Harvest Home Part 7

"Mean-um-nmm-mean-''

Her eyes rolled upward in their sockets; a slight spittle appeared at the corners of her mouth, became a froth. She twitched, jerked, then a stiff arm rose, a red finger pointed at me. A rising breeze caught her hair, lifted it across her eyes; she brushed it away; red appeared on her forehead like a stigma.

I stared back, feeling the same chill again, the same cold sweat. Wind was whipping the gra.s.s at her feet. I said nothing. She said nothing. Her eyes were gla.s.sy, blank; I knew she could not see me. Yet she saw-something. Then, still pointing, red, she began screaming. I stood frozen in terror. From the Common came the tumult of celebration. No one had seen, no one saw. She was screaming louder than I thought it possible for a child to scream, and, screaming, she pointed.

She stopped. Her arm fell and hung limp, her eyes came into a kind of focus; she stared briefly at the dead sheep, then turned and walked away.

The air began to freshen, the wind to change, and the sky by slight but perceptible degrees to darken, and out on the Common I could see the men standing back as the women rushed to engulf the child, touching and petting her, a murmur sweeping through them, becoming chatter, then acclaim; then, as the child fainted, their voices were suddenly stilled, like birds before a storm.

I went behind the barn and vomited into the gra.s.s.

PART TWO:

THE DAYS OF THE SEASONING.

9.

The Days of the Seasoning began, that lax period before harvest when the sun did its final drying of the corn, and the farmers readied themselves for the winter. And as the Days of the Seasoning went by, little by little I cleared my mind, and stopped thinking about the red pointing finger. At least I tried to tell myself I had. I convinced myself it had been nothing, a child having a joke on an outsider. During those early September weeks, I went about the village, sketching, doing water-color studies, and telling myself the incident had had no meaning. Sometimes I would see her-behind her gate, on the Common, along the road-but it was as if nothing had happened. So I told myself nothing had.

Though my perceptions might have sharpened since then, it is perhaps because I have learned the art of subst.i.tuting one thing for another: it is the law of compensation put into sober practice. Later I was required by force of circ.u.mstance to negotiate a painful series of readjustments, but in that early autumn my only concern was the business of painting that small but particular corner of New England called Cornwall Coombe. It was all bright then, illuminated by the light I saw it with, and the brightness gladdened my painter's eye. The light in cities is flatter, grayer, less defined. In the country it was quite different, an evocation of all the glowing light I had ever wanted to record, like some rare golden elixir that had been poured over the hills and fields. There were few grays in my palette, but an abundance of yellows and ochers and deep umbers with which I slopped and spattered the gessoed panels I painted on, working in a fury of haste to capture what I was seeing.

I felt I was becoming a fixture in the village, accepted not because I was the same as they, but because I was different, because I could "draw" things. I was respected because of my work, and because they sensed I wanted nothing more than to be able to put onto a board with brush and color the life I saw around me. And on my part I offered them ungrudging admiration. If I have presented them as picturesque and quaint, I have erred. Countryfolk they were, but a bunch of tough nuts. Dawn-to-dusk, fourteen-hour-a-day workers, unshirking and unstinting, stylish in their own New England right, whose plainest, homeliest task became a kind of ritualistic act: the quartering of an apple, the whittling of a stick, the laying of a brick. I appreciated them for their country wisdom, their humility, their hardiness. The st.u.r.dy sons of st.u.r.dy fathers. I found them people of simple but profound convictions, and I admired them for their love of the soil, their esteem for their village, their reverence for the past, and their determination to hold on to it at all costs. I liked their forthrightness, their modest know-how, their reticence; if they were worried and wearied by debt, or fearful of natural disaster, they alone knew it, for they never confided such things, except perhaps among themselves. It was the freemasonry of those who live close to the earth, with its harsh, often bitter realities.

And we were being offered a share in it. We were finding ourselves accepted as in the natural order of things, and were treated accordingly. Several Sundays after the Agnes Fair, we went to church. Mr. Deming and the elders were by tradition awarded the choice seats-up front, with cushions. Also included in this preferential treatment were, I discovered, the Hookes, Justin and Sophie. The remainder of the worshipers were ranged, also traditionally, in accordance with their social position and wealth, wives and husbands together-their offspring suffering time-honored banishment to the galleries, boys on one side, girls on the other-while the choir was seated in the loft behind, with Mrs. Buxley to conduct and Maggie Dodd at the organ.

