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Golden Lads Part 11

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Womanlike she refused to give in till the work was successfully finished.

How would a man have handled such a strain? I will tell you how one man acted. Our corporal drove his touring car toward Dixmude one morning. He ordered Tom, the c.o.c.kney driver, to follow with the motor ambulance. In it were Mrs. Knocker and Miss Chisholm, sitting with Tom on the front of the car. Things looked thick. The corporal slowed up, and so did Tom just behind him. Now there is one sure rule for rescue work at the front--when you hear the guns close, always turn your car toward home, away from the direction of the enemy. Turn it before you get your wounded, even though they are at the point of death, and leave your power on, even when you are going to stay for a quarter of an hour.

Pointed toward safety, and under power, the car can carry you out of range of a sudden sh.e.l.ling or a bayonet charge. The enemy's guns began to place shrapnel over the road. The cloud puffs were hovering about a hundred feet overhead a little farther down the way. The bullets clicked on the roadbed. The corporal jumped out of his touring car.

[Ill.u.s.tration: BRETON SAILORS READY FOR THEIR NOON MEAL IN A VILLAGE UNDER DAILY Sh.e.l.l FIRE.

Throughout this Yser district British nurses drove their ambulances and rescued the wounded.]

"Turn my car," he shouted to Tom. Tom climbed from the ambulance, boarded the touring car and turned it. The corporal peered out from his shelter, behind the ambulance, saw the going was good and ran to his own motor. He jumped in and sped out of range at full tilt. The two women sat quietly in the ambulance, watching the shrapnel. Tom came to them, turned the car and brought them beyond the range of fire.

But the steadiest and most useful piece of work done by the women was that at Pervyse. Mrs. Knocker and two women helpers, one Scotch and one American, fitted up a miniature hospital in the cellar of a house in ruined Pervyse. They were within three minutes of the trenches. Here, as soon as the soldiers were wounded, they could be brought for immediate treatment. A young private had received a severe lip wound. Unskilful army medical handling had left it gangrened, and it had swollen. His face was on the way to being marred for life. Mrs. Knocker treated him every few hours for ten days--and brought him back to normal. A man came in with his hand a pulp from splintered sh.e.l.l. The glove he had been wearing was driven into the red flesh. Mrs. Knocker worked over his hand for half an hour, picking out the shredded glove bit by bit.

Except for a short walk in the early morning and another after dark, these women lived immured in their dressing station, which they moved from the cellar to a half-wrecked house. They lived in the smell of straw, blood and antiseptic. The Germans have thrown sh.e.l.ls into the wrecked village almost every day. Some days sh.e.l.ling has been vigorous.

The churchyard is choked with dead. The fields are dotted with hummocks where men and horses lie buried. Just as I was sailing for America in March, 1915, the house where the women live and work was sh.e.l.led. They came to La Panne, but later Mrs. Knocker and Miss Chisholm returned to Pervyse to go on with their work, which is famous throughout the Belgian army.

As regiment after regiment serves its turn in the trenches of Pervyse it pa.s.ses under the hands of these women. "The women of Pervyse" are known alike to generals, colonels and privates who held steady at Liege and who have struggled on ever since. For many months these nurses have endured the noise of sh.e.l.l fire and the smells of the dead and the stricken. The King of the Belgians has with his own hands pinned upon them the Order of Leopold II. The King himself wears the Order of Leopold I. They have eased and saved many hundreds of his men.

"No place for a woman," remarked a distinguished Englishman after a flying visit to their home.

"By the law of probabilities, your corps will be wiped out sooner or later," said a war correspondent.

Meantime the women will go on with their cool, expert work. The only way to stop them is to stop the war.

HOW WAR SEEMS TO A WOMAN

(BY MRS. ARTHUR GLEASON)

Life at the front is not organized like a business office, with sharply defined duties for each worker. War is raw and chaotic, and you take hold wherever you can lock your grip. We women that joined the Belgian army and spent a year at the front, did duty as ambulance riders, "dirty nurses," in a Red Cross rescue station at the Yser trenches, in relief work for refugees, and in the commissariat department. We tended wounded soldiers, sick soldiers, sick peasants, wounded peasants, mothers, babies, and colonies of refugees.

