Golden Stories Part 15

"Don't rot," said Mr. Watkins; "I don't like it."

"I mean did they put you in a good place?"

"Whatyer mean?" said Mr. Watkins suspiciously. "One 'ud think you were trying to make out I'd been put away."

Porson was a gentlemanly young man even for an artist, and he did not know what being "put away" meant, but he thought it best to explain that he intended nothing of the sort. As the question of hanging seemed a sore point with Mr. Watkins, he tried to divert the conversation a little.

"Did you do figure work at all?"

"No, never had a head for figures," said Mr. Watkins. "My miss--Mrs.

Smith, I mean, does all that."

"She paints too!" said Porson. "That's rather jolly."

"Very," said Mr. Watkins, though he really did not think so, and, feeling the conversation was drifting a little beyond his grasp, added: "I came down here to paint Hammerpond House by moonlight."

"Really!" said Porson. "That's rather a novel idea."

"Yes," said Mr. Watkins, "I thought it rather a good notion when it occurred to me. I expect to begin to-morrow night."

"What! You don't mean to paint in the open, by night?"

"I do, though."

"But how will you see your canvas?"

"Have a bloomin' cop's----" began Mr. Watkins, rising too quickly to the question, and then realizing this, bawled to Miss Durgan for another gla.s.s of beer. "I'm goin' to have a thing called a dark lantern," he said to Porson.

"But it's about new moon now," objected Porson. "There won't be any moon."

"There'll be the house," said Watkins, "at any rate. I'm goin', you see, to paint the house first and the moon afterward."

"Oh!" said Porson, too staggered to continue the conversation.

Toward sunset next day Mr. Watkins, virgin canvas, easel, and a very considerable case of other appliances in hand, strolled up the pleasant pathway through the beech-woods to Hammerpond Park, and pitched his apparatus in a strategic position commanding the house. Here he was observed by Mr. Raphael Sant, who was returning across the park from a study of the chalk-pits. His curiosity having been fired by Porson's account of the new arrival, he turned aside with the idea of discussing nocturnal art.

Mr. Watkins was mixing color with an air of great industry. Sant, approaching more nearly, was surprised to see the color in question was as harsh and brilliant an emerald green as it is possible to imagine.

Having cultivated an extreme sensibility to color from his earliest years, he drew the air in sharply between his teeth at the very first glimpse of this brew. Mr. Watkins turned round. He looked annoyed.

"What on earth are you going to do with that _beastly_ green?" said Sant.

Mr. Watkins realized that his zeal to appear busy in the eyes of the butler had evidently betrayed him into some technical error. He looked at Sant and hesitated.

"Pardon my rudeness," said Sant; "but, really, that green is altogether too amazing. It came as a shock. What _do_ you mean to do with it?"

Mr. Watkins was collecting his resources. Nothing could save the situation but decision. "If you come here interrupting my work," he said, "I'm a-goin' to paint your face with it."

Sant retired, for he was a humorist and a peaceful man. Going down the hill he met Porson and Wainwright. "Either that man is a genius or he is a dangerous lunatic," said he. "Just go up and look at his green." And he continued his way, his countenance brightened by a pleasant antic.i.p.ation of a cheerful affray round an easel in the gloaming, and the shedding of much green paint.

But to Porson and Wainwright Mr. Watkins was less aggressive, and explained that the green was intended to be the first coating of his picture. It was, he admitted, in response to a remark, an absolutely new method, invented by himself.

Twilight deepened, first one then another star appeared. The rooks amid the tall trees to the left of the house had long since lapsed into slumberous silence, the house itself lost all the details of its architecture and became a dark gray outline, and then the windows of the salon shone out brilliantly, the conservatory was lighted up, and here and there a bedroom window burnt yellow. Had any one approached the easel in the park it would have been found deserted. One brief uncivil word in brilliant green sullied the purity of its canvas. Mr. Watkins was busy in the shrubbery with his a.s.sistant, who had discreetly joined him from the carriage-drive.

Mr. Watkins was inclined to be self-congratulatory upon the ingenious device by which he had carried all his apparatus boldly, and in the sight of all men, right up to the scene of operations. "That's the dressing-room," he said to his a.s.sistant, "and, as soon as the maid takes the candle away and goes down to supper, we'll call in. My! how nice the house do look, to be sure, against the starlight, and with all its windows and lights! Swop me, Jim, I almost wish I _was_ a painter-chap. Have you fixed that there wire across the path from the laundry?"

He cautiously approached the house until he stood below the dressing-room window, and began to put together his folding ladder. He was too experienced a pract.i.tioner to feel any unusual excitement. Jim was reconnoitring the smoking-room. Suddenly, close beside Mr. Watkins in the bushes, there was a violent crash and a stifled curse. Some one had tumbled over the wire which his a.s.sistant had just arranged. He heard feet running on the gravel pathway beyond. Mr. Watkins, like all true artists, was a singularly shy man, and he incontinently dropped his folding ladder and began running circ.u.mspectly through the shrubbery. He was indistinctly aware of two people hot upon his heels, and he fancied that he distinguished the outline of his a.s.sistant in front of him. In another moment he had vaulted the low stone wall bounding the shrubbery, and was in the open park. Two thuds on the turf followed his own leap.

