Half-Hours With Jimmieboy Part 14

"Well, I will tell you," said the picture, gravely. "And this is it. The story is a poem, Jimmieboy, and it's called:

"THE HORRID FATE OF JUMPING SAM.

"Small Sammy was as fine a lad As ever you did see; But one bad habit Sammy had, A Jumper bold was he.

And, oh! his fate was very sad, As it was told to me.

"He never, never, would stand still In school or on the street; He'd squirm if he were well or ill, If on his back or feet.

He'd wriggle on the window-sill, He'd waggle in his seat.

"And so it happened one fine day, When all alone was he, He got to jumping in a way That was a sight to see.

He leaped two feet at first, they say, And then he made it three.

"Then four, and five, the long day through, Until he could not stop.

Each jump he jumped much longer grew, Until he gave a hop Up in the air a mile or two, A-twirling like a top.

"He turned about and tried to jump Back to his father's door, But landed by the village pump, Some twenty miles or more Beyond it, and an awful b.u.mp He'd got when it was o'er.

"And still his jumps increased in size, Until they got so great, He landed on the railway ties In some far distant state; And then he knew 'twould have been wise, His jumping to abate.

"But as the years pa.s.sed slowly by, His jumping still went on, Until he leaped from Italy, As far as Washington.

And he confessed, with heavy eye, It wasn't any fun.

"And when, in 1883, I met him up in Perth, He wept and said 'good-by' to me, And jumped around the earth.

And I was saddened much to see That he knew naught of mirth.

"Last year in far Allahabad, Late in the month of June, I met again this jumping lad-- 'Twas in the afternoon-- As he with visage pale and sad Was jumping to the moon.

"So all his days, leap after leap, He takes from morn to night.

He cannot eat, he cannot sleep, But flies just like a kite, And all because he would not keep From jumping when he might.

"And I believe the moral's true-- Though shown with little skill-- That whatsoever you may do, Be it of good or ill, Once in a while it may pay you To practice keeping still."

A long silence followed the completion of the blurred picture's poem.

For some reason or other it had made Jimmieboy think, and while he was thinking, wonderful to say, he was keeping very quiet, so that it was quite evident that the fate of Jumping Sam had had some effect upon him. Finally, however, the spell was broken, and he began to wiggle just as he wiggled while his picture was being taken, and then he said:

"I don't know whether to believe that story or not. I can't see your face very plainly here. Come over into the light and tell me the poem all over again, and I can tell by looking in your eye whether it is true or not."

The picture made no reply, and Jimmieboy, grasping it firmly in his hand, went to the window and gazed steadily at it for a minute, but it was useless. The picture not only refused to speak, but, as the rays of the setting sun fell full upon it, faded slowly from sight.

Nevertheless, true story or not, Jimmieboy has practiced standing still very often since the affair happened, which is a good thing for little boys to do, so that perhaps the brief life and long poem of the rejected picture were not wasted after all.

XI.

JIMMIEBOY AND THE BLANK-BOOK.

[Ill.u.s.tration: "OH! DEAR!"]

Somebody had sighed deeply, and had said, "Oh dear!"

What bothered Jimmieboy was to find out who that somebody was. It couldn't have been mamma, because she had gone out that evening with papa to take dinner at Uncle Periwinkle's, and for the same reason, therefore, it could not have been papa that had sighed and said "Oh dear!" so plainly. Neither was it Moggie, as Jimmieboy called his nurse, companion, and friend, because Moggie, supposing him to be asleep, had gone up stairs to her own room to read. It might have been little Russ if it had only been a sigh that had come to Jimmieboy's ears, for little Russ was quite old enough to sigh; but as for adding "Oh dear!" that was quite out of the question, because all little Russ had ever been able to say was "Bzoo," and, as you may have observed for yourself, people who can only say "Bzoo" cannot say "Oh dear!"

