History of English Humour Volume II Part 11

Few humorous writers have attained to a greater celebrity than Fielding.

He was born in 1707, was a son of General Fielding, and a relative of Lord Denbigh. In his early life, his works, which were comedies, were remarkable for severe satire, and some of them so political as to be instrumental in leading to the Chamberlain's supervision of the stage.

His turn of mind was decidedly cynical.

In the "Pleasures of the Town," we have many songs, of which the following is a specimen:--

"The stone that always turns at will To gold, the chemist craves; But gold, without the chemist's skill, Turns all men into knaves.

"The merchant would the courtier cheat, When on his goods he lays Too high a price--but faith he's bit-- For a courtier never pays.

"The lawyer with a face demure, Hangs him who steals your pelf, Because the good man can endure No robber but himself.

"Betwixt the quack and highwayman, What difference can there be?

Tho' this with pistol, that with pen, Both kill you for a fee."

His plays were not very successful. They abounded in witty sallies and repartee, but the general plot was not humorous. The jollity was of a rough farcical character. It was said he left off writing for the stage when he should have begun. He took little care with his plays, and would go home late from a tavern, and bring a dramatic scene in the morning, written on the paper in which he had wrapped his tobacco.

In many of his works he shows a mind approaching that of the Roman satirists. Speaking of "Jonathan Wild," he says:--

"I think we may be excused for suspecting that the splendid palaces of the great are often no other than Newgate with the mask on; nor do I know anything which can raise an honest man's indignation higher than that the same morals should be in one place attended with all imaginary misery and infamy, and in the other with the highest luxury and honour. Let any impartial man in his senses be asked, for which of these two places a composition of cruelty, l.u.s.t, avarice, rapine, insolence, hypocrisy, fraud, and treachery is best fitted? Surely his answer will be certain and immediate; and yet I am afraid all these ingredients glossed over with wealth and a t.i.tle have been treated with the highest respect and veneration in the one, while one or two of them have been condemned to the gallows in the other. If there are, then, any men of such morals, who dare call themselves great, and are so reputed, or called at least, by the deceived mult.i.tude, surely a little private censure by the few is a very moderate tax for them to pay."

There is a considerable amount of humour in Fielding's "Journey from this World to the Next." He represents the spirits as drawing lots before they enter this life as to what their destinies are to be, and he introduces a sort of migration of souls, in which Julian becomes a king, fool, tailor, beggar, &c. As a tailor, he speaks of the dignity of his calling, "the prince gives the t.i.tle, but the tailor makes the man." Of course his reflections turn very much upon his bills.

"Courtiers," he says, "may be divided into two sorts, very essentially different from each other; into those who never intend to pay for their clothes, and those who do intend to pay for them, but are never able. Of the latter sort are many of those young gentlemen whom we equip out for the army, and who are, unhappily for us, cast off before they arrive at preferment. This is the reason why tailors in time of war are mistaken for politicians by their inquisitiveness into the event of battles, one campaign very often proving the ruin of half-a-dozen of us."

Julian also gives his experience during his life as a beggar, showing that his life was not so very miserable.

"I married a charming young woman for love; she was the daughter of a neighbouring beggar, who with an improvidence too often seen, spent a very large income, which he procured from his profession, so that he was able to give her no fortune down. However, at his death he left her a very well-accustomed begging hut situated on the side of a steep hill, where travellers could not immediately escape from us; and a garden adjoining, being the twenty-eighth part of an acre well-planted. She made the best of wives, bore me nineteen children, and never failed to get my supper ready against my return home--this being my favourite meal, and at which I, as well as my whole family, greatly enjoyed ourselves."

"No profession," he observes, "requires a deeper insight into human nature than a beggar's. Their knowledge of the pa.s.sions of men is so extensive, that I have often thought it would be of no little service to a politician to have his education among them. Nay, there is a much greater a.n.a.logy between these two characters than is imagined: for both concur in their first and grand principle, it being equally their business to delude and impose on mankind. It must be admitted that they differ widely in the degree of advantage, which they make of their deceit; for whereas the beggar is contented with a little, the politician leaves but a little behind."

