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Green Balls Part 14

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I return to the aerodrome and, meeting another friend, walk back across the field. A whistle is blown.

"That's old Charlie!" he says. "He's sitting in the ca.n.a.l with a stop-watch and a whistle. The C.O. put him on to it. Let's sit down till it has gone off!"

I suggest going on, as we are just as safe anywhere. He sits down on the edge of a small patch of growing corn; I sit beside him. Suddenly, while we are arguing whether we should go on or not, I seem to see something through the back of my head. I look quickly round, and there, towering some eighty or ninety feet high, only a few yards from us, is a tall fountain of black earth and uprising smoke, like the great genie which whirled upwards from the bottle in the fairy story.

"A sh.e.l.l--lie down!" I yell, and throw myself face forwards on the ground with my hands over the back of my head. In the moments of waiting before anything happens, I realise that I cannot be killed by the actual explosion of this sh.e.l.l although it is so near, as I have lived to see it, and then ... thump, thump, on my arms, my back, and my legs the pieces of earth begin to beat. They are heavy and, since they are dropping from some fifty feet or more, are very painful. The dust and stones rain down all over me and all round. I can hear the returning earth thundering on the ground. Faster and faster come the blows upon me; it is very much like being caned, and I know that at any moment a heavy piece of metal may drop and crush my skull. I cannot get up and run; I am in some way hypnotised. Beside me I am conscious of my friend cowering close against the ground as well. For seeming hours the hail of missiles continues, and I receive some very severe blows. At last it ceases. We scramble to our feet and begin to run away through the smoke, and then the eternal instinct grips us. We turn, and run back to get souvenirs from the crater. The size of it staggers us. It is almost big enough to put a motor omnibus in ... and the place where we were sitting is only a few feet away from the edge of the hole.

"By Jove, Milly! We are lucky! It's a good thing it's a fifteen-inch sh.e.l.l. If it had been a small bomb the splinters would have killed us!"



We slither and slide to the bottom of the pit and gather fragments of steel. The sh.e.l.l seems a very personal one to my mind, as it has fallen within five feet of me when it was fired twenty-eight miles away. As I turn over a piece of hot metal with my foot it is difficult to believe that that piece of metal ten minutes ago was near Ostend, and now it is here at Dunkerque. I seem to see the portly German sergeant-major in his grey-green uniform pressing the lever on the great gun to cause the mighty explosion which hurled that sh.e.l.l, which is as tall as me and weighed a ton, nearly thirty miles. Even now the coatless gunners sweat at the loading of the next sh.e.l.l into the grooved and shining breech.

We have decided that the ca.n.a.l bank is safer, and we hurry in that direction. It is lined with mechanics and officers, sitting low down near the edge of the water. My pilot greets me with mingled reproof and joy. He had seen me stagger out of the smoke of the sh.e.l.l rubbing the more bruised portions of my body, and thinking I was wounded he had sent off for the ambulance.

It is rather amusing in the ca.n.a.l. At the end of five minutes some of us become restive, and climb up to the top and walk about. "Charlie,"

dapper as usual, with his monocle screwed in his eye, sits looking at his watch.

"Six minutes!" He says, "Now then, some of you blighters, do you want to get killed?" He lifts the whistle and blows. Leisurely, but not too slowly, we walk down the side of the bank and make ourselves comfortable. We look at our watches. Six minutes and a half have pa.s.sed since the last explosion. Now comes the uneasy time. We know the gigantic sh.e.l.l will explode somewhere near us in thirty seconds. There will be no warning whistle or sound of any kind. We will simply have to wait. Such precautions and nervousness in regard to sh.e.l.l-fire on active service may sound strange, but it must be remembered that we are twenty-two miles behind the lines, and so have been far, far beyond the range of sh.e.l.l-fire. We have had no previous experience, and there are no dug-outs of any real use for our protection.

The seconds slowly pa.s.s. People cease talking. Then, somewhere--its position cannot be located by the ear--there is a dull thud. That is the sh.e.l.l actually striking the ground. It has a delay fuse of a fraction of a second. Then the roar leaps out and dies. We rush up to the top of the bank and see the column of smoke just on the other side of the mess. A few seconds later the stones and earth come rattling down on to the roofs of the hangars and huts.