This war gave women one more chance to prove themselves. For the first time in history, a few of us were allowed through the lines to the front trenches. We needed a man's costume, steady masculine nerves, physical strength. But the work itself became the ancient work of woman--nursing suffering, making a home for lonely, hungry, dirty men. This new thrust of womanhood carried her to the heart of war. But, once arriving there, she resumed her old job, and became the nurse and cook and mother to men. Woman has been rebelling against being put into her place by man.

But the minute she wins her freedom in the new dramatic setting, she finds expression in the old ways as caretaker and home-maker. Her rebellion ceases as soon as she is allowed to share the danger. She is willing to make the fires, carry the water, and do the washing, because she believes the men are in the right, and her labor frees them for putting through their work.

It all began for me in Paris. I was studying music, and living in the American Art Students' Club, in the summer of 1914. That war was declared meant nothing to me. There was I in a comfortable room with a delightful garden, the Luxembourg, just over the way. That was the first flash of war. I went down to the Louvre to see the Venus, and found the building "Ferme." I went over to the Luxembourg Galleries--"Ferme,"

again--and the Catacombs. Then it came into my consciousness that all Paris was closed to me. The treasures had been taken away from me. The things planned couldn't be done. War had s.n.a.t.c.hed something from me personally.

Next, I took solace in the streets. I had to walk. Paris went mad with official speed--commandeered motors flashed officers down the boulevards under martial law. They must get a nation ready, and Paris was the capital. War made itself felt, still more, because we had to go through endless lines,--_permis de sejours_ at little police stations--standing on line all day, dismissed without your paper, returning next morning.

Friends began to leave Paris for New York. I was considered queer for wishing to stay on. The chance to study in Paris was the dream of a lifetime. But, now, the sound of the piano was forbidden in the city, and that made the desolation complete. Work and recreation had been taken away, and only war was left. And when Marie, our favorite maid in the club, sent her husband, our doorkeeper, to the front, that brought war inside our household.

As the Germans drew near Paris, many of the club girls thought that they would be endangered. Every one was talking about the French Revolution.

People expected the horrors of the Revolution to be repeated. Jaures had just been shot, the syndicalists were wrecking German milk shops, and at night the streets had noisy mobs. People were fearing revolution inside Paris, more than the enemy outside the city gates. War was going to let loose that terrible thing which we believed to be subliminal in the French nature.

Women had to be off the streets before nine o'clock. By day we went up the block to the Boulevard, and there were the troops--a band, the tricolor, the officers, the men in sky blue. Their sweethearts, their wives and children went marching hand in hand with them, all singing the "Ma.r.s.eillaise." In a time like that, where there is song, there is weeping. The marching, singing women were sometimes sobbing without knowing it, and we that were watching them in the street crowd were moved like them.

When I crossed to England, I found that I wanted to go back and have more of the wonder of war, which I had tasted in Paris. The wonder was the sparkle of equipment. It was plain curiosity to see troops line up, to watch the military pageant. There I had been seeing great handsome horses, men in shining helmets with the horsehair tail of the casque flowing from crest to shoulder, the scarlet breeches, the glistening boots with spurs. It was pictures of childhood coming true. I had hardly ever seen a man in military uniform, and nothing so startling as those French cuira.s.siers. And I knew that gay vivid thing was not a pa.s.sing street parade, but an array that was going into action. What would the action be? It is what makes me fond of moving pictures--variety, color, motion, and mystery. The story was just beginning. How would the plot come out?

Those pictures of troops and guns, grouping and dissolving, during all the twelve months in Flanders, never failed to grip. But rarely again did I see that display of fine feathers. For the fighting men with whom I lived became mud-covered. Theirs was a dug-in and blown-out existence, with the spatterings of storm and black nights on them. Their clothing took on the soberer colors and weather-worn aspect of the life itself which was no sunny boulevard affair, but an enduring of wet trenches and slimy roads. Those people in Paris needed that high key to send them out, and the early brilliance lifted them to a level which was able to endure the monotony.

I went to the war because those whom I loved were in the war. I wished to go where they were.

Finally, there was real appeal in that a little unprotected lot of people were being trampled.

