Four-Day Planet Part 19

"All right," Dad said. "Say I'm Chief of Staff, or something. Oscar, you and Joe and Corkscrew and the rest of you decide who's going to take over-all command of the hunters. Casmir, you'll command your workmen, and anybody else from the shipyards and engine works and repair shops and so on. Sigurd, you and the Reverend, here, and Professor Hartzenbosch gather up all the uptown people you can. Now, we'll have to decide on how much force we need to scare Mort Hallstock, and how we're going to place the main force that will attack Hunters' Hall."

"I think we ought to wait till we see what Bish Ware can do," Oscar said. "Get our gangs together, and find out where we're going to put who, but hold off the attack for a while. If he can get inside Hunters' Hall, we may not even need this demonstration at the Munic.i.p.al Building."

Joe Kivelson started to say something. The rest of his fellow ship captains looked at him severely, and he shut up. Dad kept on jotting down figures of men and 50-mm guns and vehicles and auto weapons we had available.

He was still doing it when the fire alarm started.

16

CIVIL WAR POSTPONED

The moaner went on for thirty seconds, like a banshee mourning its nearest and dearest. It was everywhere, Main City Level and the four levels below. What we have in Port Sandor is a volunteer fire organization--or disorganization, rather--of six independent companies, each of which cherishes enmity for all the rest. It's the best we can do, though; if we depended on the city government, we'd have no fire protection at all. They do have a central alarm system, though, and the _Times_ is connected with that.

Then the moaner stopped, and there were four deep whistle blasts for Fourth Ward, and four more shrill ones for Bottom Level. There was an instant's silence, and then a bedlam of shouts from the hunter-boat captains. That was where the tallow-wax that was being held out from the Co-operative was stored.

"Shut up!" Dad roared, the loudest I'd ever heard him speak. "Shut up and listen!"

"Fourth Ward, Bottom Level," a voice from the fire-alarm speaker said.

"This is a tallow-wax fire. It is not the Co-op wax; it is wax stored in an otherwise disused area. It is dangerously close to stored 50-mm cannon ammunition, and it is directly under the pulpwood lumber plant, on the Third Level Down, and if the fire spreads up to that, it will endanger some of the growing vats at the carniculture plant on the Second Level Down. I repeat, this is a tallow-wax fire. Do not use water or chemical extinguishers."

About half of the Vigilantes, businessmen who belonged to one or another of the volunteer companies had bugged out for their fire stations already. The Buddhist priest and a couple of doctors were also leaving. The rest, mostly hunter-ship men, were standing around looking at one another.

Oscar Fujisawa gave a sour laugh. "That diversion idea of mine was all right," he said. "The only trouble was that Steve Ravick thought of it first."

"You think he started the fire?" Dad began, and then gave a sourer laugh than Oscar's. "Am I dumb enough to ask that?"

I had started a.s.sembling equipment as soon as the feint on the Munic.i.p.al Building and the attack on Hunters' Hall had gotten into the discussion stage. I would use a jeep that had a heavy-duty audiovisual recording and transmitting outfit on it, and for situations where I'd have to leave the jeep and go on foot, I had a lighter outfit like the one Oscar had brought with him in the Pequod's boat. Then I had my radio for two-way conversation with the office. And, because this wasn't likely to be the sort of war in which the rights of noncombatants like war correspondents would be taken very seriously, I had gotten out my Sterberg 7.7-mm.

Dad saw me buckling it on, and seemed rather distressed.

"Better leave that, Walt," he said. "You don't want to get into any shooting."

Logical, I thought. If you aren't prepared for something, it just won't happen. There's an awful lot of that sort of thinking going on.

As I remember my Old Terran history, it was even indulged in by governments, at one time. None of them exists now.

"You know what all crawls into the Bottom Level," I reminded him. "If you don't, ask Mr. Murell, here. One sent him to the hospital."

Dad nodded; I had a point there. The abandoned sections of Bottom Level are full of tread-snails and other a.s.sorted little nasties, and the heat of the fire would stir them all up and start them moving around. Even aside from the possibility that, having started the fire, Steve Ravick's gang would try to take steps to keep it from being put out too soon, a gun was going to be a comforting companion, down there.

"Well, stay out of any fighting. Your job's to get the news, not play hero in gun fights. I'm no hero; that's why I'm sixty years old. I never knew many heroes that got that old."

It was my turn to nod. On that, Dad had a point. I said something about getting the news, not making it, and checked the chamber and magazine of the Sterberg, and then slung my radio and picked up the audiovisual outfit.

Tom and Joe Kivelson had left already, to round up the scattered Javelin crew for fire fighting. The attack on the Munic.i.p.al Building and on Hunters' Hall had been postponed, but it wasn't going to be abandoned. Oscar and Professor Hartzenbosch and Dad and a couple of others were planning some sort of an observation force of a few men for each place, until the fire had been gotten out or under control.

