Garden Ornaments Part 4

We view our flower-plots at their best, gazing at them through the vine-clad entrance, as we glance down the gravel walk bordered on either side by ma.s.ses of brilliant flowers. Involuntarily, our eyes wander along farther afield till we meet the background of trees clad in verdant foliage, a fitting setting for the picture laid out in patches of color, fitting into the canvas with a well-defined plan. We can but feel as we stand looking down on this paradise of flowers that we are thankful for the thought that first created gardens.

When they came into existence it is hard to determine, for mention is found of flowers and the traditions of wonderful gardens, laid out long before man had chiseled the hieroglyphics depicted on Egyptian tombs.

The love of flowers is a heritage handed down from generation to generation.

Homer, when speaking of Laertes, trying in vain to find consolation in his flowers, while mourning the departure of Telemachus, goes on to show us that great men turn to gardens to heal sorrow. Philosophy was taught by Epicurus surrounded by his beloved pupils among the flowers.

From the early Greeks the Romans took their first lesson in floriculture. It was after their invasion of Brittany that they introduced certain flowers and fruits, like grapes, roses and violets, into English gardens. The art of gardening advanced steadily, reaching its zenith in good Queen Elizabeth's time, when there were in England many pleasing gardens, formal and stiff, to be sure, but a fit setting for the architecture of that day.

While the garden designs abounded in beautiful walks and flowers, yet the entrance to the grounds formed as it were the key-note to it all.

Has it ever occurred to you, as you stood hesitating at the portals of the gardens, that these were suggestive of some well-thought-out plan, as like grim sentinels they stand guarding the flower treasures? There is as much contrast in this part of the plan as there is in the design itself. Here we find a narrow, forbidding entrance, giving no glimpse of the flowers within; again we come to a wide, welcoming one, beckoning, as it were, for us to pa.s.s through the portals and gaze with delight on the beauties hinted at beforehand and now disclosed to the eye.

For Colonial treatment there is nothing more dignified or stately than the square wooden posts, inclosing a locust inner one. They are built of white pine, one of the most lasting woods to be found in our country, and are Colonial or Georgian in design. Many of them are ornamental, topped with b.a.l.l.s, urns, or torch devices and with elaborate hand-carving, so wonderful in its design that architects copy them in their modified Colonial houses of to-day. This was the work of one of the most noted wood-carvers in our country, Samuel McIntyre, whose name is a household word to architects and landscape designers all over the country.

There are two ways of treating the entrance. One of them is by adding an ornamental gate, corresponding in type with that of the posts. The other is to leave the posts gateless; while both are correct, yet the former way is more often used as it lends an air of privacy to the ground. It also helps out the effect planned by giving a touch of picturesqueness that would be otherwise lacking. A much too common mistake is the introduction of Southern architecture into Northern gateways; the lines and details do not always conform with the type of the house.

Most of these gates are hung by iron or bra.s.s hinges, but the earliest ones use the strap hinge, which carries out the Colonial idea. The difficulty with the strap hinge is that it is not always strong enough to hold the gates without sagging, and the wider the entrance the heavier the strain. While the design varies, yet rarely do we find one constructed in the seventeenth century that is not simple and with picket effects. The pickets have pointed tops and are sometimes irregularly s.p.a.ced, while the brace often shows an artistic curve.

Occasionally, we find the posts yoked, through a connecting arch. This is often latticed and if rightly designed adds to the ornamental effect.

An old lantern is sometimes an attractive feature. The arch should be painted to match the color of the posts, a very good combination for this use is pure white lead, or zinc, combined with linseed oil. If you do not care to mix it yourself it can be bought ready for use. For the best effects, a thin coat should be used at first and it depends upon how easily it is covered as to how many coats to apply. If you wish to give a better finish, have an excess of turpentine over linseed oil in the last coat. There is more economy in covering it properly at first, as otherwise it will have to be re-painted each year.

With the evolution of garden culture has come a similar change in the design and material used to form our entrances. On the large estates of to-day, rarely if ever, do we find the ornamental Colonial. It would be as much out of place as if the mistress of the house affected silken brocades with wig and patches.

