Imaginary Portraits Part 4

[104] The volume was, indeed, a kind of treatise to be:--a hard, systematic, well-concatenated train of thought, still implicated in the circ.u.mstances of a journal. Freed from the accidents of that particular literary form with its unavoidable details of place and occasion, the theoretic strain would have been found mathematically continuous. The already so weary Sebastian might perhaps never have taken in hand, or succeeded in, this detachment of his thoughts; every one of which, beginning with himself, as the peculiar and intimate apprehension of this or that particular day and hour, seemed still to protest against such disturbance, as if reluctant to part from those accidental a.s.sociations of the personal history which had prompted it, and so become a purely intellectual abstraction.

The series began with Sebastian's boyish enthusiasm for a strange, fine saying of Doctor Baruch de Spinosa, concerning the Divine Love:--That whoso loveth G.o.d truly must not expect to be loved by him in return.

In mere reaction against an actual surrounding of which every circ.u.mstance tended to make him a finished egotist, that bold a.s.sertion defined for him the ideal of an intellectual disinterestedness, of a domain of unimpa.s.sioned mind, with the desire to put one's subjective side out of the way, and let pure reason speak.

And what pure reason affirmed in the first place, as the "beginning of wisdom," was that [105] the world is but a thought, or a series of thoughts: that it exists, therefore, solely in mind. It showed him, as he fixed the mental eye with more and more of self-absorption on the phenomena of his intellectual existence, a picture or vision of the universe as actually the product, so far as he really knew it, of his own lonely thinking power--of himself, there, thinking: as being zero without him: and as possessing a perfectly h.o.m.ogeneous unity in that fact. "Things that have nothing in common with each other," said the axiomatic reason, "cannot be understood or explained by means of each other." But to pure reason things discovered themselves as being, in their essence, thoughts:--all things, even the most opposite things, mere trans.m.u.tations of a single power, the power of thought. All was but conscious mind. Therefore, all the more exclusively, he must minister to mind, to the intellectual power, submitting himself to the sole direction of that, whithersoever it might lead him. Everything must be referred to, and, as it were, changed into the terms of that, if its essential value was to be ascertained. "Joy," he said, antic.i.p.ating Spinosa--that, for the attainment of which men are ready to surrender all beside--"is but the name of a pa.s.sion in which the mind pa.s.ses to a greater perfection or power of thinking; as grief is the name of the pa.s.sion in which it pa.s.ses to a less."

[106] Looking backward for the generative source of that creative power of thought in him, from his own mysterious intellectual being to its first cause, he still reflected, as one can but do, the enlarged pattern of himself into the vague region of hypothesis. In this way, some, at all events, would have explained his mental process. To him that process was nothing less than the apprehension, the revelation, of the greatest and most real of ideas--the true substance of all things.

He, too, with his vividly-coloured existence, with this picturesque and sensuous world of Dutch art and Dutch reality all around that would fain have made him the prisoner of its colours, its genial warmth, its struggle for life, its selfish and crafty love, was but a transient perturbation of the one absolute mind; of which, indeed, all finite things whatever, time itself, the most durable achievements of nature and man, and all that seems most like independent energy, are no more than petty accidents or affections. Theorem and corollary! Thus they stood:

"There can be only one substance: (corollary) it is the greatest of errors to think that the non-existent, the world of finite things seen and felt, really is: (theorem): for, whatever is, is but in that: (practical corollary): one's wisdom, therefore, consists in hastening, so far as may be, the action of those forces which tend to the restoration of equilibrium, the calm surface of the absolute, untroubled mind, to tabula rasa, by [107] the extinction in one's self of all that is but correlative to the finite illusion--by the suppression of ourselves."

In the loneliness which was gathering round him, and, oddly enough, as a somewhat surprising thing, he wondered whether there were, or had been, others possessed of like thoughts, ready to welcome any such as his veritable compatriots. And in fact he became aware just then, in readings difficult indeed, but which from their all-absorbing interest seemed almost like an illicit pleasure, a sense of kinship with certain older minds. The study of many an earlier adventurous theorist satisfied his curiosity as the record of daring physical adventure, for instance, might satisfy the curiosity of the healthy. It was a tradition--a constant tradition--that daring thought of his; an echo, or haunting recurrent voice of the human soul itself, and as such sealed with natural truth, which certain minds would not fail to heed; discerning also, if they were really loyal to themselves, its practical conclusion.--The one alone is: and all things beside are but its pa.s.sing affections, which have no necessary or proper right to be.

As but such "accidents" or "affections," indeed, there might have been found, within the circ.u.mference of that one infinite creative thinker, some scope for the joy and love of the creature. There have been dispositions in which that abstract theorem has only induced a renewed [108] value for the finite interests around and within us. Centre of heat and light, truly nothing has seemed to lie beyond the touch of its perpetual summer. It has allied itself to the poetical or artistic sympathy, which feels challenged to acquaint itself with and explore the various forms of finite existence all the more intimately, just because of that sense of one lively spirit circulating through all things--a tiny particle of the one soul, in the sunbeam, or the leaf.

Sebastian van Storck, on the contrary, was determined, perhaps by some inherited satiety or fatigue in his nature, to the opposite issue of the practical dilemma. For him, that one abstract being was as the pallid Arctic sun, disclosing itself over the dead level of a glacial, a barren and absolutely lonely sea. The lively purpose of life had been frozen out of it. What he must admire, and love if he could, was "equilibrium," the void, the tabula rasa, into which, through all those apparent energies of man and nature, that in truth are but forces of disintegration, the world was really settling. And, himself a mere circ.u.mstance in a fatalistic series, to which the clay of the potter was no sufficient parallel, he could not expect to be "loved in return." At first, indeed, he had a kind of delight in his thoughts--in the eager pressure forward, to whatsoever conclusion, of a rigid intellectual gymnastic, which was like the making of Euclid.

