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How To Make Friends With Demons Part 5

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Chapter 8.

I saw Charlie Fraser collecting his mail from the pigeon holes near the Students' Union. No one was around so I darted up behind him and whispered, "Watch out, he's on to you," and then kept on moving.

I found something in my own pigeon hole a few yards along the rack, and pretended to be absorbed in the minutes of the staff-student English Programme Committee. Even without looking up I could feel his brown, spaniel eyes boring into me.

"What are you talking about?"

I still didn't look up from my essential reading. "I'm just tipping you off, that's all."



"Who is on to me?"

I turned and smiled at him. "Okay. Please yourself." I walked away.

Sweat, you f.u.c.ker, I thought.

I thought it might be a day or two before he felt compelled to speak to me. In fact he broke cover sooner than that. Early that evening there was a short rap on my door.

He stood with his hands in the pockets of his black jeans. His capped black t-shirt revealed one of the Chinese ideograms sported on the bicep by just about every middle-cla.s.s student at that time, and if he wore underarm deodorant it had let him down. I couldn't stop myself from wrinkling my nose.

"Yeh?" I asked, like he might have been selling insurance.

He didn't answer. I saw the toe of his boot tap once, but other than that he just stared at me.

"You want to tell me what it's all about?" I stared back at him for a while. Then I stepped back and let him come in. "Sit down," I said.

"No. I'd rather stand."

"Okay, don't f.u.c.king sit down. What's cracking off?"

He sniffed. "I've no idea what you're talking about."

"Really? Well, f.u.c.k off out of my room then, because you stink. And what about those f.u.c.king photos?"

He blinked. That was all I needed. He blinked. I'd been right all along and it was him. And I hadn't been able to stop thinking about the photographs since I'd discovered them pinned around the goat's head in the attic.

I'd needed somewhere to stow my antiquarian books for a while. I'd entered into a house-clearing partnership with a bad lot called Johnno, a guy who'd found his way onto List 99-the teacher-exclusion register-and been expelled from the college for supplying cannabis, more or less by the bale. Johnno had a house-clearance operation. Well, a van.

Johnno's technique was to go in to bereaved families or incompetent pensioners and offer them good money for some piece of tat. Having won their confidence, he'd then pick up anything valuable they had for a song. I got all and any books in return for furniture humping. It was unsavoury and I was already thinking of packing it in before somebody's aggrieved and psychotic son came after Johnno with a crow-bar. I became convinced that he would be after me, too, and I wanted to hide some books I'd collected.

The attic seemed the obvious place. I didn't want the college porter to know I was stashing stuff away in there so I went up to see if there was some way I could force the lock, or maybe take off the hinges of the door, I don't know. But when I got up there I saw a bit of debris on the floor and noticed that the wall enclosing one side of the landing by the door was no more than a flimsy plyboard panel painted over. What's more, the panel was floating loose at the skirting board. When I pressed my hand flat to the plyboard, all the panel pins popped out on one side. It wasn't difficult to squeeze through the flapping panel and into the attic.

That's how I discovered it all. The pentagram-pentacle-chalked on the floor; the curious symbols; the Latin and Hebrew slogans; the candles. And the goat's head impaled on the wall.

And the thing that made my stomach lurch.

Pinned on the wall around the head of the goat, and arranged strategically as if to mimic the shape of the star in the pentacle, were photographs of five girls. All the girls were students at the college, and all five were personally known to me. Their faces had been cut around and very crudely superimposed over the faces of nude models from glossy t.i.tty magazines.

They were all girls that I had been out with at one time or another during my college years, and one of them, Mandy Rogers, was my current girlfriend.

I felt suffocated. I wanted to get out of the room. The goat seemed to look at me, its beady eyes swimming, as if it were still alive. But my intimate connection with all five of those girls made it impossible for me to leave. I was panicking, wondering if and what it all had to do with me. I remember my skin flushing unpleasantly; it was as if something else had stepped into the room with me and brought with it a freezing breath on my neck.

I wanted to take down the photographs, but I was terrified of the goat. I stepped from one side of the pentacle to the other, and its eyes followed me. I was almost certain that if I reached out my fingers it would bite. Overwhelmed with repulsion and nausea I decided to get out. I opened the Yale lock on the door but before leaving I had a sudden, defensive thought: I popped the flapping panel back into place from the inside.

I let the Yale lock spring back into place behind me and hurried down to my room before anyone saw me. My first thought was to find Mandy and tell her that her picture had found its way onto the wall. But it seemed such a distasteful thing to show her. And secondly, I would have to explain my connection with one of the other girls, whom Mandy hated. I sat in my room gnawing my knuckles and wondering what kind of a freak would do all this, and what I should do about it.

At six o'clock all the inmates regularly abandoned the Lodge for dinner at the student refectory. Genuinely having no appet.i.te, I made my excuses and waited for the last student to leave. When the place was empty, I retraced my steps back up to the attic and scrambled in, once again via the loose panel. This time I pressed the panel pins back into place immediately, hurriedly ripped down the photos of the girls and let myself out a second time.

