Homes and Haunts of the Most Eminent British Poets Part 15

Let us now suppose the grounds lying in the shape of a Y; the house not standing at the top, but near the center of the fork, and the lowest part of the scene, the stem. The lines forming the fork of the Y are beautifully wooded ravines or dells, down which flow small streamlets, meeting at the bottom of the hill, and in their progress forming numerous small pools, which may well represent "the fountains all bordered with moss." The walks along the sides of these streams are now neglected, but they still conduct you to the natural beauties of the scene. There is one spot which commands the view of the whole grounds, and all the poetry of them. Following the course of one of the streams, you arrive at that part of the scene which was Shenstone's favorite spot, still marked by the remnants of several fallen statues. Still advancing along the brook side, you come to a pool. This may be called the tail or stem of the Y; and at dusk, on a November day, it gives you no bad idea of the Lake of the Dismal Swamp in miniature. Indeed, the feeling on quitting the place is, that you have been well deceived as to the extent of it, so small a s.p.a.ce really containing so much variety of scenery.

The Leasowes now belongs to the Attwood family, and a Miss Attwood resides there occasionally; but the whole place bears the impress of desertion and neglect. The house has a dull look; the same heavy spirit broods over the lawns and glades; and it is only when you survey it from a distance, as when approaching Halesowen from Hagley, that the whole presents an aspect of unusual beauty. It is said to be a favorite resort of the members of the Society of Friends, as, halting for tea at Halesowen, on their return from their meetings at Stourbridge to Birmingham, they are fond of a stroll in the Leasowes, no doubt the quiet character of the poetry of Shenstone according well with their own habits.

CHATTERTON.

[Ill.u.s.tration]

"In Severn's vale, a wan and moonstruck boy Sought by the daisy's side a pensive joy; Held converse with the sea-birds as they pa.s.sed, And strange and dire communion with the blast; And read in sunbeams, and the starry sky, The golden language of eternity.

Age saw him, and looked sad; the young men smiled; And wondering maidens shunned his aspect wild.

But He--the ever kind, the ever wise, Who sees through fate, with omnipresent eyes, Hid from the mother, while she blessed her son, The woes of genius and of Chatterton."--_Ebenezer Elliott._

The Church of St. Mary Redcliffe, Bristol, is a beautiful church; some of the biographers of Chatterton have declared that it is the finest parish church in England. Mr. Britton has been almost as enamored of it as was Chatterton himself. He has written a complete history of it, and has for years zealously exerted himself to rouse the inhabitants of Bristol to have this ornament of their city put into thorough repair by subscription, an object in which I am glad to find that he has finally succeeded, and that the perfect restoration, especially of the time-worn exterior, is already commenced under the superintendence of himself and Mr. Brayley.

"Beautiful exceedingly" is St. Mary of Redcliffe; and it is the triumph of this beauty that it has awoke the poet in the soul of one of its lovers, and a poet so extraordinary in the circ.u.mstances of his life, in the mere boyhood of his age, in the tragic nature of his death, and, above all, in the proud splendor of his genius; that his pa.s.sion for this lovely structure, and the facts which have sprung out of it, have flung round St. Mary an everlasting interest, and made it one of the most brilliant monuments of national glory which stand on the bosom of our mother-land.

If it had turned out that the Rowley Poems produced to the public by Chatterton had been genuine, and that the fame of so great a poet as Thomas Rowley the priest had been buried for near four hundred years in the iron chest of William Canynge, it would have been a most extraordinary circ.u.mstance that it should have been a boy of fourteen who had discovered them; who had had the taste and discernment to pick them out from amid the ordinary doc.u.ments of such a chest, of little interest except to parishioners; to transcribe them, to press them upon the attention of his townsmen and the literary public, and to have suffered insult, obloquy, and persecution on their account. Had he only raised that great public astonishment, inquiry, quarrel, and controversy among the learned and antiquarian of his time, and had been satisfactorily proved to be _only_ the discoverer, introducer, and champion of the merit of these productions, it would have been one of the most remarkable occurrences in the whole history of literature, and the boy Chatterton would have still merited the happy epithet of "the marvelous boy." Had he been allowed, on justly admitted grounds, to have taken only that position which he claimed, that of the discoverer of the Rowley MSS., and the writer of his own acknowledged poems, the occurrence would have stood alone in the annals of letters, and Chatterton must have still remained one of the most extraordinary of precocious geniuses. The wit which sparkles through the whole series of his verses, from Sly d.i.c.k to his Journal and his Will; the bold satire, the daring independence of his thoughts, setting defiance to public opinion, even on the most solemn of all subjects--religion; the indomitable pride, and bold adventure of the lad; these are facts, in connection with his great "discovery," supposing it to have been a real discovery, which must have raised the wonder of every one, and have given him a distinguished niche in the Walhalla of his country. The boy of sixteen, who could pen such a description as that of Whitfield in his Journal, beginning,

