French Classics Part 23

Here is ripe practical wisdom occurring in a letter written by Tocqueville about two years before his death:

You know that my most settled principle is, that there is no period of a man's life at which he is ent.i.tled to _rest_; and that effort out of one's self, and still more above one's self, is as necessary in age as in youth--nay, even more necessary. Man in this world is like a traveler who is always walking towards a colder region, and who is therefore obliged to be more active as he goes farther north. The great malady of the soul is _cold_. And in order to counteract and combat this formidable illness, he must keep up the activity of his mind not only by work, but by contact with his fellow-men and with the world. Retirement from the great conflicts of the world is desirable no doubt for those whose strength is on the decline; but absolute retirement, away from the stir of life, is not desirable for any man, nor at any age.

His experience as practical politician made him write thus:

It is a sad side of humanity that politics uncovers. We may say, without making any exception, that nothing there is either thoroughly pure or thoroughly disinterested; nothing really generous, nothing hearty or spontaneous. There is no _youth_, even among the youngest; and something cold, selfish, and premeditated may be detected even in the most apparently pa.s.sionate proceedings.

There was so much wholesome reaction in Tocqueville's moral nature that, notwithstanding the disparaging views, on his part, thus revealed of human worth, he never became cynical. He could even write as follows to a friend of his who, he thought, went too far in decrying mankind:

You make humanity out worse than it is. I have seen many countries, studied many men, mingled in many public transactions, and the result of my observation is not what you suppose. Men in general are neither very good nor very bad; they are simply _mediocre_. I have never closely examined even the best without discovering faults and frailties invisible at first. I have always in the end found among the worst certain elements and _holding-points_ of honesty. There are two men in every man: it is childish to see only one; it is sad and unjust to look only at the other.... Man, with all his vices, his weaknesses, and his virtues, this strange mixture of good and bad, of low and lofty, of sincere and depraved, is, after all, the object most deserving of study, interest, pity, affection, and admiration to be found upon this earth; and since we have no angels, we cannot attach ourselves to anything greater or worthier than our fellow-creatures.

On the whole, Alexis de Tocqueville's own practice in life showed that he wrote not only with sincerity, but with earnestness, when he wrote those words. It was not of such Frenchmen as was Tocqueville that the author of that heavy sentence on France could have been thinking--that the French character was made up without conscience. We, for our part, cannot but maintain that Tocqueville is as much more solid as he may be less brilliant than his predecessor and fellow, Montesquieu. They were both too theoretical; that is, too exclusively French as distinguished, for instance, from English, in political philosophy. They began to be deductive, when to be inductive yet longer would have been their wiser part. In a word--like Guizot, too, the author of the "History of Civilization," and the minister of Citizen-King Louis Philippe--both Montesquieu and Tocqueville failed of escaping what the French would call the defect of their quality.

XV.

VOLTAIRE.

1694-1778.

By the volume and the variety, joined to the unfailing brilliancy, of his production; by his prodigious effectiveness; and by his universal fame, Voltaire is undoubtedly ent.i.tled to rank first, with no fellow, among the eighteenth-century literary men, not merely of France, but of the world. He was not a great man, he produced no great single work, but he must nevertheless be p.r.o.nounced a great writer. There is hardly any species of composition to which, in the long course of his activity, he did not turn his talent. It cannot be said that he succeeded splendidly in all; but in some he succeeded splendidly, and he failed abjectly in none. There is not a great thought, and there is not a flat expression, in the whole bulk of his mult.i.tudinous and multifarious works. Read him wherever you will, in the ninety-seven volumes (equivalent, probably in the aggregate, to two hundred volumes like the present) which, in one leading edition, collect his productions, you may often find him superficial, you may often find him untrustworthy, you will certainly often find him flippant, but not less certainly you will never find him obscure, and you will never find him dull. The clearness, the vivacity of this man's mind were something almost preternatural. So, too, were his readiness, his versatility, his audacity. He had no distrust of himself, no awe of his fellow-men, no reverence for G.o.d, to deter him from any attempt with his pen, however presuming. If a state ode were required, it should be ready to order at twelve to-morrow; if an epic poem--to be cla.s.sed with the "Iliad" and the "aeneid "--the "Henriade"

was promptly forthcoming, to answer the demand. He did not shrink from flouting a national idol, by freely finding fault with Corneille; and he lightly undertook the task of extinguishing a venerable form of Christianity, simply with p.r.i.c.ks, innumerably repeated, of his tormenting pen.