Only, little by little, under [109] the freezing influence of such propositions, the theoretic energy itself, and with it his old eagerness for truth, the care to track it from proposition to proposition, was chilled out of him. In fact, the conclusion was there already, and might have been foreseen, in the premises. By a singular perversity, it seemed to him that every one of those pa.s.sing "affections"--he too, alas! at times--was for ever trying to be, to a.s.sert itself, to maintain its isolated and petty self, by a kind of practical lie in things; although through every incident of its hypothetic existence it had protested that its proper function was to die. Surely! those transient affections marred the freedom, the truth, the beatific calm, of the absolute selfishness, which could not, if it would, pa.s.s beyond the circ.u.mference of itself; to which, at times, with a fantastic sense of wellbeing, he was capable of a sort of fanatical devotion. And those, as he conceived, were his moments of genuine theoretic insight, in which, under the abstract "perpetual light," he died to self; while the intellect, after all, had attained a freedom of its own through the vigorous act which a.s.sured him that, as nature was but a thought of his, so himself also was but the pa.s.sing thought of G.o.d.

No! rather a puzzle only, an anomaly, upon that one, white, unruffled consciousness! His first principle once recognised, all the rest, the whole array of propositions down to the [110] heartless practical conclusion, must follow of themselves. Detachment: to hasten hence: to fold up one's whole self, as a vesture put aside: to antic.i.p.ate, by such individual force as he could find in him, the slow disintegration by which nature herself is levelling the eternal hills:--here would be the secret of peace, of such dignity and truth as there could be in a world which after all was essentially an illusion. For Sebastian at least, the world and the individual alike had been divested of all effective purpose. The most vivid of finite objects, the dramatic episodes of Dutch history, the brilliant personalities which had found their parts to play in them, that golden art, surrounding us with an ideal world, beyond which the real world is discernible indeed, but etherealised by the medium through which it comes to one: all this, for most men so powerful a link to existence, only set him on the thought of escape--means of escape--into a formless and nameless infinite world, quite evenly grey. The very emphasis of those objects, their importunity to the eye, the ear, the finite intelligence, was but the measure of their distance from what really is. One's personal presence, the presence, such as it is, of the most incisive things and persons around us, could only lessen by so much, that which really is.

To restore tabula rasa, then, by a continual effort at self-effacement!

Actually proud at times of his curious, well-reasoned nihilism, he [111] could but regard what is called the business of life as no better than a trifling and wearisome delay. Bent on making sacrifice of the rich existence possible for him, as he would readily have sacrificed that of other people, to the bare and formal logic of the answer to a query (never proposed at all to entirely healthy minds) regarding the remote conditions and tendencies of that existence, he did not reflect that if others had inquired as curiously as himself the world could never have come so far at all--that the fact of its having come so far was itself a weighty exception to his hypothesis. His odd devotion, soaring or sinking into fanaticism, into a kind of religious mania, with what was really a vehement a.s.sertion of his individual will, he had formulated duty as the principle to hinder as little as possible what he called the restoration of equilibrium, the restoration of the primary consciousness to itself--its relief from that uneasy, tetchy, unworthy dream of a world, made so ill, or dreamt so weakly--to forget, to be forgotten.

And at length this dark fanaticism, losing the support of his pride in the mere novelty of a reasoning so hard and dry, turned round upon him, as our fanaticism will, in black melancholy. The theoretic or imaginative desire to urge Time's creeping footsteps, was felt now as the physical fatigue which leaves the book or the letter unfinished, or finishes eagerly out of hand, for mere finishing's sake, unimportant business.

[112] Strange! that the presence to the mind of a metaphysical abstraction should have had this power over one so fortunately endowed for the reception of the sensible world. It could hardly have been so with him but for the concurrence of physical causes with the influences proper to a mere thought. The moralist, indeed, might have noted that a meaner kind of pride, the morbid fear of vulgarity, lent secret strength to the intellectual prejudice, which realised duty as the renunciation of all finite objects, the fastidious refusal to be or do any limited thing. But besides this it was legible in his own admissions from time to time, that the body, following, as it does with powerful temperaments, the lead of mind and the will, the intellectual consumption (so to term it) had been concurrent with, had strengthened and been strengthened by, a vein of physical phthisis--by a merely physical accident, after all, of his bodily const.i.tution, such as might have taken a different turn, had another accident fixed his home among the hills instead of on the sh.o.r.e. Is it only the result of disease?

he would ask himself sometimes with a sudden suspicion of his intellectual cogency--this persuasion that myself, and all that surrounds me, are but a diminution of that which really is?--this unkindly melancholy?

The journal, with that "cruel" letter to Mademoiselle van Westrheene coming as the last step in the rigid process of theoretic deduction, [113] circulated among the curious; and people made their judgments upon it. There were some who held that such opinions should be suppressed by law; that they were, or might become, dangerous to society. Perhaps it was the confessor of his mother who thought of the matter most justly. The aged man smiled, observing how, even for minds by no means superficial, the mere dress it wears alters the look of a familiar thought; with a happy sort of smile, as he added (reflecting that such truth as there was in Sebastian's theory was duly covered by the propositions of his own creed, and quoting Sebastian's favourite pagan wisdom from the lips of Saint Paul) "in Him, we live, and move, and have our being."

