Hyperion Part 4

"Indeed," interrupted Flemming, "in no sense is the complaint strictly true, though at times apparently so. Events enough there are, were they all set down. A life, that is worth writing at all, is worth writing minutely. Besides, all literary men have not lived in silence and solitude;--not all in stillness, not all in shadow.

For many have lived in troubled times, in the rude and adverse fortunes of the state and age, and could say with Wallenstein,

'Our life was but a battle and a march;

And, like the wind's blast, never-resting, homeless,

We stormed across the war convulsed earth.'

Of such examples history has recorded many; Dante, Cervantes, Byron, and others; men of iron; men who have dared to breast the strong breath of public opinion, and, like spectre-ships, come sailing right against the wind. Others have been puffed out by the first adverse wind that blew; disgraced and sorrowful, because they could not please others. Truly 'the tears live in an onion, that should water such a sorrow.' Had they been men, they would have made these disappointments their best friends, and learned from them the needful lesson of self-reliance."

"To confess the truth," added the Baron, "the lives of literary men, with their hopes and disappointments, and quarrels and calamities, present a melancholy picture of man's strength and weakness. On that very account the scholar can make them profitable for encouragement,--consolation,--warning."

"And after all," continued Flemming, "perhaps the greatest lesson, which the lives of literary men teach us, is told in a single word; Wait!--Every man must patiently bide his time. He must wait. More particularly in lands, like my native land, where the pulse of life beats with such feverish and impatient throbs, is the lesson needful. Our national character wants the dignity of repose.

We seem to live in the midst of a battle,--there is such a din,--such a hurrying to and fro. In the streets of a crowded city it is difficult to walk slowly. You feel the rushing of the crowd, and rush with it onward. In the press of our life it is difficult to be calm. In this stress of wind and tide, all professions seem to drag their anchors, and are swept out into the main. The voices of the Present say, Come! But the voices of the Past say, Wait! With calm and solemn footsteps the rising tide bears against the rushing torrent up stream, and pushes back the hurrying waters. With no less calm and solemn footsteps, nor less certainly, does a great mind bear up against public opinion, and push back its hurrying stream.

Therefore should every man wait;--should bide his time. Not in listless idleness,--not in uselesspastime,--not in querulous dejection; but in constant, steady, cheerful endeavours, always willing and fulfilling, and accomplishing his task, that, when the occasion comes, he may be equal to the occasion. And if it never comes, what matters it? What matters it to the world whether I, or you, or another man did such a deed, or wrote such a book, sobeit the deed and book were well done! It is the part of an indiscreet and troublesome ambition, to care too much about fame,--about what the world says of us. To be always looking into the faces of others for approval;--to be always anxious for the effect of what we do and say; to be always shouting to hear the echo of our own voices! If you look about you, you will see men, who are wearing life away in feverish anxiety of fame, and the last we shall ever hear of them will be the funeral bell, that tolls them to their early graves!

Unhappy men, and unsuccessful! because their purpose is, not to accomplish well their task, but to clutch the 'trick and fantasy of fame'; and they go to their graveswith purposes unaccomplished and wishes unfulfilled. Better for them, and for the world in their example, had they known how to wait! Believe me, the talent of success is nothing more than doing what you can do well; and doing well whatever you do,--without a thought of fame. If it come at all, it will come because it is deserved, not because it is sought after.

And, moreover, there will be no misgivings,--no disappointment,--no hasty, feverish, exhausting excitement."

Thus endeth the First Book of Hyperion. I make no record of the winter. Paul Flemming buried himself in books; in old, dusty books.

He studied diligently the ancient poetic lore of Germany, from Frankish Legends of Saint George, and Saxon Rhyme-Chronicles, down through Nibelungen Lieds, and Helden-Buchs, and Songs of the Minnesingers and Mastersingers, and Ships of Fools, and Reinecke Foxes, and Death-Dancesand Lamentations of d.a.m.ned Souls, into the bright, sunny land of harvests, where, amid the golden grain and the blue corn-flowers, walk the modern bards, and sing.