There is a considerable amount of indelicacy in the episodes in "Tom Jones," and also of hostility, which is exhibited in the rough form of pugilistic encounters, so as almost to remind us of the old comic stage.

He seems especially fond of settling quarrels in this way, and wishes that no other was ever used, and that "iron should dig no bowels but those of the earth." The character of Deborah Wilkins, the old maid who is shocked at the frivolity of Jenny Jones; of Thwack.u.m, the schoolmaster, whose "meditations were full of birch;" and of the barber, whose jests, although they brought him so many slaps and kicks "would come," are excellent. There is a vast fertility of humour in his pages, which depending upon the general circ.u.mstances and peculiar characters of the persons introduced, cannot be easily appreciated in extracts. The following, however, can be understood easily:--

"'I thought there must be a devil,' the sergeant says to the innkeeper, 'notwithstanding what the officers said, though one of them was a captain, for methought, thinks I to myself, if there be no devil how can wicked people be sent to him? and I have read all that upon a book.' 'Some of your officers,' quoth the landlord, 'will find there is a devil to their shame, I believe. I don't question but he'll pay off some old scores upon my account. Here was one quartered upon me half-a-year, who had the conscience to take up one of my best beds, though he hardly spent a shilling a day in the house, and his man went to roast cabbages at the kitchen fire, because I would not give them a dinner on Sunday. Every good Christian must desire that there should be a devil for the punishment of such wretches....'"

The Man of the Hill gives his travelling experiences:--

"'In Italy the landlords are very silent. In France they are more talkative, but yet civil. In Germany and Holland they are generally very impertinent. And as for their honesty I believe it is pretty equal in all those countries.... As for my own part, I past through all these nations, as you perhaps may have through a crowd at a show, jostling to get by them, holding my nose with one hand, and defending my pockets with the other, without speaking a word to any of them while I was pressing on to see what I wanted to see.'

"'Did you not find some of the nations less troublesome to you than the others?' said Jones.

"'Oh, yes,' replied the old man, 'the Turks were much more tolerable to me than the Christians, for they are men of profound taciturnity, and never disturb a stranger with questions. Now and then, indeed, they bestow a short curse upon him, or spit in his face as he walks in the streets, but then they have done with him.'"

From another pa.s.sage, we find that ladies are armed with very deadly weapons. He had said that Love was no more capable of allaying hunger than a rose is capable of delighting the ear, or a violin of gratifying the smell, and he gives an instance:--

"Say then, ye graces, you that inhabit the heavenly mansions of Seraphina's countenance, what were the weapons used to captivate the heart of Mr. Jones. First, from two lovely blue eyes, whose bright orbs flashed lightning at their discharge, flew off two pointed ogles; but, happily for our hero, hit only a vast piece of beef, which he was then conveying into his plate. The fair warrior perceived their miscarriage, and immediately from her fair bosom drew forth a deadly sigh; a sigh, which none could have heard unmoved, and which was sufficient at once to have swept off a dozen beaux--so soft, so sweet, so tender, that the insinuating air must have found its subtle way to the heart of our hero, had it not luckily been driven from his ears by the coa.r.s.e bubbling of some bottled ale which at that time he was pouring forth. Many other weapons did she essay; but the G.o.d of eating (if there be any such deity) preserved his votary; or, perhaps, the security of Jones may be accounted for by natural means, for, as love frequently preserves from the attacks of hunger, so may hunger possibly, in some cases, defend us against love. No sooner was the cloth removed, than she again began her operations. First, having planted her right eye sideways against Mr. Jones, she shot from its corner a most penetrating glance, which, though great part of its force was spent before it reached our hero, did not vent itself without effect. This, the fair one perceiving, hastily withdrew her eyes, and levelled them downwards as if she was concerned only for what she had done, though by this means she designed only to draw him from his guard, and indeed to open his eyes, through which she intended to surprise his heart. And now gently lifting those two bright orbs, which had already begun to make an impression on poor Jones, she discharged a volley of small charms from her whole countenance in a smile. Not a smile of mirth or of joy, but a smile of affection, which most ladies have always ready at their command, and which serves them to show at once their good-humour, their pretty dimples, and their white teeth.

