Hearing Secret Harmonies Part 7

'What do you think about Vietnam?'

Widmerpool and the twins once setded at their table, dinner pa.s.sed off without further notable incident. Isobel reported later that Gwinnett had given no outward sign of noticing Widmerpool's arrival. Possibly he had not even penetrated the disguise of the red sweater. That would have been reasonable enough. Alternatively, Gwinnett's indifference could have been feigned, a line he chose to take, or, quite simply, expression of what he genuinely felt. Neither with Isobel, nor Matilda, did he display any of his occasional bouts of refusing to talk. He had, Isobel said, continued to abstain from alcohol.

'What do you think of Enoch?' asked the Donners-Brebner lady.

The time came for speeches. Delavacquerie said his usual short introductory word. He was followed by Members, who settled down to what sounded like the gist of an undelivered lecture on The Novel; English, French, Russian; notably American, in compliment to Gwinnett, and recognition of the American Novel's influence on Trapnel's style. Members went on, also at some length, to consider Trapnel as an archetypal figure of our time. The final reference to his own gone-for-ever five pounds was received with much relieved laughter.

'Was the last speaker a famous writer too?'

'A famous poet.'

Members seemed owed this description, within the context of the question. Gwinnett followed. He did not speak for long. In fact, without almost impugning the compliment of the award, he could hardly have been more brief. He said that he had admired Trapnel's work since first reading a short story found in an American magazine, taken immediate steps to discover what else he had written, in due course formed the ambition to write about Trapnel himself. His great regret, Gwinnett said, was never to have met Trapnel in the flesh.

'I called my book Death's-head Swordsman Death's-head Swordsman, because X. Trapnel's sword-stick symbolized the way he faced the world. The book's epigraph spoken as you will recall, by an actor holding a skull in his hands emphasizes that Death, as well as Life, can have its beauty.

'Whether our death be good Or bad, it is not death, but life that tries.

He lived well: therefore, questionless, well dies.'

Gwinnett stopped. He sat down. The audience, myself included, supposing he was going to elaborate the meaning of the quotation, draw some a.n.a.logy, waited to clap. Whatever significance he attached to the lines, they remained unexpounded. After the moment of uncertainty some applause was given. Emily Brightman whispered approval.

'Good, didn't you think? I impressed on Russell not to be prosy.'

Conversation became general. In a minute or two people would begin to move from their seats a few were doing so already and the party break up. I turned over in my mind the question of seeing, or not seeing, Gwinnett, while he remained in England. Now that his work on Trapnel was at an end we had no special tie, although in an odd way I had always felt well disposed towards him, even if his presence imposed a certain strain. The matter was likely to lie in Gwinnett's hands rather than mine, and in any case, he was only to stay a week. It could be put off until research brought him over here again.

'In the end we decided against the Bahamas,' said the director's lady.

At the far end of the dining-room a guest at one of the tables had begun to talk in an unusually loud voice, probably some author, publisher or reviewer, who had taken too much to drink. There had been enough on supply, scarcely an amount to justify anything spectacular in the way of intoxication. Whoever was responsible for making so much row had probably arrived tipsy, or, during the time available, consumed an exceptional number of pre-dinner drinks. Members, for instance who put away more than he used was rather red in the face, no more than that. Conceivably, the noise was simply one of those penetrative conversational voices with devastating carrying power. Then a thumping on the table with a fork or spoon indicated a call for silence. Somebody else wanted to make a speech. There was going to be another unplanned oration, probably on the lines of Alaric Kydd's tribute to the memory of the h.o.m.os.e.xual politician, whose biography had received the Prize that year.

'Look Lord Widmerpool is going to speak. He was awfully good when I heard him on telly. He talked of all sorts of things I didn't know about in the most interesting way. He's not at all conventional, you know. In fact he said he hated all conventions. The American was rather dull, wasn't he?'

The moment inevitably recalled that when, at a reunion dinner of Le Bas's Old Boys, Widmerpool had risen to give his views on the current financial situation. I had seen little or nothing of his later career as a public man, so this occasion could have been far from unique. Even if he made a practice nowadays of impromptu speaking, the present gathering was an extraordinary one to choose to draw attention to himself.

