Incidents of Travel in Yucatan Volume I Part 7

Her age might be a little over fifty, and her name was Chaipa Chi.

The preliminaries being settled, we immediately installed her as _chef de cuisine_, without a.s.sistants, and sent off the mayoral to direct the Indians in some clearings which we wished made immediately. The first essay of Chaipa Chi was in boiling eggs, which, according to the custom of the country, she boiled para beber, or to drink; that is, by breaking a small hole in the sh.e.l.l, into which a stick is inserted to mix together the white and yolk; the egg is to be disposed of through this hole in the primitive way which nature indicates to the new-born babe. This did not suit us, and we wished the process of cooking to be continued a little longer, but Chaipa Chi was impenetrable to hints or signs. We were obliged to stand over her, and, but for the name of the thing, we might as well have cooked them ourselves. This over, we gave up, and left our dinner to the mercies of our chef.

Before we were in a condition to begin an examination and exploration of the ruins, we had a serious business before us in making the necessary clearings. These were not required for picturesque effect; indeed, overgrown as the ruins were, they addressed themselves more powerfully to the imagination than if the whole field and every stone lay bare; but facilities of moving from place to place were indispensable, and for this purpose we determined first to clear the terrace of the Casa del Gobernador, and cut roads from ruin to ruin, until we had a complete line of communication; and that we might know exactly our whereabout, Mr. Catherwood took an observation, by which he found the lat.i.tude of Uxmal to be 20 27' 30" N.

Our Indians made a good beginning, and by the afternoon we had the upper terrace cleared. Toward evening they all left us, including Chaipa Chi, and at night, while the moon was glimmering mournfully over the ruins, we had a stroll along the whole front of the Casa del Gobernador.

We were in no hurry to retire, and when we did so it was with some misgivings. Besides a little general attention to what was going on out of doors, the princ.i.p.al business of the day had been to prepare our moscheto-nets, and for this we grudged no time, labour, or ingenuity; but our success was complete. Throughout the whole long apartment there was a continued singing and whizzing, lower or louder as the musicians came near or retired, furious at being defrauded of their prey, but they could not touch us. Our satisfaction went beyond that of the mere prospect for the night, for we felt sure of rest after labour, and of being able to maintain our ground.

The next day we made a valuable addition to our household. Among the Indians who came out to work was a lad who spoke Spanish. He was the puniest, lankest, and leanest of any we had seen on the hacienda, and his single garment was the dirtiest. His name was Bernaldo. He was but fifteen, and he was already experiencing the vicissitudes of fortune.

His education had been neglected; and for confounding some technical distinctions in the laws of property, he was banished from a hacienda near Merida to the deserts of Uxmal. We were in such straits for want of an interpreter, and, except during the short visit of the mayoral, so entirely dest.i.tute, that we overlooked entirely Bernaldo's moral weakness, withdrew him from the workmen, and led him to the sala of the palace, where, in the course of conveying some instructions to Chaipa Chi, he showed such an interest in the subject that Doctor Cabot immediately undertook to give him a lesson in cookery. In his first essay he was so apt that we forthwith inducted him as ruler over the three stones that composed our kitchen fireplace, with all the privileges and emoluments of sipping and tasting, and left Chaipa Chi to bestow all her energies upon the business that her soul loved, the making of tortillas.

[Engraving 8: Plan of Uxmal]

[Transcriber's Note: Text included above in Engraving.

General Plan of the Ruins at Uxmal.

1842

A. _Collection of Buildings called Casa de Las MONJAS or House of the NUNS_.

B. _House of the DWARF also called CASA de ADIVINO_.

C. _Casa del GOBERNADOR or House of the GOVERNOR_.

D. _High and nameless MOUND_.

E. _Casa de PALOMAS or PIGEON HOUSE_.

F. _High Mound and Building without name_.

G. _Casa de la VIEJA or House of the OLD WOMAN_.

H. _Casa de las Tortugas or House of the Tortoises_.]

Being now domesticated, I shall introduce the reader without preface to the ruins of Uxmal. In the account of my former visit I endeavoured to give a brief description of these ruins. Hurried away, however, without plans or drawings, it was impossible to present any definite idea of their character. The plate opposite represents the plan of this ancient city, as indicated by the remaining edifices. The ranges were all taken with the compa.s.s, and the distances measured, and the dimensions of the buildings and their distances from each other can be ascertained by means of the scale at the foot of the plate.

