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"I reckon so, by this time. Mis' Chase, she was pretty well beat when she first come; but she's asleep now, an' restin' well. And Miss Dolly, she's asleep too."
Chase dismounted. "Can my horse be put up? Just call some one, will you?"
"Well, Isrul Porter, who works here, has gone home," answered Mrs.
Crumb. "Arter Mis' Chase and Miss Dolly got yere, I sent Isrul arter their pony, what they'd lef' in the woods more'n two miles off, an' he 'lowed, Isrul did, that he'd take him home with him for the night when he found him, bekase the Porters's house is nearer than our'n to the place where he was lef'. An' Dave, he ain't workin' ter-day; he's ailin'
a little. But _I_ kin see to yer hoss."
"Show a light and I'll do it myself," Chase answered, amused at the idea of his leaving such work to a woman.
Portia returned to the kitchen, and came back with a burning brand of pitch-pine, which gave out a bright flare. Carrying this as a torch, she led the way to the stable, Chase following with the horse. "Your mare, she's in yere erready," said the farmer's wife, pointing to Kentucky Belle.
Then, as they went back to the house by the light of the flaring brand, she asked whether she should go up and wake Ruth.
"Yes, and I'll go along; which room is it? Hold on, though; are you sure my wife's asleep?"
"When I went up the minute before you come, she was, an' Miss Dolly too."
"Well, then, I guess I won't disturb 'em just yet," said Chase, and he went with Portia to her kitchen, where she brought forward her rocking-chair for his use. "What time did they get here?" he inquired.
Portia, seating herself on a three-legged stool, told what she knew. As she was finishing her story there came a growl from the dark end of the long room, the end where the loom stood. "It's only Dave wakin' up," she explained, and she hastened towards her husband. But as she did so he roared "Coffee!" in impatient tones, and, hurrying back, she knelt down and blew up the fire. "I'm comin', Dave; it's all ready," she called.
Then as she continued to work the bellows quickly she went on in a low voice to Chase: "He'll stay awake now fer an hour or two. An' he'll be talkin', an' takin' on, p'raps. Mebbe you'd ruther set in the best room for a whilst? There's a fire; an' the stairs mount right up from there to the room where yer wife's asleep, so you kin go up whenever you like.
Relse you might lay down yourself, without disturbin' 'em at all till mawnin'. There's a good bed in the best room; none better."
"Coffee!" demanded the farmer a second time, and Portia quickly took the cup, which stood waiting with sugar and cream already in it, and lifting her pot from the coals, poured out the odorous beverage, the strong coffee of Rio. Though she had an intense desire to be left alone with "Dave," now that his precious waking-time had come, her inborn sense of hospitality would never have permitted her to suggest that her guest should leave her, if she had not believed with all her heart that her best room was really a bower of beauty; she even had the feeling that she ought to urge it a little, lest he should be unwilling to "use it common." Chase, perceiving that she wished him to go, went softly out, and, entering the bower, closed the door behind him. The fire was low.
He put on some pitch-pine splinters, and added wood; for, in spite of his water-proof coat (which was now hanging before the fireplace in the kitchen), his clothes were damp. He lifted the logs carefully, so as not to waken the sleepers above; then he sat down and stretched out his legs to the blaze. In spite of Portia's a.s.sertion that his wife was "all right," he was very uneasy; he could scarcely keep himself from stealing up to get a look at her. But sleeplessness had been for so long one of her troubles that he knew it was far wiser to let her rest as long as she could. One thought pleased him; it had pleased him since the moment he heard it: her stealing off for a ride at dawn simply to tease Dolly.
