Forever Odd Part 24

He could have swung those fists at me, but they would have had no effect. No spirit can harm a living person by direct touch. This world belongs to us, not to them.

If an earthbound soul is sufficiently debased, however, if the anger and envy and spite and stubborn rebellion that characterized him in life should ripen into blackest spiritual malignancy during the days when he lingers between worlds, he will be able to vent the power of his demonic rage on inanimate objects.

To the c.o.c.ktail waitress whom she couldn't see and never would, Datura said with pitiless persistence, 'You know what I think, what I'd bet, Maryann? In that shabby nursing home at night, some sc.u.mmy guy on the staff sneaks in your sister's room, Bonnie's room, and rapes her.'

Past rage, approaching fury, Buzz-cut threw back his head and screamed, but the sound was trapped with him in the realm between here and Elsewhere.

'She's helpless,' Datura said, her voice as venomous as the contents of a rattlesnake's poison sacs. 'Bonnie would be afraid to tell anyone because the rapist never talks, and she doesn't know his name, and she can't see, so she's afraid they won't believe her.'

Buzz-cut tore at the air with his hands, as though trying to claw his way back through the veil that separated him from the world of the living.

'So Bonnie has to endure anything he does to her, but when she's enduring, she thinks of you, thinks because of you, she was where she was when the quake destroyed her life, and she thinks about how you, her sister, aren't there for her now, and never were.'

Listening to herself, her own most appreciative audience, Datura thrived on her viciousness. After each hateful rant, she seemed to thrill to the discovery of a deeper vileness in herself.

The malignant ma.s.s beneath the mask of beauty now rose all but fully into view. Her flushed and twisted features were no longer the stuff of adolescent boys' dreams, but of madhouses and of prisons for the criminally insane.

I tensed, sensing that a forceful demonstration of the spirit's fury was almost upon us.

Inspired by Datura, energized, Buzz-cut thrashed spastically as if he were lashed by a hundred whips or tormented by jolt after jolt of electricity. He threw his arms out, palms spread, like an enraptured preacher of an expressive sect, exhorting a congregation to be penitent.

From his big hands pulsed concentric rings of power. They were visible to me, but only by their effects would they be visible to my hostess and her men.

Rattles, clicks, creaks, and pings arose from the piles of ruined slot machines, and the two blackjack-table stools began to dance in place. Here and there across the casino, small funnels of whirling ashes spun up from the floor.

'What's happening?' Datura asked.

'They're about to appear,' I told her, though every spirit other than Buzz-cut had disappeared. 'All of them. At last, you'll see.'

Poltergeists are as impersonal as hurricanes. They cannot aim themselves or cause precise effects. They are blind, thrashing power, and can harm human beings only by indirection. If furiously flung debris brains you, however, the effect is no less devastating than a well-swung club to the head.

Broken slabs of plaster ceiling ornamentation levitated out of the c.r.a.ps table into which they had fallen during the earthquake, and exploded at us.

I dodged, Datura ducked, and the missiles flew past us, over us, crashing into columns and walls behind us.

Buzz-cut flung bolts of power from his hands, and when he let out another silent scream, concentric circles of energy poured from his open mouth.

More and larger funnels of gray ashes and soot and sc.r.a.ps of charred wood spun up from the floor, while chips and clods of plaster shook down from the ceiling, while lashing down from above as well were loose wires and electrical conduits, while a battered blackjack table tumbled across the room as if blown by a wind that otherwise we could not feel, while a fire-scorched wheel of fortune spun by in a blur of losing numbers, while a pair of metal crutches stilted past as if in search of the dead gambler who had once needed them, and while an eerie screeching came out of the gloom and rapidly swelled both in volume and in pitch.

In this furiously escalating chaos, a chunk of plaster weighing perhaps fifteen pounds struck Robert in the chest, knocking him backward and off his feet.

As the thug went down, the mysterious screaming thing appeared out of the darker reaches of the casino, proving to be a half-melted life-size bronze statue of an Indian chief on a horse, spinning with alarming rotational velocity, the base shrieking against the concrete floor, from which nearly all carpeting had been burned, scouring away debris, striking sprays of white and orange sparks.

With Robert still falling, with Datura and Andre riveted by the approaching, whirling, shrieking bronze, I seized the moment, stepped to the nearest Coleman lantern, snared it, and threw it at the second lamp.

In spite of my lack of practice at bowling, I scored a strike. Lantern met lantern with a crash and a brief bloom of light, and then we were in darkness relieved only by the sparks showering from the spinning horse and rider.