Glenn Murell decided he'd go out with me, at least as far as the fire, so we went down to the vehicle port and got the jeep out. Main City Level Broadway was almost deserted; everybody had gone down below where the excitement was. We started down the nearest vehicle shaft and immediately got into a jam, above a lot of stuff that was going into the shaft from the First Level Down, mostly manipulators and that sort of thing. There were no police around, natch, and a lot of volunteers were trying to direct traffic and getting in each other's way. I got some views with the jeep camera, just to remind any of the public who needed reminding what our city administration wasn't doing in an emergency. A couple of pieces of apparatus, a chemical tank and a pumper marked SALAMANDER VOLUNTEER FIRE COMPANY NO. 3 came along, veered out of the jam, and continued uptown.

"If they know another way down, maybe we'd better follow them," Murell suggested.

"They're not going down. They're going to the lumber plant, in case the fire spreads upward," I said. "They wouldn't be taking that sort of equipment to a wax fire."

"Why not?"

I looked at him. "I thought you were in the wax business," I said.

"I am, but I'm no chemist. I don't know anything about how wax burns.

All I know is what it's used for, roughly, and who's in the market for it."

"Well, you know about those jumbo molecules, don't you?" I asked.

"They have everything but the kitchen sink in them, including enough oxygen to sustain combustion even under water or in a vacuum. Not enough oxygen to make wax explode, like powder, but enough to keep it burning. Chemical extinguishers are all smothering agents, and you just can't smother a wax fire. And water's worse than useless."

He wanted to know why.

"Burning wax is a liquid. The melting point is around 250 degrees Centigrade. Wax ignites at 750. It has no boiling point, unless that's the burning point. Throw water on a wax fire and you get a steam explosion, just as you would if you threw it on molten metal, and that throws the fire around and spreads it."

"If it melts that far below the ignition point, wouldn't it run away before it caught fire?"

"Normally, it would. That's why I'm sure this fire was a touch-off. I think somebody planted a thermoconcentrate bomb. A thermoconcentrate flame is around 850 Centigrade; the wax would start melting and burning almost instantaneously. In any case, the fire will be at the bottom of the stacks. If it started there, melted wax would run down from above and keep the fire going, and if it started at the top, burning wax would run down and ignite what's below."

"Well, how in blazes do you put a wax fire out?" he wanted to know.

"You don't. You just pull away all the wax that hasn't caught fire yet, and then try to scatter the fire and let it burn itself out....

Here's our chance!"

All this conversation we had been screaming into each other's ears, in the midst of a pandemonium of yelling, cursing, siren howling and bell clanging; just then I saw a hole in the vertical traffic jam and edged the jeep into it, at the same time remembering that the jeep carried, and I was ent.i.tled to use, a fire siren. I added its howls to the general uproar and dropped down one level. Here a string of big manipulators were trying to get in from below, sprouting claw hooks and grapples and pusher arms in all directions. I made my siren imitate a tail-tramped tomcat a couple of times, and got in among them.

Bottom Level Broadway was a frightful mess, and I realized that we had come down right between two units of the city power plant, big ma.s.s-energy converters. The street was narrower than above, and ran for a thousand yards between ceiling-high walls, and everything was bottlenecked together. I took the jeep up till we were almost sc.r.a.ping the ceiling, and Murell, who had seen how the audiovisual was used, took over with it while I concentrated on inching forward. The noise was even worse down here than it had been above; we didn't attempt to talk.

Finally, by impudence and plain foolhardiness, I got the jeep forward a few hundred yards, and found myself looking down on a big derrick with a fifty-foot steel boom tipped with a four-clawed grapple, shielded in front with sheet steel like a gun shield. It was painted with the emblem of the Hunters' Co-operative, but the three men on it looked like shipyard workers. I didn't get that, at all. The thing had been built to handle burning wax, and was one of three kept on the Second Level Down under Hunters' Hall. I wondered if Bish Ware had found a way for a gang to get in at the bottom of Hunters' Hall. I simply couldn't see Steve Ravick releasing equipment to fight the fire his goons had started for him in the first place.

I let down a few feet, gave a polite little scream with my siren, and then yelled down to the men on it:

"Where'd that thing come from?"

"Hunters' Hall; Steve Ravick sent it. The other two are up at the fire already, and if this mess ahead doesn't get straightened out...." From there on, his remarks were not suitable for publication in a family journal like the _Times_.

I looked up ahead, rising to the ceiling again, and saw what was the matter. It was one of the dredgers from the waterfront, really a submarine scoop shovel, that they used to keep the pools and the inner channel from sanding up. I wasn't surprised it was jammed; I couldn't see how they'd gotten this far uptown with it. I got a few shots of that, and then unhooked the handphone of my radio. Julio Kubanoff answered.

"You getting everything I'm sending in?" I asked.

"Yes. What's that two-em-dashed thing up ahead, one of the harbor dredgers?"

"That's right. Hey, look at this, once." I turned the audiovisual down on the claw derrick. "The men on it look like Rodriguez & Oughourlian's people, but they say Steve Ravick sent it. What do you know about it?"

"Hey, Ralph! What's this Walt's picked up about Ravick sending equipment to fight the fire?" he yelled.