"In his wooden palace jumping, Tearing, sweating, bawling, thumping, Repent, repent, repent, The mighty Whitfield cries, Oblique lightning in his eyes"--

the daring description of religion in his Defense; or who could make such a will as that which he drew up, when he for the first time proposed to himself suicide, must be p.r.o.nounced a startling but most uncommon lad. The youth who, without friends or patrons in the great metropolis, could set out with a small fund borrowed at the rate of a guinea apiece from his acquaintances, to make his fortune and fame; and there, in the midst of the utter wreck of all his august visions and soaring hopes; in the depth of neglect, contempt, and the most grinding indigence, could issue satire after satire, and launch Junius-like letters from the newspapers at the highest personages of the land, not sparing even the crowned head, can, however we might estimate such productions in an experienced adult, only be regarded with the most profound and unmixed wonder. We may lament over the waywardness of his genius, but we must admit its unequivocal reality; and when its career is closed by self-violence, after appealing to Heaven from the abyss of its agony in stanzas such as the following, we know not whether most to marvel at the greatness of the phenomenon, or the dense stolidity of the age which did not perceive it, but suffered it to expire in horror, to the eternal disgrace of human nature and our country.

"THE RESIGNATION.

O G.o.d, whose thunder shakes the sky, Whose eye this atom globe surveys, To thee, my only rock, I fly; Thy mercy in thy justice praise.

The mystic mazes of thy will, The shadows of celestial light, Are past the power of human skill; But what th' Eternal acts is right.

O teach me in the trying hour, When anguish swells the dewy tear, To still my sorrows, own thy power, Thy goodness love, thy justice fear.

If in this bosom aught but Thee Encroaching sought a boundless sway, Omniscience could the danger see, And Mercy look the cause away.

Then why, my soul, dost thou complain?

Why, drooping, seek the dark recess?

Shake off the melancholy chain, For G.o.d created all to bless.

But ah! my breast is human still; The rising sigh, the falling tear, My languid vitals' feeble rill, The sickness of my soul declare.

But yet, with fort.i.tude resigned, I thank the inflictor of the blow; Forbid the sigh, compose my mind, Nor let the gush of misery flow.

The gloomy mantle of the night, Which on my sinking spirit steals, Will vanish at the morning light Which G.o.d, my East, my Sun, reveals."

But pride and despair triumphed over this deep feeling of trust in Divine goodness. These words were the rending cry of the dying giant; they were the mighty poetry of forlornest misery; and, independently of the poems of Thomas Rowley, stamped beyond dispute the high poetical renown of Thomas Chatterton. They showed that, notwithstanding the unworthy subjects on which necessity had forced him to attempt the waste of his sublime endowments, and had forced him in vain, for the soul of poesy within him had refused to come forth at the call of booksellers and political squabblers, there lay still in his bosom the great heart and the great mind of the first-rate poet.

But what were all these flashes and indications of the _mens divinior_ to the broad and dazzling display of it in the Rowley poems themselves; those poems which would have crowned any grown man a king in the realms of intellectual reputation, which yet the towering pride of the boy--"that d.a.m.ned, native, unconquerable pride" which he said "plunged him into distraction," that "nineteen twentieths of his composition," as he himself a.s.serted it to be--flung determinedly from him? These poems, now admitted on all hands to be his own boyish compositions, and which, indeed, were thrust upon him as crimes by those of his cotemporaries who ought to have seen in them the proofs of a genius which should have been carefully and kindly cherished for the good of humanity and the honor of England--these are, indeed, more stately and beautiful than the fair pile of St. Mary, which had first awoke in his spirit the deathless love of poetry and antique romance. Ah! what a sad, beautiful, but heart-wringing romance is itself the story of Chatterton! His real history is this.