'Magnus Donners Prize winner, judges and guests, there is more than one reason why I am addressing you tonight without invitation.'

The parallel with the Old Boy dinner underlined the changes taken place in Widmerpool's oratory. In former days a basic self-a.s.surance had been tempered with hesitancy of manner, partly due to thickness of utterance, partly to consciousness of being on uneasy terms with his contemporaries. All suggestion of unsureness, of irresolution, was gone. When a sentence was brought out too quickly, one word, rasping over the next in a torrent of excited a.s.sertion, the meaning might become blurred, but, on the whole, the diction had become more effective with practice, and a changed accentuation.

'I address you in the first place as the once old friend and business colleague of the late Magnus Donners himself, the man we commemorate tonight by the award of the Prize named after him, and by the dinner we have just eaten. In spite of this, no more than a few words have been spoken of Donners, as public man or private individual. In certain respects that is justified. Donners represented in his public life all that I most abhor. Let me at once go on record as expressing this sentiment towards him. All that I hold most pernicious characterized Donners, and his doings, in many different ways, and in many parts of the world. Nevertheless Donners put me in charge, many years ago, of the sources from which the monies derive that make up the amount of the Prize, and pay for our dinner tonight. That, as I say, was many years ago. I do not wish to speak more of my own work than that. It was hard work, work scrupulously done. I make these introductory remarks only to convince you that I have strong claims to be given a hearing.'

Widmerpool paused. He gazed round. The room was quite silent, except for the Quiggin twins, who, paying no attention whatever to Widmerpool's words, were muttering and giggling together. No one could blame them for that. It looked as if we were in for a longish harangue. Quiggin, from a table over the way, kept an eye on his daughters. On the other hand, Ada seemed riveted by Widmerpool himself. Half smiling, she sat staring at him, possibly musing how extraordinary that Pamela Flitton, her old friend, should once have been his wife. Matilda was watching Widmerpool too. Her face had a.s.sumed a look of conventional stage surprise, one appropriate to an actress, no longer young, playing a quizzical role in comedy or farce. This expression remained unchanged throughout Widmerpool's strictures on Sir Magnus. The dark profile of Delavacquerie, grave, firm, rather sad in repose, gave nothing away. Nor did Gwinnett, either by look or movement, show any reaction. Gwinnett might have been listening to the most ba.n.a.l of congratulatory addresses, delivered by the official representative of some academic body. Widmerpool pa.s.sed his hand inside the neck of his sweater. He was working himself up.

'We are often told we must establish with certainty the values of the society in which we live. That is a right and proper ambition, one to be laid down without reticence as to yea or nay. Let me say at once what I stand for myself. I stand for the dictatorship of free men, and the catalysis of social, physical and spiritual revolution. I claim the right to do so in the name of contemporary counterculture, no less than in my status as trustee of the fund of which I have already spoken. But let me make this very plain neither of these claims do I regard as paramount. I have yet another that altogether overrides the second, and expresses in an intrinsic and individual formula a point of contact to be looked upon as the veritable hub of the first.'

Widmerpool again stopped speaking. He was sweating hard, though the night was far from warm. He took a long drink of water. No one interrupted as some of the more impatient had done in the course of Alaric Kydd's extempore harangue probably kept silent from sheer surprise. Widmerpool also managed to give the impression he was coming on to something that might be worth hearing. In fact the Donners-Brebner director's wife had been to some extent justified in her a.s.sessment.

'There are persons here tonight aware that I am myself referred to even if not by name in the biography that has received this year's Magnus Donners Memorial award, the work we have come together to celebrate at this dinner. For the benefit of those not already in possession of that information those who do not know that, under the cloak of a specious anonymity, the story of my own married life is there recorded I take the opportunity to announce that fact. I was the husband of the woman who destroyed the wretched author Trapnel's ma.n.u.script book or whatever it was of his literary work that she destroyed one of the steps on the downfall of Trapnel, and of herself.'