The white paling fence, unless for simple cottages, has entirely gone out of style and in its place we find cement walls. Often these are topped with a coping of limestone. The gate-posts, being formed over strong locust posts that have been driven firmly into the ground, are supported by brick or cement foundation.

Where the mansion shows in exterior brick, often with tr.i.m.m.i.n.gs of limestone, the same idea is worked out in the wall. In cases like this an ornamental iron gate, hung on staples, supercedes the simple Colonial ones of former days. Occasionally, the name of the estate is interwoven in the ornamentation, or sometimes it is carved on the stone entrance posts.

Natural material is coming more and more to be used and we find a rubble wall, constructed from stone and boulders picked up on the grounds, left often rough, and again filled in with red cement to make it more stable.

The rubble wall is generally topped with cement laid perfectly flat. The entrance posts follow this same line of treatment and while they are often left hollow for several inches down, these are packed solidly inside with small rocks to keep them in place. The excavation is filled in with rich soil and bright blossoming plants introduced. This gives a bit of color scheme that is very effective as a foil for the cold gray of the stone. Vines are often planted at the foot of the posts, the turf being dug away for several inches, and rich loam introduced to better insure their growth. It depends entirely upon how heavy one wishes the covering to be as to the kind of vine planted. If it is the idea to hide it effectively from sight and produce ma.s.sing of green, an entirely different planting should be made than if it was intended to have a delicate coloring of green that would only enhance the color of the background.

[Ill.u.s.tration: A FINE DECORATIVE IRON GATEWAY]

Right combinations are very important in this line of work. It would be foolish to use woodwork combined with heavy stone or iron. It is sometimes in better form to have wide slabs of granite or cement defining several layers of brick. The height and width naturally depend upon what it intends to imply.

Low piers of masonry capped with a pointed effect should stand by themselves without any planting, as the latter often disfigures architectural effects. It is not always necessary that this feature of the exterior should be conspicuous, more particularly if the posts are constructed of wood. Treat them to a light creosote stain, thus giving a picturesque background for the overlapping vines. Sometimes combinations work out well in producing artistic results. With a rough stone pillar, it is sometimes in good taste to introduce gateways of oak, which while effective under certain conditions, are very bad under others. These are much more attractive the second year, when they have weathered to a picturesque pearly gray. This color harmonizes delightfully, not only with the walls but with the flowers and their foliage. An important thing that should not be forgotten is the use of wooden pegs and copper nails, neither of which are injured by rain. If you choose to use a wire fence, let the gate-post and gates correspond for it is far better than to combine materials inharmoniously. They are not only practical but light and in their construction there is a chance to work into the scheme ornamental designs. Do not finish this with a square box top, rather give it a bit of ornamentation such as a ball or a lantern. There can be had to-day so many ornamental lanterns, constructed of wrought iron, that they can be purchased in almost any type desired. It is far better not to cover the posts with vines and thus conceal the beauty of the work. The most effective way would be to build up wire arches and plant rambler roses back of the posts for them to run on.

The Sweet Briar, if one is looking for perfume, is desirable. They can be purchased in single and semi-double flowers, created through the developing and crossing of the old-fashioned variety. Rambler roses are always in good taste. It is better to plant three or four kinds that show harmonious coloring. There is the Lord Penzance, a soft fawn, turning to lemon yellow in the center. This is particularly adaptable for covering arches as it is a strong grower and abundant blossomer. The Meg Merrilies fits into this color scheme, putting forth gorgeous crimson flowers during the six weeks of its flowering. Combine with these the Brenda, and you will find that this mixture lends a brightness that is very effective. Many people object to roses on account of their many enemies. One of the most common is the powdery mildew. This is easily distinguished by a powdery growth of white that is found on both leaves and shoots. Use sulphur very freely, and you will find it disappear. The stem cancer is a serious disease, and it is found on both the cane and the branches. In dealing with this the grower must not be afraid to use the pruning knife vigorously, so that the diseased parts can be thoroughly removed, in this way preventing spreading and the ruin of the vine. From the time of its planting the rambler needs constant attention, but it brings its own reward, in that there is no vine that can equal it in beauty. The advantage of having a variety of colors instead of one is readily seen, for it prevents a large ma.s.s of one individual color.