There was a little boy in Bristol, whose fathers, for many generations, had been the s.e.xtons of St. Mary Redcliffe. The veneration for this beautiful fabric, from the habit of ages, might be said to be woven into the frames and infused into the blood of this family. The office was gone out of the family; the boy's father had become a schoolmaster, and died three weeks previous to the child's birth. His uncle had been the last to fill this post, but he, too, was deceased. The boy's mother, however, lived in a small house, in a back court, nearly opposite to this church; and the lad, very likely led by what he heard her say of the former long connection of their family with it, was in the habit of going into it when open, and wandering about it for hours. At that time, nearly a century ago, neither churches nor church-yards were so rigidly locked up as at present, and ample and often was the time when a little boy on the watch might enter, and while marriage or burial ceremony went on, while the cleaners and sweepers were at work, or while the evening and the morning bell was rung, might stroll to and fro, and gaze and wonder to his heart's content. That this was his dearest occupation was soon well known to his family. "His mother's house," says one of his biographers, "was close to the fine structure of St. Mary Redcliffe, and they well knew that the boy's favorite haunts were the aisles and towers of that n.o.ble pile. And there they would find the truant, seated generally by the tomb of Canynge, or lodged in one of the towers, reading." And what effect this church-haunting had upon him was very early visible. At five years of age he went to the day-school in Pyle-street, which had formerly been taught by his father, but here he was dull and stupid; and, till he was six and a half years old, his master could trace no sign of intellectual progress in him, and his poor mother began to think him an absolute fool. But the objects of the silent church had not fallen in vain on his infant fancy. Those quaint and gorgeous paintings, and those antique letters engraven on floor crosses, had acquired a strong hold upon him, and, without doubt, led him to seize, as he did, with an avidity new to him, on the old musical ma.n.u.script in French, adorned with illuminated capitals, which he found at home. "He fell in love with it," said his mother; and the shrewd woman, catching at this discovered charm, brought him an ancient black-letter Bible, which she possessed, to read, and the boy's inner nature came to light: "he was no longer a dunce." At eight he was a voracious devourer of books. He read morning, noon, and night, from the hour that he awoke to that in which he went to bed. But another cause now contributed to strengthen the impression of antiquity which he had received in St. Mary's Church. He was become an inmate of the Blue-coat School of Bristol, on St. Augustine's Back, founded by Colston, a merchant, in 1708. Here, in an inst.i.tution which, though not of ancient date, was yet conducted in the ancient fashion, he was arrayed in long blue coat and belt, and scarlet stockings, and tonsure cap. Here, say some of his schoolfellows, he took no part in the poetical and literary emulations which arose. An usher wrote poetry, and his example stimulated others to a like ambition; but Chatterton "possessed apparently neither the inclination nor ability for literary pursuits;"

he contented himself with the ordinary sports and pastimes of his age.

But, in truth, he was secretly gleaning up knowledge wherever he could lay hands on it. Long before, he had begged of a painter to paint him an angel, with wings and a trumpet, _to trumpet his name over the world_!

This spirit once awoke, was not likely to die again, even in the bosom of a child. He had continually in his heart that cry which haunted Cowley:

"What shall I do to be forever known?"

From the time he had begun to read, a great change had pa.s.sed over him.

"He grew thoughtful and reserved. He was silent and gloomy for long intervals together, speaking to no one, and appearing angry when noticed or disturbed. He would break out into sudden fits of weeping, for which no reason could be a.s.signed; would shut himself in some chamber, and suffer no one to approach him, nor allow himself to be enticed from his seclusion. Often he would go to the length of absenting himself from home altogether, for the s.p.a.ce, sometimes, of many hours; and his sister remembered him being most severely chastised for a long absence, at which, however, he did not shed one tear, but merely said, 'It was hard, indeed, to be whipped for reading.' This was before his entering Colston's school, but there he kept up the zealous reading. He is reported to have stood aloof from the society of his schoolmates, to have made few acquaintances, and only among those whose disposition inclined them to reflection. His money, all that he could procure, went to get the perusal of books; and on Sundays, and holidays, and half holidays, he was either wandering solitarily in the fields, sitting beside the tomb of Canynge in the church, or was shut up in a little room at his mother's, attending to no meal-times, and only issuing out, when he did appear, begrimed with ocher, charcoal, and black-lead.