A very large part of the volume of Voltaire's production consists of letters, written by him to correspondents perhaps more numerous, and more various in rank, from kings on the throne down to scribblers in the garret, than ever, in any other case, exchanged such communications with a literary man. Another considerable proportion of his work in literature took the form of pamphlets, either anonymously or pseudonymously published, in which this master-spirit of intellectual disturbance and ferment found it convenient, or advantageous, or safe, to promulge and propagate his ideas. A shower of such publications was incessantly escaping from Voltaire's pen. More formal and regular, more confessedly ambitious, literary essays of his, were poems in every kind--heroic, mock-heroic, lyric, elegiac, comic, tragic, satiric--historical and biographical monographs, and tales or novels of a peculiar cla.s.s.

Voltaire's poetry does not count for very much now. Still, its first success was so great that it will always remain an important topic in literary history. Besides this, it really is, in some of its kinds, remarkable work. Voltaire's epic verse is almost an exception, needful to be made, from our a.s.sertion that this author is nowhere dull. "The Henriade" comes dangerously near that mark. It is a tasteless reproduction of Lucan's faults, with little reproduction of Lucan's virtues. Voltaire's comedies are bright and witty, but they are not laughter-provoking; and they do not possess the elemental and creative character of Shakespeare's or Moliere's work. His tragedies are better; but they do not avoid that cast of mechanical which seems necessarily to belong to poetry produced by talent, however consummate, unaccompanied with genius. Voltaire's histories are luminous and readable narratives, but they cannot claim the merit either of critical accuracy or of philosophic breadth and insight. His letters would have to be read in considerable volume in order to furnish a full satisfactory idea of the author. His tales, finally, afford the most available, and, on the whole, likewise the best means of arriving shortly and easily at a knowledge of Voltaire.

But, before coming to these, we owe it to our readers, and perhaps to ourselves, to justify with example what, a little way back, we said of Voltaire as epic poet.

Voltaire was profoundly influenced by his personal observations of what England was, alike in her literary, her political, and her theological aspects. Voltairism may, in fact, be p.r.o.nounced a transplantation from English soil. It was English deism "mixed with cunning sparks of"--French wit. A very short pa.s.sage from the "Henriade" will suffice the double purpose of showing what in quality of style that poem of Voltaire's is, and of suggesting its author's sense of debt to the England which, for its freedom and its free-thinking, he so much admired. The reader will not fail to note the skill with which Voltaire manages in praising another country to give a very broad hint to his own. The old-fashioned formal heroic couplet, with rhyme, in which the following pa.s.sage appears translated, is not inapposite to the artificial cast and style of the original. Various pa.s.sions, such as "Fear," are not only personified in the "Henriade," but made to play the part of veritable characters in the action of the poem. Supernatural interferences occur. History is boldly fabricated or falsified at the pleasure of the poet. Of this audacious freedom the pa.s.sage from which we take our extract presents an instance. Voltaire sends his hero on a mythical mission to England to solicit help from Queen Elizabeth. He here meets every reader's familiar old friend, "a venerable hermit," who instructs him in English history and manners. Voltaire wrote prefaces and notes to vindicate his epic practices. He went to Virgil for precedents. Lucan he censured for not making free enough with his history. "Eliza" is, of course, Queen Elizabeth, and "Bourbon," is the hero of the epic, Henry IV. of France, from whose name, it need not be said, comes the t.i.tle, "Henriade." We quote from the first canto of the poem:

A virgin queen the regal scepter sway'd, And fate itself her sovereign power obeyed.

The wise Eliza, whose directing hand Had the great scale of Europe at command; And ruled a people that alike disdain Or freedom's ease, or slavery's iron chain.

Of every loss her reign oblivion bred; There, flocks unnumbered graze each flowery mead.

Britannia's vessels rule the azure seas, Corn fills her plains, and fruitage loads her trees.

From pole to pole her gallant navies sweep The waters of the tributary deep.

On Thames's banks each flower of genius thrives, There sports the Muse, and Mars his thunder gives.