Next day, as Sebastian escaped to the sea under the long, monotonous line of wind-mills, in comparative calm of mind--reaction of that pleasant morning from the madness of the night before--he was making light, or trying to make light, with some success, of his late distress. He would fain have thought it a small matter, to be adequately set at rest for him by certain well-tested influences of external nature, in a long visit to the place he liked best: a desolate house, amid the sands of the Helder, one of the old lodgings of his family, property now, rather, of the sea-birds, and almost surrounded by the encroaching tide, though there were still relics enough of hardy, sweet things about it, to form [114] what was to Sebastian the most perfect garden in Holland. Here he could make "equation" between himself and what was not himself, and set things in order, in preparation towards such deliberate and final change in his manner of living as circ.u.mstances so clearly necessitated.

As he stayed in this place, with one or two silent serving people, a sudden rising of the wind altered, as it might seem, in a few dark, tempestuous hours, the entire world around him. The strong wind changed not again for fourteen days, and its effect was a permanent one; so that people might have fancied that an enemy had indeed cut the d.y.k.es somewhere--a pin-hole enough to wreck the ship of Holland, or at least this portion of it, which underwent an inundation of the sea the like of which had not occurred in that province for half a century.

Only, when the body of Sebastian was found, apparently not long after death, a child lay asleep, swaddled warmly in his heavy furs, in an upper room of the old tower, to which the tide was almost risen; though the building still stood firmly, and still with the means of life in plenty. And it was in the saving of this child, with a great effort, as certain circ.u.mstances seemed to indicate, that Sebastian had lost his life.

His parents were come to seek him, believing him bent on self-destruction, and were almost glad to find him thus. A learned physician, moreover, endeavoured to comfort his mother by [115]

remarking that in any case he must certainly have died ere many years were pa.s.sed, slowly, perhaps painfully, of a disease then coming into the world; disease begotten by the fogs of that country--waters, he observed, not in their place, "above the firmament"--on people grown somewhat over-delicate in their nature by the effects of modern luxury.

IV. DUKE CARL OF ROSENMOLD

[119] One stormy season about the beginning of the present century, a great tree came down among certain moss-covered ridges of old masonry which break the surface of the Rosenmold heath, exposing, together with its roots, the remains of two persons. Whether the bodies (male and female, said German bone-science) had been purposely buried there was questionable. They seemed rather to have been hidden away by the accident, whatever it was, which had caused death--crushed, perhaps, under what had been the low wall of a garden--being much distorted, and lying, though neatly enough discovered by the upheaval of the soil, in great confusion. People's attention was the more attracted to the incident because popular fancy had long run upon a tradition of buried treasures, golden treasures, in or about the antiquated ruin which the garden boundary enclosed; the roofless sh.e.l.l of a small but solidly-built stone house, burnt or overthrown, perhaps in the time of the wars at the beginning of the eighteenth century. Many persons went to [120] visit the remains lying out on the dark, wild plateau, which stretches away above the tallest roofs of the old grand-ducal town, very distinctly outlined, on that day, in deep fluid grey against a sky still heavy with coming rain. No treasure, indeed, was forthcoming among the ma.s.ses of fallen stone. But the tradition was so far verified, that the bones had rich golden ornaments about them; and for the minds of some long-remembering people their discovery set at rest an old query. It had never been precisely known what was become of the young Duke Carl, who disappeared from the world just a century before, about the time when a great army pa.s.sed over those parts, at a political crisis, one result of which was the final absorption of his small territory in a neighbouring dominion. Restless, romantic, eccentric, had he pa.s.sed on with the victorious host, and taken the chances of an obscure soldier's life? Certain old letters hinted at a different ending--love-letters which provided for a secret meeting, preliminary perhaps to the final departure of the young Duke (who, by the usage of his realm, could only with extreme difficulty go whither, or marry whom, he pleased) to whatever worlds he had chosen, not of his own people. The minds of those still interested in the matter were now at last made up, the disposition of the remains suggesting to them the lively picture of a sullen night, the unexpected pa.s.sing of the great army, [121] and the two lovers rushing forth wildly at the sudden tumult outside their cheerful shelter, caught in the dark and trampled out so, surprised and unseen, among the horses and heavy guns.

Time, at the court of the Grand-duke of Rosenmold, at the beginning of the eighteenth century might seem to have been standing still almost since the Middle Age--since the days of the Emperor Charles the Fifth, at which period, by the marriage of the hereditary Grand-duke with a princess of the Imperial house, a sudden tide of wealth, flowing through the grand-ducal exchequer, had left a kind of golden architectural splendour on the place, always too ample for its population. The sloping Gothic roofs for carrying off the heavy snows still indented the sky--a world of tiles, with s.p.a.ce uncurtailed for the awkward gambols of that very German goblin, Hans Klapper, on the long, slumberous, northern nights. Whole quarryfuls of wrought stone had been piled along the streets and around the squares, and were now grown, in truth, like nature's self again, in their rough, time-worn ma.s.siveness, with weeds and wild flowers where their decay acc.u.mulated, blossoming, always the same, beyond people's memories, every summer, as the storks came back to their platforms on the remote chimney-tops.

