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Gaslight Sonatas Part 23

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"Mr. Vetsburg, Ruby--I--"

"If anybody's got a lease on you, Mrs. Kaufman, I--I want it! I want it!

That's the kind of a lease would suit me. To be leased to you for always, the rest of your life!"

She could not follow him down the vista of fancy, but stood interrogating him with her heartbeats at her throat. "Mr. Vetsburg, if he puts on the doors and hinges and new plumbing in--."

"I'm a plain man, Mrs. Kaufman, without much to offer a woman what can give out her heart's blood like it was so much water. But all these years I been waiting, Mrs. Kaufman, to bust out, until--till things got riper. I know with a woman like you, whose own happiness always is last, that first your girl must be fixed--."

"She's a young girl, Mr. Vetsburg. You--you mustn't depend--. If I had my say--."

"He's a fine fellow, Mrs. Kaufman. With his uncle to help 'em, they got, let me tell you, a better start as most young ones!"

She rose, holding on to the desk.

"I--I--" she said. "What?"

"Lena," he uttered, very softly.

"Lena, Mr. Vetsburg?"

"It 'ain't been easy, Lenie, these years while she was only growing up, to keep off my lips that name. A name just like a leaf off a rose. Lena!" he reiterated and advanced.

Comprehension came quietly and dawning like a morning.

"I--I--. Mr. Vetsburg, you must excuse me," she said, and sat down suddenly.

He crossed to the little desk and bent low over her chair, his hand not on her shoulder, but at the k.n.o.b of her chair. His voice had a swift rehea.r.s.ed quality.

"Maybe to-morrow, if you didn't back out, it would sound finer by the ocean, Lenie, but it don't need the ocean a man should tell a woman when she's the first and the finest woman in the world. Does it, Lenie?"

"I--I thought Ruby. She--"

"He's a good boy, Leo is, Lenie. A good boy what can be good to a woman like his father before him. Good enough even for a fine girl like our Ruby, Lenie--_our_ Ruby!"

"_Gott im Himmel_! then you--"

"Wide awake, too. With a start like I can give him in my business, you 'ain't got to worry Ruby 'ain't fixed herself with the man what she chooses. To-morrow at Atlantic City all fixed I had it I should tell--"

"You!" she said, turning around in her chair to face him. "You--all along you been fixing--"

He turned sheepish. "Ain't it fair, Lenie, in love and war and business a man has got to scheme for what he wants out of life? Long enough it took she should grow up. I knew all along once those two, each so full of life and being young, got together it was natural what should happen. Mrs.

Kaufman! Lenie! Lenie!"

Prom two flights up, in through the open door and well above the harsh sound of scrubbing, a voice curled down through the hallways and in. "Mrs.

Kaufman, ice-water--ple-ase!"

"Lenie," he said, his singing, tingling fingers closing over her wrist.

"Mrs. Kauf-man, ice-water, pl--"

With her free arm she reached and slammed the door, let her cheek lie to the back of his hand, and closed her eyes.

IV

HERS _NOT_ TO REASON WHY

In the third winter of a world-madness, with Europe guzzling blood and wild with the taste of it, America grew flatulent, stenching winds from the battle-field blowing her prosperity.

Granaries filled to bursting tripled in value, and, in congested districts, men with lean faces rioted when bread advanced a cent a loaf. Munition factories, the fires of destruction smelting all night, worked three shifts. Millions of sh.e.l.ls for millions of dollars. Millions of lives for millions of sh.e.l.ls. A country feeding into the insatiable maw of war with one hand, and with the other pouring relief-funds into coffers bombarded by guns of its own manufacture--quelling the wound with a finger and widening it with a knife up the cuff.

In France, women with blue faces and too often with the pulling lips of babes at dry b.r.e.a.s.t.s, learned the bitter tasks of sewing closed the coat sleeves and of cutting off and hemming the trousers leg at the knee.

In America, women new to the feel of fur learned to love it and not question whence it came. Men of small affairs, suddenly earthquaked to the crest of the great tidal wave of new market-values, went drunk with wealth.

In New York, where so many great forces of a great country coagulate, the face of the city photographed would have been a composite of fat and jowl, rouge and heavy lip--satiated yet insatiate, the head double-chinned and even a little loggy with too many satisfactions.

But that is the New York of the Saturnite and of Teufelsdrockh alone with his stars.

Upon Mrs. Blutch Connors, gazing out upon the tide of West Forty-seventh Street, life lay lightly and as unrelated as if ravage and carnage and the smell of still warm blood were of another planet.

A shower of white light from an incandescent tooth-brush sign opposite threw a pallid reflection upon Mrs. Connors; it spun the fuzz of frizz rising off her blond coiffure into a sort of golden fog and picked out the sequins of her bodice.

The dinner-hour descends glitteringly upon West Forty-seventh Street, its solid rows of long, lanky hotels, actors' clubs, and sixty-cent _tables d'hote_ adding each its candle-power.

From her brace of windows in the Hotel Metropolis, the street was not unlike a gully cut through mica, a honking tributary flowing into the great sea of Broadway. A low, high-power car, shaped like an ellipse, cut through the snarl of traffic, bleating. A woman, wrapped in a greatcoat of "baby"

pelts and an almost undistinguishable dog in the cove of her arm, walked out from the Hotel Metropolis across the sidewalk and into a taxicab. An army of derby hats, lowered slightly into the wind, moved through the white kind of darkness. Standing there, buffeting her pink nails across her pink palms, Mrs. Connors followed the westward trend of that army. Out from it, a face lying suddenly back flashed up at her, a mere petal riding a swift current. But at sight of it Mrs. Blutch Connors inclined her entire body, pressing a smile and a hand against the cold pane, then turned inward, flashing on an electrolier--a bronze Nydia holding out a cl.u.s.ter of frosted bulbs. A great deal of the strong breath of a popular perfume and a great deal of artificial heat lay sweet upon that room, as if many flowers had lived and died in the same air, leaving insidious but slightly stale memories.

The hotel suite has become the brocaded tomb of the old-fashioned garden.

The kitchen has shrunk into the chafing-dish, and all the dear old concoctions that mother used to try to make now come tinned, condensed, and predigested in sixty-seven varieties. Even the vine-covered threshold survives only in the booklets of promoters of suburban real estate. In New York, the home-coming spouse arrives on the vertical, shunted out at whatever his layer. Yet, when Mrs. Connors opened the door of her pink-brocaded sitting-room, her spirit rose with the soughing rise of the elevator, and Romance--hardy fellow--showed himself within a murky hotel corridor.

"Honeybunch!"

"Babe!" said Mr. Blutch Connors, upon the slam of the lift door.

And there, in the dim-lit halls, with its rows of closed doors in blank-faced witness thereof, they embraced, these two, despising, as Flaubert despised, to live in the reality of things.

"My boy's beau-ful cheeks all cold!"

"My girl's beau-ful cheeks all warm and full of some danged good cologne,"

said Mr. Connors, closing the door of their rooms upon them, pressing her head back against the support of his arm, and kissing her throat as the chin flew up.

He pressed a b.u.t.ton, and the room sprang into more light, coming out pinkly and vividly--the brocaded walls pliant to touch with every so often a gilt-framed engraving; a gilt table with an onyx top cheerfully cluttered with the sauciest short-story magazines of the month; a white mantelpiece with an artificial hearth and a pink-and-gilt _chaise-longue_ piled high with small, lacy pillows, and a very green magazine open and face downward on the floor beside it.

"Comin' better, honeybunch?"

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Gaslight Sonatas Part 23 summary

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