The first ruin which I shall present is that in which we lived, called the Casa del Gobernador. The engraving which forms the frontispiece of this volume represents its front, with the three great terraces on which it stands. This front is three hundred and twenty-two feet long.

Large as the engraving is, it can serve only to give some idea of the general effect; the detail of ornament cannot be shown.

The edifice is represented as it exists now, without any attempt at restoration, and the reader will perceive that over two of the doorways the facade has fallen. Don Simon Peon told us that in the year 1825 this fallen part was still in its place, and the whole front almost entire. The fragments now lie as they fell, forming, as appears in the engraving, a great ma.s.s of mortar, rude and sculptured stones, all imbedded together, which had never been disturbed until we dug into it for the purpose of disinterring and bringing to light some of the fallen ornaments.

This building was constructed entirely of stone. Up to the cornice, which runs round it the whole length and on all four of its sides, the facade presents a smooth surface; above is one solid ma.s.s of rich, complicated, and elaborately sculptured ornaments forming a sort of arabesque.

The grandest ornament, which imparts a richness to the whole facade, is over the centre doorway. Around the head of the princ.i.p.al figure are rows of characters, which, in our first hurried visit, we did not notice as essentially different from the other incomprehensible subjects sculptured on the facade; but we now discovered that these characters were hieroglyphics. We had ladders made, by means of which Mr. Catherwood climbed up and made accurate drawings of them. They differ somewhat from the hieroglyphics before presented, and are more rich, elaborate, and complicated, but the general character is the same. From their conspicuous position, they no doubt contain some important meaning; probably they were intended as a record of the construction of the building, the time when and the people by whom it was built.

The full drawing of this rich and curious ornament cannot be presented with any effect on the scale adapted to these pages. All the other doorways have over them striking, imposing, and even elegant decorations, varying sometimes in the details, but corresponding in general character and effect with that represented in the accompanying engravings.

[Engraving 9: Ornament over a doorway]

The first engraving represents the part immediately over the doorway.

It shows the remaining portion of a figure seated on a kind of throne.

This throne was formerly supported by a rich ornament, still forming part of similar designs over other doorways in this building. The head-dress is lofty, and from it proceed enormous plumes of feathers, dividing at the top, and falling symmetrically on each side, until they touch the ornament on which the feet of the statue rest. Each figure was perhaps the portrait of some cacique, warrior, prophet, or priest, distinguished in the history of this unknown people.

[Engraving 10: Ornament called the Elephant's Trunk]

[Engraving 11: Elephant's Trunk in Profile]

The engraving opposite represents that part of the ornament immediately above the preceding; it occupies the whole portion of the wall from the top of the head-dress to the cornice along the top of the building.

This ornament or combination appears on all parts of the edifice, and throughout the ruins is more frequently seen than any other. In the engraving the centre presents a long, flat, smooth surface. This indicates a projecting ornament, which cannot be exhibited in a front view; but, as seen in profile, consists of a stone projecting from the face of the wall, as shown in the following cut; and the reader must suppose this stone projecting in order clearly to understand the character of the ornament last presented. It measures one foot seven inches in length from the stem by which it is fixed in the wall to the end of the curve, and resembles somewhat an elephant's trunk, which name has, perhaps not inaptly, been given to it by Waldeck, though it is not probable that as such the sculptor intended it, for the elephant was unknown on the Continent of America. This projecting stone appears with this combination all over the facade and at the corners; and throughout all the buildings it is met with, sometimes in a reversed position, oftener than any other design in Uxmal. It is a singular fact, that though entirely out of reach, the ends of nearly all of them have been broken off; and among the many remains in every part of the walls throughout the whole ruins, there are but three that now exist entire. Perhaps they were wantonly broken by the Spaniards; though at this day the Indians believe these old buildings are haunted, and that all the monefatos or ornaments are animated, and walk at night In the daytime, it is believed, they can do no harm, and for ages the Indians have been in the habit of breaking and disfiguring them with the machete, believing that by so doing they quiet their wandering spirits.

