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TRANSLITERATION OF FACSIMILE OF WINTHROP'S "JOURNAL"

"ANNO DOMINI 1630, MARCH 29, MONDAY.

"EASTER MONDAY.

"Riding at the Cowes, near the Isle of Wight, in the _Arbella_, a ship of 350 tons, whereof Capt. Peter Milborne was master, being manned with 52 seamen, and 28 pieces of ordnance, (the wind coming to the N. by W. the evening before,) in the morning there came aboard us Mr. Cradock, the late governor, and the masters of his 2 ships, Capt.

John Lowe, master of the _Ambrose_, and Mr. Nicholas Hurlston, master of the _Jewel_, and Mr. Thomas Beecher, master of the _Talbot_."

The entry for Monday, April 12, 1630, is:--

"The wind more large to the N. a stiff gale, with fair weather. In the afternoon less wind, and our people began to grow well again. Our children and others, that were sick and lay groaning in the cabins, we fetched out, and having stretched a rope from the steerage to the main-mast, we made them stand, some of one side and some of the other, and sway it up and down till they were warm, and by this means they soon grew well and merry."

The following entry for June 5, 1644, reflects an interesting side light on the government of Harvard, our first American college:--

"Two of our ministers' sons, being students in the college, robbed two dwelling houses in the night of some fifteen pounds. Being found out, they were ordered by the governors of the college to be there whipped, which was performed by the president himself--yet they were about twenty years of age; and after they were brought into the court and ordered to twofold satisfaction, or to serve so long for it. We had yet no particular punishment for burglary."

Another entry for 1644 tells of one William Franklin, condemned for causing the death of his apprentice:--

"The case was this. He had taken to apprentice one Nathaniel Sewell, one of those children sent over the last year for the country; the boy had the scurvy and was withal very noisome, and otherwise ill disposed. His master used him with continual rigour and unmerciful correction, and exposed him many times to much cold and wet in the winter season, and used divers acts of rigour towards him, as hanging him in the chimney, etc., and the boy being very poor and weak, he tied him upon an horse and so brought him (sometimes sitting and sometimes hanging down) to Boston, being five miles off, to the magistrates, and by the way the boy calling much for water, would give him none, though he came close by it, so as the boy was near dead when he came to Boston, and died within a few hours after."

Winthrop relates how Franklin appealed the case when he was found guilty, and how the Puritans inflicted the death penalty on him after searching the _Bible_ for a rule on which to base their decision. The most noticeable qualities of this terrible story are its simplicity, its repression, its lack of striving after effect. Winthrop, Bradford, and Bunyan had learned from the 1611 version of the _Bible_ to be content to present any situation as simply as possible and to rely on the facts themselves to secure the effect.

Winthrop's finest piece of prose, _Concerning Liberty,_ appears in an entry for the year 1645. He defines liberty as the power "to do that which is good, just, and honest. This liberty you are to stand for, with the hazard, not only of your goods, but of your lives, if need be." Winthrop saw clearly what many since his day have failed to see, that a government conducted by the people could not endure, if liberty meant more than this.

Winthrop's _Journal_ records almost anything which seemed important to the colonists. Thus, he tells about storms, fires, peculiar deaths of animals, crimes, trials, Indians, labor troubles, arrival of ships, trading expeditions, troubles with England about the charter, politics, church matters, events that would point a moral, like the selfish refusal of the authorities to loan a quant.i.ty of gunpowder to the Plymouth colony and the subsequent destruction of that same powder by an explosion, or the drowning of a child in the well while the parents were visiting on Sunday. In short, this _Journal_ gives valuable information about the civil, religious, and domestic life of the early days of the Ma.s.sachusetts Bay Colony. The art of modern prose writing was known neither in England nor in America in Winthrop's time. The wonder is that he told the story of this colony in such good form and that he still holds the interest of the reader so well.

THE RELIGIOUS IDEAL

William Bradford and John Winthrop were governors of two religious commonwealths. We must not forget that the Puritans came to America to secure a higher form of spiritual life. In the reign of Elizabeth, it was thought that the Revival of Learning would cure all ills and unlock the gates of happiness. This hope had met with disappointment. Then Puritanism came, and ushered in a new era of spiritual aspiration for something better, n.o.bler, and more satisfying than mere intellectual attainments or wealth or earthly power had been able to secure.

The Puritans chose the _Bible_ as the guidebook to their Promised Land. The long sermons to which they listened were chiefly biblical expositions. The Puritans considered the saving of the soul the most important matter, and they neglected whatever form of culture did not directly tend toward that result. They thought that entertaining reading and other forms of amus.e.m.e.nt were contrivances of the devil to turn the soul's attention away from the _Bible_. Even beauty and art were considered handmaids of the Evil One. The _Bible_ was read, reread, and constantly studied, and it took the place of secular poetry and prose.