"From twelve to seven, each Sat.u.r.day, he was always at home; returning punctually a few minutes after the clock had struck, to get to his little room, and to shut himself up. In this room he always had by him a great piece of ocher in a brown pan; pounce-bags full of charcoal dust, which he had from a Miss Sanger, a neighbor; also a bottle of black-lead powder, which they once took to clean the stove with and made him very angry. Every holiday, almost, he pa.s.sed at home, and often, having been denied the key when he wanted it, because they thought he hurt his health, and made himself dirty, he would come to Mrs. Edkins, and kiss her cheek, and coax her to get it for him, using the most persuasive expressions to effect his end; so that this eagerness of his to be in this room so much alone, the apparatus, the parchments (for he was not then indentured to Mr. Lambert), both plain as well as written on, and the begrimed figure he always presented when he came down at tea-time, his face exhibiting many stains of black and yellow--all these circ.u.mstances began to alarm them; and when she could get into his room, she would be very inquisitive, and peep about at every thing. Once he put his foot on a parchment on the floor, to prevent her from taking it up, saying, 'You are too curious and clear-sighted; I wish you would bide out of the room; it is my room.' To this she answered by telling him that it was only a general lumber-room, and that she wanted some parchment to make thread-papers of; but he was offended, and would not permit her to touch any of them, not even those that were not written on; but with a voice of entreaty, said, 'Pray don't touch any thing here,' and seemed very anxious to get her away; and this increased her fears, lest he should be doing something improper, knowing his want of money, and his ambition to appear like others.[9] At last they got a strange idea that these colors were to color himself with, and that, perhaps, he would join some gipsies one day or other, as he seemed so discontented with his station in life, and unhappy."[10]

But the true secret was one far beyond the conception of his simple relatives. Coining and forging, indeed, he was bent upon, and meant to join himself, some day or other, to a company which, in their eyes, would have appeared stranger than a troop of gipsies. He was already, child as he was, forging the name and deeds of Thomas Rowley, and fathering upon him the glorious coinage of his own brain. A great and immortal guest was theirs, and they did not know it. One of themselves was marked by the pa.s.sing angel of destiny as the one of all his generation doomed to the fearful sacrifice of a sad but eternal fame.

The spirit which had stolen upon him and taken possession of him as he had roamed the dim aisles of the old church, and gazed on the great sacred scene of the Ascension of Christ, and on the light avenues of lofty columns, and sat by the tomb of Master Canynge, was now busy with him. It was this which had made him gloomy and retiring, which had caused him to burst into pa.s.sions of tears, for which no reason could be a.s.signed. A new world had dawned before his inner vision; the sensibilities of the poet were now quivering in every nerve; mysterious shapes moved around him, which one day he must report of to the world--shapes, the offspring of that old church, and its tombs and monuments, and traceries and emblazonments, mingled with the spirit of his solitary readings in history, divinity, and antiquities; and that melancholy foreboding, that _Ahnung_ of the future, as the Germans term it, which, like a present angel of prophecy, unseen, but felt, hangs on the heart of youthful genius with an overpowering sadness, was spread over him like a heavenly cloud, which made the physical face of life dreary and insipid to him.

This was the boy, of eleven or twelve years old, who had already commenced satirist, and launched his arrows of sarcasm at offenders in Felix Farley's Bristol Journal, where "Sly d.i.c.k" and "Apostate Will"