Three different powers at Westminster appear, And all admire the ties which join them there.

Whom interest parts the laws together bring, The people's deputies, the peers and king.

One whole they form, whose terror wide extends To neighboring nations, and their rights defends.

Thrice happy times, when grateful subjects show That loyal, warm affection which is due!

But happier still, when freedom's blessings spring From the wise conduct of a prudent king!

O when, cried Bourbon, ravished at the sight, In France shall peace and glory thus unite?

A poem flaunting on its front invidious praise like the foregoing of a foreign government so different from the government of France, could not be very acceptable to the ruling cla.s.ses of his time in the author's own country. But in England, during the poet's two years' stay in that island, a revised edition of the "Henriade" was issued under auspices the most august and imposing. Queen Caroline headed the list of subscribers, and such was the brilliancy of the patronage extended to the poem that Voltaire, as is with probability said, netted forty thousand dollars from his English edition--a sum of money equivalent to, say, one hundred thousand dollars, present value. This early success laid the foundation of a fortune for Voltaire, which the skill, the prudence, the servility, the greed, and the unscrupulousness of the owner subsequently built into proportions that were nothing less than princely. Voltaire's annual income at his death was about a hundred thousand dollars. It seems incredible that a man so rich, and, in some ways, it must be acknowledged, so generous, should have been at the same time so mean, so sordid, so literally perjured in sordidness, as Voltaire is demonstrated, and admitted even by his farthest-going admirers, for instance, Mr. John Morley, to have been.

Among Voltaire's tales doubtless the one most eligible for use, to serve our present purpose, is his "Candide." This is a nondescript piece of fiction, the design of which is, by means of a narrative of travel and adventure, constructed without much regard to the probability of particular incidents, to set forth, in the characteristic mocking vein of Voltaire, the vanity and misery of mankind. The author's invention is often whimsical enough; but it is constantly so ready, so reckless, and so abundant, that the reader never tires as he is hurried ceaselessly forward from change to change of scene and circ.u.mstance. The play of wit is incessant. The style is limpidity itself. Your sympathies are never painfully engaged, even in recitals of experience that ought to be the most heart-rending. There is never a touch of n.o.ble moral sentiment to relieve the monotony of mockery that lightly laughs at you and tantalizes you, page after page, from the beginning to the end of the book. The banter is not good-natured; though, on the other hand, it cannot justly be p.r.o.nounced ill-natured; and it is, in final effect upon the reader's mind, bewildering and depressing in the extreme. Vanity of vanities, all is vanity; such is the comfortless doctrine of the book.

The apples are the apples of Sodom, everywhere in the world. There is no virtue anywhere, no good, no happiness. Life is a cheat, the love of life is a cruelty, and beyond life there is nothing. At least, there is no glimpse given of any compensating future reserved for men, a future to redress the balance of good and ill experienced here and now. Faith and hope, those two eyes of the soul, are smilingly quenched in their sockets, and you are left blind, in a whirling world of darkness, with a whirling world of darkness before you.

Such is "Candide." We select a single pa.s.sage for specimen. The pa.s.sage we select is more nearly free than almost any other pa.s.sage as long, in this extraordinary romance, would probably be found, from impure implications. It is, besides, more nearly serious in apparent motive than is the general tenor of the production. Here, however, as elsewhere, the writer keeps carefully down his mocking mask. At least, you are left tantalizingly uncertain all the time how much the grin you face is the grin of the man, and how much the grin of a visor that he wears.

Candide, the hero, is a young fellow of ingenuous character brought successively under the lead of several different persons wise in the ways of the world, who act toward him, each in his turn, the part of "guide, philosopher, and friend." Candide, with such a mentor bearing the name Martin, has now arrived at Venice. Candide speaks:

"I have heard a great talk of the Senator Pococurante, who lives in that fine house at the Brenta, where they say he entertains foreigners in the most polite manner. They pretend this man is a perfect stranger to uneasiness." "I should be glad to see so extraordinary a being,"

said Martin. Candide thereupon sent a messenger to Signor Pococurante desiring permission to wait on him the next day.