To describe as somewhat horrified the silence that continued to exist throughout the dining-room would be no undue exaggeration. These words were far more than the committee had bargained for. Delavacquerie especially must at the moment be feeling that, I thought, though in a sense Widmerpool's line was the one Delavacquerie himself had predicted; even if infinitely more aggressive. There was no way of stopping Widmerpool. He would have to be heard to the end.

'Some of you not, I hope, the younger section of my audience may be surprised at my drawing attention to my own case in playing a part that of the so-called betrayed husband once looked upon as discreditable and derisory. I go further than merely proclaiming that fact to you all. I take pride in ridiculing what is or rather was absurdly called honour, respectability, law, order, obedience, custom, rule, hierarchy, precept, regulation, all that is insidiously imposed by the morally, ideologically, and spiritually naked, and politically bankrupt, on those they have oppressed and do oppress. I am grateful to the author of this book the t.i.tle of which for the moment escapes me for bringing home to so large an audience the irrelevance of such concepts in this day and age, by giving me opportunity to express at a gathering like ours, the wrongness of the way we live, the wrongness of marriage, the wrongness of money, the wrongness of education, the wrongness of government, the wrongness of the manner we treat kids like these.'

Widmerpool extended his hand in the direction of Amanda and Belinda. They were still conferring together. Neither took any notice of this reference to themselves. Perhaps they were unaware of it.

'I have brought these two children tonight by special request on my own part, and for a good reason. They are the couple who threw paint over me in my capacity as university chancellor. It was the right thing to do. It was the only thing to do. I was taking part in a piece of pompous and meaningless ceremonial, which my own good sense, and social opinions, should have taught me to avoid. I am now eternally glad that I did not avoid that. I learnt a lesson. Even now there are marks of red paint on my body, that may remain until my dying day, as memorial to a weak spirit. The entirely commendable act of Amanda and Belinda brought to the surface many half-formulated ideas already in my mind. Crystallized them. These children are right to have abandoned the idea that they can get somewhere without violence. Festering diseases need sharp surgery. These kids were articulate in their own way, and, in a different manner, the book by Professor Professor this book, the one that has won the Prize, has crystallized my views -'

Quiggin was not taking Widmerpool's speech at all well. If he had been looking in poor health at the start of the evening, he now appeared almost at the end of his tether with his cold, and the unlooked for imposition of this flow of revolutionary principles. Ada, too, had begun to show signs of stress. Then Quiggin's expression suddenly changed. From sourness, irritability, air of being out of sorts, the features became distorted with alarm. He had noticed something about Widmerpool, so it seemed, that disturbed him out of all proportion to the words spoken, many of which he must often have heard before, even if exceptional in the present circ.u.mstances. I turned towards Widmerpool's table to see what the cause of this anxiety might be. The movement was too late. Whatever preparations Quiggin apprehended had by then pa.s.sed into the sphere of active operation. There was a loud crackling explosion, like fireworks going off in an enclosed s.p.a.ce, followed by a terrific bang. Widmerpool's table was enveloped in a dark cloud that recalled 'laying down smoke' in army exercises. Within half a second all that end of the room was hidden in thick fumes, some of which reached as far as the judges' table. At the same time a perfectly awful smell descended.

'I knew it would be a mistake to allow those girls in. I have some experience.'

Emily Brightman's voice was calm. Academic administration had accustomed her to such things as were taking place.

The smell that swept through the room was of stupefying nastiness. When the smoke cleared away which for some reason it did quite quickly, the smell, in contrast, dilating in volume and foulness the Quiggin twins had disappeared. They must have made a quick exit through the door at that end of the dining-room. A few wisps of blue smoke hung round Widmerpool himself, like a penumbra, where he still stood upright at the table. He seemed as unprepared as anyone else present for these discharges. His mouth continued to open and close. Either no words came out, or they could be heard no longer at this distance on account of the general turmoil made by people rising from their seats in an effort to escape the nauseating reek. The last I saw of the Donners-Brebner lady was a backview hurrying down the room, handkerchief raised to face. Emily Brightman, puckering her nostrils, fanned herself with a menu.