Without, all was as it had been on the eve of the Thirty Years' War: the venerable dark-green mouldiness, priceless pearl of architectural effect, was unbroken [122] by a single new gable. And within, human life--its thoughts, its habits, above all, its etiquette--had been put out by no matter of excitement, political or intellectual, ever at all, one might say, at any time. The rambling grand-ducal palace was full to overflowing with furniture, which, useful or useless, was all ornamental, and none of it new. Suppose the various objects, especially the contents of the haunted old lumber-rooms, duly arranged and ticketed, and their Highnesses would have had a historic museum, after which those famed "Green Vaults" at Dresden would hardly have counted as one of the glories of Augustus the Strong. An immense heraldry, that truly German vanity, had grown, expatiating, florid, eloquent, over everything, without and within--windows, house-fronts, church walls, and church floors. And one-half of the male inhabitants were big or little State functionaries, mostly of a quasi decorative order--the treble-singer to the town-council, the court organist, the court poet, and the like--each with his deputies and a.s.sistants, maintaining, all unbroken, a sleepy ceremonial, to make the hours just noticeable as they slipped away. At court, with a continuous round of ceremonies, which, though early in the day, must always take place under a jealous exclusion of the sun, one seemed to live in perpetual candle-light.

It was in a delightful rummaging of one of those lumber-rooms, escaped from that candle-light [123] into the broad day of the uppermost windows, that the young Duke Carl laid his hand on an old volume of the year 1486, printed in heavy type, with frontispiece, perhaps, by Albert Durer--Ars Versificandi: The Art of Versification: by Conrad Celtes.

Crowned poet of the Emperor Frederick the Third, he had the right to speak on that subject; for while he vindicated as best he might old German literature against the charge of barbarism, he did also a man's part towards reviving in the Fatherland the knowledge of the poetry of Greece and Rome; and for Carl, the pearl, the golden nugget, of the volume was the Sapphic ode with which it closed--To Apollo, praying that he would come to us from Italy, bringing his lyre with him: Ad Apollinem, ut ab Italis c.u.m lyra ad Germanos veniat. The G.o.d of light, coming to Germany from some more favoured world beyond it, over leagues of rainy hill and mountain, making soft day there: that had ever been the dream of the ghost-ridden yet deep-feeling and certainly meek German soul; of the great Durer, for instance, who had been the friend of this Conrad Celtes, and himself, all German as he was, like a gleam of real day amid that hyperborean German darkness--a darkness which clave to him, too, at that dim time, when there were violent robbers, nay, real live devils, in every German wood. And it was precisely the aspiration of Carl himself. Those verses, coming to the boy's hand at the [124] right moment, brought a beam of effectual day-light to a whole magazine of observation, fancy, desire, stored up from the first impressions of childhood. To bring Apollo with his lyre to Germany! It was precisely that he, Carl, desired to do--was, as he might flatter himself, actually doing.

The daylight, the Apolline aurora, which the young Duke Carl claimed to be bringing to his candle-lit people, came in the somewhat questionable form of the contemporary French ideal, in matters of art and literature--French plays, French architecture, French looking-gla.s.ses--Apollo in the dandified costume of Lewis the Fourteenth. Only, confronting the essentially aged and decrepit graces of his model with his own essentially youthful temper, he invigorated what he borrowed; and with him an aspiration towards the cla.s.sical ideal, so often hollow and insincere, lost all its affectation. His doating grandfather, the reigning Grand-duke, afforded readily enough, from the great store of inherited wealth which would one day be the lad's, the funds necessary for the completion of the vast unfinished Residence, with "pavilions" (after the manner of the famous Mansard) uniting its scattered parts; while a wonderful flowerage of architectural fancy, with broken attic roofs, pa.s.sed over and beyond the earlier fabric; the later and lighter forms being in part carved adroitly out of the [125] heavy ma.s.ses of the old, honest, "stump Gothic" tracery. One fault only Carl found in his French models, and was resolute to correct. He would have, at least within, real marble in place of stucco, and, if he might, perhaps solid gold for gilding.

There was something in the sanguine, floridly handsome youth, with his alertness of mind turned wholly, amid the vexing preoccupations of an age of war, upon embellishment and the softer things of life, which soothed the testy humours of the old Duke, like the quiet physical warmth of a fire or the sun. He was ready to preside with all ceremony at a presentation of Marivaux's Death of Hannibal, played in the original, with such imperfect mastery of the French accent as the lovers of new light in Rosenmold had at command, in a theatre copied from that at Versailles, lined with pale yellow satin, and with a picture, amid the stucco braveries of the ceiling, of the Septentrional Apollo himself, in somewhat watery red and blue. Innumerable wax lights in cut-gla.s.s l.u.s.tres were a thing of course. Duke Carl himself, attired after the newest French fashion, played the part of Hannibal. The old Duke, indeed, at a council-board devoted hitherto to matters of state, would nod very early in certain long discussions on matters of art--magnificent schemes, from this or that eminent contractor, for spending his money tastefully, distinguishings of the rococo [126] and the baroque. On the other hand, having been all his life in close intercourse with select humanity, self-conscious and arrayed for presentation, he was a helpful judge of portraits and the various degrees of the attainment of truth therein--a phase of fine art which the grandson could not value too much. The sergeant-painter and the deputy sergeant-painter were, indeed, conventional performers enough; as mechanical in their dispensation of wigs, finger-rings, ruffles, and simpers, as the figure of the armed knight who struck the bell in the Residence tower. But scattered through its half-deserted rooms, state bed-chambers and the like, hung the works of more genuine masters, still as unadulterate as the hock, known to be two generations old, in the grand-ducal cellar. The youth had even his scheme of inviting the ill.u.s.trious Antony Coppel to the court; to live there, if he would, with the honours and emoluments of a prince of the blood. The ill.u.s.trious Mansard had actually promised to come, had not his sudden death taken him away from earthly glory.