It was so mysterious altogether that Jimmieboy sat up straight on his pillow, and began to wonder if it wouldn't be well for him to get frightened and cry. The question was decided in favor of a shriek of terror; but the shriek did not come, because just as Jimmieboy got his mouth open to utter it the strange somebody sighed again, and said:

"Aren't you sorry for me, Jimmieboy?"

"Who are you?" asked Jimmieboy, peering through the darkness, trying to see who it was that had addressed him.

"I'm a poor unhappy Blank-book," came the answer. "A Blank-book with no hope now of ever becoming great. Did you ever feel as if you wanted to become great, Jimmieboy?"

"Oh, yes, indeed," returned the boy. "I do yet. I'm going to be a fireman when I grow up, and drive an engine, and hold a hose, and put out great configurations, as papa calls 'em."

"Then you know," returned the Blank-book, "or rather you can imagine, my awful sorrow when I say that I have aspired to equally lofty honors, but find myself now condemned to do things I don't like, to devote my life not to great and n.o.ble deeds, but to miserable every-day affairs.

You can easily see how I must feel if you will only try to imagine your own feelings if, after a life whose every thought and effort had been directed toward making you the proud driver of a fire-engine, you should find it necessary to settle down to the humdrum life of a lawyer, all your hopes destroyed, and the goal toward which you had ever striven placed far beyond your reach."

"You didn't want to be a fireman, did you?" asked Jimmieboy, softly.

"No," said the Blank-book, jumping off the table, and crossing over to Jimmieboy's crib, into which he climbed, much to the little fellow's delight. "No, I never wanted to be a fireman, or a policeman, or a car conductor, because I have always known that those were things I never could become. No matter how wise and great a Blank-book may be, there is a limit to his wisdom and his greatness. It sometimes makes us unhappy to realize this, but after all there is plenty in the world that a Blank-book can do, and do n.o.bly, without envying others who have to do far n.o.bler and greater things before they can be considered famous.

Everything we have to do in this world is worth doing well, and everybody should be content to do the things that are given to his kind to accomplish. The poker should always try to poke as well as he can, and not envy the garden hose because the garden hose can sprinkle flowers, while he can't. The rake should be content to do the best possible rake's work, and not sigh because he cannot sing 'Annie Rooney'

the way the hand-organ does."

"Then why do you sigh because of the work they have given you to do?"

"That's very simple," returned the Blank-book. "I can explain that in a minute. While I have no right to envy a glue-pot because it can hold glue and I can't, I have a right to feel hurt and envious when it falls to the lot of another Blank-book, no better than myself, to become the medium through which beautiful poems and lovely thoughts are given to the world, while I am compelled to do work of the meanest kind.

"It has always been my dream to become the companion of a poet, of a philosopher, or of a humorist--to be the Blank-book of his heart--to lie quiet in his pocket until he had thought a thought, and then to be pulled out of that pocket and to be made the receptacle of that thought.

"Oh, I have dreamed ambitious dreams, Jimmieboy--ambitious dreams that must now remain only dreams, and never be real. Once, as I lay with a thousand others just like me on the shelf of the little stationery shop where your mother bought me, I dreamed I was sold to a poet--a true poet. Everywhere he went, went I, and every beautiful line he thought of was promptly put down upon one of my leaves with a dainty gold pencil, contact with which was enough to thrill me through and through.

"Here is one of the things I dreamed he wrote upon my leaves:

"'What's the use of tears?

What's the use of moping?

What's the use of fears?

Here's to hoping!

"'Life hath more of joy Than she hath of weeping.

When grief comes, my boy, Pleasure's sleeping.

"'Only sleeping, child; Thou art not forsaken, Let thy smiles run wild-- She'll awaken!'

"Don't you think that's nice?" queried the Blank-book when he had finished reciting the poem.

"Very nice," said Jimmieboy. "And it's very true, too. Tears aren't any good. Why, they don't even wash your face."

"I know," returned the Blank-book. "Tears are just like rain clouds. A sunny smile can drive 'em away like autumn leaves before a whirl-wind."