The combination of the last two engravings is probably intended to represent a hideous human face; the eyes and teeth appear in the first, and the projecting stone is perhaps intended for the nose or snout. It occupies a s.p.a.ce in breadth equal to about five feet of the wall. To present the whole facade on the same scale would require an engraving sixty-four times as long as this. The reader will perceive how utterly unprofitable it would be to attempt a verbal description of such a facade, and the lines in the engraving show that, as I remarked in my former account, there is no tablet or single stone representing separately and by itself an entire subject, but every ornament or combination is made up of separate stones, each of which had carved on it part of the subject, and was then set in its place in the wall. Each stone by itself is an unmeaning fractional portion, but, placed by the side of others, makes part of a whole, which without it would be incomplete. Perhaps it may with propriety be called a species of sculptured mosaic; and I have no doubt that all these ornaments have a symbolical meaning; that each stone is part of a history, allegory, or fable.

The rear elevation of the Casa del Gobernador is a solid wall, without any doorways or openings of any kind. Like the front, above the cornice it was ornamented throughout its whole length with sculptured stone.

The subjects, however, were less complicated, and the sculpture less gorgeous and elaborate; and on this side, too, a part of the facade has fallen.

The two ends are thirty-nine feet each. The following engraving represents the southern end. It has but one doorway, and of this, too, the sculptured subjects were more simple.

The roof is flat, and had been covered with cement; but the whole is now overgrown with gra.s.s and bushes.

[Engraving 12: Southern End of Casa del Gobernador]

Such is the exterior of the Casa del Gobernador. To go into any description of details would extend these pages to an indefinite length. Its distinguishing features are, that it was long, low, and narrow; below the cornice plain, and above ornamented with sculpture all around. Mr. Catherwood made minute architectural drawings of the whole, and has in his possession the materials for erecting a building exactly like it; and I would remark that, as on our former expedition, he made all his drawings with the camera lucida, for the purpose of obtaining the utmost accuracy of proportion and detail. Besides which, we had with us a Daguerreotype apparatus, the best that could be procured in New-York, with which, immediately on our arrival at Uxmal, Mr. Catherwood began taking views; but the results were not sufficiently perfect to suit his ideas. At times the projecting cornices and ornaments threw parts of the subject in shade, while others were in broad sunshine; so that, while parts were brought out well, other parts required pencil drawings to supply their defects.

They gave a general idea of the character of the buildings, but would not do to put into the hands of the engraver without copying the views on paper, and introducing the defective parts, which would require more labour than that of making at once complete original drawings. He therefore completed everything with his pencil and camera lucida while Doctor Cabot and myself took up the Daguerreotype; and, in order to ensure the utmost accuracy, the Daguerreotype views were placed with the drawings in the hands of the engravers for their guidance.

[Engraving 13: Ground Plan of the Casa del Gobernador]

The ground plan of the Casa del Gobernador is represented in the engraving below. It has eleven doorways in front and one at each end.

The doors are all gone, and the wooden lintels over them have fallen.

The interior is divided longitudinally by a wall into two corridors, and these again, by cross walls or part.i.tions, into oblong rooms. Every pair of these rooms, the front and back, communicate by a doorway exactly opposite a corresponding doorway in front.

The princ.i.p.al apartments in the centre, with three doorways opening upon the terrace, are sixty feet long. The one in front is eleven feet six inches wide, and the inner one thirteen feet The former is twenty-three feet high to the top of the arch, and the other twenty-two feet. The latter has but one door of entrance from the front room, and except this it has no door or aperture of any kind, so that at the ends it is dark and damp, as is the case with all the inner rooms. In these two apartments we took up our abode.

The walls are constructed of square, smooth blocks of stone, and on each side of the doorway are the remains of stone rings fixed in the walls with shafts, which no doubt had some connexion, with the support of the doors. The floors were of cement, in some places hard, but, by long exposure, broken, and now crumbling under the feet.

The ceiling forms a triangular arch, as at Palenque, without the keystone. The support is made by stones overlapping, and bevilled so as to present a smooth surface, and within about a foot of the point of contact covered by a layer of flat stones. Across the arch were beams of wood, the ends built in the wall on each side, which had probably been used for the support of the arch while the building was in progress.

For the rest, I refer to the plan, mentioning only one circ.u.mstance. In working out the plan on the spot, it was found that the back wall, throughout its whole length of two hundred and seventy feet, was nine feet thick, which was nearly equal to the width of the front apartment.

Such thickness was not necessary for the support of the building, and, supposing it might contain some hidden pa.s.sages, we determined to make a breach through the wall and to do this in the centre apartment.

1 must confess that I felt some repugnance to this work of demolition, but one stone had already been picked out by an Indian to serve for mashing maize upon; and as this was likely to be done at any time; when another might be wanted, I got over my scruples.