And at least, if one must forgo the masters, masterpieces might be had for their price. For ten thousand marks--day ever to be remembered!--a genuine work of "the Urbinate," from the cabinet of a certain commercially-minded Italian grand-duke, was on its way to Rosenmold, anxiously awaited as it came over rainy mountain-pa.s.ses, and along the rough German [127] roads, through doubtful weather. The tribune, the throne itself, were made ready in the presence-chamber, with hangings in the grand-ducal colours, laced with gold, together with a speech and an ode. Late at night, at last, the wagon was heard rumbling into the courtyard, with the guest arrived in safety, but, if one must confess one's self, perhaps forbidding at first sight. From a comfortless portico, with all the grotesqueness of the Middle Age, supported by brown, aged bishops, whose meditations no incident could distract, Our Lady looked out no better than an unpretending nun, with nothing to say the like of which one was used to hear. Certainly one was not stimulated by, enwrapped, absorbed in the great master's doings; only, with much private disappointment, put on one's mettle to defend him against critics notoriously wanting in sensibility, and against one's self. In truth, the painter wham Carl most unaffectedly enjoyed, the real vigour of his youthful and somewhat animal taste finding here its proper sustenance, was Rubens--Rubens reached, as he is reached at his best, in well-preserved family portraits, fresh, gay, ingenious, as of privileged young people who could never grow old. Had not he, too, brought something of the splendour of a "better land" into those northern regions; if not the glowing gold of t.i.tian's Italian sun, yet the carnation and yellow of roses or tulips, such as [128] might really grow there with cultivation, even under rainy skies? And then, about this time something was heard at the grand-ducal court of certain mysterious experiments in the making of porcelain; veritable alchemy, for the turning of clay into gold. The reign of Dresden china was at hand, with one's own world of little men and women more delightfully diminutive still, amid imitations of artificial flowers. The young Duke braced himself for a plot to steal the gifted Herr Bottcher from his enforced residence, as if in prison, at the fortress of Meissen. Why not bring pots and wheels to Rosenmold, and prosecute his discoveries there? The Grand-duke, indeed, preferred his old service of gold plate, and would have had the lad a virtuoso in nothing less costly than gold--gold snuff-boxes.

For, in truth, regarding what belongs to art or culture, as elsewhere, we may have a large appet.i.te and little to feed on. Only, in the things of the mind, the appet.i.te itself counts for so much, at least in hopeful, un.o.bstructed youth, with the world before it. "You are the Apollo you tell us of, the northern Apollo," people were beginning to say to him, surprised from time to time by a mental purpose beyond their guesses--expressions, liftings, softly gleaming or vehement lights, in the handsome countenance of the youth, and his effective speech, as he roamed, inviting all about him to share the [129] honey, from music to painting, from painting to the drama, all alike florid in style, yes! and perhaps third-rate. And so far consistently throughout he had held that the centre of one's intellectual system must be understood to be in France. He had thoughts of proceeding to that country, secretly, in person, there to attain the very impress of its genius.

Meantime, its more portable flowers came to order in abundance. That the roses, so to put it, were but excellent artificial flowers, redolent only of musk, neither disproved for Carl the validity of his ideal nor for our minds the vocation of Carl himself in these matters.

In art, as in all other things of the mind, again, much depends on the receiver; and the higher informing capacity, if it exist within, will mould an unpromising matter to itself, will realise itself by selection, and the preference of the better in what is bad or indifferent, a.s.serting its prerogative under the most unlikely conditions. People had in Carl, could they have understood it, the spectacle, under those superficial braveries, of a really heroic effort of mind at a disadvantage. That rococo seventeenth-century French imitation of the true Renaissance, called out in Carl a boundless enthusiasm, as the Italian original had done two centuries before. He put into his reception of the aesthetic achievements of Lewis the Fourteenth what young France had felt when Francis the First brought home the great [130] Da Vinci and his works. It was but himself truly, after all, that he had found, so fresh and real, among those artificial roses.

He was thrown the more upon such outward and sensuous products of mind--architecture, pottery, presently on music--because for him, with so large intellectual capacity, there was, to speak properly, no literature in his mother-tongue. Books there were, German books, but of a dulness, a distance from the actual interests of the warm, various, coloured life around and within him, to us hardly conceivable.

There was more entertainment in the natural train of his own solitary thoughts, humoured and rightly attuned by pleasant visible objects, than in all the books he had hunted through so carefully for that all-searching intellectual light, of which a pa.s.sing gleam of interest gave fallacious promise here or there. And still, generously, he held to the belief, urging him to fresh endeavour, that the literature which might set heart and mind free must exist somewhere, though court librarians could not say where. In search for it he spent many days in those old book-closets where he had lighted on the Latin ode of Conrad Celtes. Was German literature always to remain no more than a kind of penal apparatus for the teasing of the brain? Oh! for a literature set free, conterminous with the interests of life itself.

In music, it might be thought, Germany had [131] already vindicated its spiritual liberty. One and another of those North-german towns were already aware of the youthful Sebastian Bach. The first notes had been heard of a music not borrowed from France, but flowing, as naturally as springs from their sources, out of the ever musical soul of Germany itself. And the Duke Carl was a sincere lover of music, himself playing melodiously on the violin to a delighted court. That new Germany of the spirit would be builded, perhaps, to the sound of music.