"This smile our hero received full in his eyes, and was immediately staggered with its force. He then began to see the designs of the enemy, and indeed to feel their success. A parley now was set on foot between the parties, during which the artful fair so slily and imperceptibly carried on her attack, that she had almost subdued the heart of our hero before she again repaired to acts of hostility. To confess the truth, I am afraid Mr. Jones maintained a kind of Dutch defence, and treacherously delivered up the garrison without duly weighing his allegiance to the fair Sophia."

It has generally been the custom to couple the name of Smollett with that of Fielding, but the former has scarcely any claim to be regarded as a humorist, except such as is largely due to the use of gross indelicacy and coa.r.s.e caricature. He first attempted poetry, and wrote two dull satires "Advice" and "Reproof." His "Ode to Mirth," is somewhat sprightly, but of his songs the following is a favourable specimen:--

"From the man whom I love, though my heart I disguise, I will freely describe the wretch I despise, And if he has sense but to balance a straw He will sure take the hint from the picture I draw.

"A wit without sense, without fancy, a beau, Like a parrot he chatters, and struts like a crow; A peac.o.c.k in pride, in grimace a baboon, In courage a hind, in conceit a gascon.

"As a vulture rapacious, in falsehood a fox, Inconstant as waves, and unfeeling as rocks, As a tiger ferocious, perverse as a hog, In mischief an ape, and in fawning a dog.

"In a word, to sum up all his talents together, His heart is of lead, and his brain is of feather, Yet if he has sense to balance a straw He will sure take the hint from the picture I draw."

Although Smollett indulged in great coa.r.s.eness, I doubt whether he has anything more humorous in his writings than the above lines. Sir Walter Scott formed a more just opinion of him than some later critics. He says:--

"Smollett's humour arises from the situation of the persons, or the peculiarity of their external appearance, as Roderick Random's carroty locks, which hung down over his shoulders like a pound of candles; or Strap's ignorance of London, and the blunders that follow it. There is a tone of vulgarity about all his productions."

Smollett was born in Dumbartonshire in 1721. He became a surgeon, and for six or seven years was employed in the Navy in that capacity. This may account for the strong flavour of brine and tar in the best of his works--his sea sketches have a considerable amount of character in them--sometimes rather too much. His liberal use of nautical language is exhibited when Lieutenant Hatchway is going away,

"Trunnion, not a little affected, turned his eye ruefully upon the lieutenant saying in piteous tone, 'What! leave me at last, Jack, after we have weathered so many hard gales together? d.a.m.n my limbs!

I thought you had been more of an honest heart: I looked upon you as my foremast and Tom Pipes as my mizen; now he is carried away; if so be as you go too, my standing rigging being decayed d'ye see, the first squall will bring me by the board. d.a.m.n ye, if in case I have given offence, can't you speak above board, and I shall make you amends."

Some idea of his best comic scenes, which have a certain kind of humorous merit, may be obtained from the following description of the progress of Commodore Trunnion and his party to the Wedding. Wishing to go in state, they advance on horseback, and are seen crossing the road obliquely so as to avoid the eye of the wind. The cries of a pack of hounds unfortunately reach the horses' ears, who being hunters, immediately start off after them in full gallop.

