Hyperion Part 14

As the day was closing, they sat down on the terrace of Elisabeth's Garden. The sun had set beyond the blue Alsatian hills; and on the valley of the Rhine fell the purple mist, like the mantle of the departing prophet from his fiery chariot. Over the castle walls, and the trees of the garden, rose the large moon; and between the contending daylight and moonlight there were as yet no shadows.

But at length the shadows came; transparent and faint outlines, that deepened into form. In the valley below only the river gleamed, like steel; and here and there the lamps were lighted in the town.

Solemnly stood the leafy lindentrees in the garden near them, their trunks in darkness and their summits bronzed with moonlight; and in his niche in the great round tower, overhung with ivy, like a majestic phantom, stood the gray statue of Louis, with his venerable beard, and shirt of mail, and flowing mantle; and the mild, majestic countenance looked forth into the silent night, as the countenance of a seer, who reads the stars. At intervals the wind of the summer night pa.s.sed through the ruined castle and the trees, and they sent forth a sound as if nature were sighing in her dreams; and for a moment overhead the broad leaves gently clashed together, like brazen cymbals, with a tinkling sound; and then all was still, save the sweet, pa.s.sionate song of nightingales, that nowhere upon earth sing more sweetly than in the gardens of Heidelberg Castle.

The hour, the scene, and the near-approaching separation of the two young friends, had filled their hearts with a pleasant, though at the same time not painless excitement. They had been conversing about the magnificent old ruin, and the ages in which it had been built, and the vicissitudesof time and war, that had battered down its walls, and left it "tenantless, save to the crannying wind."

"How sorrowful and sublime is the face of that statue yonder,"

said Flemming. "It reminds me of the old Danish hero Beowulf; for careful, sorrowing, he seeth in his son's bower the wine-hall deserted, the resort of the wind, noiseless; the knight sleepeth; the warrior lieth in darkness; there is no noise of the harp, no joy in the dwellings, as there was before."

"Even as you say," replied the Baron; "but it often astonishes me, that, coming from that fresh green world of yours beyond the sea, you should feel so much interest in these old things; nay, at times, seem so to have drunk in their spirit, as really to live in the times of old. For my part, I do not see what charm there is in the pale and wrinkled countenance of the Past, so to entice the soul of a young man. It seems to me like falling in love with one's grandmother. Give me the Present;--warm, glowing, palpitating with life. She is my mistress; and the Future stands waiting like my wife that is to be, for whom, to tell the truth, I care very little just now. Indeed, my friend, I wish you would take more heed of this philosophy of mine; and not waste the golden hours of youth in vain regrets for the past, and indefinite, dim longings for the future.

Youth comes but once in a lifetime."

"Therefore," said Flemming; "let us so enjoy it as to be still young when we are old. For my part, I grow happier as I grow older.

When I compare my sensations and enjoyments now, with what they were ten years ago, the comparison is vastly in favor of the present.

Much of the fever and fretfulness of life is over. The world and I look each other more calmly in the face. My mind is more self-possessed. It has done me good to be somewhat parched by the heat and drenched by the rain of life."

"Now you speak like an old philosopher," answered the Baron, laughing. "But you deceive yourself. I never knew a more restless, feverishspirit than yours. Do not think you have gained the mastery yet. You are only riding at anchor here in an eddy of the stream; you will soon be swept away again in the mighty current and whirl of accident. Do not trust this momentary calm. I know you better than you know yourself. There is something Faust-like in you; you would fain grasp the highest and the deepest; and 'reel from desire to enjoyment, and in enjoyment languish for desire.' When a momentary change of feeling comes over you, you think the change permanent, and thus live in constant self-deception."

"I confess," said Flemming, "there may be some truth in what you say. There are times when my soul is restless; and a voice sounds within me, like the trump of the archangel, and thoughts that were buried, long ago, come out of their graves. At such times my favorite occupations and pursuits no longer charm me. The quiet face of Nature seems to mock me."

