Hugo Part 4

'Everyone's whispering,' said Albert Shawn, gazing carefully at his boots, 'that Mr. Hugo has taken a kind of a fancy to Miss Payne.'

Hugo restrained himself.

'Heavens!' he exclaimed, with a clever affectation of lightness, 'what next? I've only spoken to the chit once.'

'Don't I know it, sir!'

'Enough of that! What have you to report?'

'Miss Payne left at 2.15, whipped round to the flats entrance, took the lift to the top-floor, went into Mr. Francis Tudor's flat.'

'What's that you say? Whose flat?' cried Hugo.

'Mr. Francis Tudor's, sir.'

Mr. Tudor was famous as the tenant of the suite rented at two thousand a year; he had a reputation for being artistic, sybaritic, and something in the inner ring of the City.

'Ah!' said Hugo. 'Perhaps she is a friend of one of Mr. Tudor's--'

'Servants,' he was about to say, but the idea of Miss Payne being on terms of equality with a menial was not pleasant to him, and he stopped.

'No, sir,' said Albert Shawn, unmoved. 'She is not, because Mr. Tudor shunted out all his servants soon afterwards. Miss Payne was shown into his study. She had her tea there, and her dinner. The Hugo half-guinea dinner was ordered late by telephone for two persons, and rushed up at eight o'clock.'

'I wonder Mr. Tudor didn't order an orchestra with the dinner,' said Hugo grimly. It was a sublime effort on his part to be his natural self.

'I waited for Miss Payne to leave,' continued Albert Shawn. 'That's why I'm so late.'

'And what time did she leave?'

'She hasn't left,' said Albert Shawn.

CHAPTER IV

CAMILLA

Hugo dismissed Albert, with orders to continue his vigil, and then he rang for Simon.

'Do you think I might have some tea?' he asked.

'I am disposed to think you might, sir,' said Simon the cellarer. 'It is eight days since you indulged after dinner.'

'Bring me one cup, then, poured out.'

He was profoundly disturbed by Albert's news. He was, in fact, miserable. He had a physical pain in the region of the heart. He wished he could step off Love as one steps off an omnibus, but he found that Love resembled an express train more than an omnibus.

'Can she be secretly married to him?' he demanded half aloud, sipping at the tea.

The idea soothed him exactly as much as it alarmed him.

'The question is,' he murmured angrily, 'am I or am I not an a.s.s?... At my age!'

He felt vaguely that he was not, that he was rather a splendid and Byronic figure in the grip of tremendous emotions.

Having regretfully finished the tea, he unlocked a bookcase, and picked out at random a volume of Boswell's 'Johnson.' It was the modern Oxford edition--the only edition worthy of a true amateur--bound by Riviere.

Like all wise and lettered men, Hugo consulted Boswell in the grave crises of life, and to-night he happened upon the venerable Johnson's remark: _'Sir, I would be content to spend the remainder of my existence driving about in a post-chaise with a pretty woman.'_

He leaned back in his chair and laughed. 'In the whole history of mankind,' he a.s.serted to the dome, 'there have only been two really sensible men. Solomon was one, and Johnson the other.'

He restored the book to its place, and sat down to the piano-player, and in a moment the overture to 'Tannhauser,' that sublime failure to prove that pa.s.sion is folly, filled the vast apartment. The rushing violin pa.s.sages, and every call of Aphrodite, intoxicated his soul and raised his spirits till he knew with the certainty of a fully-aroused instinct that Camilla Payne must be his. He became optimistic on all points.

'A lady insists on seeing you, sir,' said Simon Shawn, intruding upon the Pilgrims' Chant.

'She may insist,' Hugo answered lightly. 'But it all depends who she is.

I'm--'

He stopped, for the insisting lady had entered.

It was Camilla.

He jumped up. Never before in his career had he been so astounded, staggered, charmed, enchanted, dazzled, and completely silenced.

'Miss Payne?' he gasped after a prolonged pause.

Simon Shawn effaced himself.

'Yes, Mr. Hugo.'

'Won't you sit down?'

The singular prevalence of beautiful women in England is only appreciated properly by Englishmen who have lived abroad, and these alone know also that in no other country is beauty wasted by women as it is wasted in England. Camilla was beautiful, and supremely beautiful; she was tall, well and generously formed, graceful, fair, with fine eyes and fine dark chestnut hair; her absolutely regular features had the proud Tennysonian cast. But the coldness of Tennysonian damsels was not hers. Whether she had Latin blood in her veins, or whether Nature had peculiarly gifted her out of sheer caprice, she possessed in a high degree that indescribable demeanour, at once a defiance and a surrender, a question and an answer, a confession and a denial, which is the universal weapon of women of Latin race in the battle of the s.e.xes, but of which Englishwomen seem to be almost deprived. 'I am Eve!' say the mocking, melting eyes of the Southern woman, and so said Camilla's eyes.

No man could rest calm under that glance; no man could forbear the attempt to decipher the hidden secrecies of its message, and no man could succeed in the task.

Hugo felt that he had never seen this woman before.

And he might have been excused for feeling so; for instead of the black alpaca, Camilla now wore a simple but effectively charming toilette such as 'Hugo's' created and sold to women for the rapture of men in summer twilights, and over the white dress was thrown a very rich pearl-tinted opera-cloak, which only partly concealed the curves of the shoulders, and poised aslant on the glistening coiffure was the identical blue hat with its wide brims that had visited the dome seventeen hours before.

The total effect was calculated, perfect, overwhelming.

'I'm sorry to disturb you, Mr. Hugo,' said Camilla, throwing back her cloak on the left side with a fine gesture, 'but I am in need of your a.s.sistance.'

'Yes?' Hugo whispered, seating himself.

She had a low voice, rare in a blonde, and it thrilled him. And she was so near him in the great chamber!

'I want you to tell me what plot I am in the midst of. What is the web that has begun to surround me?'