were pilloried before the whole city by so young a hand. This was the boy, of perhaps fourteen, who astonished the worthy pewterer, Burgum, by bringing to him an historic account of his pedigree, with coats of arms all elaborately painted on parchment, tracing his descent, with minute detail of personages, from no less a distance than the Saxon period, and from no less a person than the great Waltheof, earl of Northumberland, Northampton, and Huntingdon! Great has been the laughter at poor Burgum for swallowing the pleasant deceit; but let any one imagine to himself a charity schoolboy, in old-fashioned costume, and his innocent boy's face, appearing before him, and presenting to him so matter-of-fact a doc.u.ment, as found in a chest in the muniment room of St. Mary's Church, in which this boy was known to pore and hunt about. Could any suspicion of such a boy's forgery of the doc.u.ment at first be entertained? Would any feelings but those of wonder and curiosity be excited? Burgum was completely taken in; and a thousand others who have since laughed at him would have been taken in too. And now began to be sounded about that famous story of the iron-bound chest of Master Canynge, in the muniment room over the north porch of St. Mary Redcliffe Church, from which Chatterton's father had been allowed to carry home whole heaps of parchments, and from which heaps Chatterton professed to have drawn this pedigree of the De Bergham family. This was a most prolific source of strange doc.u.ments, which from time to time came issuing forth in the shape of transcripts by the boy Chatterton. His fifteenth year, however, saw him, in one day, metamorphosed from a Colston's charity boy into a lawyer's apprentice. He was bound to one Lambert, a man of little practice, and who, besides, is termed "a vulgar, insolent, imperious man; who, because the boy wrote poetry, was of a melancholy and contemplative disposition, and disposed to study and reading, thought him a fit object of insult and contemptuous rage." Need we ask why his mother bound him to such a man? To whom _can_ the poor bind their children? Had Lambert been a pleasant fellow, and in great practice, he would have had rich men's sons offered, and would have demanded a fee that would effectually exclude the poor. Here his life was the life of insult and degradation, which might pretty safely be calculated upon with such a man and such a practice. Twelve hours he was chained to the office, _i. e._, from eight in the morning till eight at night, dinner hour only excepted; and in the house he was confined to the kitchen, slept with the footboy, and was subjected to indignities of a like nature, at which his pride rebelled, and by which his temper was imbittered. Yet here it was, during this life of base humiliation, that Thomas Chatterton worked out the splendid creations of his imagination.

In less than three years of the life of a poor attorney's apprentice, fed in the kitchen, and lodged with the footboy, did he here achieve an immortality such as the whole life of not one in ten millions is sufficient to create.

In the long, solitary hours of this empty office--for, not having any business, even the master was very often absent--he had ample leisure and secure opportunity to give scope to the feelings and fancies which had sprung up in the aisles of St. Mary's, but which had since grown with the aliment of historic and poetic knowledge gathered from Fuller, Camden, Chaucer, and the old chroniclers. From time to time, as I have said, came flying forth some precious old piece of local history, which astonished the good people of Bristol, and were always traced to this same wonderful lad, and his inexhaustible parchments from the old chest.

A new bridge is built, and in Felix Farley's Journal appears an account of the opening of the old bridge ages before, with all the ceremonies and processions of civil officers, priests, friars, and minstrels, with all their banners and clarions. Then Mr. Barrett, a surgeon, is writing his history of the place, and lacks information respecting the ancient churches; and, lo! the prolific MSS. of Maister Canynge supply not only histories of all churches, but of castles and palaces, with the directions of the ancient streets, and all the particulars of the city walls, and all their gates. Never was an historian so readily and so affluently supplied! Whoever now sees the ponderous quarto of Barrett's History of Bristol, with all the wonders palmed upon the author by Chatterton, must be equally amazed at the daring of the lad and the credulity of the man. He restored in a fine drawing the ancient castle, in a style of architecture such as surely never was seen in any castle before. There were towers of a most lofty and unique description, yet extremely beautiful; there were battlements as unique as if the ancient knights who defended them had left their shields lying upon them; there were tiers of arches, circles, and stars, one above another, in fronts of the most fanciful kind; there were other parts where pilasters ran from ground to battlement, ornamented with alternating cross keys, human figures, lozenges, ovals, zigzag lines, and other ornaments, such as never could have originated but in a poetical and daring brain; yet was the whole worthy of the residence of some knight or king of old romance.

It was beautiful, and might suggest to architects in these threadbare days ideas of a style piquantly original and refreshing. This was the view of Bristol Castle in 1138, Rowlie Canonicus, deleniator, 1440, to be seen in Barrett's History. But deeper and deeper does this fortunate youth dive into the treasures of the chest, and more and more amazing are the wonders that he brings up. Never was so rich a chest stowed away in cloisters of the rich old middle ages. Now came up poets, painters, carvers, heralds, architects, and stainers of gla.s.s, besides warriors of proudest renown, all flourishing in times that we are wont to deem barren of such glories; and a more than chivalric reign of Arthur--a more than Elizabethan constellation of genius in arts and arms, astonishes the senses of those deeply learned, who fancied that they had explored all possible mines of the past knowledge. The dark ages grow brighter and brighter as the necromantic stripling rubs his lamp in the office of the attorney Lambert, till the living are almost blinded by the blaze of light from the regions of the forgotten dead. No less than eleven poets of great fame did he bring to light, of whom Abbot John, who flourished in 1186, he says, was one of the greatest that ever lived; and Maister John a Iscam not much less, living in the time of the great Maister Canynge, himself also a fine poet! But of all men, most versatile and rich in lore and intellect was Thomas Rowley, the friend of Canynge, and priest of St. John, in Bristol; and, truly, if the poems which he put forth in Rowley's name had been Rowley's, Rowley would have been a famous poet indeed--to say nothing of his sermons, histories, and other writings.