THIRTY-EIGHT.

ONCE A POLTERGEIST AS POWERFUL AS BUZZ-CUT HAS committed itself to a violent release of pent-up fury, it will with rare exception rage out of control until it exhausts itself-much like the usual incoherent-rap-star-going-postal at the annual Vibe Awards. In this case, the storming spirit might give me another minute of cover, as long as two or three.

In the dark, in the rattle-clatter-bang-shriek, I stayed low, scuttling, anxious to avoid being knocked unconscious or decapitated by flying debris. I squinted, too, because enough chips and splinters of this and that were spinning through the air to make me wish that I'd brought an ophthalmologist with me.

As well as I could in such blinding dark, I tried to follow a straight line. My goal: a gallery of demolished shops beyond the casino, through which we had pa.s.sed on our way here from the north stairs of the hotel.

Encountering piles of rubble, I went around some, over others, keeping on the move. I felt my way with both hands, but cautiously lest I clamber across debris bristling with nails and sharp metal edges.

I spat ashes, spat unidentifiable bits of debris, plucked away fuzzy twirls of fluffy stuff that tickled my ears. I sneezed without worrying that I could be tracked by sound through the poltergeist cacophony.

Too soon, I grew concerned that I had strayed off course, that it was not possible to remain oriented in pitch blackness. I quickly became convinced that I would b.u.mp into a voluptuous form in the dark, and that it would say Why, if it isn't my new boyfriend, my little odd one. Why, if it isn't my new boyfriend, my little odd one.

That stopped me.

I unclipped the flashlight from my belt. But I hesitated to use it, even just long enough to sweep my surroundings and reorient myself.

Datura and her needy boys probably had not relied solely on the Coleman lanterns. Most likely they would have a flashlight or even three. If not, then Andre would let her set his hair on fire and use him as a walking torch.

When Buzz-cut ran out of steam, when the merry band of three could stop hugging the floor and dared to raise their heads, they would expect to find me in their immediate area. With flashlights, in this gloom, they would need a minute or two, maybe longer, to realize that I was neither dead nor alive in the mess of poltergeist-tossed trash.

If I used my light now, they might see the sweep of it and know that I was already escaping. I didn't want to draw their notice sooner than necessary. I needed every precious minute of lead time that I could get.

A hand touched my face.

I screamed like a little girl but couldn't make a sound, and thus avoided humiliating myself.

Fingers pressed gently to my lips, as if to warn me against the cry that I had tried and failed to make. A delicate hand, that of a woman.

Only three women had been in the casino this time. Two of them were five years dead.

The would-be G.o.ddess, even if invincible by virtue of having thirty thingumadoodles in an amulet, even if destined to live one thousand years by virtue of playing host to a banana-loving serpent, could not see in the dark. She had no sixth sense. She could not have found me without a flashlight.

The hand slipped from my lips to my chin, my cheek. Then she touched my left shoulder, traced the line of my arm, and took my hand.

Perhaps because I want the dead to feel warm, they are that way to me, and this hand in mine also felt indescribably cleaner than had the well-manicured hand of the phone-s.e.x heiress. Clean and honest, strong but gentle. I wanted to believe that this was Maryann Morris, the c.o.c.ktail waitress.

Giving her my trust, after having paused no longer than ten seconds in the drowning dark, I allowed her to be my pilot fish.

With Buzz-cut noisily working off his frustrations in the gloom behind us, we hurried forward much faster than I had been able to progress on my own, bypa.s.sing obstacles instead of clambering over them, never hesitating in fear of falling. The ghost could see as well without light as with.

In less than a minute, following a few turns that felt right, she brought me to a stop. She let go of my left hand and touched my right, in which I held the flashlight.

Switching it on, I saw that we had gone through the gallery of shops and that we were at the end of a hallway, at the door to the north stairs. My guide, indeed, was Maryann, appropriately dressed as an Indian princess.

Seconds were important, but I could not leave her without an attempt to right Datura's wrongs.

'The darkness loose in this world damaged your sisters. The fault isn't yours. Eventually when they leave here, don't you want to be there for them on the other side?'

She met my gaze. Her gray eyes were lovely.

'Go home, Maryann Morris. There's love waiting for you, if only you'll go to it.'

She glanced back the way that we had come, then looked at me worriedly.

'When you get there, ask for my Stormy. You won't be sorry you did. If Stormy's right and the next life is service, there's n.o.body better to have great adventures with than her.'

She backed away from me.

'Go home,' I whispered.

She turned and walked away.

