Highways and Byways in London Part 10

Entering under the archway of Staple Inn, we find ourselves suddenly in a quiet old court set about with plane trees, and in the middle a rustic seat placed, in countrified fashion, round a tree trunk; the old Hall of the Inn forming the background. It is a charming spot enough, with a most collegiate and secluded air; an air so strange, indeed, in this neighbourhood as to have struck many writers, among others Nathaniel Hawthorne:

"I went astray" (he says) "in Holborn, through an arched entrance, over which was 'Staple Inn' ... but in a court opening inwards from this was a surrounding seclusion of quiet dwelling houses, with beautiful green shrubbery and gra.s.s-plots in the court, and a great many sunflowers in full bloom.... There was ... not a quieter spot in England than this. In all the hundreds of years since London was built, it has not been able to sweep its roaring tide over that little island of quiet."

And d.i.c.kens thus writes of it:

"Behind the most ancient part of Holborn, where certain gabled houses some centuries of age still stand looking out on the public way ... is a little nook composed of two irregular quadrangles, called Staple Inn. It is one of those nooks, the turning into which out of the clashing street imparts to the relieved pedestrian the sensation of having put cotton in his ears and velvet soles on his boots. It is one of those nooks where a few smoky sparrows twitter in smoky trees, as though they called to one another, 'Let us play at country.'"

d.i.c.kens made this the abode of his kindly lawyer of _Edwin Drood_ (Mr.

Grewgious). The chambers where that gentleman is supposed to have dwelt are marked on a stone above the doorway, with initials, and a date--1747.

Beyond the first square, through another archway, a garden-plot is reached, the garden of the Hall. Very picturesque is this old Hall, long and low, with gabled lanthorns,--one large, one small,--and high timber roofs. The garden plot is bright even in winter, with variegated laurels and a privet hedge; these, with the darkened red-brick of the old Hall, make a charming picture. Opposite the garden-court extends the new and very attractive modern building of 1843, on a raised terrace: designed in early Jacobean style, and of a simple dignity that does not quarrel with its surroundings. This line of buildings is continued towards Chancery Lane by the new "Government Patent Office," an admirable structure as yet untouched by the mellowing London smoke. The buildings of the "Birkbeck Bank" opposite, which, in their turn, tower over the little Staple Inn Hall and garden, show,--in painful contrast both to their un.o.bjectionable Holborn front, and to the fine simplicity of the Patent Office,--a very ornate medley of terra-cotta and Doulton-ware; a chaos of bluish-green pillars and aggressive plaques and tiles, for which, indeed, some covering of London soot is greatly to be wished. One might almost think that one had got into Messrs. Spiers and Pond's refreshment-rooms or a "Central-Railway-station" by mistake.

Disillusions, however, are frequent in this semi-chaotic region of new and old buildings, and it must be confessed that the back of the Patent Office (in "Quality Court") is somewhat disappointing after its front view; it resembles, with its old, blackened pillars, a disused dissenting chapel; and Quality Court itself seems, like so many of the purlieus of the smaller Inns, mainly redolent of charwomen, cats, and orange-peel. Nevertheless, even in dingy "Quality Court" there are some respectable houses with quaint old doorways, as well as some good iron-work in the upper balconies.

[Ill.u.s.tration: _Fetter Lane._]

Some of the neighbouring courts are, however, far more unsavoury. See, for instance, "Fleur-de-Lis" Court, off Fetter Lane, a miserable, dilapidated flagged alley. The last time I visited this place, I found a few dirty children dancing to a poor cripple's playing of a kind of spinet or portable piano (some of the "music" of these peripatetic street-players is of a weird kind). Fleur-de-Lis Court!--charmingly named, but, like all courts with such romantic appellations, particularly grimy and squalid. Further up, away from Fetter Lane, where the "court" or narrow alley becomes even more wretchedly ruinous, is a barn-like place labelled "Newton Hall." It seems at a first glance to be the very abomination of desolation; its rusty door padlocked, with an air, too, of never-being-opened. Is there anything, I wondered at a first glance, more dismal in all London? Yet, on looking nearer, I seemed to see something comparatively clean shining on the wall of "Newton Hall," amid the surrounding grime. Can it be,--yes, it is,--a label,--and apparently affixed there within the memory of man: "Positivist Society." Surely, I reflected, the Positivist Cause must be in a bad way, if the dilapidation of the buildings be any guide to the state of the persuasion itself! It is, however, unfair to judge the state of Positivism from Fleur-de-Lis Court, for the whole neighbourhood has, evidently, but a short span of life remaining, and the court and its purlieus will soon be things of the past. Positivism is already removing or removed; and Newton Hall, till Fleur-de-Lis Court is transmogrified in the march of progress into offices or model-dwellings, will rust for some few years in peace.