So pa.s.ses the morning. As soon as a sh.e.l.l bursts the C.O. despatches an officer on a motor-bicycle to its position, if it is near any farm buildings, to see if he can render any a.s.sistance. This is a very good scheme, for on the left we can see thin red flames, flickering palely in the sunlight, rising from a farmhouse. Another big barn on our right later receives a direct hit, and when we visit it we find the labourers frantically throwing aside great bales of hay, under which is buried an unhurt cow.

At last the sh.e.l.ling stops, and in a little while work is resumed. In half an hour or so the syren wails out again, and it is thought that Leugenboom has once more fired. This is not the case, however, for against the pale blue of the sky we see the tiny white puffs of shrapnel smoke. The noise of the anti-aircraft batteries grows louder and nearer.

More and more white puffs appear in the sky, but we cannot see the machine. At last some one shouts, "There it is!" A little, almost transparent, white shape crawls infinitely high over our heads. The sh.e.l.ls are nowhere near it, and it is hard to keep it in sight. It is some four miles high, and is a photographic machine which has been sent over to make records of the damage done by the sh.e.l.ling.

As with craned necks we watch this little bird-shape, so far from its own friends, it is strange to think of the two little m.u.f.fled figures high up there, probably very frightened, but going on to do their work.

I, at any rate, have a secret hope they will get back. On and on the aeroplane moves away from its lines. The guns around us crash and bark, the seconds pa.s.s, and one, two, three, the white shrapnel puffs leap into existence and rapidly enlarge into thin vapoury clouds. There is a continuous roar of the engines of the scout machines which, with their tails well down, are climbing upwards as fast as they can, to attack the machine above.

The pallid bird turns slightly and pa.s.ses over our heads, photographing the vicinity of our aerodrome. The shrapnel comes tinkling on to the roofs of the camp, and now and then, with a long, rapidly growing whistle, a "dud" sh.e.l.l or large fragment of steel drops near us.

After a leisurely quarter of an hour the German machine turns to the east and rapidly increases its speed noticeably, with its nose down and the wind driving it homewards. Soon we can see nothing but the distant shrapnel puffs. The machine has gone, with the precious plates in its camera, to a remote aerodrome near Ostend.

"Bob" comes to me and says he is going to test his machine, and offers to let me take control. Soon we are three thousand feet over Dunkerque, and I can see dotted around the fields the great craters of the sh.e.l.l-holes and smoke rising here and there from fires in the town itself. After a while he says--

"Like to fly her now? I'll get right into the wind. Slip into my seat quickly when I get out!"

He carefully turns the machine till it is facing the wind, takes his hand off the wheel to test the stability, alters direction slightly, and feeling satisfied pulls back the throttle. The noise of the engines dies away as the machine begins to glide downward. He stands up on the rudder and I crawl in behind him and sit on his seat. He moves his body to the left so that I can grasp the wheel, and as soon as he takes his feet from the rudder I place mine firmly on the foot-rests of ribbed rubber.

With my hands and feet on the controls, I sit in the huge machine as we glide downwards singing. The speed indicator creeps back to thirty-eight miles an hour.

"Shove her nose down--keep it at fifty, you fool!" the pilot yells.

Forward goes the wheel, and the fingers of the height indicator creep up to fifty-five. I find I can easily steer the machine, and it is no more difficult than the little Curtiss's of old days at Luxeuil.

"Shove on the engines now,--slowly!" orders the pilot.

I catch hold of the aluminium throttle and push it slowly forward. The engine wakes to energetic life. I am conscious of the new forward impulse given to the machine, and the rudder begins to vibrate frantically beneath my feet. The country in front of my eyes begins to sway to the right. I am slipping. I try to remember which to turn to the right in order to convert it--the wheel or the rudder. I move the wrong one, and the country sways to the right still more and more. I get excited and push the nose down and turn the wheel over, and at last, amidst the curses of the pilot, regain a more or less even balance.

I then try to make a turn. I push the rudder to the right, and it goes hard over. As a result the machine slips violently, and the little bubble in the "slip tube" rushes from the centre and tries to creep out of one end. I fling over the wheel to reduce the slip, and the machine banks terrifically, but a little more accurately, for the reluctant bubble returns towards the middle of the tube. The pilot curses more and more luridly, but I have learnt the lesson that the rudder has to be allowed to go over a little way, instead of being pushed over, as it has a natural tendency to go hard forward on one side or the other. For a while I fly the machine fairly decently, to my great joy, and then I change places with the pilot, who, to instruct me, does some steep banks, but so accurately that not only does the bubble remain motionless in the middle of its tube, but a little wooden rabbit-mascot, which I stand on a shelf inside the machine, does not fall over, though we are at an angle of some sixty-five or seventy degrees to the ground.