When the last bell peal had died away, we all rose, and while the minister entered from the vestibule in his black gown, Amys drew the doors shut, their closing timed to coincide precisely with Mr. Buxley's arrival in the pulpit. Soon thereafter the bell ringer stationed himself at the rear of the boys' gallery, where he maintained a long wooden rod, ready to tap to consciousness any dozing young fry.

Our family sat toward the rear, in the straight-backed, unpadded, and decidedly uncomfortable pew one of the elders had a.s.signed us, and we joined with the others while Mr. Buxley led the opening prayer. We sang the Doxology to Maggie's accompaniment. After that came the pastor's church notes and items of general interest; next was a hymn, followed by another prayer, and then, at the indicated moment, amid clearing of throats, rustling of programs, creaking of pews, and dropping of hymnals into racks, the congregation settled itself for the ritual Sunday sermon.

Harken, the village of Cornwall Coombe. Meek and humble lamb though he might be Monday through Sat.u.r.day, the Reverend Mr. Buxley on the Sabbath was a lion. This was his church, this his pulpit, this his flock. For his text he had selected Second Kings, Chapter 18, Verse 32: "Until I come and take you away to a land like your own land, a land of corn and wine, a land of bread and vineyards, a land of oil olive and of honey, that ye may live and not die..." Having read from the scripture, Mr. Buxley closed the Book, removed his gla.s.ses, placed his hands on either side of the pulpit as though for moral support, and launched into a lengthy peroration. His broad ministerial gestures described the bounty of the promised harvest and the warranted thankfulness for a full grain elevator, fuller pocketbooks, still fuller stomachs. But then, alas-arms falling in despair-with such bounty, what else was there in this land of plenty?

Sin.

Here it comes, I thought, h.e.l.lfire and brimstone; shades of Henry Ward Beecher.

"... sinning in this land of corn and wine," deplored Mr. Buxley, and though he spoke of Israel, who was there gathered before him who knew not he alluded to Cornwall Coombe? Sin lay in the hearts of those who, like Jezebel, were greedy beyond their just portion. But-finger directed heavenward-the great Lord Jehovah, nothing loath, had prophesied that Jezebel, unfortunate creature, should have her worldly flesh eaten of by dogs at the wall of Jezreel.

I reached for Beth's hand, lying on the hymnal in her lap. She smiled at me under her lashes and I gave her a silent I love you I love you. On this glorious Sunday in Cornwall Coombe, where was there to be found a luckier man than I? She nudged me, directing my attention to the boys' gallery where Amys Penrose, leaning over the back pew, administered a smart rap on a head with the tip of his rod. Blinking, Worthy Pettinger sat up abruptly, awakening in time to learn of Jezebel getting her just deserts: having painted her face and done up her hair, the hussy was leaning out a window, whereupon three eunuchs were induced to throw her down. "'Go see now this cursed woman,'" the minister quoted, "'and bury her: for she is a king's daughter...'"

My eyes lingered on Worthy's saturnine features as he lent appropriate attention to Mr. Buxley. In the several weeks since the Agnes Fair, the boy had been in our employ, helping complete the terrace wall, setting in the skylight, plus seeing to the myriad other ch.o.r.es Beth found in unending succession. Day by day, we were becoming more dependent on his help and, in consequence, day by day fonder of him. He had proved to be bright, able, quick to learn, and willing to please. Still, observing him as he worked, I could see he was somehow troubled, but when I tried to draw him out, I discovered nothing to solve the mystery of the boy's melancholy. In the back of my mind always was the memory of the fair: The red hands of Missy Penrose printed on his cheeks; from sheep's entrails, like an ancient seeress the half-wit child had chosen the boy. Her pale face staring in triumph at Worthy's paler one: plainly he had not wished it. Children and sheep's blood and oracular vision: the startling ways of Cornwall Coombe.

Still, though I had said nothing, I felt glad that no one had witnessed the scene behind the barn at Penance House, the black guts of the sheep, the red pointing finger.

I turned my head, looking up at the gallery where the village girls sat. Missy Penrose's expression darkened as she saw my apprehensive glance, and her brow lifted in slight acknowledgment, as though between us we shared some un-Spoken and forbidden secret.

What bond could possibly connect us-me, Ned Constantine, and her, the village idiot? Why had I been singled out for her notice? And, having attracted it, why had I experienced that strange mixture of awe and dread? Why, in dreams, did I now see that accusing finger?