I crossed in late September to Ostend as a member of the Hector Munro Ambulance Corps. With us were two women, Elsie Knocker, an English trained nurse, and Mairi Chisholm Gooden-Chisholm, a Scotch girl. There were a round dozen of us, doctors, chauffeurs, stretcher bearers. Our idea of what was to be required of women at the front was vague. We thought that we ought to know how to ride horseback, so that we could catch the first loose horse that galloped by and climb on him. What we were to do with the wounded wasn't clear, even in our own minds. We bought funny little tents and had tent practice in a vacant yard. The motor drive from Ostend to Ghent was through autumn sunshine and beauty of field flowers. It was like a dream, and the dream continued in Ghent, where we were tumbled into the Flandria Palace Hotel with a suite of rooms and bath, and two convalescing soldiers to care for us. We looked at ourselves and smiled and wondered if this was war. My first work was the commissariat for our corps.

Then came the English Naval Reserves and Marines _en route_ to Antwerp.

They had been herded into the cars for twelve hours. They were happy to have great hunks of hot meat, bread, and cigarettes. Just across the platform, a Belgian Red Cross train pulled in--nine hundred wounded men, bandaged heads with only the eyes showing, stumps of arms flapping a welcome. The Belgians had been shot to pieces, holding the line. And, now, here were the English come to save them.

This looked more like war to us. From the Palace windows we hung out over the balcony to see the Taubes. I knew that at last we were on the fringes of war. Later, we were to be at the heart of it. It was at Melle that I learned I was on the front lines.

We went up the road from Ghent to Melle in blithe ignorance, we three women. The day before, the enemy had held the corner with a machine gun.

"Let's go on foot, and see where the Germans were," suggested "Scotch."

We came to burned peasants' houses. Inside the wreckage, soldiers crouched with rifles ready at the peek-holes. A Reckitt's bluing factory was burning, and across the field were the Germans. The cottages without doors and windows were like toothless old women. Piles of used cartridges were strewed around. There stood a gray motor-car, a wounded German in the back seat, his hands riddled, the car shot through, with blood in the bottom from two dead Germans. I realized the power of the bullet, which had penetrated the driver, the padded seat, the sheet metal and splintered the wood of the tonneau. We saw a puff of white smoke over the field from a shrapnel. That was the first sh.e.l.l I had seen close. It meant nothing to me. In those early days, the hum of a sh.e.l.l seemed no more than the chattering of sparrows. That was the way with all my impressions of war--first a flash, a spectacle; later a realization, and experience.

I went into Alost during a mild bombardment. The crashing of timbers was fascinating. It is in human nature to enjoy destruction. I used to love to jump on strawberry boxes in the woodshed and hear them crackle. And with the plunge of the sh.e.l.ls, something echoed back to the delight of my childhood. I enjoyed the crash, for something barbaric stirred. There was no connection in my mind between the rumble and wounded men. The curiosity of ignorance wanted to see a large crash. Sh.e.l.l-fire to me was a noise.

I still had no idea of war. Of course I knew that there would be hideous things which I didn't have in home life. I knew I could stand up to dirty monotonous work, but I was afraid I should faint if I saw blood.

When very young, I had seen a dog run over, and I had seen a boy playmate mutilate a turtle. I was sickened. Years later, I came on a little child crying, holding up its hand. The wrist was bent back double, and the blood spurting till the little one was drenched. Those shocks had left a horror in me of seeing blood. But this thing that I feared most turned out not to have much importance. I found that the man who bled most heavily lay quiet. It was not the bloodshed that unnerved me. It was the writhing and moaning of men that communicated their pain to me. I seemed to see those whom I loved lying there. I transferred the wound to the ones I love. Sometimes soldiers gave me the address of wife and mother, to have me write that they were well. Then when the wounded came in, I thought of these wives and mothers. I knew how they felt, because I felt so. I knew, as the Belgian and French women know, that the war must be waged without wavering, and yet I always see war as hideous. There was no glory in those stricken men. I had no fear of dying, but I had a fear of being mangled.

One evening I walked into the Convent Hospital where the wounded lay so thickly that I had to step over the stretcher loads. The beds were full, the floor blocked, only one door open. There was a smell of foul blood, medicines, the stench of trench clothes. It came on an empty stomach, at the end of a tired day.

"Sister, will you hold this lamp?" a nurse said to me.

I held it over a man with a yawning hole in his abdomen. He lay unmurmuring. When the doctor pressed, the muscles twitched. I asked some one to hold the lamp. I went into the courtyard, and fainted. Hard work would have saved me.