That certainly looked as if she must be much stronger than she had been when he left her. It was an escapade worthy of the days when she had been the frolicking Ruth Franklin. On the other hand loomed up the results of this freak of hers, namely, her having been out so long in the storm. Portia's expression, "pretty well beat when she first come"--that was not encouraging. Thus he weighed the possibilities, sitting there with his chair tilted back, his eyes fixed on the reviving flame. He knew that he could not sleep until he had seen her. Portia's "best bed," therefore, did not tempt him. In addition, he wished to wait for the carriage, in order to contrive some sort of shelter for it, and to a.s.sist in putting up the horses, since there was no one else to do it. After a while, with his hands clasped behind his head, he moved his chair a little and looked vaguely round the room. Everything was the same as when he had paid his former visit there during the excursion which he had made over the Great Smoky Mountains with the Franklins and poor Jared. The red patch-work quilt was spread smoothly over the bed; the accordion was on the mantel-piece, flanked by the vase whose design was a pudgy hand holding a cornucopia; on the wall was the long row of smirking fashion-plates. This means of entertainment, however, was soon exhausted, and after a while he took some memoranda from his pocket, and, bending forward towards the fire, began to look them over.
He had been thus engaged for nearly half an hour when a door opened behind him, and Dolly Franklin came in.
She had no idea that he was there. The bedroom above, whose flight of steep stairs she had just descended, possessed windows only towards the river; and the second-story floors of the old house were so thick that no sound from below could penetrate them. She had not therefore heard Chase ride up on the other side; she had not distinguished any sounds in the kitchen.
He jumped up when he saw her. "I'm _mighty_ glad you've come down, Dolly. I've been afraid to disturb her. Is she awake?"
Dolly closed the door behind her. "No; she is sleeping soundly. I wouldn't go up just now if I were you. A good sleep is what she needs most of all."
"All right; I'll wait. But how in the world came she to be out so long in the rain, and you too? That's the part I don't understand."
Dolly's heart had stood still when she saw her brother-in-law. "I'll sit here for a while," she suggested, in order to gain time. "Will you please pull forward that chair--the one in the corner? I had no idea you were here. I only came down for the pillows from this bed; they are better than those upstairs." While she was getting out these words her quick mind had flown back to L'Hommedieu, and to the impression which she had left behind her there, carefully arranged and left as explanation of their absence. The explanation had been intended for any of their friends who might happen to come to the house during the day.
But it would do equally well for Horace Chase, and Felicite could be safely trusted to have repeated it to him within five minutes after his unexpected arrival! For Felicite was not fond of Miss Dora Franklin. The idea that her young mistress had gone off for a ride at daylight would be an immense delight to the Frenchwoman, not for the expedition itself (such amus.e.m.e.nts in a country so "sauvage" being beyond her comprehension), but for the annoyance to mademoiselle--mademoiselle whose watchfulness over everything that concerned her sister (even her sister's maid) was so insupportably oppressive. Their start, therefore, Dolly reflected, both Ruth's at dawn and her own a little later, was probably in a measure accounted for in Horace Chase's mind. But as regarded the hours in the rain, what could she invent about that? For Portia had evidently described Ruth's exhaustion and their wet clothes.
She had seated herself by the fire; arrayed in one of the shapeless dresses of her hostess, with her hair braided and hanging down her back, her plain face looked plainer than ever. Worn out though she was, she had not been asleep even for a moment; she had been sitting by the bedside watching her sister. Ruth had lain motionless, with her head thrown back lifelessly, her breathing scarcely perceptible. Whenever Portia had peeped in (and the farmer's wife had stolen softly up the stairs three times) Dolly had pretended to be asleep; and she knew that Portia would think that Ruth also was sleeping. But Ruth was not asleep.
And Dolly's mind was filled with apprehension. What would follow this apathy?
"As I understand it, Ruthie took a notion to go off for a ride at daybreak," Horace Chase began, "and then, after breakfast, you followed her. How did you know which way she went? I suppose you asked. But she left her mare here as early as half-past eight this morning, the woman of the house tells me, and you yourself got here at two; what happened afterwards? How came you to stay out in the rain? Unless you got lost, I don't see what you were about."