Outside in the car park to the Lodge I burned the photos in a sand bucket. Then I washed my hands.

I barely slept that night. My thoughts twisted and turned, and my bedsheets with them. At first I managed to convince myself that I wasn't a target after all, and that the fact that I'd dated all five girls was pure coincidence. After all, I a.s.sured myself, it was a rampant egocentricity to a.s.sume that everything was connected to oneself. But then I tried to think of any other student in the college who had dated the same five girls, and of course I couldn't. At best I could think of only one guy who had been out with two of the set. I couldn't know for certain, since there are many kinds of liaisons, some as brief as a match-flare, but at college you get a pretty shrewd idea of who hooks up with whom.

Neither did the set of photographs represent a complete set of my "significant" playmates.

Ruling out the one-night stands and the egregious follies, there were two more girls whom I would have described as major figures: young women who were important to me. So if someone was tracking my s.e.xual and emotional history they hadn't made a comprehensive job of it.

All this ran through my fevered brain as I lay in bed. About two o'clock in the morning, I got up and made sure my door was locked. I checked the windows were securely bolted, too.

I tried to think what the five girls might have in common quite apart from me. It was hopeless: they were from different regions of the country and they studied a range of subjects.

This one's father was a Harley Street doctor while this one's was a coal miner. This one didn't like s.e.x much at all while another one had an alarming enthusiasm for being tied to the bed and vigorously spanked. I couldn't see any shared ground at all.

That's how the night was spent: It was a coincidence. It wasn't a coincidence. It was a coincidence. It wasn't.

I was fairly certain one of my fellow students in the Lodge was behind it all, though I didn't immediately suspect Fraser. Door security was pretty tight after one or two thefts, so whoever was using the attic had to have access to the Lodge, and would also have to have spent some considerable time there to discover the panel by the attic door.

There were twenty-two students in residence.

It was easy to eliminate a few cheerful friendly guys who didn't seem to want much from life besides beer, burgers and Sat.u.r.day mornings spent swinging a leg at a leather football. Then there were the hard-line politicos on the ground floor, a little group of nervy Marxists who cloned themselves in dungarees and soup-kitchen haircuts: their only menu was dialectical materialism and a proposed ban on all forms of humour. It just wasn't their style to b.u.g.g.e.r about with a goat.

There was a deeply Christian cohort of four well-scrubbed lads; though I didn't discount them entirely because Christians are weird and so easily slip to their opposite master. I looked at them all closely but I couldn't see it. A few others in the Lodge were just too plain thick and unscholarly to immerse themselves in Hebrew sigils, so I ruled them out, too.

All this left me with three possibles-and out of these, one probable-but from there I couldn't make progress short of confronting each of the three directly. So in order to help me flush out the would-be diabolic magician I sought the help of the poison dwarf in his cave of gloom.

"Hi," I said genially. "I have to store some equipment in the attic at Friarsfield. Could I get it open?"

The porter's polluted cubbyhole was located under the stairs leading down from the college administrative corridors. I stood at the open door. The Alsatian lying under the porter's desk had his head between his paws, but its ears were p.r.i.c.ked up and it looked at me nastily with its one good eye.

The porter didn't even look up at me from his red-top newspaper. Sucking pa.s.sionately on his billowing pipe he said, "Can't you leave it in the drying room?"

"Not really. One or two things have gone missing lately."

"What is it?"

"Just a box of stuff."

"I'll come tomorrow afternoon. Leave it outside the attic door for me."

"I won't be around tomorrow afternoon."

"Thursday then."

"Won't be around Thursday either, I'm afraid. And I don't want to leave it in the corridor.

Sorry."

His yellow teeth clacked in irritation on his pipe stem. He put down his paper and surveyed me for the first time, blinking at me, but without offering a solution.

"Tell you what," I said. "I don't want to disturb you. Give me the key and I'll bring it right back to you."

"Ha!" he said, rising to his feet. The dog raised its head, hopeful, looking at its master. "Not on your nelly, son! Come on, dog could do with a walk."

I shrugged. The excitable dog was up and ready, its leather leash already in its drooling mouth like a postman's finger.

The tiny porter took an age to slip on his coat. He munched on his briar stem again, whipped the pipe out of his mouth and said to me once more, rather unnecessarily, "Not on your very very nelly."

I'm still not sure what a nelly is, but having accomplished my purpose I didn't say anything. Together we marched along to the Lodge. I felt slightly ridiculous, striding ahead of a porter roughly half my size and a one-eyed dog. The porter, trailing blue pipe smoke, held the dog's leash in one hand and his horde of a hundred keys in the other. When we reached the Lodge, rather than tether the Alsatian outside, he dragged the animal in with us.

I had a box of junk at the ready in my room-I no longer wanted to stow my antiquarian books in the attic-and quickly caught up with the porter as he swept upstairs. I balanced the box on my knee as he performed the time-consuming ritual of identifying the key. When he got the attic door open, he let the dog go ahead of him and then stepped inside.