One other time, there had been a persistent fire all day. A boy of nineteen was brought in screaming. He wanted water and he wanted his mother. In our dressing station room were crowded two doctors, three women, two stretcher bearers, a chauffeur, and ten soldiers. They cut away his uniform and boots. His legs were jelly, with red mouths of wounds. His leg gave at the knee, like a piece of limp twine. I went into the next room, and recovered myself. Then I returned, and stayed with the wounded. The greatest comfort was a doctor, who said it was a matter of stomach, not of nerve. A sound woman doesn't faint at the sight of blood any quicker than a man does. Those two experiences were the only times when the horror was too much for me. I saw terrible things and was able to see them. With the dead it seems different. They are at peace. It is motion in the wounded that transfers suffering to oneself. A red quiver is worse than a red calm.

Antwerp fell. The retreating Belgian army swarmed around us, pa.s.sed us.

In the excitement every one lost her kit and before two days of actual warfare were over we had completely forgotten those little tents that we had practised pitching so carefully, and that we had meant to sleep in at night. Little, dirty, unkempt, broken-hearted men came shuffling in the dust of the road by day, shambling along the road at night.

Thousands of them pa.s.sed. No sound, save the fall of footsteps. No contrast, save where a huddle of refugees pa.s.sed, their children beside them, their household goods, or their old people, on their backs. We picked up the wounded. There was no time for the dead. In and out and among that army of ants, retreating to the edge of Belgium and the sea, we went. There seemed nothing but to return to England.

The war minister of Belgium saw us. He placed his son, Lieutenant Robert de Broqueville, in military command of us. We had access to every line, all the way to the trench and battlefield. We became a part of the Belgian army. We made our headquarters at Furnes. Luckily, a physician's house had been deserted, with china and silver on the table, apples, jellies and wines in the cellar. We commandeered it.

Winter came. The soldiers needed a dressing station somewhere along the front from Nieuport to Dixmude. Mrs. Knocker established one thirty yards behind the front line of trenches at Pervyse. Miss Chisholm and I joined her. In its cellar we found a rough bedstead of two pieces of unplaned lumber, with clean straw for a mattress, awaiting us. Any Englishwoman is respected in the Belgian lines. The two soldiers who had been living in our room had given it up cheerily. They had searched the village for a clean sheet, and showed it to us with pride. They lumped the straw for our pillows, and stood outside through the night, guarding our home with fixed bayonets. It was the most moving courtesy we had in the twelve months of war. The air in the little room was both foul and chilly. We took off our boots, and that was the extent of our undressing.

[Ill.u.s.tration: SLEEPING QUARTERS FOR BELGIAN SOLDIERS.

Disguised as a haystack, this shelter stands out in a field within easy sh.e.l.l fire of the enemy. A concealed battery, in which these boys are gunners, is near by. In their spare time they smoke, read, swim, carve rings out of shrapnel, play cards and forget the strain of war.]

The dreariness of war never came on us till we went out there to live behind the trenches. To me it was getting up before dawn, and washing in ice-cold water, no time to comb the hair, always carrying a feeling of personal mussiness, with an adjustment to dirt. It is hard to sleep in one's clothes, week after week, to look at hands that have become permanently filthy. One morning our chauffeur woke up, feeling grumpy.

He had slept with a visiting doctor. He said the doctor's revolver had poked him all night long in the back. The doctor had worn his entire equipment for warmth, like the rest of us. I suffered from cold wet feet. I hated it that there was never a moment I could be alone. The toothbrush was the one article of decency clung to. I seemed never to go into the back garden to clean my teeth without bringing on sh.e.l.l-fire. I got a sense of there being a connection between brushing the teeth and the enemy's guns. You find in roughing it that a coating of dirt seems to keep out chill. We women suffered, but we knew that the boys in tennis shoes suffered more in that wet season, and the soldiers without socks, just the bare feet in boots.

In the late fall, we rooted around in the deserted barns for potatoes.

Once, creeping into a farm, which was islanded by water, "Jane Pervyse,"

our homeless dog, led us up to the wrecked bedroom. A bonnet and best dress were in the cupboard. A soldier put on the bonnet and grimaced.

Always after that, in pa.s.sing the house, "Jane Pervyse" trembled and whined as if it had been her home till the destruction came.

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Golden Lads Part 11 summary

You're reading Golden Lads. This manga has been translated by Updating. Author(s): Arthur Gleason and Helen Hayes Gleason. Already has 558 views.

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