"We _were_ lost for a while," answered Dolly, who had now arranged her legend. "But that was afterwards. Our staying out was my fault, or, rather, my misfortune." She put out her feet and warmed them calmly.
"After I drove on from here, I didn't find Ruth for some time. When at last I came upon her, we took our lunch together, and then I tied the pony to a tree and we strolled off through the woods, picking up the colored leaves. Suddenly I had one of my attacks. And it must have been a pretty bad one, for it lasted a long time. How long I don't know; but when I came to myself it was dark. Ruth, of course, couldn't carry me, poor child. And she wouldn't leave me. So there we stayed in the rain.
And when finally I was able to move, it took us ages to get here, for not only was I obliged to walk slowly, but it was so dark that we couldn't find the road. I am all right now. But meanwhile _she_ is dreadfully used up."
Here, from the kitchen, came the sound of Portia's gentle voice:
"When _sh.e.l.l_ these eyes thy heavenly walls An' peerly gates behold?
Thy buildin's with salvation strong, An' streets of shinin' gold?
An'-an' streets of shi-i-_nin_' gold!"
"Crumb has arrived at his religious stage, and his wife is celebrating,"
commented Dolly. "He goes through them all in regular succession every time he is drunk. Obstinacy. Savagery. Lethargy. And then, finally, Repentance, for he isn't one of those unimportant just persons who need none."
Chase glanced at her with inward disfavor; cynicism in a woman was extremely unpleasant to him. His mental comment, after she had explained their adventures, had been: "Well, if _Dolly_ had let the whole job alone, none of this would have happened; Ruth would have had her lark out and come home all right, and that would have been the end of it. But Dolly must needs have _her_ finger in the pie, and out she goes. Then of course she gets sick, and the end is that instead of her seeing to Ruth, Ruth has to see to her." But he kept these reflections to himself. He brought forward instead the idea that was important to him: "Isn't it a pretty good sign she's better, that she _wanted_ to go off for a ride in that way? It's like the things she used to do when I first knew her.
Don't you remember how she stayed out so long that cold, windy night without her hat, talking with Malachi Hill over the back fence about his Big Moose masquerade? And how she even went on, bareheaded and in the dark, half across the village to find Achilles Larue and get him to come, so that she could tease Miss Billy?" He gave a short laugh over the remembrance. "I cannot help thinking, Dolly, that she isn't half as sick as you made out; in fact, I've never thought she was, though I've more or less fallen in with your idea of giving her a change. I _had_ made arrangements to start for New York to-morrow morning, so as to hit the Cunarder of Wednesday. But, as things have turned out, I don't know that we need pull up stakes so completely, after all. She's evidently better."
For one instant Dolly thought. Then she spoke: "No, carry out your plan.
Take her away to-morrow morning just as you intended. Even if she _is_ somewhat stronger (though I think you'll find that she isn't), she needs a change." She said this decidedly. But the decision was for her own sake; it was an effort to make herself believe, by the sound of the spoken words, that this course would still be possible. "It _shall_ be possible," she resolved in her own mind.
"Well, I guess I won't decide till I see her," Chase answered. "Perhaps she's awake by this time?"
Dolly got up quickly. "I will go and see; my step is lighter than yours.
If I do not come back, that will mean that she is still asleep, and that I think it best not to disturb her. The moment she does wake, however, I will come and call you. Will that do?"
"All right," said Chase, briefly, a second time. He did not especially enjoy the prospect of several years in Europe. But at least it would be agreeable to have his wife to himself, with no Dolly to meddle and dictate.
After she had gone, he sat expectant for nearly fifteen minutes. But she did not return; Ruth evidently had not wakened. He rose, gave a stretch, and, going to the window, raised the curtain and looked out. The rain was pouring down; there was no sign of the carriage; it was so dark that he could not see even the nearest trees. Dropping the curtain again, he walked about the room for a while. Then he started to go to the kitchen, to see how his wet coat was coming on; but remembering Portia's vigil (which nothing could have induced him to break in upon, now that he understood its nature), he stopped. He looked at all the simpering ladies of the fashion-plates, ladies whose bodies were formed on the model which seems to be peculiar to such publications, and to exist only for them; he lifted the vase and inspected it a third time; he even tried the accordion softly. Finally he sat down by the fire, and, taking out his memoranda again, he went back to business calculations.