There is a pleasure indescribable felt by lovers of plants when designing any feature of their grounds. This is particularly true with the gate and the planting. They must bear in mind, however, the true purpose of gates and their proper use on country estates. It is designed as a means of ingress, and as such, should be suited to the type of mansion. Therefore, into its plan should be worked the atmosphere of the residence as well as the characteristics of the surrounding country. For instance, a wooden fence and gate-post would be entirely inappropriate if one were dealing with a beautiful summer estate where the house was to be built of brick.

Compositions should not be carelessly used and it should be remembered that there is great danger in our zeal for producing something unique, of going to the other extreme and giving an over-ornamental creation.

One cannot be too particular in making the entrance and the adjoining fence accord with the idea one is trying to bring out in the whole plan.

The driveway is of fully as much importance as the entrance. It should be kept scrupulously neat and free from weeds. To have it at its best it should be thoroughly under-drained, and for this the open-joint drain tile is advisable. It should be laid under ground and connected, if possible, with the sewer. Properly attended to, this keeps the road-bed dry and in good condition. The bed itself should be dug down for several feet, a foundation of earth from six to ten inches should be laid, over which can be thrown a layer six inches thick of either broken limestone or chopped trap rock. Cover the whole with a screening of limestone and finish it with gravel. Have it rolled hard and you realize the advantage as the season ends.

The drive should be sufficiently wide for carriages to pa.s.s through without besmearing your gate-posts with mud and dust. One should realize that the driveway is in reality a foot-path enlarged, and should always be kept immaculate. The gate, if you wish to prevent its sagging, should open in the center. A two-part gate gives often a better effect than one long one. Nothing equals iron, which can be treated in so many different ways that there is little danger of repet.i.tion in design.

The capping is as important as the post itself. Simple square box treatment is advisable in some cases. b.a.l.l.s fit into the scheme on some estates, while Colonial urns are in keeping with wooden posts and lantern effects belong to iron gateways. The latter, of course, are effective for lighting at night. Gas pipes can be laid under the roadway, connected with the ornamentation in such a way that they can be turned on from the house.

In many entrances, side gates, similar to the main ones have been inserted, which relieve the main entrance from use by pedestrians. They can be so laid out as not to interfere with the use of the motor cars.

They should be separated from the main driveway by a turf border and covered with gravel.

Planting is very effective for this feature of the ground, and trees, that is if the right sort are chosen, are admirable, used in this connection. White birches lend a picturesqueness that cannot be equaled, but they are short-lived. The elm with its graceful branches seems to fit into every landscape scheme. Do not plant them too near the posts.

If you do, their roots will reach out often causing upheaval and creating havoc. For best effects the trees should be used outside rather than inside the entrance. In the latter case they are too apt to cut off the view.

[Ill.u.s.tration: A SUCCESSFUL ENTRANCE TO A FORMAL GARDEN]

Many people prefer a hedge and this can be planted either with or without a fence. Arbor-vitae is practical for such use as is the Buckthorn and the Berberis Thunbergii (Thunberg's j.a.panese Barberry).

This is a j.a.panese hedge with round, drooping habit. It leaves out in a fine brilliant green during the summer months and from autumn until December takes on a wonderful showing of color. During the winter months the branches, loaded with scarlet crimson berries, make an effective contrast with the white of the snow. Its value as a hedge is because it is impenetrable and thickly set with spines, never growing bare. The most popular shrub for hedge treatment is Privet-Ligustrum. It is very ornamental with a rich dark green foliage that is nearly evergreen and remains on the plant until late winter. It is a good grower under the most adverse circ.u.mstances. In order to form the most effective hedge it should be planted from ten to twelve inches apart and pruned back during the first two seasons.

The Ampelopsis Arborea woodbine is useful for entrances. It is a distinct variation from the other forms, making a spreading bush rather than a strong climber. Its leaves are dark green and comparatively coa.r.s.e, and its autumn coloring is superb. The Boston Ivy clings even to wood, its fine shoots cover walls and while it requires some covering during the first two or three winters of its life, yet it pays. In the fall, nothing can be so gorgeous as the varied colored tints of its foliage.