Candide and his friend Martin went into a gondola on the Brenta, and arrived at the palace of the n.o.ble Pococurante: the gardens were laid out in elegant taste and adorned with fine marble statues; his palace was built after the most approved rules of architecture. The master of the house, who was a man of sixty, and very rich, received our two travelers with great politeness, but without much ceremony, which somewhat disconcerted Candide, but was not at all displeasing to Martin.

As soon as they were seated two very pretty girls, neatly dressed, brought in chocolate, which was extremely well frothed. Candide could not help making encomiums upon their beauty and graceful carriage.

"The creatures are well enough," said the senator. "I make them my companions, for I am heartily tired of the ladies of the town, their coquetry, their jealousy, their quarrels, their humors, their meannesses, their pride, and their folly. I am weary of making sonnets, or of paying for sonnets to be made, on them; but, after all, these two girls begin to grow very indifferent to me."

After having refreshed himself, Candide walked into a large gallery, where he was struck with the sight of a fine collection of paintings.

"Pray," said Candide, "by what master are the two first of these?"

"They are Raphael's," answered the senator. "I gave a great deal of money for them seven years ago, purely out of curiosity, as they were said to be the finest pieces in Italy: but I cannot say they please me; the coloring is dark and heavy; the figures do not swell nor come out enough, and the drapery is very bad. In short, notwithstanding the encomiums lavished upon them, they are not, in my opinion, a true representation of nature. I approve of no paintings but where I think I behold Nature herself; and there are very few, if any, of that kind to be met with. I have what is called a fine collection, but I take no manner of delight in them."

While dinner was getting ready Pococurante ordered a concert. Candide praised the music to the skies. "This noise," said the n.o.ble Venetian, "may amuse one for a little time; but if it was to last above half an hour it would grow tiresome to everybody, though perhaps no one would care to own it. Music is become the art of executing what is difficult; now, whatever is difficult cannot be long pleasing.

"I believe I might take more pleasure in an opera, if they had not made such a monster of that species of dramatic entertainment as perfectly shocks me; and I am amazed how people can bear to see wretched tragedies set to music, where the scenes are contrived for no other purpose than to lug in, as it were by the ears, three or four ridiculous songs, to give a favorite actress an opportunity of exhibiting her pipe. Let who will or can die away in raptures at the trills of a eunuch quavering the majestic part of Caesar or Cato, and strutting in a foolish manner upon the stage. For my part, I have long ago renounced these paltry entertainments, which const.i.tute the glory of modern Italy, and are so dearly purchased by crowned heads."

Candide opposed these sentiments, but he did it in a discreet manner.

As for Martin, he was entirely of the old senator's opinion.

Dinner being served up, they sat down to table, and after a very hearty repast, returned to the library. Candide, observing Homer richly bound, commended the n.o.ble Venetian's taste. "This," said he, "is a book that was once the delight of the great Pangloss, the best philosopher in Germany." "Homer is no favorite of mine," answered Pococurante very coolly. "I was made to believe once that I took a pleasure in reading him; but his continual repet.i.tions of battles must have all such a resemblance with each other; his G.o.ds that are forever in a hurry and bustle, without ever doing any thing; his Helen, that is the cause of the war, and yet hardly acts in the whole performance; his Troy, that holds out so long without being taken; in short, all these things together make the poem very insipid to me. I have asked some learned men whether they are not in reality as much tired as myself with reading this poet. Those who spoke ingenuously a.s.sured me that he had made them fall asleep, and yet that they could not well avoid giving him a place in their libraries; but that it was merely as they would do an antique, or those rusty medals which are kept only for curiosity, and are of no manner of use in commerce."

"But your excellency does not surely form the same opinion of Virgil?"

said Candide. "Why, I grant," replied Pococurante, "that the second, third, fourth, and sixth books of his 'aeneid' are excellent; but as for his pious aeneas, his strong Cloanthus, his friendly Achates, his boy Ascanius, his silly King Latinus, his ill-bred Amata, his insipid Lavinia, and some other characters much in the same strain, I think there cannot in nature be anything more flat and disagreeable. I must confess I prefer Ta.s.so far beyond him; nay, even that sleepy tale-teller Ariosto."