Spite of the wretchedness of his domestic position in Lambert's house, this must have been the happiest portion of Chatterton's life. His bringing out these treasures to the day had given him great consideration, among not only some of the most leading men, but among the youth of Bristol. With his excitable temperament, his spirits rose occasionally into great gayety and confidence. He began to entertain dreams of a lofty ambition. He had created a new world for himself, in which he lived. He had made Rowley its great heroic bard. He had raised Maister Canynge again from his marble rest in the south transept of St.

Mary's, and placed him in his ancient glory in Bristol. Beneath his hands St. Mary's rose like a fairy fabric out of the earth, and was consecrated amid the most glorious hymns, and with the most gorgeous processions of priests and minstrels. Great and magnificent was Canynge in his wealth and his goodness once more in his native city; and in the brave lays of Rowley the valiant Ella fought, and the fierce Harold and William the Norman made the Hill of Battell the eternal monument of the loss and gain of England.

"He was always," says Mr. Smyth, one of his intimate companions, "extremely fond of walking in the fields, particularly in Redcliffe Meadows, and of talking about these ma.n.u.scripts, and sometimes reading them there. 'Come,' he would say, 'you and I will take a walk in the meadow. I have got the cleverest thing for you imaginable; it is worth half a crown merely to have a sight of it, and to hear me read it to you.' When we arrived at the place proposed, he would produce his parchment, show it me, and read it to me. There was one spot in particular, full in view of the church, in which he would take a particular delight. He would frequently lay himself down, fix his eyes upon the church, and seem as if he were in a kind of trance. Then, on a sudden, abruptly he would tell me, 'That steeple was burned down by lightning; that was the place where they formerly acted plays.'

"His Sundays were commonly spent in walking alone into the country about Bristol, as far as the duration of daylight would allow; and from those excursions he never failed to bring home with him drawings of churches, or some other objects which had impressed his romantic imagination."

This was one of those brief seasons in the poet's life when the heaven of his spirit has cast its glory on the nether world. When the light and splendor of his own beautiful creations invest the common earth, and he walks in the summer of his heart's joy. Every imagination seems to have become a reality; every hope to expand before him into fame and felicity; and the flowers beneath his tread, the sky above him, the air that breathes upon his cheek--all nature, in short, is full of the intoxication of poetic triumph. Bristol was become quite too narrow for him and Rowley; he shifted the field of his ambition to London, and the whole enchanted realm of his antic.i.p.ations pa.s.sed like a Fata Morgana, and was gone! There came instead, cruel contempt, soul-withering neglect, hunger, despair, and suicide!

Such was the history of the life of one of England's greatest poets, who perished by his own hand, stung to the soul by the utter neglect of his country, and too proud to receive that bread from compa.s.sion which the reading public of Great Britain refused to his poetic labors. Of this, of Walpole, and Gray, and Sam Johnson, and the like, we will speak more anon. Here let us pause, and select a few specimens of that poetry which the people of England, at the latter end of the eighteenth century, would fain have suffered to perish with its author. That they may be better understood, we will modernize them.

The chief of his Rowley Poems are, Ella, a tragical Interlude, or discoursing Tragedy; G.o.dwin, the fragment of another Tragedy; the Battle of Hastings, the fragment of an Epic; and the Parliament of Sprytes, a most merry Interlude; with smaller ones.

ROUNDELAY, SUNG BY THE MINSTRELS IN ELLA.

"O! sing unto my roundelay, O! drop the briny tear with me; Dance no more at holiday; Like a running river be.

My love is dead, Gone to his death-bed, All under the willow-tree.

"Black his hair as the winter night, White his neck as the summer snow, Red his face as the morning light; Cold he lies in the grave below.

My love is dead, &c.

"Sweet his tongue as the throstle's note, Quick in dance as thought can be, Daft his tabor, cudgel stout; O! he lies by the willow-tree.

My love is dead, &c.