Was there some unplumbed depth in her make-up? Not a chance, I told myself. Missy Penrose wasn't deep-she didn't have the brains G.o.d gave a chicken. She made up crazy things from her own addled sense of specialness, and the superst.i.tious villagers, eager to believe her, treated her accordingly.

On the far side of the church, in the pews for the unmarried women, I accidentally caught the postmistress's eye. Tamar Penrose's lazy stare caused me to look immediately away. Had she winked? In church? With Beth beside me? I glanced back: prim and proper, the postmistress was dutifully attending her pastor.

When at length the sermon was concluded, the minister cleared his throat and announced the closing hymn. We sang again, the benediction was offered, the service ended.

As I walked into the vestibule, Amys Penrose was again lolling the bell rope, announcing that church was over. "Nice music," I complimented Maggie Dodd as she descended the stairs from the loft.

"Why, thank you," sang Mrs. Buxley, following her. "Success, James," she called to her husband, greeting his parishioners at the door. "Our truants have entered the fold at last. Lovely day, isn't it? Where are Mrs. Constantine and your little one?" Like a large, damp mollusk, Mrs. Buxley attached herself to my side and we pa.s.sed through the vestibule doors to stand on the top step. "Ring loud," she called gaily to the bell ringer. "Good morning, Robert. Didn't Maggie play beautifully? That Bach! Worthy, dear, did you get all the hymnals put away? Close the cupboard door? That's a good boy."

I stopped to remind Worthy about a patch of broken slates that needed replacement on the studio roof. He said he would investigate, then ducked through the crowd gathered at the foot of the steps for after-church greetings. While Robert took one of Maggie's elbows, I offered him mine on the other side to guide him to the sidewalk.

"Fallish day, Robert." Wearing her best Sunday black, with carved bone brooch at her breast, the Widow turned away from Beth and Kate, with whom she had been speaking, to acknowledge the Dodds and myself. "'Pears autumn's goin' to take us by stealth 'stead of by storm this year. Mornin', Asia. Where's Fred today?"

Mrs. Minerva stopped to pay her respects. "Fred's feelin' sort of achy-and just before Harvest Home, too. Hate to think of what it'll be with a change of weather."

"Fred's had the worst luck. You just come along to me, Asia, and let me give you something for him."

"Some sermon today," Mrs. Zalmon said, greeting the Reverend, who was once again meek, as though this very day he might inherit the earth. Divested of his robes but maintaining his circular white collar, Mr. Buxley accepted congratulations on his preaching while his wife basked in reflected glory.

"You can't tell me he didn't mean Gracie Everdeen," someone said.

"Oh, dear, now, really, we mustn't-I mean, it's such a lovely day, we oughtn't-now, Sally Pounder-" It was Mrs. Buxley's habit not only to mince words but to make hash of them as well. "We mustn't sully a Sunday with such talk-I'm sure James didn't mean-did you, James?" Tucking her husband's arm under hers, she took him off as though he were a parcel.

While the Widow continued talking quilts with Beth, Jack Mump's cart was heard approaching, the clatter of his pans and kettles fracturing the churchtide quiet.

"Whatcha say, ladies, bounteeful day, ain't it? Whatcha say, Widow?"

"Come 'round later, Jack," she said, and he tipped his hat to her. Pedaling up to Sally Pounder and Betsey c.o.x, the bank teller, he yanked open a drawer and nourished a piece of beadwork.

"Yessir, we got us a bounteeful day, girls, so let's make hay while the sun shines. How's your pig, Irene?" He tipped his hat to Mrs. Tatum. "Girls, lookee here what I got. One of a kind, a pure original, you'll never see another one like it."

"Don't you know this is the Sabbath, Jack Stump?" Irene Tatum bawled. "Since when do we allow Sunday buyin' or sellin'? You got some dispensation? No? Then haul your contraption off and don't go merchandisin' at the very church door when people's just finished speakin' with the Lord." Her danger was as righteous as if she were Christ driving the money-changers from the temple.

I nodded to the Hookes, who now descended the steps; Justin was immediately surrounded by a ring of admirers, while Sophie stood aside with resigned good humor. I moved back as Tamar Penrose, fishing a key from her bag, pa.s.sed close by. She gave me a sullen glance, then, turning quickly, she crossed the roadway onto the Common.

Mrs. Green was speaking to Mrs. Zalmon. "Look at them tatty beads," she said as the peddler palmed the necklace off on Betsey c.o.x. "A body can't set much store by what he trades in."

"Ayuh," Mrs. Zalmon agreed, making her words significant. "He's not a likely person, is he?"