It was a close chase in the darkness through the trees. Mr. Watkins was a loosely built man and in good training, and he gained hand over hand upon the hoa.r.s.ely panting figure in front. Neither spoke, but, as Mr.

Watkins pulled up alongside, a qualm of awful doubt came over him. The other man turned his head at the same moment and gave an exclamation of surprise. "It's not Jim," thought Mr. Watkins, and simultaneously the stranger flung himself, as it were, at Watkins's knees, and they were forthwith grappling on the ground together. "Lend a hand, Bill," cried the stranger, as the third man came up. And Bill did--two hands, in fact, and some accentuated feet. The fourth man, presumably Jim, had apparently turned aside and made off in a different direction. At any rate, he did not join the trio.

Mr. Watkins's memory of the incidents of the next two minutes is extremely vague. He has a dim recollection of having his thumb in the corner of the mouth of the first man, and feeling anxious about its safety, and for some seconds at least he held the head of the gentleman answering to the name of Bill to the ground by the hair. He was also kicked in a great number of different places, and apparently by a vast mult.i.tude of people. Then the gentleman who was not Bill got his knee below Mr. Watkins's diaphragm and tried to curl him up upon it.

When his sensations became less entangled he was sitting upon the turf, and eight or ten men--the night was dark, and he was rather too confused to count--standing around him, apparently waiting for him to recover. He mournfully a.s.sumed that he was captured, and would probably have made some philosophical reflections on the fickleness of fortune, had not his internal sensations disinclined him to speech.

He noticed very quickly that his wrists were not handcuffed, and then a flask of brandy was put in his hands. This touched him a little--it was such unexpected kindness.

"He's a-comin' round," said a voice which he fancied he recognized as belonging to the Hammerpond second footman.

"We've got 'em, sir, both of 'em," said the Hammerpond butler, the man who had handed him the flask. "Thanks to _you_."

No one answered his remark. Yet he failed to see how it applied to him.

"He's fair dazed," said a strange voice; "the villain's half-murdered him."

Mr. Teddy Watkins decided to remain fair dazed until he had a better grasp of the situation. He perceived that two of the black figures round him stood side by side with a dejected air, and there was something in the carriage of their shoulders that suggested to his experienced eye hands that were bound together. In a flash he rose to his position. He emptied the little flask and staggered--obsequious hands a.s.sisting him--to his feet. There was a sympathetic murmur.

"Shake hands, sir, shake hands," said one of the figures near him.

"Permit me to introduce myself. I am very greatly indebted to you. It was the jewels of my wife, Lady Aveling, which attracted these scoundrels to the house."

"Very glad to make your lordship's acquaintance," said Teddy Watkins.

"I presume you saw the rascals making for the shrubbery, and dropped down on them?"

"That's exactly how it happened," said Mr. Watkins.

"You should have waited till they got in at the window," said Lord Aveling; "they would get it hotter if they had actually committed the burglary. And it was lucky for you two of the policemen were out by the gates, and followed up the three of you. I doubt if you could have secured the two of them--though it was confoundedly plucky of you, all the same."

"Yes, I ought to have thought of all that," said Mr. Watkins; "but one can't think of everything."

"Certainly not," said Lord Aveling. "I am afraid they have mauled you a little," he added. The party was now moving toward the house. "You walk rather lame. May I offer you my arm?"

And instead of entering Hammerpond House by the dressing-room window, Mr. Watkins entered it--slightly intoxicated, and inclined now to cheerfulness again--on the arm of a real live peer, and by the front door. "This," thought Mr. Watkins, "is burgling in style!" The "scoundrels," seen by the gaslight, proved to be mere local amateurs unknown to Mr. Watkins, and they were taken down into the pantry and there watched over by the three policemen, two gamekeepers with loaded guns, the butler, an ostler, and a carman, until the dawn allowed of their removal to Hazelhurst police-station. Mr. Watkins was made much of in the salon. They devoted a sofa to him, and would not hear of a return to the village that night. Lady Aveling was sure he was brilliantly original, and said her idea of Turner was just such another rough, half-inebriated, deep-eyed, brave, and clever man. Some one brought up a remarkable little folding-ladder that had been picked up in the shrubbery, and showed him how it was put together. They also described how wires had been found in the shrubbery, evidently placed there to trip up unwary pursuers. It was lucky he had escaped these snares. And they showed him the jewels.

Mr. Watkins had the sense not to talk too much, and in any conversational difficulty fell back on his internal pains. At last he was seized with stiffness in the back and yawning. Everyone suddenly awoke to the fact that it was a shame to keep him talking after his affray, so he retired early to his room, the little red room next to Lord Aveling's suite.

The dawn found a deserted easel bearing a canvas with a green inscription, in the Hammerpond Park, and it found Hammerpond House in commotion. But if the dawn found Mr. Teddy Watkins and the Aveling diamonds, it did not communicate the information to the police.