed at me from behind gla.s.s, his swivelling dragon eyes unblinking. The man gathered the child against his raincoat preparing for further mad acts. I smiled, tried to explain, but he shrank back, shaking his head. I don't think I am usually a frightening woman. Large, certainly, but stately rather than intimidating I would have thought. Perhaps this far south, older folk are not so used to Samoans. More likely he found my distress unsettling. I had given up hope of ever finding my dear Jeanie again, and there she was. Suddenly.

Gla.s.s doors gave out onto wintry Victoria Gardens. Pushing through, I stood at the top of the steps, looking right and left. No sign of a distant retreating figure; only the great bare trees. Nearby, straggling rose bushes waited for their winter pruning; sad iris clumps sat in muddy beds. I would have seen her, surely? A light rain fell. The cold air caught in my throat; watered my eyes. If she wished to run away I could not hope to follow her. But did she even see me? Perhaps she didn't recognise her old friend?

For another few moments I watched the empty park. A brisk young woman with a pushchair and a trotting dog jogged down the path. No one else. Who else would be mad enough to walk in this weather?

Back inside I sat for a while, close to tears. A kindly attendant touched my shoulder and asked if she could bring me anything. Was my distress so obvious? Jeanie, Jeanie. But surely someone here would know her. As my breathing slowed I began to think. Invercargill is not a big town. On my free day before returning to Wellington I would smoke her out! After all, what possible reason could she have for hiding from me? I tried to persuade myself, you see, that she had simply not recognised me.

She had come from the exhibition room so that was where I started. A display of well-executed watercolours, some of them startlingly original, lined the walls of the small area set aside for local artists. Most of the paintings seemed to be of European inspiration Spain, perhaps or Italy. Then I recognised a landmark and had to chuckle. I knew that place! The old mill near the camping ground in Florence. Many years ago ... but that's another story. To be honest, for a while I forgot the task at hand, and lost myself in old memories.

A smiling attendant brought me back to the present. I asked her if she had noticed the woman in the dark woollen poncho.

'Yes,' she said. 'That's the third time she's been in. We haven't had big crowds to this one.'

'Do you know her name?'

'Sorry, no. Not one of our regulars. Should I know her?'

'No, no. Someone I thought I knew.' I tried to make light of my anxiety.

We chatted for a while about the paintings. She wanted to know if I thought they were good. Perhaps, in my splendid full-length leather coat and flamboyant hat, I looked like an authority. But I did like the work. I asked whether the artist was Italian.

Clearly the attendant was ready with gossip. She lowered her voice, leaned forward in a rather conspiratorial manner. 'Well, she may well be. Evidently she went to Italy in search of a father. Her New Zealand mother was at some Italian festival in Florence, drank too much red wine, enjoyed the company of some handsome young bloods. Afterwards had a very hazy memory of the whole event. Then, too late to do anything about it, discovered she was pregnant. It seems', the attendant shook her head dismissively, 'that Francesca has always been brought up to respect her Italian heritage. But after a year of searching and painting she came back with nothing. Except of course paintings. I would have ...'

But I had stopped listening. This was altogether too weird. I peered at the name signed with Italianate flair on the painting of the fine old mill standing amid flowering cherry trees beside the river.

'Francesca Hope,' said the attendant, directing me towards a small photograph and brief biography.

Francesca Hope, of New Zealand and Italian ancestry, grew up on Stewart Island, was educated in Invercargill, and is at present in her third year studying fabric design at Otago Polytechnic. Though the works in this exhibition portray the muted colours and soft light of the Italian townscape and countryside, Francesca intends her future work will incorporate influences from the Pacific. Most of these works are for sale by arrangement with the artist.

I studied the photograph. The attendant, startled by my bark of laughter, came hurrying across.

'Something wrong?'

I shook my head, still chuckling. Wonderful, wonderful! 'I want to buy the old mill,' I said and kissed her on both cheeks, which astonished her even further.

At the information desk I was given Francesca's address in Dunedin. I was told that I needed to settle with her, as the museum was not able to sell direct.

All the pieces fitted. Jeanie Roper, Florence, the daughter who thought she was Italian. The girl in the photograph very beautiful, a little serious, perhaps had dark hair and dark eyes. They could have come from anywhere the Mediterranean, South America. Ditto the light brown skin. But those broad cheekbones and deep jaw were pure South Pacific. Any expert on Pacific peoples could see it. I could narrow it down to Samoa, and probably highborn.

No one else knew that particular story about Florence. I would like to have believed that the clues had been laid out especially for me to follow, but I was here at the museum by purest chance. Jeanie could not have suspected I would visit. How strange, though. Jeanie need never have hidden from me. I would have kept her secret safe.

We had such fun back then! I still laugh out loud, remembering the show we put on to raise funds for the National Council of Women's Centre. And how we trapped Tiresa into getting her leg strapped. Jeanie must remember those times too. Surely she laughs still?

I made an excuse at my office: an interesting case in Dunedin, I would be back a day late. Then I rang Francesca. Her words were quick and light I thought of birds, and smiled. Jeanie had spoken in the same way.

'You won't want to come within a mile of my student squat,' she laughed, 'and the art school's chaos too.' Of course I was curious to see her in both those environments, but this was only a start. We arranged to meet in a small cafe close to the Polytechnic.

She was already sitting at a window seat when I arrived. Clearly she was expecting someone different. She continued staring out of the window while I stood in the cosy fug, taking my time over removing coat and scarf. She sat very straight-backed, a little tense, perhaps; thinner and paler than her photograph. An enormous purple jersey hung off shoulders which seemed to have no more substance than a coat hanger. But she would be tall when she stood. Unlike her tiny mother. The dark hair needed a wash; it hung limp and long, half obscuring her face. The nose unsettled me. It was decidedly aquiline. I had expected somehow to recognise her. Could I be wrong after all?

'Francesca Hope?' I said.

She jumped to her feet, pushing her hair back from her face. A quick nervous gesture. The wide smile and broad face were rea.s.suringly Samoan. 'Sorry. Sorry I was dreaming. Are you Elena Levamanaia?'