'This compares with the Mutilation of the Hermae. Fortunately Russell is used to the antics of students. He is always self-possessed in trying situations. I told you that Lord Widmerpool had become very strange. No one showed much interest in that information at the time.'

Delavacquerie was the first to reach Gwinnett to make some sort of an apology for what had happened. He was followed by others, including the Quiggin parents. Gwinnett himself was behaving as if fire-crackers, artificial smoke, stinkbombs, were all normal adjuncts of any literary prize-giving, in London, or anywhere else. Matilda, too, was taking it all quietly. The scene may even have appealed a little to her own adventurous side.

'Here's the maitre d'hotel,' she said. 'We shall probably be asked to hold the party in another restaurant next year.'

The origin of all this tumult Widmerpool and his speech, more precisely, Widmerpool and his guests had been for the moment forgotten in the general confusion.

Now Widmerpool himself appeared in the crowd cl.u.s.tering round Gwinnett. He was in a state of almost uncontrollable excitement, eyes gleaming through his spectacles hands making spasmodic jerky movements.

'That was a Happening, if you like. Amanda and Belinda don't do things by halves. I wouldn't have missed that for a cool million I mean had money meant anything to me these days.'

He made for Gwinnett, whom Evadne Clapham had at last managed to pin down; Delavacquerie having moved away to speak with Matilda. Widmerpool something of a feat elbowed Evadne Clapham aside. He faced Gwinnett. They did not shake hands.

'Professor Gwinnett at last I recall the name I hope you did not mind what I said in my speech.'

'No, Lord Widmerpool, I did not mind.'

'Not at all?'

'Not at all.'

'You are probably familiar with its trend.'

'I am.'

'You have heard some of those concepts ventilated in academic circles?'

'I have.'

'Are you staying in this country?'

'Just a week.'

'I should like to see you. Where are you staying?'

Gwinnett expressed no view as to whether or not he himself wished to renew such acquaintance as already experienced with Widmerpool. He simply gave the name of his hotel. Widmerpool, who had taken out a pencil, was about to write the address on the back of a menu picked up from the table. He showed immediate signs of recognizing the place, which he must almost certainly have been required to enter in the course of clearing up his wife's affairs. His mouth twitched. Having gone thus far in making overtures to Gwinnett, expressly stating that he would like to see more of him while he was in England, he firmly went through with noting down the information given. The hotel, macabre as the choice might be, was a minor matter, it might be supposed, compared with the general wish to consort with Gwinnett himself.

'Will you have time to visit me, Professor Gwinnett I should like you, as an academic, to inspect my little community in the country? There are young people there you might enjoy meeting. I flatter myself I have bridged the age-gap with success and in a manner that could be of interest in connexion with your own students. It was a problem to which I gave special attention when I was in the USA.'

Gwinnett said nothing. His silence was altogether uncommitted. It carried neither approval and acceptance, nor disapproval and rejection. His own position was absolutely neutral so far as outward gesture was concerned. It recalled a little his treatment in Venice of Glober, the film tyc.o.o.n. Widmerpool tore off half the menu he held, and wrote on it his own address.

'Here you are. Let me know, if you have a moment to come down. I shall leave here now, as I do not propose to stay any longer than necessary at a bourgeois gathering of a sort deeply repugnant to me. I came only to state in public certain things I deeply feel, and this seemed an ideal occasion for stating. I did not guess my words would be reinforced by militant action. So much the better. Why it took place, I myself do not know. Perhaps because you yourself the winner of the Prize are of American nationality, a citizen of the United States. If so, you will understand, Professor, that it was called for by your country's policies, not your own book, and will recognize a gesture of cultural paranoia, from representatives of Youth, in which nothing the least personal is intended.'

Widmerpool grinned unpleasantly for a second, then turned away. He did not say goodbye to Matilda, Delavacquerie, myself, nor anyone else. In fact he now seemed not only unaware that other persons were present, but altogether insensible to the smell, hardly at all abated in frightfulness. The transcendent beauty of the performance put on by the Quiggin twins alone absorbed him; as it were, levitated him into a world of almost absolute moral and political bliss. Deep in thought, he walked slowly down the room, now rapidly emptying.