Mrs. Green's mouth drew down. "Not likely at all."

The Widow laughed. "Oh, I like Jack Stump. He's independent. Folks have to be independent-gives 'em character. I like a fellow who thinks for himself. People are so busy today tryin' to be just like all the others. I like people who has peculiarities."

Justin offered to drive her home in his El Camino, and she asked him to wait while she went into the churchyard and spent some time with Clem. As was evidently her habit, she had been inviting certain of the gathering to come to her house and be sociable before Sunday dinner. Justin accepted the invitation, then disengaged himself from the ladies and took Sophie off down the sidewalk.

"You come along for those sc.r.a.ps in a while," the Widow told Beth, and, lifting her skirts, she went into the cemetery, shears dangling at her waist.

Maggie said, "Ned, take Robert down to the Rocking Horse for a drink; then we'll go to the Widow's." While she and Beth turned to talk quilting with Mrs. Green and Mrs. Brucie, I gave Robert my arm and led him along the sidewalk toward the tavern.

"Another local custom?" I asked.

"One with the deepest significance. Ladies not welcome."

Pa.s.sing the churchyard, I saw the solitary figure beside Clem Fortune's grave. It made a striking picture, I thought, the old woman in her widow's weeds and white cap, standing among the ancient tombstones, head bowed, her lips moving.

It was indeed a grand day. The broad New England sky was sunny and bright, the air nimble with the slightest hint of autumn in the brisk breeze that tumbled leaves along the roadside. Groups of people were strung out along the sidewalks, enjoying the fine weather and discussing Mr. Buxley's sermon. The belled sheep grazed on the Common, cropping the turf, their coats woolly and thick for winter shearing.

"What are those ridges in the gra.s.s?" I asked Robert. He angled his head as though to look.

"Bonfire circles. When the gra.s.s burns away and they re-seed it the next spring, it always seems to come up a different color."

"Bonfires?"

"On Kindling Night, just before Harvest Home. A farm custom. Up in Maine and New Hampshire, they still have big fires on Election Day, which is somehow mixed up with the British Guy Fawkes Day, though I don't suppose they remember quite how. Here they have a fire to mark the end of the growing year, and they dance around it."

"What kind of dance?"

"What's known as a chain dance. It goes back to the ancient Greeks-you can still see vases in museums with chain dancers painted on them, some of them dating back to the Bronze Age or further."

I saw Missy making her way through the sheep, the incredible-looking doll in her hand. Her mother stood in the doorway of the post office, and I had the feeling that as we walked along, both pairs of eyes were fixed on us. At the tavern, the village males-Sunday suits, collars opened, ties yanked-moved aside to permit the blind man to reach a place at the end of the bar nearest the door. In the corner at our right sat Amys Penrose, drinkless, but looking hopeful. Amys, I had discovered, was regarded as the village eccentric Caretaker of Penance House across the way, he also looked after the sheep on the Common, swept the street, and was church s.e.xton, bell ringer, and grave digger. A typical Yankee, he kept himself beholden to none, never kowtowed to the village elite, came and went as he pleased, and, being a Penrose, was maybe a little "tetched."

As we sat down he hiked his stool over to accommodate us. "Mornin', Professor."

"That you, Amys? Your bells sounded fine this morning."

"Ringin's ringin', and drinkin's drinkin'."

Though blind, Robert knew when he was being cadged. "Have a beer on me, Amys," he offered. We ordered drinks from Bert, the bartender, and while they were being brought I heard one of the farmers in the vicinity speaking to a group around him.

"I guess Gracie's ears were burnin' today."

"If the h.e.l.lfires haven't burned her first."

Again I wondered what Grace Everdeen had done to merit such general censure.

Robert was speaking to Amys: "I was telling our friend here about the chain dances on Kindling Night."

"Kindling Night." Amys used the spittoon. "Crazy notion. They been doin' them fool dances ever since I can recollect." Like the Ancient Mariner, he seemed to compel me with his glittering eye. "You stop around here long enough, you'll see lots of things."

I sipped my drink, my head bent slightly so I could see off across the Common. Tamar Penrose was still in the post office doorway. "Why does the post office have such a large chimney?"