"The Lieutenant, whose steed had got the heels of the others, finding it would be great folly and presumption in him to pretend to keep the saddle with his wooden leg, very wisely took the opportunity of throwing himself off in his pa.s.sage through a field of rich clover, among which he lay at his ease; and seeing his captain advancing at full gallop, hailed him with the salutation of 'What cheer? ho!' The Commodore, who was in infinite distress, eyeing him askance, as he pa.s.sed replied with a faltering voice, 'O d.a.m.n ye! you are safe at an anchor, I wish to G.o.d I were as fast moored.' Nevertheless, conscious of his disabled heel, he would not venture to try the experiment that had succeeded so well with Hatchway, but resolved to stick as close as possible to his horse's back, until Providence should interpose in his behalf. With this view he dropped his whip, and with his right hand laid fast hold of the pommel, contracting every muscle of his body to secure himself in the seat, and grinning most formidably in consequence of this exertion. In this att.i.tude he was hurried on a considerable way, when all of a sudden his view was comforted by a five-bar gate that appeared before him, as he never doubted that there the career of his hunter must necessarily end. But alas! he reckoned without his host. Far from halting at this obstruction, the horse sprang over with amazing agility, to the utter confusion and disorder of his owner, who lost his hat and periwig in the leap, and now began to think in good earnest that he was actually mounted on the back of the devil. He recommended himself to G.o.d, his reflection forsook him, his eyesight and all his other senses failed, he quitted the reins, and fastening by instinct on the main, was in this condition conveyed into the midst of the sportsmen, who were astonished at the sight of such an apparition. Neither was their surprise to be wondered at, if we reflect on the figure that presented itself to their view."

Smollett delights in practical jokes, fighting, and violent language.

Sometimes we are almost in danger of the dagger. He rejoices in fun, in such scenes as that of Random fighting Captain Weasel with the roasting-spit, and what he says in "Humphrey Clinker" of the ladies, at a party in Bath, might better apply to his own dialogues. "Some cried, some swore, and the tropes and figures of Billingsgate were used without reserve in all their native rest and flavour."

CHAPTER VIII.

Cowper--Lady Austen's Influence--"John Gilpin"--"The Task"--Goldsmith--"The Citizen of the World"--Humorous Poems--Quacks--Baron Munchausen.

Humour seems to have an especial claim upon us in connection with the name of Cowper, inasmuch as but for it we should never have become acquainted with his writings. Many as are the charms of his works, they would never have become popularly known without this addition. In 1782 he published his collection of poems, but it only had an indifferent sale. Although friends spoke well of them, reviews gave forth various and uncertain opinions, and there was no sufficient inducement to lead the public to buy or read. Cowper was upon the verge of sinking into the abyss of unsuccessful authors, when a bright vision crossed his path.

Lady Austen paid a visit to Olney. She had lived much in France, and was overflowing with good humour and vivacity. She came to reside at the Vicarage at the back of his house, and they became so intimate that they pa.s.sed the days alternately with each other. "Lady Austen's conversation had," writes Southey, "as happy an effect on the melancholy spirit of Cowper, as the harp of David had upon Saul."

It is refreshing to turn from cynicism and prurience, to gentle and more harmless pleasantry. Cowper was very sympathetic, and easily took the impression of those with whom he consorted. Most of his pieces were written at the suggestion of others. Mrs. Unwin was of a melancholy and serious turn of mind, and tended to repress his lighter fancies, but his letters show that playfulness was natural to him; and in his first volume of poems we find two pieces of a decidedly humorous cast. We have "The Report of an Adjudged Case not to be found in any of the books."

"Between nose and eyes a strange contest arose, The spectacles set them unhappily wrong, The point in dispute was, as all the world knows, To which the said spectacles ought to belong."

We know the Chief Baron Ear, finally gave his decision--

"That whenever the nose put his spectacles on By daylight or candlelight, eyes should be shut."

The other piece is called "Hypocristy Detected."

"Thus says the prophet of the Turk, Good Mussulman, abstain from pork, There is a part in every swine No friend or follower of mine May taste, whate'er his inclination On pain of excommunication.

Such Mahomet's mysterious charge, And thus he left the point at large.