In those other artistic enthusiasms, as the prophet of the French drama or the architectural taste of Lewis the Fourteenth, he had contributed himself generously, helping out with his own good-faith the inadequacy of their appeal. Music alone hitherto had really helped him, and taken him out of himself. To music, instinctively, more and more he was dedicate; and in his desire to refine and organise the court music, from which, by leave of absence to official performers enjoying their salaries at a distance, many parts had literally fallen away, like the favourite notes of a worn-out spinet, he was ably seconded by a devoted youth, the deputy organist of the grand-ducal chapel. A member of the Roman Church amid a people chiefly of the Reformed religion, Duke Carl would creep sometimes into the curtained court pew of the Lutheran Church, to which he had presented its ma.s.sive golden crucifix, to listen to the chorales, the execution of which he [132] had managed to time to his liking, relishing, he could hardly explain why, those pa.s.sages of a pleasantly monotonous and, as it might seem, unending melody--which certainly never came to what could rightly be called an ending here on earth; and having also a sympathy with the cheerful genius of Dr. Martin Luther, with his good tunes, and that ringing laughter which sent dull goblins flitting.

At this time, then, his mind ran eagerly for awhile on the project of some musical and dramatic development of a fancy suggested by that old Latin poem of Conrad Celtes--the hyperborean Apollo, sojourning, in the revolutions of time, in the sluggish north for a season, yet Apollo still, prompting art, music, poetry, and the philosophy which interprets man's life, making a sort of intercalary day amid the natural darkness; not meridian day, of course, but a soft derivative daylight, good enough for us. It would be necessarily a mystic piece, abounding in fine touches, suggestions, innuendoes. His vague proposal was met half-way by the very practical executant power of his friend or servant, the deputy organist, already pondering, with just a satiric flavour (suppressible in actual performance, if the time for that should ever come) a musical work on Duke Carl himself; Balder, an Interlude. He was contented to re-cast and enlarge the part of the northern G.o.d of light, with a now wholly serious intention. But still, [133] the near, the real and familiar, gave precision to, or actually superseded, the distant and the ideal. The soul of the music was but a transfusion from the fantastic but so interesting creature close at hand. And Carl was certainly true to his proposed part in that he gladdened others by an intellectual radiance which had ceased to mean warmth or animation for himself. For him the light was still to seek in France, in Italy, above all in old Greece, amid the precious things which might yet be lurking there unknown, in art, in poetry, perhaps in very life, till Prince Fortunate should come.

Yes! it was thither, to Greece, that his thoughts were turned during those romantic cla.s.sical musings while the opera was made ready. That, in due time, was presented, with sufficient success. Meantime, his purpose was grown definite to visit that original country of the Muses, from which the pleasant things of Italy had been but derivative; to brave the difficulties in the way of leaving home at all, the difficulties also of access to Greece, in the present condition of the country.

At times the fancy came that he must really belong by descent to a southern race, that a physical cause might lie beneath this strange restlessness, like the imperfect reminiscence of something that had pa.s.sed in earlier life. The aged ministers of heraldry were set to work (actually prolonging their days by an unexpected [134] revival of interest in their too well-worn function) at the search for some obscure rivulet of Greek descent--later Byzantine Greek, perhaps,--in the Rosenmold genealogy. No! with a hundred quarterings, they were as indigenous, incorruptible heraldry rea.s.serted, as the old yew-trees asquat on the heath.

And meantime those dreams of remote and probably adventurous travel lent the youth, still so healthy of body, a wing for more distant expeditions than he had ever yet inclined to, among his own wholesome German woodlands. In long rambles, afoot or on horseback, by day and night, he flung himself, for the resettling of his sanity, on the cheerful influences of their simple imagery; the hawks, as if asleep on the air below him; the bleached crags, evoked by late sunset among the dark oaks; the water-wheels, with their pleasant murmur, in the foldings of the hillside.

Clouds came across his heaven, little sudden clouds, like those which in this northern lat.i.tude, where summer is at best but a flighty visitor, chill out the heart, though but for a few minutes at a time, of the warmest afternoon. He had fits of the gloom of other people--their dull pa.s.sage through and exit from the world, the threadbare incidents of their lives, their dismal funerals--which, unless he drove them away immediately by strenuous exercise, settled into a gloom more properly his own. Yet at such times [135] outward things also would seem to concur unkindly in deepening the mental shadow about him, almost as if there were indeed animation in the natural world, elfin spirits in those inaccessible hillsides and dark ravines, as old German poetry pretended, cheerfully a.s.sistant sometimes, but for the most part troublesome, to their human kindred.

Of late these fits had come somewhat more frequently, and had continued. Often it was a weary, deflowered face that his favourite mirrors reflected. Yes! people were prosaic, and their lives threadbare:--all but himself and organist Max, perhaps, and Fritz the treble-singer. In return, the people in actual contact with him thought him a little mad, though still ready to flatter his madness, as he could detect. Alone with the doating old grandfather in their stiff, distant, alien world of etiquette, he felt surrounded by flatterers, and would fain have tested the sincerity even of Max, and Fritz who said, echoing the words of the other, "Yourself, Sire, are the Apollo of Germany!"

It was his desire to test the sincerity of the people about him, and unveil flatterers, which in the first instance suggested a trick he played upon the court, upon all Europe. In that complex but wholly Teutonic genealogy lately under research, lay a much-prized thread of descent from the fifth Emperor Charles, and Carl, under direction, read with much readiness to be impressed [136] all that was attainable concerning the great ancestor, finding there in truth little enough to reward his pains. One hint he took, however. He determined to a.s.sist at his own obsequies.

