Gordon Keith Part 25

"Come on, Mr. Keith," called some one.

The name caught the young bully, and he faced Keith more directly.

"Keith?--Keith!" he repeated, fastening his eyes on him with a cold glitter in them. "So you're Mr. Keith, are you?"

"That is my name," said Keith, feeling his blood tingling.

"Well, you're the man I'm a-lookin' for. No, you won't drink with me, 'cause I won't let you, you ---- ---- ----! You are the ---- ---- that comes here insultin' a lady?"

"No; I am not," said Keith, keeping his eyes on him.

"You're a liar!" said Mr. Bluffy, adding his usual expletives. "And you're the man I've come back here a-huntin' for. I promised to drive you out of town to-night if I had to go to h.e.l.l a-doin' it."

His white-handled pistol was out of his waistband with a movement so quick that he had it c.o.c.ked and Keith was looking down the barrel before he took in what had been done. Quickness was Mr. Bluffy's strongest card, and he had played it often.

Keith's face paled slightly. He looked steadily over the pistol, not three feet from him, at the drunken creature beyond it. His nerves grew tense, and every muscle in his frame tightened. He saw the beginning of the grooves in the barrel of the pistol and the gray cones of the bullets at the side in the cylinder; he saw the cruel, black, drunken eyes of the young desperado. It was all in a flash. He had not a chance for his life. Yes, he had.

"Let up, Bill," said a voice, coaxingly, as one might to soothe a wild beast. "Don't--"

"Drop that pistol!" said another voice, which Keith recognized as Dave Dennison's.

The desperado half glanced at the latter as he shot a volley of oaths at him. That glance saved Keith. He ducked out of the line of aim and sprang upon his a.s.sailant at the same time, seizing the pistol as he went, and turning it up just as Bluffy pulled the trigger. The ball went into the remote corner of the ceiling, and the desperado was carried off his feet by Keith's rush.

The only sounds heard in the room were the shuffling of the feet of the two wrestlers and the oaths of the enraged Bluffy. Keith had not uttered a word. He fought like a bulldog, without noise. His effort was, while he still gripped the pistol, to bring his two hands together behind his opponent's back. A sudden relaxation of the latter's grip as he made another desperate effort to release his pistol favored Keith, and, bringing his hands together, he lifted his antagonist from his feet, and by a dexterous twist whirled him over his shoulder and dashed him with all his might, full length flat on his back, upon the floor. It was an old trick learned in his boyish days and practised on the Dennisons, and Gordon had by it ended many a contest, but never one more completely than this. A buzz of applause came from the bystanders, and more than one, with sudden friendliness, called to him to get Bluffy's pistol, which had fallen on the floor. But Keith had no need to do so, for just then a stoutly built young fellow s.n.a.t.c.hed it up. It was Dave Dennison, who had come in just as the row began. He had been following up Bluffy.

The desperado, however, was too much shaken to have used it immediately, and when, still stunned and breathless, he rose to his feet, the crowd was too much against him to have allowed him to renew the attack, even had he then desired it.

As for Keith, he found himself suddenly the object of universal attention, and he might, had he been able to distribute himself, have slept in half the shacks in the camp.

The only remark Dave made on the event was characteristic:

"Don't let him git the drop on you again."

The next morning Keith found himself, in some sort, famous. "Tacklin'

Bill Bluffy without a gun and cleanin' him up," as one of his new friends expressed it, was no mean feat, and Keith was not insensible to the applause it brought him. He would have enjoyed it more, perhaps, had not every man, without exception, who spoke of it given him the same advice Dave had given--to look out for Bluffy. To have to kill a man or be killed oneself is not the pleasantest introduction to one's new home; yet this appeared to Keith the dilemma in which he was placed, and as, if either had to die, he devoutly hoped it would not be himself, he stuck a pistol in his pocket and walked out the next morning with very much the same feeling he supposed he should have if he had been going to battle. He was ashamed to find himself much relieved when some one he met volunteered the information that Bluffy had left town by light that morning. "Couldn't stand the racket. Terpy wouldn't even speak to him.

But he'll come back. Jest as well tote your gun a little while, till somebody else kills him for you." A few mornings later, as Keith was going down the street, he met again the "only decent-lookin' gal in Gumbolt." It was too late for him to turn off, for when he first caught sight of her he saw that she had seen him, and her head went up, and she turned her eyes away. He hoped to pa.s.s without appearing to know her; but just before they met, she cut her eye at him, and though his gaze was straight ahead, she said, "Good morning," and he touched his hat as he pa.s.sed. That afternoon he met her again. He was pa.s.sing on as before, without looking at her, but she stopped him. "Good afternoon." She spoke rather timidly, and the color that mounted to her face made her very handsome. He returned the salutation coldly, and with an uneasy feeling that he was about to be made the object of another outpouring of her wrath. Her intention, however, was quite different. "I don't want you to think I set that man on you; it was somebody else done it." The color came and went in her cheeks.