Dolly had gone swiftly up the stairs and along the entry which led to the bedroom. Ruth was lying just as she had left her, with her eyes shut, her head thrown back. Dolly closed the door and locked it; then she came and leaned over her.
"Ruth, do you hear me?"
"Yes," answered Ruth, mechanically.
Dolly sat down by the side of the bed and drew her sister towards her.
"I have something to tell you," she whispered. "Your husband is down-stairs."
Ruth did not start. After a moment she opened her eyes and turned them slowly towards her sister.
"He came home unexpectedly," Dolly went on, in the same low tone. "He reached L'Hommedieu this evening, and when they told him that we had not returned he had inquiries made as to the road we had taken, and came down here himself on horseback. At L'Hommedieu, Ruth, they think that you slipped out at dawn for a ride, just to play me a trick, because I have watched you so closely about your health lately that you were out of all patience. I let them think this; or, rather, I made them think it. And they have repeated it to your husband, who accepts it just as they did. The only thing he could not understand was why we stayed out so long in the storm, for Portia had evidently told him how late it was when we came in, and how exhausted you looked. So I have just said that after I found you we had our lunch together, and then, after tying the pony to a tree, we strolled through the woods, picking up the colored leaves. Suddenly one of my attacks came on, and it was a bad attack; I was unconscious for a long time. You wouldn't leave me; and so there we had to stay in the rain. When at last I could walk I had to come slowly.
And we couldn't find the road for a long while--it was so dark. All this seems to him perfectly natural, Ruth; he suspects nothing. The only point he is troubled about is your health--how that will come out after the exposure. He is sitting by the fire down-stairs waiting for you to wake, for I told him you were asleep. And here is something supremely fortunate: his plan is to take you off to New York to-morrow morning, to hit the Wednesday's Cunard steamer for Liverpool. He has had this idea for some weeks--the idea of going abroad. That was the reason he went away--to make ready. He didn't tell you about it, because he thought he would take you by surprise. And he still hopes to sail on Wednesday, provided you are well enough, it isn't to be a flying trip this time; he is willing to stay over there for years if you like. Now, Ruth, listen to me. You _must_ go. You need make no effort of any kind; just let yourself slip on from day to day, pa.s.sively. There is nothing difficult about that. If there were, I should not ask you to do it, for I know you could never play a part. But here there is no part; you need do no more than you always have done. That has never been much, for from the first the devotion has been on his side, not on yours, and he will expect no more. Now try to sleep a little, and then at sunrise I will let him come up. When he comes you needn't talk; you can say you are too tired to talk. He is so uneasy about your health that he will fall in with anything. Don't think about it any more. The whole thing's settled."
Suiting her actions to her words, Dolly rearranged the coverlet over her sister, and then, rising, she began to make a screen before the fire with two chairs and a blanket, so that its light should not fall across the bed. While she was thus engaged she heard a sound, and, turning her head, she saw that Ruth was getting up.
"What is it?" she said, going to her. "Do you want anything?"
"Where are my clothes?" Ruth asked. She was sitting on the edge of the bed, her bare feet resting on the rag mat by its side.
"Portia is drying them. She left some of her things on that chair for you. But don't get up now; the night isn't anywhere near over."
Ruth went to the chair where lay the garments, coa.r.s.e but clean; she unb.u.t.toned her night-gown (also one of Portia's). Then her strength failed, and she sank down on the chair. "Come back to bed," said Dolly, urgently.
Ruth let her head rest on the chair-back for a moment or two. Then she said: "I won't try to dress; I don't feel strong enough. But please get me some stockings and shoes, and a shawl. That will be enough."