4.

IN DAYS WHEN UNCLE GILES had been (to borrow the expressive idiom of Dr Trelawney) a restless soul wandering the vast surfaces of the Earth, it had seemed extraordinary that a man of his age by no means what I now considered venerable should apparently regard his life as full of incident, take his own doings with such desperate seriousness. These arbitrarily accepted conjectures of one's earlier years to the effect that nothing of the slightest interest happens to people, who, for reasons best known to themselves, have chosen to grow old were not wholly borne out by observation of one's contemporaries, nor even to some degree by personal experience. Widmerpool was certainly a case in point. The backwash of the Magnus Donners dinner tended, naturally enough, to emphasize the action of the Quiggin twins, rather than Widmerpool's own performance that night, but, after all, Amanda and Belinda would never have had opportunity to break up the party, if Widmerpool had not negotiated the invitation.

Widmerpool himself had explained in the clearest terms, at the time, his reasons for taking the course he had, including the wish to be accompanied by the Quiggin twins, but not everyone was able to comprehend his latest standpoint. There were even found those to echo the conclusion of Lenore Members that he had become 'mentally disturbed.'

Then the answer dawned on me. Widmerpool was Orlando. The parallel with Ariosto's story might not be exact at every point, its a.n.a.logy even partake of parody, but here was Widmerpool, for years leading what he certainly regarded himself as the Heroic Life, deserted by his Angelica, not for one but a thousand (in Widmerpool's eyes) nonent.i.ties. If Pamela lacked some of Angelica's qualities, Angelica, too, had sometimes drunk at enchanted fountains that excited violent pa.s.sions. It was the consequence of this situation that seemed so apposite; the signs Widmerpool was showing, at least morally speaking, of stripping himself naked like Orlando, taking to the woods, in the same manner dropping out. It remained to be seen whether Widmerpool would find an Astolpho.

Later that spring there was another small reminder of Ariosto, this time in connexion with the Mage beginning to fly; in short, Scorpio Murtlock perhaps annually incarnate at this season as a vernal demiG.o.d whose name appeared in a newspaper paragraph. It reported some sort of a row that had taken place in the neighbourhood of the megalithic site to which the caravan had been travelling just about a year before. Whether the same party, or other members of the cult, had been in that area all the time was not clear. Only Murtlock was mentioned by name. I did not know whether Fiona still belonged to his community, enquiries about her doings from her parents being a delicate matter. The local inhabitants seemed to have objected to ceremonies, performed in and about the neolithic site, by Murtlock and his followers. The police were reported as undertaking investigations. Murtlock himself was represented as making vigorous protest against alleged persecution of the group for their beliefs. That was the sole reference to the incident at the time, anyway the only one I saw.

In a writer's life, as time shortens, work tends to predominate, among other things resulting in a reduction of attendance at large conjunctions of people. In relation to work itself there are arguments against this change of rhythm. An affair like the Magnus Donners dinner might be exceptional in what it had provided, but even a.s.semblages of a calmer nature staved off that reclusion which seems to offer increasing attractions, keeping one in some sort of circulation, in a position to hear the latest news. Such jaunts prevented a repletion of ideas, mulled over constantly in the mind, wholly taking the place of experience. Thinking as General Conyers used to insist damages feeling. No doubt he had got the idea from a book. That did not make it less valid. Something can get lost, especially in the arts, by thinking too much, which sometimes confuses the instinct for what ought to go down on paper.