We glide gloriously down through the sunlight and land on the aerodrome, avoiding carefully the three deep craters.

There is an interesting interlude before lunch which gives a momentary agony to many of us. An American flies over to the aerodrome and begins to carry out the wildest acrobatics with his fast "Spad" machine. He dives downwards till he is moving at a hundred and fifty miles an hour, flies at that speed a few feet over the ground between two lines of hangars, and shoots vertically upwards and rolls the machine over and over in every possible way. For five minutes or more he does this, growing ever and ever more reckless and daring. Then he climbs up, up, and up, and over the middle of the aerodrome stops still and dives downwards in a steep spiral. Faster and faster drops the machine till it is spinning like a leaf. Lower and lower it drops in a terrible mad whirl ... and vanishes behind the hangar without changing its direction or coming under apparent control. There is a groan from those who have seen the tragedy. Every face grows white--every heart grows heavy. We have been behind the hangars and luckily have not seen the end.

"I'm not going to see. It's no good. It will only turn me up!" I say, and walk to the edge of the hangars. There in the middle of the aerodrome is a scarcely discernible pile of broken wreckage--just a crumpled heap a few feet higher than the ground. Towards it from all points of the compa.s.s are streaming crowds of mechanics. I stand watching. I will not go over. I can do no good, and the sight will unnerve me for days. It is a fatal mistake for those who fly to see those who have died while flying.

Then I see standing by the machine a little figure. I wonder who it can be so quickly on the scene. The little figure seems to take something of its head, and to unwind a m.u.f.fler from its neck. I begin to run over toward the wreckage, a wild hope surging through me. It is--it is the airman. He is alive and seemingly not hurt. His face is yellow with bruises and is red with blood. It is a terrible sight, but he is laughing gaily, perhaps a little hysterically.

"Oh! I am all right! I'm all right! I got into a spin and couldn't get out in time!"

An ambulance comes up, and he gets into the back and drives off, waving his hand cheerfully. Amazing fellow! It appears that just before he struck the ground he pulled the machine out of the spin into a steep bank and struck the ground with one wing when he must have been flying at nearly two hundred miles an hour.

I may say that never once during the war did I see a crash happen in which a man got killed--nor did I ever see a dead man; and I may also say that the first fatal accident which happened to anybody in any of the squadrons to which I was attached, from October 1915 to April 1918, occurred in my last flight when my pilot was drowned and, owing to my injuries, I left the squadron. Night flying in those days was, so it appeared to me, a safe though exciting occupation. At any rate (and I touch wood as I say it!) not only did I lead a charmed life, but wherever I went trouble seemed to fly away. There were no accidents of any serious nature, or any damage caused by enemy attacks at any place to which I was attached. Two months after my crash eight hundred bombs were dropped in two nights on Condekerque aerodrome, and it was so badly damaged that it was abandoned. There were also many casualties. This is, however, by the way.

When we have examined the wreckage curiously, and all the inevitable photographs have been taken, we proceed to the mess for lunch, and during coffee I suggest to a friend of mine, an eighteen-year-old baby with fair hair, that we have a look at the war and visit the lines in a car.

"All right," he says, "if you tackle Charlie!"

Charlie is the transport officer. He is not far from sixty, but by shaving twice daily and wearing waisted coats he preserves an air of perennial youth. He has been, and done, everything in his life--from ringmaster to pageant manager, from running flying meetings to the caring for Kings at royal performances. He is one of those wonderful young "old stagers" in the war who really were fearless. He would go over the lines every night if he could, and indeed had been low over the German trenches in the daytime--"shooting up the blighters" for fun. He was the raid officer, and, as such, stood to his post on the "band-stand" all night, despatching machines and seeing them back. In his hands were the responsibility of our life or death. He loved us all, and would do anything for us. When the man beside him was killed in the big raid, he carried on his work, smoking his cigarette, with his eyegla.s.s in his eye. His favourite expression, if we did not raid owing to weather, was--

"Gor perishin' blimy with pink spots! If you put wings on my old band-stand I'd fly her through h.e.l.l backwards! Why don't you go on a raid to-night--you blighters never do any work?"