The neighbourhood in which the old Hall stands is full of historic memories. As is ever the case in crowded Central London, the past, the many pasts, are strangely involved and blended, buried one beneath the other. Dryden and Otway are said to have once lived--and quarrelled--on and near this site. Then, in 1710, Sir Isaac Newton, the then President of the Royal Society, induced that body to buy a house and garden here from Dr. Barebones, a descendant of the "Praise-G.o.d-Barebones" of Puritan times. Sir Christopher Wren concurred in the purchase, and 1,450 was paid for the freehold. In this house the Royal Society held their meetings till they removed to Somerset House in 1782; and they built on its garden the present "Newton Hall,"--which hall, some say, is really from the designs of Wren. In 1818, Samuel Taylor Coleridge, unhappy son of genius, gave his last public lectures here; later, it was used as a chapel, and then the Positivist Society made it their home. It is strange to reflect that the chief reason advanced by Sir Isaac Newton to the Royal Society for the purchase of this site, was that it was "in the middle of the town and out of noise."

At the Holborn end of Fetter Lane there are still some fine old gabled houses, which must soon vanish; several little Inns of Chancery, byways out of Holborn and the Strand, have already been swept away: Thavies' Inn for instance, where d.i.c.kens, surely by an intentional anachronism, places Mrs. Jellyby's untidy home; Lyon's Inn, near Wych Street, destroyed in 1863; Old Furnival's Inn, on the opposite side of Holborn, where d.i.c.kens lived when he was first married, has been replaced by the offices of the Prudential a.s.surance Company, the saviours of Staple Inn, in intense red-brick. Lastly, Barnard's Inn (originally Mackworth's Inn), a charming little Holborn Inn on a tiny scale, with small courts, trees, a miniature hall and lanthorn, has been bought up by the Mercers' Company and is used by them as a school. This Inn is therefore not now accessible to the casual visitor; its Holborn entrance may, indeed, easily be missed; "Mercers'

School," in big gilt letters, adorns its narrow doorway. What a delightful private residence, one thinks, for some rich man, would such a little Inn as this have made! Strange that no rich man has ever thought so! the rich, like sheep, flock ever towards the less interesting West End. d.i.c.kens, as I have suggested, had little eye for the purely picturesque; and of this little Inn, compared by Loftie to one of De Hooghe's pictures, he merely says (in _Great Expectations_,) that it is "the dirtiest collection of shabby buildings ever squeezed together in a rank corner as a club for tom-cats!" So much, indeed, is Beauty in the eye of the seer! Barnard's Inn is also remarkable for having been, in the last century, the abode of the last of the alchemists.

A gateway on the north side of Holborn leads to Gray's Inn, the most northerly of the four big Inns of Court. The gardens of Gray's Inn are green and s.p.a.cious, and its courts and quadrangles have a sober solidity that is very attractive. This Inn affords a welcome retreat from two of the noisiest and most unpoetic thoroughfares in London,--Gray's Inn Road and Theobald's Road.

Here is Hawthorne's description of Gray's Inn Gardens:

"Gray's Inn is a great quiet domain, quadrangle beyond quadrangle close beside Holborn, and a large s.p.a.ce of greensward enclosed within it. It is very strange to find so much of ancient quietude right in the monster City's very jaws, which yet the monster shall not eat up--right in its very belly, indeed, which yet, in all these ages, it shall not digest and convert into the same substance as the rest of its bustling streets. Nothing else in London is so like the effect of a spell, as to pa.s.s under one of these archways, and find yourself transported from the jumble, rush, tumult, uproar, as of an age of week-days condensed into the present hour, into what seems an eternal Sabbath."

And Charles Lamb also said of them:

"These are the best gardens of any of the Inns of Court--my beloved Temple not forgotten--have the gravest character, their aspect being altogether reverend and law-breathing.

Bacon has left the impress of his foot upon their gravel walks."