'Let go. Go home. Leave life-and live.'

As she faded, she looked over her shoulder, and smiled, and then she was not in the hallway anymore.

This time, I believe, she pa.s.sed through the veil.

I tore open the staircase door, plunged through, and climbed like a sonofab.i.t.c.h.

THIRTY-NINE.

CLEO-MAY CANDLES, COMPELLING ME TO LOVE AND obey the charming young woman who consorted with Gestapo ghosts, splashed the walls red, splashed them yellow.

Nevertheless, in the storm-swallowed day, Room 1203 swarmed with as much darkness as light. A draft with the disposition of a nervous little dog had gotten in from somewhere, chasing its tail this way and that, so each ripple of radiance sp.a.w.ned an undulant shadow; a dark billow chased each tremulous bright wave.

The shotgun lay on the floor by the window, where Andre had left it. The weapon was heavier than I expected. As soon as I picked it up, I almost put it down.

This was not one of the long shotguns you might use for hunting wild turkeys or wildebeest, or whatever you hunt with long shotguns. This was a short-barreled, pistol-grip model good for home defense or for holding up a liquor store.

Police use weapons like this, as well. Two years ago, Wyatt Porter and I had been in a tight situation involving three operators of an illegal crystal-meth lab and their pet crocodile, during which I might have wound up with one less leg, and possibly no t.e.s.t.i.c.l.es, if the chief hadn't made good use of a pistol-grip 12-gauge pretty much like this one.

Although I had never fired such a gun-in fact had only once previously in my life used any kind of firearm at all-I had seen the chief use one. Of course this is no different from saying that watching all of Clint Eastwood's Dirty Harry movies will make you a master marksman and an expert in ethical police procedure.

If I left the gun here, the needy boys would use it on me. If I was backed into a corner by those behemoths and didn't at least try to use the shotgun on them, I would be committing suicide, considering that what they ate for breakfast probably weighed more than I did.

So I burst into the room, ran to the shotgun, s.n.a.t.c.hed it off the floor, grimaced at the lethal feel of it, warned myself that I was too young for adult diapers, and stood by the window, quickly examining it in the twitchy dazzle of a series of lightning bolts. Pump action. Three-round magazine tube. Another round in the breech. Yes, it had a trigger.

I felt I could use it in a crisis, though I must admit much of my confidence came from the fact that I had recently paid my health-insurance premium.

I scanned the floor, the table, the window sill, but didn't see any additional ammunition.

From the table, I grabbed the remote control, careful not to press the black b.u.t.ton.

Figuring that the Buzz-cut brouhaha might be winding down about now, I had just a few minutes before Datura and her boys got through the post-poltergeist confusion and back on their game.

I blew precious seconds stepping into the bathroom to see if she had done a thorough job on Terri's satellite phone. I found it dented but not in pieces, so I shoved it in a pocket.

Beside the sink was a box of shotgun ammo. I jammed four sh.e.l.ls into my pockets.

Out of the room, into the hall, I glanced in the direction of the north stairs, then sprinted the other way, to Room 1242.

Probably because Datura didn't want Danny to have any victory or money, she hadn't provided him with any candles in red and yellow gla.s.s holders. Now that armies of black clouds had stormed the entire sky, his room was a sooty-smelling pit brightened only fitfully by nature's war light, filled with a rapid patter that brought to mind an image of a horde of running rats.

'Odd,' he whispered when I came through the door, 'thank G.o.d. I was sure you were dead.'

Switching on the flashlight, handing it to him to hold, matching his whisper, I said, 'Why didn't you tell tell me what a lunatic she is.' me what a lunatic she is.'

'Do you ever listen to me? I told you she was crazier than a syphilitic suicide bomber with mad-cow disease!'

'Yeah. Which is as much of an understatement as saying Hitler was a painter who dabbled in politics.'

The running-rat patter proved to be rain slanting into the room through one of the three window panes that were broken, rattling against a jumble of furniture.

I leaned the shotgun against the wall and showed him the remote control, which he recognized.

'Is she dead?' he asked.

'I wouldn't count on it.'

'What about Doom and Gloom?'

I didn't have to ask who they might be. 'One of them took a hit, but I don't think it did him serious damage.'

'So they'll be coming?'

'As sure as taxes.'

'We gotta split.'

'Splitting,' I a.s.sured him, and almost pressed the white b.u.t.ton on the remote.

At the penultimate instant, thumb poised, I asked myself who had told me that the black b.u.t.ton would detonate the explosives and the white would disarm them.