Keith bowed politely, but preserved silence.

"I was mad enough to do it, but I didn't, and them that says I done it lies." She flushed, but looked him straight in the face.

"Oh, that's all right," said Keith, civilly, starting to move on.

"I wish they would let me and my affairs alone," she began.' "They're always a-talkin' about me, and I never done 'em no harm. First thing they know, I'll give 'em something to talk about."

The suppressed fire was beginning to blaze again, and Keith looked somewhat anxiously down the street, wishing he were anywhere except in that particular company. To relieve the tension, he said:

"I did not mean to be rude to you the other day. Good morning."

At the kind tone her face changed.

"I knew it. I was riled that mornin' about another thing--somethin' what happened the day before, about Bill," she explained. "Bill's bad enough when he's in liquor, and I'd have sent him off for good long ago if they had let him alone. But they're always a-peckin' and a-diggin' at him.

They set him on drinkin' and fightin', and not one of 'em is man enough to stand up to him."

She gave a little whimper, and then, as if not trusting herself further, walked hastily away. Mr. Gilsey said to Gordon soon afterwards:

"Well, you've got one friend in Gumbolt as is a team by herself; you've captured Terp. She says you're the only man in Gumbolt as treats her like a lady."

Keith was both pleased and relieved.

A week or two after Keith had taken up his abode in Gumbolt, Mr. Gilsey was taken down with his old enemy, the rheumatism, and Keith went to visit him. He found him in great anxiety lest his removal from the box should hasten the arrival of the railway. He unexpectedly gave Keith evidence of the highest confidence he could have in any man. He asked if he would take the stage until he got well. Gordon readily a.s.sented.

So the next morning at daylight Keith found himself sitting in the boot, enveloped in old Tim's greatcoat, enthroned in that high seat toward which he had looked in his childhood-dreams.

It was hard work and more or less perilous work, but his experience as a boy on the plantation and at Squire Rawson's, when he had driven the four-horse wagon, stood him in good stead.

Old Tim's illness was more protracted than any one had contemplated, and, before the first winter was out, Gordon had a reputation as a stage-driver second only to old Gilsey himself.

Stage-driving, however, was not his only occupation, and before the next Spring had pa.s.sed, Keith had become what Mr. Plume called "one of Gumbolt's rising young sons." His readiness to lend a hand to any one who needed a helper began to tell. Whether it was Mr. Gilsey trying to climb with his stiff joints to the boot of his stage, or Squire Rawson's cousin, Captain Turley, the sandy-whiskered, sandy-clothed surveyor, running his lines through the laurel bushes among the gray debris of the crumbled mountain-side; Mr. Quincy Plume trying to evolve new copy from a splitting head, or the shouting wagon-drivers thrashing their teams up the muddy street, he could and would help any one.

He was so popular that he was nominated to be the town constable, a tribute to his victory over Mr. Bluffy.

Terpy and he, too, had become friends, and though Keith stuck to his resolution not to visit her "establishment," few days went by that she did not pa.s.s him on the street or happen along where he was, and always with a half-abashed nod and a rising color.

CHAPTER XII

KEITH DECLINES AN OFFER

With the growth of Gumbolt, Mr. Wickersham and his friends awakened to the fact that Squire Rawson was not the simple cattle-dealer he appeared to be, but was a man to be reckoned with. He not only held a large amount of the most valuable property in the Gap, but had as yet proved wholly intractable about disposing of it. Accordingly, the agent of Wickersham & Company, Mr. Halbrook, came down to Gumbolt to look into the matter. He brought with him a stout, middle-aged Scotchman, named Matheson, with keen eyes and a red face, who was represented to be the man whom Wickersham & Company intended to make the superintendent of their mines as soon as they should be opened.

The railroad not having yet been completed more than a third of the way beyond Eden, Mr. Halbrook took the stage to Gumbolt.

Owing to something that Mr. Gilsey had let fall about Keith, Mr.

Halbrook sent next day for Keith. He wanted him to do a small piece of surveying for him. With him was the stout Scotchman, Matheson.

The papers and plats were on a table in his room, and Keith was looking at them.

"How long would it take you to do it?" asked Mr. Halbrook. He was a short, alert-looking man, with black eyes and a decisive manner. He always appeared to be in a hurry.

Keith was so absorbed that he did not answer immediately, and the agent repeated the question with a little asperity in his tone.

"I say how long would it take you to run those lines?"

"I don't know," said Keith, doubtfully. "I see a part of the property lies on the mountain-side just above and next to Squire Rawson's lands.

I could let you know to-morrow."

"To-morrow! You people down here always want to put things off. That is the reason you are so behind the rest of the world. The stage-driver, however, told me that you were different, and that is the reason I sent for you."