Helen of the Old House Part 24

"Jim, how can you?" she protested. "You know John is there on business to see Charlie or his father."

"It is a full hour yet before quitting time at the Mill," he returned.

She had no reply to this, and the man continued with a touch of malicious satisfaction, "After all, Helen, John is human, you know, and old Pete Martin's daughter is a mighty attractive girl."

Helen Ward's cheeks were red, but she managed to control her voice, as she said, "Just what do you mean by that, Jim?"

"Is it possible that you really do not know?" he countered.

"I know that my brother, foolish as he may be about some things, would never think of paying serious attention to the daughter of one of his employees," she retorted, warmly.

"That is exactly the situation," he returned. "No one believes for a moment that the affair is serious on John's part."

The color was gone from Helen's face now. "I think you have said too much not to go on now, Jim. Do you mean that people are saying that John is amusing himself with Mary Martin?"

"Well," he returned, coolly, "what else can the people think when they see him going there so often; when they see the two together, wandering about the Flats; when they hear his car tearing down the street late in the evening; when they see her every morning at the gate watching for him to pa.s.s on his way to work? Your brother is not a saint, Helen. He is no different, in some ways, from other men. I always did feel that there was something back of all this comrade stuff between him and Charlie Martin. As for the girl, I don't think you need to worry about her. She probably understands it all right enough."

"Jim, you must not say such things to me about Mary! She is not at all that kind of girl. The whole thing is impossible."

"What do you know about Mary Martin?" he retorted. "I'll bet you have never even spoken to her since you moved from the old house."

Helen did not speak after this until they were pa.s.sing the great stone columns at the entrance to the Ward estate, then she said, quietly, "Jim, do you always believe the worst possible things about every one?"

"That's an odd thing for you to ask," he returned, doubtfully, as they drove slowly up the long curving driveway. "Why?"

"Because," she answered, "it sometimes seems to me as if no one believed the best things about people these days. I know there is a world of wickedness among us, Jim, but are we all going wholly to the bad together?"

McIver laughed. "We are all alike in one thing, Helen. No matter what he professes, you will find that at the last every man holds to the good old law of 'look out for number one.' Business or pleasure, it's all the same. A man looks after his own interests first and takes what he wants, or can get, when and where and how he can."

"But, Jim, the war--"

He laughed cynically. "The war was pure selfishness from start to finish. We fed the fool public a lot of patriotic bunk, of course--we had to--we needed them. And the dear people fell for the sentimental hero business as they always do." With the last word he stopped the car in front of the house.

When Helen was on the ground she turned and faced him squarely. "Jim McIver, your words are an insult to my brother and to ninety-nine out of every hundred men who served under our flag, and you insult my intelligence if you expect me to accept them in earnest. If I thought for a minute that you were capable of really believing such abominable stuff I would never speak to you again. Good-by, Jim. Thank you so much for the ride."

Before the man could answer, she ran up the steps and disappeared through the front door.

But McIver's car was no more than past the entrance when Helen appeared again on the porch. For a moment she stood, as if debating some question in her mind. Then apparently, she reached a decision. Ten minutes later she was walking hurriedly down the hill road--the way Bobby and Maggie had fled that day when Adam Ward drove them from the iron fence that guarded his estate. It was scarcely a mile by this road to the old house and the Martin cottage.

CHAPTER XIV

THE WAY BACK

That walk from her home to the little white cottage next door to the old house was the most eventful journey that Helen Ward ever made. She felt this in a way at the time, but she could not know to what end her sudden impulse to visit again the place of her girlhood would eventually lead.

As she made her way down the hill toward that tree-arched street, she realized a little how far the years had carried her from the old house.

She had many vivid and delightful memories of that world of her childhood, it is true, but the world to which her father's material success had removed her in the years of her ripening womanhood had come to claim her so wholly that she had never once gone back. She had looked back at first with troubled longing. But Adam Ward's determined efforts to make the separation of the two families final and complete, together with the ever-increasing bitterness of his strange hatred for his old workman friend, had effectually prevented her from any attempt at a continuation of the old relationship. In time, even the thought of taking so much as a single step toward the intimacies from which she had come so far, had ceased to occur to her. And now, suddenly, without plan or premeditation, she was on her way actually to touch again, if only for a few moments, the lives that had been so large a part of the simple, joyous life which she had known once, but which was so foreign to her now.

Nor was it at all clear to her why she was going or what she would do.