These professional reflexions, at best subjective, at worst intolerably tedious, are pretext for inclusion of yet another public dinner; though my life was far from consisting in a succession of such functions. When an invitation arrived for the Royal Academy banquet the phrase conjured up a tempting vision of former days: forgotten Victorian RAs, their names once a household word; vast canvases in vaster gilt frames; 'society' portraits of famous beauties and eminent statesmen; enigmatic Problem Pictures: fashionable crowds; a whole aesthetic and social cosmos with a myth of its own. The inst.i.tution that had welcomed Isbister, excluded Mr Deacon, had now undergone a deathbed conversion to Modernism. Yet was the Academy on its deathbed? The reality of the occasion as opposed to such reveries had by no means discarded all vestige of the old tradition. If the pictures hanging on the now whitewashed walls might be called temperately avant-garde in treatment, a rea.s.suring suspicion remained that techniques, long sunk in oblivion, were to be found tucked away in obscure corners. The company, too, was no less traditional, minor royalty likely to be present, not to mention a member of the Cabinet possibly the Prime Minister himself making, at this relatively free and easy party, a speech that could touch on some grave matter of policy.

The suggestion thus given of a kind of carnival, devoted to the theme of Past and Present, was heightened by the contrasted attire of the guests. White ties and black tailcoats, orders and decorations, mingled with dinner-jackets, the intermittent everyday suit. The last were rare. Those who despised evening-dress usually adopted an out-and-out knock-about-the-studio garb, accompanied by beard and flowing hair. The odd thing was that the appearance of these rebels against convention alienated against a background of stiff white shirts, coloured ribands, sparkling stars and crosses made the rebels themselves seem as much survivors from an early nineteenth-century romantic bohemianism, as swallow-tailed coats and medals recalled the glittering receptions of the same era.

The seating plan showed my own place between an actor and a clergyman, both professions to strike the right archetypal note for an evening of that sort. The actor (who had performed a rather notable Shallow the previous year) was now playing in an Ibsen revival, of which Polly Duport was the star. The clergyman's name the Revd Canon Paul Fenneau familiar, was not immediately placeable. A likely guess would be that he was inc.u.mbent of a London parish, a parson known for active work in some charitable sphere, possibly even the preservation of ancient buildings. Celebrity in such fields could have brought him to the dinner that night. The last possibility might also explain the faintly scholarly a.s.sociations, not necessarily theological, that the name set in motion.

A crowd of guests was already collected by the bar in the gallery beyond the circular central hall. Members was there, talking to Smethyck (recently retired from the directorship of his gallery), both of them, Members especially, giving the impression that they intended to make a mildly uproarious evening of it. The flushed cheeks of Members enclosed by fluffy white hair and thick whiskers, contrasted with Smethyck's longer thinner whiskers, and elegantly shaped grey corkscrew curls, increased the prevailing atmosphere of Victorian jollification. Both were wearing white ties, an order round the neck. I had not seen Members since the Magnus Donners dinner, nor should we meet in future in that connexion, the panel of judges having been reconst.i.tuted. He was still taking immense pleasure in the scenes there enacted.

'I've been telling Michael about the Quiggin twins. Do you know he had never heard of them? What do you think of that for an Ivory Tower?'

Smethyck smoothed his curls and smiled, gratified at the implications of existing in gloriously rarefied atmosphere.

'True, I live entirely out of the world these days, Mark. How should I know of such things as stinkbombs?'

'I may have done some indiscreet things in my time,' said Members. 'I've never fathered any children. That's notwithstanding a few false alarms. Poor old JG. The great apostle of revolt in the days of our youth. Do you remember Sillers calling him our young Marat? Marat never had to bring up twins. What a couple.

Dids't thou give all to thy daughters?

And art thou come to this?

It won't be long before JG's out on Hampstead Heath asking that of pa.s.sers-by.'

Smethyck pedantically demurred, thereby somewhat impugning his claim to know nothing of contemporary life.

'In Lear's case it was the father seeking an alternative society. The girls supported the Establishment. They're my favourite heroines in literature, as a matter of fact.'

Members accepted correction.

'Lindsay Bagshaw told me the other day that he regarded himself as a satisfied Lear. Since his wife died, he divides his time between his daughters' households, and says their food is not at all bad.'

'Your friend Bagshaw must be temperamentally equipped to accept the compromises that Lear rejected,' said Smethyck. 'I do not know him - '

He had evidently heard as much as he wanted about the Magnus Donners dinner, and moved away to speak with a well-known cartoonist. Members continued to brood on the Quiggin twins and their activities.