That he might in this way facilitate that much-desired journey occurred to him almost at once as an accessory motive, and in a little while definite motives were engrossed in the dramatic interest, the pleasing gloom, the curiosity, of the thing itself. Certainly, amid the living world in Germany, especially in old, sleepy Rosenmold, death made great parade of itself. Youth even, in its sentimental mood, was ready to indulge in the luxury of decay, and amuse itself with fancies of the tomb; as in periods of decadence or suspended progress, when the world seems to nap for a time, artifices for the arrest or disguise of old age are adopted as a fashion, and become the fopperies of the young.

The whole body of Carl's relations, saving the drowsy old grandfather, already lay buried beneath their expansive heraldries: at times the whole world almost seemed buried thus--made and re-made of the dead--its entire fabric of politics, of art, of custom, being essentially heraldic "achievements," dead men's mementoes such as those. You see he was a sceptical young man, and his kinsmen dead and gone had pa.s.sed certainly, in his imaginations of them, into no other world, save, perhaps, into some stiffer, slower, sleepier, [137] and more pompous phase of ceremony--the last degree of court etiquette--as they lay there in the great, low-pitched, grand-ducal vault, in their coffins, dusted once a year for All Souls' Day, when the court officials descended thither, and Ma.s.s for the dead was sung, amid an array of dropping c.r.a.pe and cobwebs. The lad, with his full red lips and open blue eyes, coming as with a great cup in his hands to life's feast, revolted from the like of that, as from suffocation. And still the suggestion of it was everywhere. In the garish afternoon, up to the wholesome heights of the Heiligenberg suddenly from one of the villages of the plain came the grinding death-knell. It seemed to come out of the ugly grave itself, and enjoyment was dead. On his way homeward sadly, an hour later, he enters by chance the open door of a village church, half buried in the tangle of its churchyard. The rude coffin is lying there of a labourer who had but a hovel to live in.

The enemy dogged one's footsteps! The young Carl seemed to be flying, not from death simply, but from a.s.sa.s.sination.

And as these thoughts sent him back in the rebounding power of youth, with renewed appet.i.te, to life and sense, so, grown at last familiar, they gave additional purpose to his fantastic experiment. Had it not been said by a wise man that after all the offence of death was in its trappings? Well! he would, as far as might be, try the thing, while, presumably, a [138] large reversionary interest in life was still his.

He would purchase his freedom, at least of those gloomy "trappings,"

and listen while he was spoken of as dead. The mere preparations gave pleasant proof of the devotion to him of a certain number, who entered without question into his plans. It is not difficult to mislead the world concerning what happens to these who live at the artificial distance from it of a court, with its high wall of etiquette. However the matter was managed, no one doubted, when, with a blazon of ceremonious words, the court news went forth that, after a brief illness, according to the way of his race, the hereditary Grand-duke was deceased. In momentary regret, bethinking them of the lad's taste for splendour, those to whom the arrangement of such matters belonged (the grandfather now sinking deeper into bare quiescence) backed by the popular wish, determined to give him a funeral with even more than grand-ducal measure of lugubrious magnificence. The place of his repose was marked out for him as officiously as if it had been the delimitation of a kingdom, in the ducal burial vault, through the cobwebbed windows of which, from the garden where he played as a child, the young Duke had often peered at the faded glories of the immense coroneted coffins, the oldest shedding their velvet tatters around them. Surrounded by the whole official world of Rosenmold, arrayed for the occasion in almost [139] forgotten dresses of ceremony as if for a masquerade, the new coffin glided from the fragrant chapel where the Requiem was sung, down the broad staircase lined with peach-colour and yellow marble, into the shadows below. Carl himself, disguised as a strolling musician, had followed it across the square through a drenching rain, on which circ.u.mstance he overheard the old people congratulate the "blessed" dead within, had listened to a dirge of his own composing brought out on the great organ with much bravura by his friend, the new court organist, who was in the secret, and that night turned the key of the garden entrance to the vault, and peeped in upon the sleepy, painted, and bewigged young pages whose duty it would be for a certain number of days to come to watch beside their late master's couch.

And a certain number of weeks afterwards it was known that "the mad Duke" had reappeared, to the dismay of court marshals. Things might have gone hard with the youth had the strange news, at first as fantastic rumour, then as matter of solemn enquiry, lastly as ascertained fact, pleasing or otherwise, been less welcome than it was to the grandfather, too old, indeed, to sorrow deeply, but grown so decrepit as to propose that ministers should possess themselves of the person of the young Duke, proclaim him of age and regent. From those dim travels, presenting themselves to the old man, who had never been [140] fifty miles away from home, as almost lunar in their audacity, he would come back--come back "in time," he murmured faintly, eager to feel that youthful, animating life on the stir about him once more.