"There certainly are seasons," replied the Baron, "when Nature seems not to sympathizewith her beloved children. She sits there so eternally calm and self-possessed, so very motherly and serene, and cares so little whether the heart of her child breaks or not, that at times I almost lose my patience. About that, too, she cares so little, that, out of sheer obstinacy, I become good-humored again, and then she smiles."

"I think we must confess, however," continued Flemming, "that all this springs from our own imperfection, not from hers. How beautiful is this green world, which we inhabit! See yonder, how the moonlight mingles with the mist! What a glorious night is this! Truly every man has a Paradise around him until he sins, and the angel of an accusing conscience drives him from his Eden. And even then there are holy hours, when this angel sleeps, and man comes back, and, with the innocent eyes of a child, looks into his lost Paradise again,--into the broad gates and rural solitudes of Nature. I feel this often. We have much to enjoy in the quiet and retirement of ourown thoughts. Boisterous mirth and loud laughter are not my mood.

I love that tranquillity of soul, in which we feel the blessing of existence, and which in itself is a prayer and a thanksgiving. I find, however, that, as I grow older, I love the country less, and the city more."

"Yes," interrupted the Baron; "and presently you will love the city less and the country more. Say at once, that you have an undefined longing for both; and prefer town or country, according to the mood you are in. I think a man must be of a very quiet and happy nature, who can long endure the country; and, moreover, very well contented with his own insignificant person, very self-complacent, to be continually occupied with himself and his own thoughts. To say the least, a city life makes one more tolerant and liberal in his judgment of others. One is not eternally wrapped up in self-contemplation; which, after all, is only a more holy kind of vanity."

In conversation like this, the hours glided away; till at length, from the Giant's Tower, the Castleclock struck twelve, with a sound that seemed to come from the Middle Ages. Like watchmen from their belfries the city clocks answered it, one by one. Then distant and m.u.f.fled sounds were heard. Inarticulate words seemed to blot the foggy air, as if written on wet paper. These were the bells of Handschuhsheimer, and of other villages on the broad plain of the Rhine, and among the hills of the Odenwald; mysterious sounds, that seemed not of this world.

Beneath them, in the shadow of the hills, lay the valley, like a fathomless, black gulf; and above were the cloistered stars, that, nun-like, walk the holy aisles of heaven. The city was asleep in the valley below; all asleep and silent, save the clocks, that had just struck twelve, and the veering, golden weatherc.o.c.ks, that were swimming in the moonshine, like golden fishes, in a gla.s.s vase. And again the wind of the summer night pa.s.sed through the old Castle, and the trees, and the nightingales recorded under the dark, shadowy leaves, and the heart of Flemming was full.

When he had retired to his chamber, a feeling of utter loneliness came over him. The night before one begins a journey is always a dismal night; for, as Byron says,

"In leaving even the most unpleasant people

And places, one keeps looking at the steeple!"

And how much more so when the place and people are pleasant; as was the case with those, that Flemming was now leaving. No wonder he was sad and sleepless. Thoughts came and went, and bright and gloomy fancies, and dreams and visions, and sweet faces looked under his closed eyelids, and vanished away, and came again, and again departed. He heard the clock strike from hour to hour, and said, "Another hour is gone." At length the birds began to sing; and ever and anon the c.o.c.k crew. He arose, and looked forth into the gray dawn; and before him lay the city he was so soon to leave, all white and ghastly, like a city that had arisen from its grave.

"All things must change," said he to the Baron, as he embraced him, and held him by the hand. "Friends must be torn asunder, and swept along in the current of events, to see each other seldom, and perchance no more. For ever and ever in the eddies of time and accident we whirl away. Besides which, some of us have a perpetual motion in our wooden heads, as Wodenblock had in his wooden leg; and like him we travel on, without rest or sleep, and have hardly time to take a friend by the hand in pa.s.sing; and at length are seen hurrying through some distant land, worn to a skeleton, and all unknown."

BOOK III.