'Do you think Widmerpool arranged it all, to get his own back on Gwinnett?'

'Widmerpool was as surprised as anyone when the bang went off.'

'That's what's being generally said. I wondered whether it was true. He's here tonight.'

'Widmerpool?'

'Looking even scruffier than at the Magnus Donners. What does it all mean dressing like that? Do you think he will make another speech off the cuff?'

Members, speaking as one in a position to deplore slovenliness of dress, fingered the cross at his throat. A life peeress, also connected with the world of culture, pa.s.sed at that moment, and he b.u.t.tonholed her. A moment later Widmerpool came into sight at the far end of the gallery. He was prowling about by himself, speaking to no one. Members had called him scruffy, but his disarray, such as it was, did not greatly differ from that of the Magnus Donners evening. He was still wearing the old suit and red polo jumper, though closer contact might have revealed the last as unwashed since the earlier occasion. Widmerpool's appearance afforded an example of the curiously absorbent nature of the RA party. At almost any other public dinner the getup would have looked out of place. Here, clothes and all, he was unified with fellow guests. "Those who did not know him already might easily have supposed they saw before them a professional painter, old and seedy Widmerpool looked decidedly more than his later sixties who had emerged momentarily, from some dilapidated artists' colony, to make an annual appearance at a function to which countless years as an obscure contributor had earned him the prescriptive right of invitation. In this semi-disguise, seen at long range, he could be pictured pottering about with an easel, in front of a row of tumbledown whimsically painted shacks lying along the seash.o.r.e. Widmerpool moved out of sight. I did not see him again until we went into dinner, when he reappeared sitting a short way up the table on the other side from my own.

The clergyman, Canon Fenneau, was already engaged in conversation with the Regius Professor on his left, when I sat down. The actor and I talked. I had not seen the Ibsen production in which he was playing, but I told him that I had met Polly Duport, and knew Norman Chandler, who had directed a play in which my neighbour had acted not long before. Talk about the Theatre took us through the first course. The actor spoke of Molnar, a dramatist known to me from reading, on the whole, rather than seeing on a stage.

'Molnar must be about due for a revival.'

The actor agreed.

'Somebody was saying that the other day. Who was it? I know. It was after the performance last week. Polly Duport's friend with the French name. He's a writer of some sort, I believe. He thought Molnar an undervalued playwright in this country. What is he called? I've met him once or twice, when he's come to pick her up.'

'I wouldn't know. I don't know her at all well.'

'A French name. De-la-something. Delavacquerie? Could it be that?'

'There's a poet called Gibson Delavacquerie.'

'That's the chap. I remember Polly calling him Gibson. Small and dark. They're two of the nicest people.'

I heard no more about this revelation it graded as a revelation because someone on the far side of the table distracted the actor's attention by saying how much he had enjoyed the Ibsen. Almost simultaneously a voice from my other flank, soft, carefully articulated, almost wheedling, spoke gently.

'We met a long time ago. You will not remember me. I'm Paul Fenneau.'

Smooth, plump, grey curls (rather like Smethyck's, in neat waves), pink cheeks, Canon Fenneau stretched out a hand below the level of the table. It seemed rather unnecessary to shake hands at this late juncture, but I took it. The palm surprised by its firm even rough surface, electric vibrations. I had to admit he was right about my not remembering him.

'At a tea-party of Sillery's. I should place it in the year 1924. I may be in error about the date. I am bad at dates. They are so meaningless.'

For some reason Canon Fenneau made me feel a little uneasy. His voice might be soft, it was also coercive. He had small eyes, a large loose mouth, the lips thick, a somewhat receding chin. The eyes were the main feature. They were unusual eyes, not only almost unnaturally small, but vague, moist, dreamy, the eyes of a medium. His cherubic side, increased by a long slightly uptilted nose, was a little too good to be true, with eyes like that. In the manner in which he gave you all his attention there was a taste for mastery.