Carl himself, now the thing was over, greatly relishing its satiric elements, must be forgiven the trick of the burial and his still greater enormity in coming to life again. And then, duke or no duke, it was understood that he willed that things should in no case be precisely as they had been. He would never again be quite so near people's lives as in the past--a fitful, intermittent visitor--almost as if he had been properly dead; the empty coffin remaining as a kind of symbolical "coronation incident," setting forth his future relations to his subjects. Of all those who believed him dead one human creature only, save the grandfather, had sincerely sorrowed for him; a woman, in tears as the funeral train pa.s.sed by, with whom he had sympathetically discussed his own merits. Till then he had forgotten the incident which had exhibited him to her as the very genius of goodness and strength; how, one day, driving with her country produce into the market, and, embarra.s.sed by the crowd, she had broken one of a hundred little police rules, whereupon the officers were about to carry her away to be fined, or worse, amid the jeers of the bystanders, always ready to deal hardly with "the gipsy," at which precise [141] moment the tall Duke Carl, like the flash of a trusty sword, had leapt from the palace stair and caused her to pa.s.s on in peace. She had half detected him through his disguise; in due time news of his reappearance had been ceremoniously carried to her in her little cottage, and the remembrance of her hung about him not ungratefully, as he went with delight upon his way.

The first long stage of his journey over, in headlong flight night and day, he found himself one summer morning under the heat of what seemed a southern sun, at last really at large on the Bergstra.s.se, with the rich plain of the Palatinate on his left hand; on the right hand vineyards, seen now for the first time, sloping up into the crisp beeches of the Odenwald. By Weinheim only an empty tower remained of the Castle of Windeck. He lay for the night in the great whitewashed guest-chamber of the Capuchin convent.

The national rivers, like the national woods, have a family likeness: the Main, the Lahn, the Moselle, the Neckar, the Rhine. By help of such accommodation as chance afforded, partly on the stream itself, partly along the banks, he pursued the leisurely winding course of one of the prettiest of these, tarrying for awhile in the towns, grey, white, or red, which came in his way, tasting their delightful native "little" wines, peeping into their old overloaded churches, inspecting the church furniture, or trying the [142] organs. For three nights he slept, warm and dry, on the hay stored in a deserted cloister, and, attracted into the neighbouring minster for a s.n.a.t.c.h of church music, narrowly escaped detection. By miraculous chance the grimmest lord of Rosenmold was there within, recognised the youth and his companions--visitors naturally conspicuous, amid the crowd of peasants around them--and for some hours was upon their traces. After unclean town streets the country air was a perfume by contrast, or actually scented with pinewoods. One seemed to breathe with it fancies of the woods, the hills, and water--of a sort of souls in the landscape, but cheerful and genial now, happy souls! A distant group of pines on the verge of a great upland awoke a violent desire to be there--seemed to challenge one to proceed thither. Was their infinite view thence? It was like an outpost of some far-off fancy land, a pledge of the reality of such. Above Ca.s.sel, the airy hills curved in one black outline against a glowing sky, pregnant, one could fancy, with weird forms, which might be at their old diableries again on those remote places ere night was quite come there. At last in the streets, the hundred churches, of Cologne, he feels something of a "Gothic" enthusiasm, and all a German's enthusiasm for the Rhine.

Through the length and breadth of the Rhine country the vintage was begun. The red ruins on the heights, the white-walled villages, white [143] Saint Nepomuc upon the bridges, were but isolated high notes of contrast in a landscape, sleepy and indistinct under the flood of sunshine, with a headiness in it like that of must, of the new wine.

The noise of the vineyards came through the lovely haze, still, at times, with the sharp sound of a bell--death-bell, perhaps, or only a crazy summons to the vintagers. And amid those broad, willowy reaches of the Rhine at length, from Bingen to Mannheim, where the brown hills wander into airy, blue distance, like a little picture of paradise, he felt that France was at hand. Before him lay the road thither, easy and straight.--That well of light so close! But, unexpectedly, the capricious incidence of his own humour with the opportunity did not suggest, as he would have wagered it must, "Go, drink at once!" Was it that France had come to be of no account at all, in comparison of Italy, of Greece? or that, as he pa.s.sed over the German land, the conviction had come, "For you, France, Italy, h.e.l.las, is here!"--that some recognition of the untried spiritual possibilities of meek Germany had for Carl transferred the ideal land out of s.p.a.ce beyond the Alps or the Rhine, into future time, whither he must be the leader? A little chilly of humour, in spite of his manly strength, he was journeying partly in search of physical heat. To-day certainly, in this great vineyard, physical heat was about him in measure sufficient, at least for [144] a German const.i.tution. Might it be not otherwise with the imaginative, the intellectual, heat and light; the real need being that of an interpreter--Apollo, illuminant rather as the revealer than as the bringer of light? With large belief that the eclairciss.e.m.e.nt, the Aufklarung (he had already found the name for the thing) would indeed come, he had been in much bewilderment whence and how. Here, he began to see that it could be in no other way than by action of informing thought upon the vast acc.u.mulated material of which Germany was in possession: art, poetry, fiction, an entire imaginative world, following reasonably upon a deeper understanding of the past, of nature, of one's self--an understanding of all beside through the knowledge of one's self. To understand, would be the indispensable first step towards the enlargement of the great past, of one's little present, by criticism, by imagination. Then, the imprisoned souls of nature would speak as of old. The Middle Age, in Germany, where the past has had such generous reprisals, never far from us, would rea.s.sert its mystic spell, for the better understanding of our Raffaelle. The spirits of distant h.e.l.las would reawake in the men and women of little German towns. Distant times, the most alien thoughts, would come near together, as elements in a great historic symphony. A kind of ardent, new patriotism awoke in him, sensitive for the first time at the words national [145] poesy, national art and literature, German philosophy.

To the resources of the past, of himself, of what was possible for German mind, more and more his mind opens as he goes on his way. A free, open s.p.a.ce had been determined, which something now to be created, created by him, must occupy. "Only," he thought, "if I had coadjutors! If these thoughts would awake in but one other mind!"