The Clematis Paniculata should never be forgotten. It is a rapid and vigorous climber and can be depended upon to clothe large s.p.a.ces quickly. Originally, it was introduced from j.a.pan and is allied to our native Virgin's Bower. The flowers are effective, borne in long panicles which are white and their fragrance is perceptible a long distance away.

They open the latter part of August, staying in bloom for nearly a month. Combined with this should be the Clematis Coccinea (Scarlet Clematis), whose showy bell-shape, brilliant scarlet flowers are produced in great profusion.

The Wisteria is adapted to almost any purpose and can be used picturesquely on many types of entrances. The Wisteria Magnifica is admirable and resembles Frutescens, but it varies from it in that the cl.u.s.ters are larger and denser while the yellow lilac colored flowers have yellow spots.

Among the other vines it is well to plant some that will give a touch of color during the dark, cold days of winter when the vines lie barren and bare, their leafless branches swaying in the wind. Why not use for that the Celastrus Scandens (Bitter Sweet or Wax Work). It is one of our native climbing plants and can be found in almost any part of the New England woods, a rapid grower, with attractive, light green foliage and yellow flowers, followed by bright orange red berries that are cheering in the fall and lead us to forget the shedding of the foliage by the other vines.

In order to hide the base of the vine, ferns can be planted. It is better to use the hardy varieties rather than the more tender ones, although a combination of the two is always attractive. Take, for instance, the Adiantum Croweanum, which is one of the hardiest of the maiden hair species. This, like every other of its kind, should be well watered and fertilized, grown in a rich, open soil, with plenty of leaf mould. There is nothing difficult in their culture and they need absolutely no attention after planting. The Polypodium Vulgare, which is evergreen, showing smooth, shiny fronds resembling the Boston fern, is another that is adapted for this purpose.

With these can be combined the Comptonia, or Sweet Fern, a native plant with fern-like, dark green scented foliage, very useful for foliage ma.s.sing on rocky, barren places, and thriving best in dry, sterile soil.

There are many more varieties and it would be impossible to mention them all. They are, each and every one, suitable for adding to the beauty of private gardens and estates.

BIRD BATHS

[Ill.u.s.tration: THE CENTRAL FEATURE OF THE GARDEN MAY BE A BIRD-BATH]

CHAPTER VI

BIRD BATHS

John Burroughs, in his description of a garden, has told us that "To love the birds, to appreciate their place in the landscape," is one of the most important things. It does much to bring happiness into our lives. In the forming of a perfect garden, many things are requisite and among them are birds, flowers, bees, and the flashing b.u.t.terfly who darts joyously from flower to flower, a thing of beauty and perishable as the day. Should anyone doubt the truth of these a.s.sertions, let him seat himself in some retired spot during a beautiful day in the month of roses. He can then listen to the song of the birds, caroling as they sway on the branches of the trees above our heads, nestling at our feet, or hidden away deep down in the heart of the flower beds. Birds are everywhere, they flit in and out of the garden, sipping sweet nectar from the blossoming plants, and flaunting their bright colors when catching the sunshine as they swing by.

G.o.d made nothing more interesting than birds and man should care for them, giving them a distinctive place in his garden, realizing that through their industry they free the plants from harmful insects and slugs. The birds can be coaxed into anyone's garden, that is, if care is taken in proper planting, giving to the plots trees and plants that they love. Under the rose bushes place a bath, where they can come and preen their plumage, but if possible have it placed beyond the reach of intruding cats.

When the custom of providing drinking cups to quench the thirst of our native birds first came into fashion, it is hard to determine.

Perchance, it was in the early days when in 1621, the colonists built rail fences, to enclose their separate lots. Over these they trained the wild morning glory and sweet-scented honeysuckle, the perfume of which doubtless carried them back to the beautiful English gardens that still existed in their native land.

Doubtless, during the life of William Penn, when he encouraged the laying out of old English gardens, he included in the design a planting to attract bird life. This was still further encouraged when the first botanical garden came into existence in 1728 through the thought of Bertram Bartran, of Philadelphia. He was a man who had traveled much and was thoroughly versed in the art of floriculture. In his garden he planted rare and practical seeds partly for the mere joy of carrying out his own whims. This garden, like many others, was individual in its planting, a quality that lent to it an additional charm.