The New England Puritan believed in the theology of John Calvin, who died in 1564. His creed, known as Calvinism, emphasized the importance of the individual, of life's continuous moral struggle, which would land each soul in heaven or h.e.l.l for all eternity. In the _New England Primer_, the children were taught the first article of belief, as they learned the letter A:--

[Ill.u.s.tration: LETTER "A" IN NEW ENGLAND PRIMER"]

"In Adam's fall, We sinned all."

Calvinism stressed the doctrine of foreordination, that certain ones, "the elect," had been foreordained to be saved. THOMAS SHEPHARD (1605-1649), one of the great Puritan clergy, fixed the mathematical ratio of the d.a.m.ned to the elect as "a thousand to one." On the physical side, scientists have pointed out a close correspondence between Calvin's creed and the theory of evolution, which emphasizes the desperate struggle resulting from the survival of the fittest. The "fittest" are the "elect"; those who perish in the contest, the "d.a.m.ned." In the evolutionary struggle, only the few survive, while untold numbers of the unfit, no matter whether seeds of plants, eggs of fish, human beings, or any other form of life, go to the wall.

In spite of the apparent contradiction between free will and foreordination, each individual felt himself fully responsible for the saving of his soul. A firm belief in this tremendous responsibility made each one rise the stronger to meet the other responsibilities of life.

Civil responsibility seemed easier to one reared in this school. The initiative bequeathed by Elizabethan times was increased by the Puritans'

religion.

Although there were probably as many university men in proportion to the population in early colonial Ma.s.sachusetts as in England, the strength and direction of their religious ideals helped to turn their energy into activities outside the field of pure literature. In course of time, however, Nathaniel Hawthorne appeared to give lasting literary expression to this life.

THE NEW ENGLAND CLERGY.--The clergy occupied a leading place in both the civil and religious life of New England. They were men of energy and ability, who could lead their congregations to Holland or to the wilds of New England. For the purpose in hand the world has never seen superior leaders. Many of them were graduates of Cambridge University, England.

Their great authority was based on character, education, and natural ability. A contemporary historian said of John Cotton, who came as pastor from the old to the new Boston in 1633, that whatever he "delivered in the pulpit was soon put into an order of court ... or set up as a practice in the church."

The sermons, from two to four hours long, took the place of magazines, newspapers, and modern musical and theatrical entertainments. The church members were accustomed to hard thinking and they enjoyed it as a mental exercise. Their minds had not been rendered flabby by such a diet of miscellaneous trash or sensational matter as confronts modern readers. Many of the congregation went with notebooks to record the different heads and the most striking thoughts in the sermon, such, for instance, as the following on the dangers of idleness:--

"Whilst the stream keeps running, it keeps clear; but let it stand still, it breeds frogs and toads and all manner of filth. So while you keep going, you keep clear."

The sermons were often doctrinal, metaphysical, and extremely dry, but it is a mistake to conclude that the clergy did not speak on topics of current interest. Winthrop in his _Journal_ for 1639 relates how the Rev. John Cotton discussed whether a certain shopkeeper, who had been arraigned before the court for extortion, for having taken "in some small things, above two for one," was guilty of sin and should be excommunicated from the church, or only publicly admonished. Cotton prescribed admonition and he laid down a code of ethics for the guidance of sellers.

With the exception of Roger Williams (1604?-1683), who had the modern point of view in insisting on complete "soul liberty," on the right of every man to think as he pleased on matters of religion, the Puritan clergy were not tolerant of other forms of worship. They said that they came to New England in order to worship G.o.d as they pleased. They never made the slightest pretense of establishing a commonwealth where another could worship as he pleased, because they feared that such a privilege might lead to a return of the persecution from which they had fled. If those came who thought differently about religion, they were told that there was sufficient room elsewhere, in Rhode Island, for instance, whither Roger Williams went after he was banished from Salem. The history of the Puritan clergy would have been more pleasing had they been more tolerant, less narrow, more modern, like Roger Williams. Yet perhaps it is best not to complain overmuch of the strange and somewhat repellent architecture of the bridge which bore us over the stream dividing the desert of royal and ecclesiastical tyranny from the Promised Land of our Republic. Let us not forget that the clergy insisted on popular education; that wherever there was a clergyman, there was almost certain to be a school, even if he had to teach it himself, and that the clergy generally spoke and acted as if they would rather be "free among the dead than slaves among the living."

POETRY

The trend of Puritan theology and the hard conditions of life did not encourage the production of poetry. The Puritans even wondered if singing in church was not an exercise which turned the mind from G.o.d. The Rev. John Cotton investigated the question carefully under four main heads and six subheads, and he cited scriptural authority to show that Paul and Silas (_Acts_, xvi., 25) had sung a _Psalm_ in the prison. Cotton therefore concluded that the _Psalms_ might be sung in church.