As she had observed with increasing interest the change in her brother's att.i.tude toward the pleasures that had claimed him so wholly before the war, she had wondered often at his happy contentment in contrast to her own restless and dissatisfied spirit. McIver's words had suddenly forced one fact upon her with startling clearness: John, through his work in the Mill, his a.s.sociation with Captain Charlie and his visits to the Martin home, was actually living again in the atmosphere of that world which she felt they had left so far behind. It was as though her brother had already gone back.

And McIver's challenging question, "What do you know about Mary Martin?" had raised in her mind a doubt, not of her brother and his relationship to these old friends of their childhood, but of herself and all the relationships that made her present life such a contrast to her life in the old house.

With her mind and heart so full of doubts and questionings, she turned into the familiar street and saw her brother's car still before the Martin home.

As she went on, a feeling of strange eagerness possessed her. Her face glowed with warm color, her eyes shone with glad antic.i.p.ation, her heart beat more quickly. As one returning to well loved home scenes after many years in a foreign land, the daughter of Adam Ward went down the street toward the place where she was born. In front of the old house she stopped. The color went from her cheeks--the brightness from her eyes.

In her swiftly moving automobile, nearly always with gay companions, Helen had sometimes pa.s.sed the old house and had noticed with momentary concern its neglected appearance. But these fleeting glimpses had been so quickly forgotten that the place was most real to her as she saw it in her memories. But now, as she stood there alone, in the mood that had brought her to the spot, the real significance of the ruin struck her with appalling force.

Those rooms with their shattered windowpanes, their bare, rotting cas.e.m.e.nts and sagging, broken shutters appealed to her in the mute eloquence of their empty loneliness for the joyous life that once had filled them. The weed-grown yard, the tumbledown fence, the dilapidated porch, and even the chimneys that were crumbling and ragged against the sky, cried out to her in sorrowful reproach. A rushing flood of home memories filled her eyes with hot tears. With the empty loneliness of the old house in her heart, she went blindly on to the little cottage next door. There was no thought as to how she would explain her unusual presence there. She did not, herself, really know clearly why she had come.

Timidly she paused at the white gate. There was no one in the yard to bid her welcome. As one in a dream, she pa.s.sed softly into the yard.

She was trembling now as one on the threshold of a great adventure.

What was it? What did it mean--her coming there?

Wonderingly she looked about the little yard with its bit of lawn--at the big shade tree--the flowers--it was all just as she had always known it. Where were they?--John and Mary and Charlie? Why was there no sound of their voices? Her cheeks were suddenly hot with color. What if Charlie Martin should suddenly appear! As one awakened from strange dreams to a familiar home scene, Helen Ward was all at once back in those days of her girlhood. She had come as she had come so many, many times from the old house next door, to find her brother and their friends. Her heart was eager with the shy eagerness of a maid for the expected presence of her first boyish lover.

Then Peter Martin, coming around the house from the garden, saw her standing there.

The old workman stopped, as if at the sight of an apparition.

Mechanically he placed the garden tool he was carrying against the corner of the house; deliberately he knocked the ashes from his pipe and placed it methodically in his pocket.

With a little cry, Helen ran to him, her hands outstretched, "Uncle Pete!"

The old workman caught her and for a few moments she clung to him, half laughing, half crying, while they both, in the genuineness of their affection, forgot the years.

"Is it really you, Helen?" he said, at last, and she saw a suspicious moisture in the kindly eyes. "Have you really come back to see the old man after all these years?"

Then, with quick anxiety, he asked, "But what is the matter, child?

Your father--your mother--are they all right? Is there anything wrong at your home up on the hill yonder?"

His very natural inquiry broke the spell and placed her instantly back in the world to which she now belonged. Drawing away from him, she returned, with characteristic calmness, "Oh, no, Uncle Pete, father and mother are both very well indeed. But why should you think there must be something wrong, simply because I chanced to call?"

The old workman was clearly confused at this sudden change in her manner. He had welcomed the girl--the Helen of the old house--this self-possessed young woman was quite a different person. She was the princess lady of little Maggie and Bobby Whaley's acquaintance, who sometimes condescended to recognize him with a cool little nod as her big automobile pa.s.sed him swiftly by.

Pete Martin could not know, as the Interpreter would have known, how at that very moment the Helen of the old house and the princess lady were struggling for supremacy.

Removing his hat and handling it awkwardly, he said, with a touch of dignity in his tone and manner in spite of his embarra.s.sment, "I'm glad the folks are well, Helen. Won't you take a seat and rest yourself?"

As they went toward the chairs in the shade of the tree, he added, "It is a long time since we have seen you in this part of town--walking, I mean."

The Helen of the old house wanted to answer--she longed to cry out in the fullness of her heart some of the things that were demanding expression, but it was the princess lady who answered, "I saw my brother's car here and thought perhaps he would let me ride home with him."