"May I take the liberty to ask if you do not receive great pleasure from reading Horace?" said Candide. "There are maxims in this writer,"

replied Pococurante, "from whence a man of the world may reap some benefit; and the short measure of the verse makes them more easily to be retained in the memory. But I see nothing extraordinary in his journey to Brundusium, and his account of his bad dinner; nor in his dirty, low quarrel between one Rupilius, whose words, as he expresses it, were full of poisonous filth; and another, whose language was dipped in vinegar. His indelicate verses against old women and witches have frequently given me great offense; nor can I discover the great merit of his telling his friend Maecenas, that, if he will but rank him in the cla.s.s of lyric poets, his lofty head shall touch the stars. Ignorant readers are apt to advance everything by the lump in a writer of reputation. For my part, I read only to please myself. I like nothing but what makes for my purpose." Candide, who had been brought up with a notion of never making use of his own judgment, was astonished at what he heard; but Martin found there was a good deal of reason in the senator's remarks.

"Oh, here is a Tully!" said Candide; "this great man, I fancy, you are never tired of reading." "Indeed, I never read him at all," replied Pococurante. "What the deuce is it to me whether he pleads for Rabirius or Cluentius? I try causes enough myself. I had once some liking to his philosophical works; but when I found he doubted of everything, I thought I knew as much as himself, and had no need of a guide to learn ignorance."

"Ha!" cried Martin, "here are fourscore volumes of the 'Memoirs of the Academy of Sciences,' perhaps there may be something curious and valuable in this collection." "Yes," answered Pococurante; "so there might, if any one of these compilers of this rubbish had only invented the art of pin-making. But all these volumes are filled with mere chimerical systems, without one single article conducive to real utility."

"I see a prodigious number of plays," said Candide, "in Italian, Spanish, and French." "Yes," replied the Venetian; "there are, I think, three thousand, and not three dozen of them good for anything.

As to those huge volumes of divinity, and those enormous collections of sermons, they are not all together worth one single page of Seneca; and I fancy you will readily believe that neither myself nor any one else ever looks into them."

Martin, perceiving some shelves filled with English books, said to the senator: "I fancy that a republican must be highly delighted with those books, which are most of them written with a n.o.ble spirit of freedom." "It is n.o.ble to write as we think," said Pococurante; "it is the privilege of humanity. Throughout Italy we write only what we do not think; and the present inhabitants of the country of the Caesars and Antoninuses dare not acquire a single idea without the permission of a father Dominican. I should be enamored of the spirit of the English nation did it not utterly frustrate the good effects it would produce by pa.s.sion and the spirit of party."

Candide, seeing a Milton, asked the senator if he did not think that author a great man. "Who?" said Pococurante sharply. "That barbarian, who writes a tedious commentary, in ten books of rambling verse, on the first chapter of Genesis! That slovenly imitator of the Greeks, who disfigures the creation by making the Messiah take a pair of compa.s.ses from heaven's armory to plan the world; whereas Moses represented the Deity as producing the whole universe by his fiat! Can I think you have any esteem for a writer who has spoiled Ta.s.so's h.e.l.l and the devil; who transforms Lucifer, sometimes into a toad, and at others into a pigmy; who makes him say the same thing over again a hundred times; who metamorphoses him into a school-divine; and who, by an absurdly serious imitation of Ariosto's comic invention of fire-arms, represents the devils and angels cannonading each other in heaven! Neither I, nor any other Italian, can possibly take pleasure in such melancholy reveries. But the marriage of Sin and Death, and snakes issuing from the womb of the former, are enough to make any person sick that is not lost to all sense of delicacy. This obscene, whimsical, and disagreeable poem met with the neglect that it deserved at its first publication; and I only treat the author now as he was treated in his own country by his contemporaries."

Candide was sensibly grieved at this speech, as he had a great respect for Homer, and was very fond of Milton. "Alas!" said he softly to Martin, "I am afraid this man holds our German poets in great contempt." "There would be no such great harm in that," said Martin.

"Oh, what a surprising man!" said Candide to himself. "What a prodigious genius is this Pococurante! Nothing can please him!"

After finishing their survey of the library they went down into the garden, when Candide commended the several beauties that offered themselves to his view. "I know nothing upon earth laid out in such bad taste," said Pococurante; "everything about it is childish and trifling; but I shall have another laid out to-morrow upon a n.o.bler plan."