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Four Short Stories By Emile Zola Part 42

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"Where's the fine house?" she whispered in laughing embarra.s.sment, like a little girl who returns to the pleasant things she has previously refused.

"In the Avenue de Villiers."

"And there are carriages there?"

"Yes."

"Lace? Diamonds?"

"Yes."

"Oh, how good you are, my old pet! You know it was all jealousy just now! And this time I solemnly promise you it won't be like the first, for now you understand what's due to a woman. You give all, don't you?

Well then, I don't want anybody but you! Why, look here, there's some more for you! There and there AND there!"

When she had pushed him from the room after firing his blood with a rain of kisses on hands and on face, she panted awhile. Good heavens, what an unpleasant smell there was in that s.l.u.t Mathilde's dressing room! It was warm, if you will, with the tranquil warmth peculiar to rooms in the south when the winter sun shines into them, but really, it smelled far too strong of stale lavender water, not to mention other less cleanly things! She opened the window and, again leaning on the window sill, began watching the gla.s.s roof of the pa.s.sage below in order to kill time.

m.u.f.fat went staggering downstairs. His head was swimming. What should he say? How should he broach the matter which, moreover, did not concern him? He heard sounds of quarreling as he reached the stage. The second act was being finished, and Prulliere was beside himself with wrath, owing to an attempt on Fauchery's part to cut short one of his speeches.

"Cut it all out then," he was shouting. "I should prefer that! Just fancy, I haven't two hundred lines, and they're still cutting me down.

No, by Jove, I've had enough of it; I give the part up."

He took a little crumpled ma.n.u.script book out of his pocket and fingered its leaves feverishly, as though he were just about to throw it on Cossard's lap. His pale face was convulsed by outraged vanity; his lips were drawn and thin, his eyes flamed; he was quite unable to conceal the struggle that was going on inside him. To think that he, Prulliere, the idol of the public, should play a part of only two hundred lines!

"Why not make me bring in letters on a tray?" he continued bitterly.

"Come, come, Prulliere, behave decently," said Bordenave, who was anxious to treat him tenderly because of his influence over the boxes.

"Don't begin making a fuss. We'll find some points. Eh, Fauchery, you'll add some points? In the third act it would even be possible to lengthen a scene out."

"Well then, I want the last speech of all," the comedian declared. "I certainly deserve to have it."

Fauchery's silence seemed to give consent, and Prulliere, still greatly agitated and discontented despite everything, put his part back into his pocket. Bosc and Fontan had appeared profoundly indifferent during the course of this explanation. Let each man fight for his own hand, they reflected; the present dispute had nothing to do with them; they had no interest therein! All the actors cl.u.s.tered round Fauchery and began questioning him and fishing for praise, while Mignon listened to the last of Prulliere's complaints without, however, losing sight of Count m.u.f.fat, whose return he had been on the watch for.

Entering in the half-light, the count had paused at the back of the stage, for he hesitated to interrupt the quarrel. But Bordenave caught sight of him and ran forward.

"Aren't they a pretty lot?" he muttered. "You can have no idea what I've got to undergo with that lot, Monsieur le Comte. Each man's vainer than his neighbor, and they're wretched players all the same, a scabby lot, always mixed up in some dirty business or other! Oh, they'd be delighted if I were to come to smash. But I beg pardon--I'm getting beside myself."

He ceased speaking, and silence reigned while m.u.f.fat sought how to broach his announcement gently. But he failed and, in order to get out of his difficulty the more quickly, ended by an abrupt announcement:

"Nana wants the d.u.c.h.ess's part."

Bordenave gave a start and shouted:

"Come now, it's sheer madness!"

Then looking at the count and finding him so pale and so shaken, he was calm at once.

"Devil take it!" he said simply.

And with that there ensued a fresh silence. At bottom he didn't care a pin about it. That great thing Nana playing the d.u.c.h.ess might possibly prove amusing! Besides, now that this had happened he had m.u.f.fat well in his grasp. Accordingly he was not long in coming to a decision, and so he turned round and called out:

"Fauchery!"

The count had been on the point of stopping him. But Fauchery did not hear him, for he had been pinned against the curtain by Fontan and was being compelled to listen patiently to the comedian's reading of the part of Tardiveau. Fontan imagined Tardiveau to be a native of Ma.r.s.eilles with a dialect, and he imitated the dialect. He was repeating whole speeches. Was that right? Was this the thing? Apparently he was only submitting ideas to Fauchery of which he was himself uncertain, but as the author seemed cold and raised various objections, he grew angry at once.

Oh, very well, the moment the spirit of the part escaped him it would be better for all concerned that he shouldn't act it at all!

"Fauchery!" shouted Bordenave once more.

Thereupon the young man ran off, delighted to escape from the actor, who was wounded not a little by his prompt retreat.

"Don't let's stay here," continued Bordenave. "Come this way, gentlemen."

In order to escape from curious listeners he led them into the property room behind the scenes, while Mignon watched their disappearance in some surprise. They went down a few steps and entered a square room, whose two windows opened upon the courtyard. A faint light stole through the dirty panes and hung wanly under the low ceiling. In pigeonholes and shelves, which filled the whole place up, lay a collection of the most varied kind of bric-a-brac. Indeed, it suggested an old-clothes shop in the Rue de Lappe in process of selling off, so indescribable was the hotchpotch of plates, gilt pasteboard cups, old red umbrellas, Italian jars, clocks in all styles, platters and inkpots, firearms and squirts, which lay chipped and broken and in unrecognizable heaps under a layer of dust an inch deep. An unendurable odor of old iron, rags and damp cardboard emanated from the various piles, where the debris of forgotten dramas had been collecting for half a century.

"Come in," Bordenave repeated. "We shall be alone, at any rate."

The count was extremely embarra.s.sed, and he contrived to let the manager risk his proposal for him. Fauchery was astonished.

"Eh? What?" he asked.

"Just this," said Bordenave finally. "An idea has occurred to us. Now whatever you do, don't jump! It's most serious. What do you think of Nana for the d.u.c.h.ess's part?"

The author was bewildered; then he burst out with:

"Ah no, no! You're joking, aren't you? People would laugh far too much."

"Well, and it's a point gained already if they do laugh! Just reflect, my dear boy. The idea pleases Monsieur le Comte very much."

In order to keep himself in countenance m.u.f.fat had just picked out of the dust on a neighboring shelf an object which he did not seem to recognize. It was an eggcup, and its stem had been mended with plaster.

He kept hold of it unconsciously and came forward, muttering:

"Yes, yes, it would be capital."

Fauchery turned toward him with a brisk, impatient gesture. The count had nothing to do with his piece, and he said decisively:

"Never! Let Nana play the courtesan as much as she likes, but a lady--No, by Jove!"

"You are mistaken, I a.s.sure you," rejoined the count, growing bolder.

"This very minute she has been playing the part of a pure woman for my benefit."

"Where?" queried Fauchery with growing surprise.

"Upstairs in a dressing room. Yes, she has, indeed, and with such distinction! She's got a way of glancing at you as she goes by you--something like this, you know!"

And eggcup in hand, he endeavored to imitate Nana, quite forgetting his dignity in his frantic desire to convince the others. Fauchery gazed at him in a state of stupefaction. He understood it all now, and his anger had ceased. The count felt that he was looking at him mockingly and pityingly, and he paused with a slight blush on his face.

"Egad, it's quite possible!" muttered the author complaisantly. "Perhaps she would do very well, only the part's been a.s.signed. We can't take it away from Rose."

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Four Short Stories By Emile Zola Part 42 summary

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