BOOK II.

Epigraph

"Something the heart must have to cherish,

Must love, and joy, and sorrow learn;

Something with pa.s.sion clasp, or perish,

And in itself to ashes burn."

CHAPTER I. SPRING.

It was a sweet carol, which the Rhodian children sang of old in Spring, bearing in their hands, from door to door, a swallow, as herald of the season;

"The Swallow is come!

The Swallow is come!

O fair are the seasons, and light

Are the days that she brings,

With her dusky wings,

And her bosom snowy white."

A pretty carol, too, is that, which the Hungarian boys, on the islands of the Danube, sing to the returning stork in Spring;

"Stork! Stork! poor Stork!

Why is thy foot so b.l.o.o.d.y?

A Turkish boy hath torn it;

Hungarian boy will heal it,

With fiddle, fife, and drum."

But what child has a heart to sing in this capricious clime of ours, where Spring comes sailing in from the sea, with wet and heavy cloud-sails, and the misty pennon of the East-wind nailed to the mast! Yet even here, and in the stormy month of March even, there are bright, warm mornings, when we open our windows to inhale the balmy air. The pigeons fly to and fro, and we hear the whirring sound of wings. Old flies crawl out of the cracks, to sun themselves; and think it is summer. They die in their conceit; and so do our hearts within us, when the cold sea-breath comes from the eastern sea; and again,

"The driving hail

Upon the window beats with icy flail."

The red-flowering maple is first in blossom, its beautiful purple flowers unfolding a fortnight before the leaves. The moose-wood follows, with rose-colored buds and leaves; and the dog-wood, robed in the white of its own pure blossoms. Thencomes the sudden rain-storm; and the birds fly to and fro, and shriek. Where do they hide themselves in such storms? at what firesides dry their feathery cloaks? At the fireside of the great, hospitable sun, to-morrow, not before;--they must sit in wet garments until then.

In all climates Spring is beautiful. In the South it is intoxicating, and sets a poet beside himself. The birds begin to sing;--they utter a few rapturous notes, and then wait for an answer in the silent woods. Those green-coated musicians, the frogs, make holiday in the neighbouring marshes. They, too, belong to the orchestra of Nature; whose vast theatre is again opened, though the doors have been so long bolted with icicles, and the scenery hung with snow and frost, like cobwebs. This is the prelude, which announces the rising of the broad green curtain. Already the gra.s.s shoots forth. The waters leap with thrilling pulse through the veins of the earth; the sap through the veins of the plants and trees; and the blood through the veins of man. What a thrill of delight in spring-time! What a joy in being and moving! Men are at work in gardens; and in the air there is an odor of the fresh earth. The leaf-buds begin to swell and blush. The white blossoms of the cherry hang upon the boughs like snow-flakes; and ere long our next-door neighbours will be completely hidden from us by the dense green foliage. The May-flowers open their soft blue eyes. Children are let loose in the fields and gardens. They hold b.u.t.ter-cups under each others' chins, to see if they love b.u.t.ter. And the little girls adorn themselves with chains and curls of dandelions; pull out the yellow leaves to see if the schoolboy loves them, and blow the down from the leafless stalk, to find out if their mothers want them at home.

And at night so cloudless and so still! Not a voice of living thing,--not a whisper of leaf or waving bough,--not a breath of wind,--not a sound upon the earth nor in the air! And overhead bends the blue sky, dewy and soft, and radiant with innumerable stars, like the inverted bellof some blue flower, sprinkled with golden dust, and breathing fragrance. Or if the heavens are overcast, it is no wild storm of wind and rain; but clouds that melt and fall in showers. One does not wish to sleep; but lies awake to hear the pleasant sound of the dropping rain.

It was thus the Spring began in Heidelberg.

CHAPTER II. A COLLOQUY.

"And what think you of Tiedge's Urania," said the Baron smiling, as Paul Flemming closed the book, and laid it upon the table.

"I think," said Flemming, "that it is very much like Jean Paul's grandfather,--in the highest degree poor and pious."