Bacon (Lord Verulam) planted here not only the spreading elm-trees, but also a catalpa in the garden's north-east corner. In Gray's Inn is also "Bacon's Mount," which answers to the recommendation in the "Essay on Gardens"; "A mount of some pretty height, leaving the wall of the enclosure breast high, to look abroad into the fields." Gray's Inn Walks were, in Stuart times, very rural as well as very fashionable; in 1621 we find them mentioned by Howell as "the pleasantest place about London, with the choicest society"; and the _Tatler_ and _Spectator_ alike confirm this statement.

But, alas! Gray's Inn Walks are curtailed, and its gardens deserted enough, at the present day! No more does Fashion walk there, unless it be the "fashion" of the Gray's Inn Road. Many of the solid brick squares are fallen, like Mr. Tulkinghorn's haunt of "Allegory," into comparative decay; others, perhaps, are still more or less substantial; but the grime of many unpainted years of occupation must, one thinks, be more or less conducive to midnight gloom, or even to the before-mentioned complaint of "the 'orrors!" And yet, with all these drawbacks, do not the suites of rooms in the Inn emanate a semi-historic charm, a charm that the newer "flats" can never, never possess? Even apart from mere history, places where people have lived and experienced and suffered, always, I think, breathe a certain humanity.... And I would rather, for my part, have a dinner of herbs in Gray's Inn, in a low-roofed panelled parlour, with windows open on to the green enclosure below, than enjoy all the dainties of the clubs in a "Palace Mansions," with all the newest electric appliances.... I would rather hear the dim echoes of the past in the rustle of the Gray's Inn elm-trees, or the plash of the Temple Fountain, than boast of a theatre agency next door, or live in a West End street of ever so desirable people.... I would rather breathe the sweet and solitary content of a City quadrangle, than the fevered and stormy dissipation of Mayfair ... I would rather....

But the day darkens, and reminds me that I have wandered long enough in these City closes. Farewell, old Inns! haunts of ancient peace, goodnight! You will, surely, not always remain as you have been in the past. For some of you, that all-invading iconoclast, the builder, will alter and destroy old landmarks; for others, but few springs, maybe, will return to awake and gladden you into green beauty of plane and elm. Yet, even then, the memories of past glories will haunt the sacred place, and fill it with "a diviner air"; even then, will surely never wholly be abolished or destroyed those traditions of former greatness that

"--like the actions of the just, Smell sweet, and blossom in the dust."

CHAPTER VIII

THE EAST AND THE WEST

"Behold how far the East is from the West!"

"A forest of houses, between which ebbs and flows a stream of human faces, with all their varied pa.s.sions--an awful rush of love, hunger, and hate--for such is London."--_Heine._

"To Newton and to Newton's Dog Diamond," says Carlyle, "what a different pair of Universes; while the painting on the optical retina of both was, most likely, the same." "A distinct Universe," adds Thackeray in the same spirit, "walks about under your Hat, and under mine." This latter reflection occurs to me often as I walk about London, and note all its many "sorts and conditions" of men. There is here, especially, everything in the "point of view." From the West to the East is a wide difference; yet, between the two, how many minor differences?

London, indeed, is hardly like a single city; it is rather like many cities rolled into one. Here, more than anywhere else, you realize that "it takes all sorts to make a world"; for the inhabitants vary quite as widely as do those of foreign countries. It was Disraeli who said, with much cynical truth:

"The courts of two cities do not so differ from one another as the court and the city in their peculiar ways of life and conversation. In short, the inhabitants of St. James's, notwithstanding they live under the same laws, and speak the same language, are a distinct people from those of Cheapside."

[Ill.u.s.tration: _A Railway Bookstall._]

Between the people of the East, and those of the West, it is not merely a question of distance; for, as a matter of fact, the two types are often closely interwoven. Thus, there is an "East in the West,"

where, not infrequently, slums and mean streets lie in near juxtaposition to squares of lordly pleasure-houses, and where recently erected "model dwellings" for workmen flourish in the very hearts of the Grosvenor and Cadogan Estates; and there is a "West in the East,"

as testified by the pleasant wide streets of comfortable roomy houses that abound in the near suburbs of East and South London. Yet, it may be broadly stated that every part of London has manners peculiar to itself, as unvarying, in their way, as were the laws of the Medes and Persians; with, also, one princ.i.p.al dividing-line,--that intangible line separating the East End from the West End. Here are a few of the differences between the two:

The West End has all the money and all the leisure; the East End monopolizes most of the labour, and nearly all of the dirt. The West End numbers a few thousands of floating population; the East End, a million or so of pretty constant inhabitants. Yet, by some strange a.s.sociation of ideas, it is to this small "West End" that we allude when we speak of "all London," and to which the daily papers refer when in August and September they a.s.sure us that "there is absolutely no one left in town." The manners and customs of each are dissimilar; both indulge in slang of a kind; but, while the East End usually cuts off the initial letter of its words, the West-End drops the final one.

