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He had been severely tempted, and had put the temptation behind him.
Sylvia Jackson was what is termed a man's woman, but Kathleen could realise the fascination she was mistress of. She had been courted by many men; to-night she had thrown herself at Denis Quirk's feet, and he had resisted where other men might have succ.u.mbed. With these thoughts in her mind, Kathleen greeted Denis Quirk kindly when he met her near the house.
"I am afraid I was rude to you to-day," he said, without preamble. "I spoke without thinking. I want you to excuse me."
"I do," she answered, simply.
"Naturally, you were hurt," he said. "Believe me when I say that I would rather offend anyone than you. I place very few women among the heroines, but you are one of them. For any other I would have been afraid in the flood; I knew that you were safe. That was the reason why I offered you no help. My fears were for your friend. I am fully forgiven?"
"Fully," she answered.
"Thank you! That is all I want. Good-night!"
He turned on his heel, and went down the avenue on his way to "The Mercury" office.
CHAPTER XV.
DESMOND GOES UNDER.
In the period of pique and disappointment, when she realised that Denis Quirk was impervious to her attractions, Sylvia Jackson suddenly awoke to a new interest in life. At the moment she was hesitating between an interesting decline and a fearful vendetta. But this did not deter her from attending the Grey Town Intellectual Society's lecture on Art and Artists, which was delivered by George Custance, R.A., nor did it prevent the lecturer from fascinating the impressionable girl.
Until that moment Grey Town was unaware that Custance existed. A few of the townspeople had occasionally noticed a man in a grey suit, who was living at the "Fisherman's Retreat," near the mouth of the Grey River.
They had seen him handling a rod from the banks of the river, and had sometimes observed him with a sketch-book in his hand, transferring a view of the coast to paper.
But he was so quiet and un.o.btrusive that few persons paid any great attention to him. It was indeed entirely by chance that the Intellectual Society secured his services. The secretary wrote to an artist friend in Melbourne, suggesting a lecture; the answer was short and concise: "Sorry I cannot find time to amuse you. Try Claude Custance; he knows more about art than any other man in Australia."
"Try Custance! Who the d.i.c.kens is Custance?" the secretary asked the president.
"Blessed if I know. Ask Gurner; he is sure to know," the president answered.
In the club Gurner was nicknamed the Grey Town Directory. He was regarded as a local Burke, who could fire off the pedigrees and performances of every family in the district.
The secretary discovered him in the club, taking a novice down at billiards.
"Do you know a man of the name of Custance?" the secretary began.
Gurner prided himself on his knowledge. To be unable to point out the ident.i.ty of any person in the town was to ruin a reputation. He paused abruptly from the stroke he was contemplating.
"Custance, did you say?"
"Yes; Custance, an artist."
"There is a grey man of that name at the 'Fisherman's Retreat.' He is a bit of an artist, they tell me. I will ask Cowley," he said.
A few days later he found the secretary in his office.
"I have found out all about that artist man," he said.
"Custance? Does he know anything about art?"
"Do you know anything about law? He's a cla.s.sic winner, the very deuce of a top-notcher. He's been hung over and over again. You can't teach him anything about art," replied Gurner.
"I wonder if he would lecture for us?"
"Leave him to me. A nice fellow; we fraternised over fishing, with a whisky and soda to wash it down. He began to tell me tall stories, and I added six inches to everyone he produced. I will secure him for you."
This he did the following day, for Custance was quite an obliging man, and a personal friend of the artist who had refused the invitation.
The news spread, as it usually does in a country town, and interest in the lecture became phenomenally keen. The intellectuals had for once secured public support. They promptly raised their charge for admission from sixpence to one shilling, with an additional sixpence for booking.
They advertised the attraction in capital letters and created a furore.
The consequence was that the learned and those who a.s.sumed the virtue combined to fill the hall to overflowing.
Custance was an ideal lecturer. He took possession of the platform and audience in an easy, una.s.suming manner, and delivered an address amusing and learned, yet understandable. And well he might, for he was not a mere painter, but one who had lectured on art to select audiences, and had sold pictures at fabulous prices. At this very moment London was asking, "Where is Custance?" and here he was in Grey Town.
The town would have made much of him had he permitted it. But he was there for work and quiet. A shoal of invitations were fired at him and refused; he preferred to lapse into obscurity. A few of the more obtrusive attempted to force their society on him: to these he was frankly rude. The more tactful fell in with his humour, and were content to nod to him.
Sylvia Jackson was introduced, but beyond a pa.s.sing glance of admiration Custance relegated her to forgetfulness. She was, however, determined to know him, and she engineered a second meeting with her usual diplomacy.
"A picnic to the beach would be ideal," she suggested. "Not to the frequented part, but to that quiet little beach near the mouth of the Grey. Just ourselves, Mrs. Quirk, you and Kathleen, and I."
She knew that Custance was sketching a seascape not far from that spot.
"Why not?" asked Mrs. Quirk. "What more should we want? You and Kathleen are all I need--with Denis to come to tea, if he has the time."
"Sorry to disappoint you," said Denis Quirk, "but I must be at the office all day. Cairns is away on holiday, and not a man with any initiative but Tim O'Neill to support me."
Denis Quirk's absence was a great relief to Sylvia Jackson. She still entertained a tender admiration for him, but, as he continued to resist her fascinations, she preferred that he should not be present to frustrate or ridicule her plans. Mrs. Quirk and Kathleen were easily duped, but she feared the penetration of Denis Quirk. Nevertheless she made pretence of a great disappointment.
"We counted on you," she remarked in an agonised voice.
"Never count on a paper man. We are the most unreliable people in the world," he answered. "Make the old mother happy, and don't keep her out too late."
With these words he went down the avenue whistling the air of a melody that Kathleen had sung the night before.
Sylvia had studied her plans with the greatest care, and she put them into action when they were safely arrived at the strip of beach that lies beyond the river bar.
"You and Granny prefer to be alone," she told Kathleen. "I intend to take my sketch book and see what I can do with the view round the point."
Therewith she sauntered away, giving them no time to protest. The spot she had chosen for her sketch is one of the most magnificent on the coast.
It is a small patch of sand, terminated towards the east by black precipitous rocks, against which the sea is perpetually pounding in great breakers. On this day the sea was a wonderful dark blue, and very peaceful, save where it thundered at the base of the cliffs. On the horizon a bank of grey clouds rested on the water like a remote island crowned with mounts and peaks. The smoke of a distant steamer rose in an almost straight line upwards; nearer the sh.o.r.e a small fishing boat was moving gently backwards and forwards, its sails barely filled by the gentle breeze. There was a sense of rest in the scene, as if the ocean were slumbering after the strife of a few days previously.
Here Sylvia found the artist, working quietly at a picture that he had almost completed. He had caught the vivid colouring of the ocean, the grey bank of clouds and the distant smoke, and had transferred them to his canvas.
Sylvia approached and stood behind him, but he did not recognise her presence, for he was absorbed in his work.