Over the cavity left in the mortar by the removal of the stone were two conspicuous marks, which afterward stared us in the face in all the ruined buildings of the country. They were the prints of a red hand with the thumb and fingers extended, not drawn or painted, but stamped by the living hand, the pressure of the palm upon the stone. He who made it had stood before it alive as we did, and pressed his hand, moistened with red paint, hard against the stone. The seams and creases of the palm were clear and distinct in the impression. There was something lifelike about it that waked exciting thoughts, and almost presented the images of the departed inhabitants hovering about the building. And there was one striking feature about these hands; they were exceedingly small. Either of our own spread over and completely hid them; and this was interesting from the fact that we had ourselves remarked, and heard remarked by others, the smallness of the hands and feet as a striking feature in the physical conformation of the Indians at the present day.

The stones with this red hand upon them were the first that fell as we commenced our breach into the wall. There were two crowbars on the hacienda, and working nearly two days, the Indians made a hole between six and seven feet deep, but throughout the wall was solid, and consisted of large stones imbedded in mortar, almost as hard as rock.

The reason of this immense back wall, where everything else had a certain degree of fitness and conformity, we did not discover, and we had this huge hole staring us reproachfully in the face during all the remainder of our residence.

A few words more, and I have done with this building. In the south end apartment, the facade of which has been presented, we found the sculptured beam of hieroglyphics which had so much interested us on our former visit. In some of the inner apartments the lintels were still in their places over the doorways, and some were lying on the floor sound and solid, which better condition was no doubt owing to their being more sheltered than those over the outer doorway. This was the only sculptured beam in Uxmal, and at that time it was the only piece of carved wood we had seen. We considered it interesting, as indicating a degree of proficiency in an art of which, in all our previous explorations, we had not discovered any evidence, except, perhaps, at Ocosingo, where we had found a beam, not carved, but which had evidently been reduced to shape by sharp instruments of metal. This time I determined not to let the precious beam escape me. It was ten feet long, one foot nine inches broad, and ten inches thick, of Sapote wood, enormously heavy and unwieldy. To keep the sculptured side from being chafed and broken, I had it covered with costal or hemp bagging, and stuffed with dry gra.s.s to the thickness of six inches. It left Uxmal on the shoulders of ten Indians, after many vicissitudes reached this city uninjured, and was deposited in Mr. Catherwood's Panorama. I had referred to it as being in the National Museum at Washington, whither I intended to send it as soon as a collection of large sculptured stones, which I was obliged to leave behind, should arrive; but on the burning of that building, in the general conflagration of Jerusalem and Thebes, this part of Uxmal was consumed, and with it other beams afterward discovered, much more curious and interesting; as also the whole collection of vases, figures idols, and other relics gathered upon this journey. The collecting, packing, and transporting of these things had given me more trouble and annoyance than any other circ.u.mstance in our journey, and their loss cannot be replaced; for, being first on the ground, and having all at my choice, I of course selected only those objects which were most curious and valuable; and if I were to go over the whole ground again, I could not find others equal to them. I had the melancholy satisfaction of seeing their ashes exactly as the fire had left them. We seemed doomed to be in the midst of ruins; but in all our explorations there was none so touching as this.

Next to the great building of the Casa del Gobernador, and hardly less extraordinary and imposing in character, are the three great terraces which hold it aloft, and give it its grandeur of position; all of them artificial, and built up from the level of the plain.

The lowest of these terraces is three feet high, fifteen feet broad, and five hundred and seventy-five feet long; the second is twenty feet high, two hundred and fifty feet wide, and five hundred and forty-five feet in length; and the third, on which the building stands, is nineteen feet high, thirty feet broad, and three hundred and sixty feet in front. They were all supported by substantial stone walls; that of the second terrace is still in a good state of preservation, and at the corners the stones which support it are still in their places, with their outer surfaces rounded, instead of presenting sharp angles.

The platform of this terrace is a n.o.ble terra plana, five hundred and forty-five feet long and two hundred and fifty feet wide, and, from the remains still visible upon it, once contained structures and ornaments of various kinds, the character of which it is now difficult to make out. On our first arrival the whole was covered with a rank growth of bushes and weeds ten or twelve feet high, on clearing which away these remains were brought to light.

Along the south end there is an oblong structure about three feet high, two hundred long, and fifteen feet wide, at the foot of which there is a range of pedestals and fragments of columns about five feet high and eighteen inches in diameter. There are no remains of a roof or of any other structure connected with them.