The West End is shocked by the East, but then, the East End is just as much shocked, for its part, by the West. If the "lady" is full of righteous scorn for the "factory hand" who spends her hard-won earnings on a feathered hat and a plush cape, the slum-dweller is, on the other hand, quite equally scandalized at the "lady's" brazen boldness in wearing a _decollete_ dress: "To think of 'er 'avin' the fice ter go hout with them nyked showlders, 'ow 'orrid!" the factory girl will say, from out the street-door crowd at an evening "crush."

Even a veiled Turkish lady, from the secluded harem, could hardly show more genuine feeling at the unpleasant spectacle. No, our ways are not as their ways. Their conventionalities are quite as strict, even stricter, than ours. Possibly to them, even our speech sounds just as faulty as theirs to us; probably they think us very ill-bred because we do not constantly reiterate the words "Mrs. Smith," or "Mrs.

Jones," when addressing the said ladies; or cry immediately, "Granted, Miss, or Sir," in reply to "I beg your pardon!" At any rate, we must, to them, seem chilly and unresponsive. Then, the books we read, if they understood them, would often greatly shock the slum-dwellers; the pictures we hang in our parlours would horrify them. Servants do not come from the slums or even from the lowest cla.s.s; yet I have myself, out of regard for their feelings, had to "sky" the most beautiful _chefs-d'oeuvre_ of t.i.tian, and turn the photograph of a masterpiece by Praxiteles with its face ignominiously to the wall. And it's "'ow you can go to that there National Gallery, 'm, and look at them pictures of folkses without a rag on 'em, well, it beats me, it do indeed!" After all, and once more, the difference is all in "the point of view!"

[Ill.u.s.tration: _The City Train._]

But, if the East and the West have their wide and radical differences, between the two there are, as I said, many recurring types. And the constant Londoner, were he suddenly to be brought, blindfolded, to some hitherto unknown spot in the city or near suburbs, would soon know his whereabouts by the look of the people he encountered. Thus, you may know Bloomsbury by its Jews, as well as by a population remarkable for general frowsiness, a look of "ingrained" dirt, and an indescribable air of having seen better days; Chelsea, by a certain art-serged female, and long-haired male community with an artistic,--and, yes,--perhaps a well-pleased and self-satisfied air; the "City," by its black-coated business men; Whitechapel, by its coster girls with fringes; Somers Town and Lisson Grove, by their odoriferous cats and cabbages; Mayfair, by its sleek carriage-horses, and also by the very superior maids and butlers you meet in its silent streets. Or, perhaps, by the straw that occasionally fills the quiet square corners, sounding the sad note of Death. I have seen a slum child dying of cancer in a crowded garret,--baked by the August sun,--covered with flies,--in a noisy alley; but only rich people's nerves require soothing at the last!

Miss Amy Levy has written a haunting little poem on this subject:

"Straw in the street, where I pa.s.s to-day, Dulls the sound of the wheels and feet.

'Tis for a failing life they lay Straw in the street.

"Here, where the pulses of London beat, Someone strives with the Presence Grey-- Ah, is it victory or defeat?

"The hurrying people go their way, Pause and jostle and pa.s.s and greet; For life, for death, are they treading, say, Straw in the street?"

"London," says a French writer, "resembles, in its size and luxury, Ancient Rome." But, if Ancient Rome, he adds, weighed heavily upon its toiling slaves, "how heavily does not our modern Rome weigh, also, upon the labouring cla.s.s!" The hanging gardens of Park Lane are in as great, and greater contrast to the Somers Town, Drury Lane, and Deptford slums, as were ever the Palaces of the Palatine to the slaves' quarters. London is the best city in the world to be rich in, the worst to be very poor in; as it is the best city for happiness, the worst for misery. It is the Temple of Midas, where everything,--from a coffin to a hired guest,--from the _entree_ to an "exclusive" mansion to a peer's status,--can be bought with money. Here, more than anywhere else, money is imperatively needed.

