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How I Filmed the War Part 19

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"How much more?" I yelled out.

"We are quite near now, sir; about twenty yards."

"Rush for it, then--rush."

I did, and my guide pulled up quickly at the entrance of what seemed like a mine.

"Incline in here, sir," he said, and disappeared. I followed. Never in all my experience had I welcomed cover as I did at that moment.

"Hold on a bit," I said, "for five minutes' breathing s.p.a.ce."

The tunnel was no more than two feet six inches wide and five feet high.

Men inside were pa.s.sing ammunition from one to the other in an endless chain and disappearing into the bowels of the earth.

The shaft took a downward trend. It was only by squeezing past the munition bearers that we were able to proceed at all, and in some places it was impossible for more than one to crush through at a time. By the light of an electric torch, stuck in the mud, I was able to see the men.

They were wet with perspiration, steaming, in fact; stripped to the waist; working like Trojans, each doing the work of six men.

The journey seemed endless. I could tell by the position that I was climbing. My guide was still in front, and letting me know of his whereabouts by shouting: "Straight ahead, sir! Mind this hole!"

The latter part of the shaft seemed practically upright. I dragged my camera along by the strap attached to the case. It was impossible to carry it.

We were nearing daylight. I could see a gleam only a few feet away. At last we came to the exit. My guide was there.

"Keep down low, sir. This sap is only four feet deep. It's been done during the night, about fifty yards of it. We are in 'No Man's Land'

now, and if the Germans had any idea we were here, the place would soon be an inferno."

"Go ahead," I said. It was difficult to imagine we were midway between the Hun lines and our own. It was practically inconceivable. The sh.e.l.l-fire seemed just as bad as ever behind in the trenches, but here it was simply heavenly. The only thing one had to do was to keep as low as possible and wriggle along. The ground sloped downwards. The end of the sap came in sight. My guide was crouching there, and in front of him, about thirty feet away, running at right angles on both sides, was a roadway, overgrown with gra.s.s and pitted with sh.e.l.l-holes. The bank immediately in front was lined with the stumps of trees and a rough hedge, and there lined up, crouching as close to the bank as possible, were some of our men. They were the Lancashire Fusiliers, with bayonets fixed, and ready to spring forward.

"Keep low as you run across the road, sir. The Bosche can see right along it; make straight for the other side." With that he ran across, and I followed. Then I set my camera up and filmed the scene. I had to take every precaution in getting my machine in position, keeping it close to the bank, as a false step would have exposed the position to the Bosche, who would have immediately turned on H.E. shrapnel, and might have enfiladed the whole road from either flank.

I filmed the waiting Fusiliers. Some of them looked happy and gay, others sat with stern, set faces, realising the great task in front of them.

I had finished taking my scenes, and asked an officer if the Colonel was there.

"No, but you may find him in 'White City.' He was there about an hour ago. Great heavens," he said, "who would have believed that a 'movie-man' would be here, the nearest point to Bosche lines on the whole front. You must like your job. Hanged if I envy you. Anyway, hope to see you after the show, if I haven't 'gone West.' Cheero," and with that he left me.

Packing up my camera, I prepared to return. Time was getting on. It was now 6.30 a.m. The attack was timed for 7.20. As I wanted to obtain some scenes of our men taking up their final positions, I told my guide to start.

"Duck as low as possible," I said, "when you cross the road."

"We can't go yet, sir; munitions are being brought through, and, as you know, there isn't room to pa.s.s one another."

I waited until the last man had come in from the sap, then, practically on hands and knees, made for the sap mouth.

"Cheer up, boys," I shouted to the men as I parted from them, "best of luck; hope to see you in the village."

"Hope so, sir," came a general chorus in reply. Again I struggled through the narrow slit, then down the shaft and finally into the tunnel. We groped our way along as best we could. The place was full of men. It was only possible to get my tripod and camera along by pa.s.sing it from one to another. Then as the men stooped low I stepped over them, eventually reaching the other end--and daylight.

The "strafe" was still on, but not quite so violent. Our parapets were in a sorry condition, battered out of all shape.

Returning through King Street, I was just in time to film some of the men fixing bayonets before being sent to their respective stations in the firing trench. The great moment was drawing near. I admit I was feeling a wee bit nervous. The mental and nervous excitement under such conditions was very great. Every one was in a state of suppressed excitement. On the way I pa.s.sed an officer I knew.

"Are you going over?" I said.

"Rather," he replied, "the whole lot of us. Some stunt, eh!"

"Don't forget," I said, "the camera will be on you; good luck!"

Bidding my man collect the tripod and camera, I made for the position on Jacob's Ladder. But I was to receive a rude shock. The sh.e.l.ling of the morning had practically blown it all down. But there was sufficient for a clearance all around for my purpose, and sufficient shelter against stray bits of shrapnel. I prepared to put up my camera. Not quite satisfied, I left it about thirty yards away, to view the situation quickly, as there were only twenty minutes to go. Hardly had I left the machine than a "whizz-bang" fell and struck the parapet immediately above the ladder, tumbling the whole lot of sandbags down like a pack of cards.

It was a lucky escape for me. The position was absolutely no use now, and I had to choose another. Time was short. I hastily fixed my camera on the side of the small bank, this side of our firing trench, with my lens pointing towards the Hawthorn Redoubt, where the mine--the largest "blown" on the British Front--was going up. It was loaded with twenty tons of a new explosive of tremendous destructive power, and it had taken seven months to build.

Gee, what an awakening for Bosche!

My camera was now set ready to start exposing. I looked along the trench. The men were ready and waiting the great moment.

One little group was discussing the prospects of a race across "No Man's Land."

"Bet you, Jim, I'll get there first."

"Right-o! How much?"

"A day's pay," was the reply.

"Take me on, too, will you?" said another hero.

"Yes. Same terms, eh? Good enough."

"Say Bill," he called to his pal, "pay up from my cash if I 'go West.'"

"Shut up, fathead; we have to kill Huns, 'strafe' them."

I turned away to speak to an officer as to the prospects.

"Very good," he said. "I hope they don't plaster our trenches before all the men get out. They are as keen as mustard. Never known them so bright. Look at them now; all smoking."

Our guns were still pounding heavily, and the din and concussion was awful. To hear oneself speak it was absolutely necessary to shout.

"You are in a pretty rocky position," some one said to me. "Fritz will be sure to plaster this front pretty well as soon as our men 'get over.'"

"Can't help it," I said; "my machine must have a clear view. I must take the risk. How's the time going?"

"It's 'seven-ten' now," he said.

"I am going to stand by. Cheero; best of luck!" I left him, and stood by my machine. The minutes dragged on. Still the guns crashed out. The German fire had died down a bit during the last half-hour. I glanced down our trenches. The officers were giving final instructions. Every man was in his place. The first to go over would be the engineers, to wire the crater. They were all ready, crouching down, with their implements in their hands.

Time: 7.15 a.m.!

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How I Filmed the War Part 19 summary

You're reading How I Filmed the War. This manga has been translated by Updating. Author(s): Geoffrey H. Malins. Already has 497 views.

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