So having given him a whisky-and-soda, I take him into a corner and unveil the plot.

"All right! Tell Dimmock to give you a tender. Mind you draw that cartoon of me or you'll never leave the perishing aerodrome again!" he says.

In a few minutes we are on the Nieuport road, and for half an hour we rush in the tender beside a ca.n.a.l, past various kinds of French and British transport waggons. No one challenges us, and even as we pa.s.s the frontier the French and Belgian guards look at us with scant curiosity.

"_Aviation Navale Anglaise!_" we chant as we pa.s.s. Well they know the Royal Naval Air Service whose cars have haunted the roads now for many years. Well they know whose are the fighting scouts that rise up towards the skies above Dunkerque.

Through La Panne we clatter, and then the feeling in the air begins somehow to change. We sense now that the lines are nearer, and indeed they are only eight miles away. We pa.s.s through an area full of hutments and dumps and depots of various descriptions. The increasing number of notices and signs give unmistakable evidence of our proximity to the zone of action. The roads are now packed with lorries and cars through which we can hardly pa.s.s. On the left all the time is the unbroken line of the gra.s.s-covered sand-dunes hiding the not-far-distant sea from our eyes. Then suddenly the traffic thins and vanishes. We turn a corner and face a stretch of empty road, and know that now we are really near the front. Half-way down the road we pa.s.s a look-out tower built up among the trees, and near by is a warning notice.

The road is absolutely empty, and we begin to feel a little nervous. We come to another corner by which is a wrecked house, in a corner of which, however, the inhabitants are still dwelling. All round are sh.e.l.l craters filled with suspiciously fresh yellow clay. Here and there broken trees lean sadly against their neighbours. I see an officer in khaki near by and I hail him.

"Is it far to the lines?"

"Straight up the road--I wouldn't take your car any farther than the end of the trees, though, and if I were you I should leave this corner. The Huns are rather fond of it, as we have got a battery here. They fired a hundred and fifty sh.e.l.ls, mostly six-inch, after tea yesterday!"

"Push on, driver!"

Down the road we move swiftly between the splintered trees of a little wood. On the left are tattered canvas screens on frames. In some places great holes have been torn in them by sh.e.l.l-fire and the ragged fabric trails downward towards the ground. A whistling sound steals faintly on to our ears; it grows louder and deeper, with a sense of progression, and it ends in a heavy crash somewhere to our left. Again and again we hear the shrill whine deepen to a roar, and end in a burst--as large sh.e.l.ls sail over to some hidden mark near the coast.

We are beginning to feel a little nervous, but are very keen to go on.

It is a weird drive in this still deserted road, with its roughly-filled sh.e.l.l-holes and its broken leaning trees on either side.

The wood ends on the outskirts of the town, which lies in front of us, a queer panorama of wrecked buildings of pink brick whose bared and half-broken roof rafters lie against the sky like some dismal and gigantic snake, while the whole has the unreal aspect of stage scenery.

Here we leave the car, and tell the driver to drive away from trouble should the German sh.e.l.ls begin to fall near him. We walk into the shattered town with its tawdry shabby appearance of the back of an exhibition. Along the road the canvas screens flap slightly in the wind, above them appear the crumbled tops of ruined buildings, while every now and then we hear a bang, bang, bang, from the direction of the German trenches, and this noise has all the hollow artificiality of imitated gun-fire at a show or a circus. A few seconds pa.s.s, and crash! crash!

crash! sound three slightly better imitations of sh.e.l.ls bursting. The whole thing seems unreal: the buildings are so pink and villaesque: chocolate and motor tyre advertis.e.m.e.nts are painted on them: their doorways and walls are decorated with ugly porcelain ware and coloured tiles. It is as though a great battle was waging through the prim little lanes of the most innocent-looking villa town on the English coast,--it indeed is what is happening on the Belgian coast, except that here the buildings are still even more ugly and modern. There is no feeling of real danger--in spite of the deserted streets, and the occasional sound of a door being loudly shut, which is some not far distant sh.e.l.l exploding behind the strange screens.

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Green Balls Part 14 summary

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