Amys took his face out of his beer mug. "h.e.l.l, that ain't been the P.O. for no time a'tall. Used to be the old forge barn to the Gwydeon Penrose place, over there where I live." He pushed his hat back, leaned his elbows on the bar, and ground some peanuts between his bony jaws. "Cagey feller, old Gwydeon. Once, during an Indian attack, he barricaded himself and his family inside that forge. Them Indians tried to burn him out, but he'd built the place of stone, so fire wouldn't touch nothin' but the door. When the Indians finally got in, all ready for scalpin', they wa'n't there. Foxy old Gwydeon'd dug a tunnel months before, and he got out and his whole family, too. 'Course, the forge ain't been a forge for years. After the Revolution, the barn was sold and it became a general store; then we got the P.O."

"Tell me another thing, Amys," I said. "Is it true what they say about Missy Penrose?"

The bell ringer's brows darkened and his mouth curled sourly. "Depends on what they say, son."

"I was talking about her freckles. Do they form a constellation?"

"There's fools aplenty 'round here who'll believe anything you tell 'em. If they care to think that whatnot child's got the evil eye-why, then, I guess she's got the evil eye. 'Cept I'd put my money on the mother, not the daughter."

"Easy, now, Amys," Robert said soothingly.

Amys drew himself up and pounded on the bar. "Listen, if it comes to that, you tell me why the Reverend takes after a dear soul like Gracie, and never points a finger at the likes of her her." He jabbed his thumb in the direction of the post office.

"Never a gooder girl than Grace Everdeen, and for her sins she comes to grief, while that one, no better than she ought to be, is your fancy miss post office lady. And blast Roger Penrose, who couldn't tell the gilt from the gingerbread." His voice had risen to an angry quaver, and heads in the vicinity swiveled to stare at the old man. "Never mind, around here you can't teach your grandmother to suck eggs."

"Easy, now," Robert repeated. To change the subject, I inquired if there were any boats on the river available for rowing. The old man confided that he kept one in a particular spot, and said I might borrow it anytime, a snug craft that needed no bailin'. He thanked Robert for the beer and left, and when we had paid the tab we stepped outside to find the peddler's rig drawn up at the roadside, where Jack Stump was exhibiting for a gathering the identical one-of-a-kind piece of cheap beadwork he had purveyed to Betsey c.o.x in front of the church. "Sunday special, ladies," he began, "a chunk of gen-u-wine Victorian, that's whatcha got here. Victorian, ladies, which means it's practically a antique, if you figure by years, because anything that's Victorian means it goes back to before Columbus discovered America."

The crowd laughed and someone called out, "Tell us, Jack Stump, what came before Victorian?"

"Before Victorian you had your Dark Ages, which was when them fearsome Tartars come across the steppes of Russia and tried to rule the world. But they used the back steps so they wouldn't get caught." Jack wheezed at his joke.

"And what came before that, Jack?" Robert called good-naturedly.

"h.e.l.l, Professor, you orta know. You had your religious age, when Martin Luther spiked his thesis to his front door."

"Who was Martin Luther?" a voice demanded.

"Why, Martin Luther was a Lutheran. That's what it means, a Lutheran is someone named Luther."

"My name's Luther, and I ain't no Lutheran," said one of the Soakes boys, lolling in the tavern doorway, a can of beer in his hand.

Jack chose to ignore him. "And Martin Luther told folks the Pope was nothin' but a greedy cuss and any Christian worth his salt ought to show them roguey priests the door. Said Cath'lickism was nothing but organized crime, and folk shouldn't have no more to do with 'em."

"Ain't no Cath'lics this side of the river," called someone in the crowd.

"I heard that, Grandmaw," Luther said. "Ain't no call to talk that way."

"Ain't no call for some folks to be off their own side of the river," replied another.

Roy Soakes, the defeated wrestler, stepped out. "We come and go as we please. We don't want no trouble."

Jack Stump tossed the beads aside and out flew another drawer. "Soap, soap, ladies? Pretty little b.a.l.l.s, shaped just like a pineapple, mighty pretty for the bathroom-no? Whatcha say, Sophie? Justin? How's married life treatin' you? Honey, if you're lookin' for a new dress for the huskin' bee, I got some mighty lofty goods." He s.n.a.t.c.hed a bolt of fabric from a shelf. "You'd have to go some to find a dress pretty as this here'd make." He unrolled the bolt partway and offered it to Sophie, draping the end of it over her shoulder. "And here's needle and thread, pins galore, if you've a mind to do your own sewin'."

"Use 'em yourself, old man," Roy said. "Use 'em to zip your lip."

Jack put on a knowing expression as he returned the stare. "Well," he retorted slyly, "maybe I orta zip, 'cause if I didn't I bet I could tell of some might' funny doin's in them woods."