"Stone the crows!" he said.

"G.o.d," I said, coming up behind him. "I don't like that."

The porter's jaw dropped and he s.n.a.t.c.hed the pipe from his mouth. I could see a row of metal fillings in his nicotine-stained teeth. He was looking at the goat's head.

"That's not nice."

"No," I agreed. "Not nice at all." I was waiting for him to declare that he would have to report this to the college authorities, but something happened.

The dog, which had stopped in its tracks in the middle of the room just like its master, c.o.c.ked its head as if listening intently. Then it c.o.c.ked its head to the other side. Suddenly it snapped its jaws at the thin air.

Next the dog gave a yelp, rolled violently on its side, scrambled up again and without warning ran full pelt at the small porthole window at the far end of the attic. The dog's nose hit the gla.s.s with full force, like a punch. The gla.s.s cracked but held as the dog rocked back, dizzy from the impact. Then it leapt at the gla.s.s a second time, whimpered, turned and ran out of the room trailing p.i.s.s.

"Luther! Come 'ere!" The porter tried to call back his dog, way too late. The creature had bolted.

In another context I might have found it funny. But I didn't like what I'd just witnessed one little bit.

"This is bad." The porter looked at me. All his slothful confidence had vanished. "Bad."

"I want to go," I said.

I left first. The porter had a last look round the attic room and slammed the door behind him, as if to lock something inside.

Nothing else happened that evening. By mid-morning of the next day a letter appeared, pinned up on the notice board by the stairs, informing us that "a serious occurrence" had taken place and that we were all to be interviewed in turn and in our rooms by the college chaplain, d.i.c.k Fellowes.

My simple plan had been to toss my "

he's on to you" squib at each of my prime suspects in descending order. But I'd rung the bell at my first attempt. And here he was, Charlie Fraser, in my room, armpits reeking, as good as declaring his culpability.

He hadn't admitted it yet, but turning up at my door was as good as a confession. I was angry enough to want to have a pop at him, but I also wanted to find out what in h.e.l.l he was up to. I made a feeble effort at being indirect. "I don't know what it is you've done up there, but you should have seen the porter's dog."

He nodded. "No, that figures."

"Why does it figure."

"He's not too keen on dogs. In fact he hates dogs."

"Who does?

He shook his head. He obviously wasn't going to tell me.

"Who doesn't like dogs?"

Charlie Fraser looked down at the floor, then lifted up his head and stuck his chin out at me.

He had this infuriating smirk on his face. It was superiority, confidence in some knowledge that I didn't have. Then he shook his head again, as if to say, no, there are some things you're not smart enough to grasp.

I'm not a violent person. I'd had one big fight in my life and that was when I was six years old. But that provocative smirk released in my brain a photo-flash of white heat and I stepped forward and hit him twice, once on his nose and once on his chin. He fell back hard against the door, but didn't go down.

His hand went to his nose, which was already streaming with blood. Nipping it between finger and thumb, he took a step forward. "You've broken my nose, you ape," he said. "Get me a tissue."

Chapter 9.

Frankly, I didn't want to take Otto's money. I would much rather have closed the sale with the loathsome poet, Ellis. I once attended one of his awful poetry readings, in a bookshop on Charring Cross Road, where Jaz introduced us. I hadn't gone there to hear Ellis's whining verse; I'd gone for his custom.

I'm obviously out of touch in so many ways. My idea of a poet is of some rough diamond in a threadbare flying jacket, slouching, in need of a shave, his breath stinking of garlic and black beer: the kind of charming brat who thinks his rancid breath alone is a challenge for any woman.

But my stereotypes were all unpicked with this glimpse of Ellis, who turned out to be one who appreciated the sharper weave and the finer thread.

I could tell you that his three-quarter-length coat fluttered with Armani's moniker, that the hidden lifts in the heels of his gleaming shoes obscured a Prada tag, or that the lovely Daniel Hanson scarf that he so carefully unwound from his soft white throat was handcrafted in China from the finest silk. I mean, what use to anyone is a well-dressed poet? I remember thinking it would be a pleasure to take his money for a forged book.

I also recall noticing something very odd about the poet's beak as he flicked off his scarf and eyed the thin a.s.sembly that had turned out for him on that damp night. It was as if the moment of wrinkling his nose one time too many at some nasty smell had been trapped on his face. Below the thatch of his scruffy hair it hung like an icicle from a barn roof; dripping, too, because he had a tic, a nervous habit of running his index finger under his snout as he glanced about him.

Oh h.e.l.l, I thought, have I really got to sit here and listen to this dog's spittle-flecked, yammering verse? Yes, was the answer. We needed the sale, needed the money.

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How To Make Friends With Demons Part 5 summary

You're reading How To Make Friends With Demons. This manga has been translated by Updating. Author(s): Graham Joyce. Already has 675 views.

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