Even the poor hawkers who live in unspeakable slums, lined with cats and cabbages, in Lisson Grove, might, if they lived in the country, at least have clean cottages, gardens, and pure air. With the same income on which you are poor in town, you will be well-to-do, nay, rich in the country. House-rent,--indirect taxation,--the vicinity of tempting shops,--and amus.e.m.e.nts take the surplus. The attractions of town must indeed be great to the poor; for, if their wages be higher, their life is infinitely lower. But it is the same in all cla.s.ses. It is often said that the rich, who own so many large and luxurious country estates, houses, and gardens, are ill-advised to come up to town and spend hot Mays and Junes in baking Belgravia or Mayfair; but, after all, they only share the tastes of the majority.

Man is a gregarious animal, and loves his kind. Similarly, if you were to make a "house-to-house visitation" in some wretched Lisson Grove or East End slum, and inquire diligently of every inhabitant, whether they would prefer to "go back and live in the lovely country," their answer, I am convinced, would be firmly in the negative. East and West are alike in this.

But the key-note of the East End of London, apart from its big thoroughfares, is not so much squalor or poverty, as desperate, commonplace monotony, such as is described by Mrs. Humphry Ward in _Sir George Tressady_, "long lines of low houses,--two storeys always, or two storeys and a bas.e.m.e.nt,--all of the same yellowish brick, all begrimed by the same smoke, every door-knocker of the same pattern, every window-blind hung in the same way, and the same corner 'public'

on either side, flaming in the hazy distance." The East End is very conservative, and in its better houses there is a conservatism even in the blinds, which are, almost invariably, of cheap red rep or cloth, alternated by dirty "lace." With the poorest tenants, of course, blinds are at a discount; and grimy paper fills the frequent holes in the panes.

Yet, it is a mistake to suppose, as is more or less the popular theory, that the average East Ender's life is all unmitigated gloom.

Take, for instance, the life of the honest, hard-working artisan and his family. He may live in "mean streets"; but use is everything; and they are not "mean" to him. Possibly, from his point of view, the two-pair back, the frowsy street, are "a sight more homely and cosy"

than rich people's area gates and chilly grandeur. If the West End takes its pleasure by driving in the Park, the East, on the other hand, finds its relaxation on the tops of 'buses and trams, in walking about the flaring, gas-jetted street, in looking into shop windows, or in driving about in all the pride of a private, special coster's cart.

If the rich do not know how the poor live, the poor, on the other hand, have but a hazy idea of how the rich live. If you asked the average slum-dweller how the rich spend their day, they would most likely say, "in drinking champagne and driving in motor cars." Thus the cla.s.ses mutually do each other injustice. If the poor, for a while, could live the life of the rich, they would vote it terribly slow; Calverley was not so far out when he suggested slyly that

"Unless they've souls that grovel, Folks _prefer_ in fact a hovel to your dreary marble halls."

The poor of the East End have their special plays, their theatres, their "halls," their cheap popular amus.e.m.e.nts. And they have other minor compensations. They "eat hearty" when they do eat; they do not fall ill from dyspepsia or have to go to Carlsbad; or if they do suffer from M. Taine's favourite complaint, "the spleen" (which is unusual in a working man), they remedy it by a little harmless correction of their wives. Or if a poor woman's child is ill, she does not suffer for want of medical advice; she bundles it up quickly in a shawl, and runs with it to the nearest hospital, where, if the authorities are somewhat curt, she at any rate gets plenty of sympathy from all the other mothers in the big hospital waiting-room. Even that large, shabby crowd that, on visiting-days, await the opening of the hospital doors, so unutterably pathetic to the looker-on, is not, perhaps, without its alleviations. It is a mercy that we do not all like the same thing; and that, while the rich are exclusive, the poor will enjoy society of almost any kind: "We shall 'ave to leave our lodgin's, 'm, over them nice mews," a poor woman said to me lately, in a mournful tone. "The landlord, he's takin' the place down; an' I shall miss the 'orses' feet at night, somethin' shockin'; _they was sech comp'ny like_." Here, surely, is a case where one man's poison may be another man's meat!