[Ill.u.s.tration: FACSIMILE OF t.i.tLE-PAGE TO "BAY PSALM BOOK"]

BAY PSALM BOOK.--"The divines in the country" joined to translate "into English metre" the whole book of _Psalms_ from the original Hebrew, and they probably made the worst metrical translation in existence. In their preface to this work, known as the _Bay Psalm Book_ (1640), the first book of verse printed in the British American colonies, they explained that they did not strive for a more poetic translation because "G.o.d's altar needs not our polishings." The following verses from _Psalm_ cx.x.xvii. are a sample of the so-called metrical translation which the Puritans sang:--

"1. The rivers on of Babilon there-when wee did sit downe: yea even then wee mourned, when wee remembred Sion.

"2. Our Harps wee did it hang amid, upon the willow tree.

"3. Because there they that us away led in captivitee, Requir'd of us a song, & thus askt mirth: us waste who laid, sing us among a Sion's song, unto us then they said."

MICHAEL WIGGLESWORTH (1631-1705).--This Harvard graduate and Puritan preacher published in 1662 a poem setting forth some of the tenets of Calvinistic theology. This poem, ent.i.tled _The Day of Doom, or a Poetical Description of the Great and Last Judgment_, had the largest circulation of any colonial poem. The following lines represent a throng of infants at the left hand of the final Judge, pleading against the sentence of infant d.a.m.nation:--

"'Not we, but he ate of the tree, whose fruit was interdicted; Yet on us all of his sad fall the punishment's inflicted.

How could we sin that had not been, or how is his sin our, Without consent, which to prevent we never had the pow'r?'"

Wigglesworth represents the Almighty as replying:--

"'You sinners are, and such a share as sinners may expect; Such you shall have, for I do save none but mine own Elect.

Yet to compare your sin with their who liv'd a longer time, I do confess yours is much less, though every sin's a crime.

"'A crime it is, therefore in bliss you may not hope to dwell; But unto you I shall allow the easiest room in h.e.l.l.'"

When we read verse like this, we realize how fortunate the Puritanism of Old England was to have one great poet schooled in the love of both morality and beauty. John Milton's poetry shows not only his sublimity and high ideals, but also his admiration for beauty, music, and art.

Wigglesworth's verse is inferior to much of the ballad doggerel, but it has a swing and a directness fitted to catch the popular ear and to lodge in the memory. While some of his work seems humorous to us, it would not have made that impression on the early Puritans. At the same time, we must not rely on verse like this for our understanding of their outlook on life and death. Beside Wigglesworth's lines we should place the epitaph, "Reserved for a Glorious Resurrection," composed by the great orthodox Puritan clergyman, Cotton Mather (p. 46), for his own infant, which died unbaptized when four days old. It is well to remember that both the Puritans and their clergy had a quiet way of believing that G.o.d had reserved to himself the final interpretation of his own word.

ANNE BRADSTREET (1612-1672).--Colonial New England's best poet, or "The Tenth Muse," as she was called by her friends, was a daughter of the Puritan governor, Thomas Dudley, and became the wife of another Puritan governor, Simon Bradstreet, with whom she came to New England in 1630.

Although she was born before the death of Shakespeare, she seems never to have studied the works of that great dramatist. Her models were what Milton called the "fantastics," a school of poets who mistook for manifestations of poetic power, far-fetched and strained metaphors, oddities of expression, remote comparisons, conceits, and strange groupings of thought.

She had especially studied Sylvester's paraphrase of _The Divine Weeks and Works_ of the French poet Du Bartas, and probably also the works of poets like George Herbert (1593-1633), of the English fantastic school. This paraphrase of Du Bartas was published in a folio of 1215 pages, a few years before Mrs. Bradstreet came to America. This book shows the taste which prevailed in England in the latter part of the first third of the seventeenth century, before Milton came into the ascendency. The fantastic comparison between the "Spirit Eternal," brooding upon chaos, and a hen, is shown in these lines from Du Bartas:--

"Or as a Hen that fain would hatch a brood (Some of her own, some of adoptive blood) Sits close thereon, and with her lively heat, Of yellow-white b.a.l.l.s, doth live birds beget: Even in such sort seemed the Spirit Eternal To brood upon this Gulf with care paternal."

A contemporary critic thought that he was giving her early work high praise when he called her "a right Du Bartas girl." One of her early poems is _The Four Elements_, where Fire, Air, Earth, and Water

"... did contest Which was the strongest, n.o.blest, and the best, Who was of greatest use and mightiest force."

Such a debate could never be decided, but the subject was well suited to the fantastic school of poets because it afforded an opportunity for much ingenuity of argument and for far-fetched comparisons, which led nowhere.

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History of American Literature Part 2 summary

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