Epigraph

"Take away the lights, too;

The moon lends me too much to find my fears;

And those devotions I am now to pay,

Are written in my heart, not in thy book;

And I shall read them there without a taper."

CHAPTER I. SUMMER-TIME.

They were right,--those old German Minnesingers,--to sing the pleasant summer-time! What a time it is! How June stands illuminated in the Calendar! The windows are all wide open; only the Venetian blinds closed. Here and there a long streak of sunshine streams in through a crevice. We hear the low sound of the wind among the trees; and, as it swells and freshens, the distant doors clap to, with a sudden sound. The trees are heavy with leaves; and the gardens full of blossoms, red and white. The whole atmosphere is laden with perfume and sunshine. The birds sing. The c.o.c.k struts about, and crows loftily. Insects chirp in the gra.s.s. Yellow b.u.t.ter-cups stud the green carpet like golden b.u.t.tons, and the red blossoms of the clover like rubies. The elm-trees reach their long, pendulous branches almost to the ground. White clouds sail aloft; and vapors fret the blue sky with silver threads. The white village gleams afar against the dark hills. Through the meadow winds the river,--careless, indolent. It seems to love the country, and is in no haste to reach the sea. The bee only is at work,--the hot and angry bee. All things else are at play; he never plays, and is vexed that any one should.

People drive out from town to breathe, and to be happy. Most of them have flowers in their hands; bunches of apple-blossoms, and still oftener lilacs. Ye denizens of the crowded city, how pleasant to you is the change from the sultry streets to the open fields, fragrant with clover-blossoms! how pleasant the fresh, breezy country air, dashed with brine from the meadows! howpleasant, above all, the flowers, the manifold, beautiful flowers!

It is no longer day. Through the trees rises the red moon, and the stars are scarcely seen. In the vast shadow of night, the coolness and the dews descend. I sit at the open window to enjoy them; and hear only the voice of the summer wind. Like black hulks, the shadows of the great trees ride at anchor on the billowy sea of gra.s.s. I cannot see the red and blue flowers, but I know that they are there. Far away in the meadow gleams the silver Charles. The tramp of horses' hoofs sounds from the wooden bridge. Then all is still, save the continuous wind of the summer night. Sometimes I know not if it be the wind or the sound of the neighbouring sea. The village clock strikes; and I feel that I am not alone.

How different is it in the city! It is late, and the crowd is gone. You step out upon the balcony, and lie in the very bosom of the cool, dewy night, as if you folded her garments about you. The whole starry heaven is spread out overhead. Beneath lies the public walk with trees, like a fathomless, black gulf, into whose silent darkness the spirit plunges and floats away, with some beloved spirit clasped in its embrace. The lamps are still burning up and down the long street. People go by, with grotesque shadows, now foreshortened and now lengthening away into the darkness and vanishing, while a new one springs up behind the walker, and seems to pa.s.s him on the sidewalk. The iron gates of the park shut with a jangling clang. There are footsteps, and loud voices;--a tumult,--a drunken brawl,--an alarm of fire;--then silence again. And now at length the city is asleep, and we can see the night. The belated moon looks over the roofs, and finds no one to welcome her. The moonlight is broken. It lies here and there in the squares, and the opening of streets,--angular, like blocks of white marble.

Under such a green, triumphal arch, O Reader! with the odor of flowers about thee, and the song of birds, shalt thou pa.s.s onward into the enchanted land, as through the Ivory Gate of dreams! And as a prelude and majestic march, one sweet human voice, I know not whose, but coming from the bosom of the Alps, sings this sublime ode, which the Alpine echoes repeat afar.

"Come, golden Evening! In the west

Enthrone the storm-dispelling sun,

And let the triple rainbow rest

O'er all the mountain tops;--'t is done;

The tempest ceases; bold and bright,

The rainbow shoots from hill to hill;

Down sinks the sun; on presses night;

Mont Blanc is lovely still!

"There take thy stand, my spirit;--spread

The world of shadows at thy feet;

And mark how calmly overhead,