Flow My Tears, The Policeman Said Part 9

Interesting, Buckman thought as he read McNulty's notes. Absolutely no file on the man. He finished the notes:

Well-dressed, suggest has money, perhaps influence to get his file pulled out of data bank. Look into relationship with Katharine Nelson, pol contact in area. Does she know who he is? Tried not to turn him in, but pol contact 1659BD planted microtrans on him.

Subject now in cab. Sector N8823B, moving east in the direction of Las Vegas. Due 11/4 10:00 P.M.

academy time. Next report due at 2:40 P.M. academy time.

Katharine Nelson. Buckman had met her once, at a polcontact orientation course. She was the girl who only turned in individuals whom she did not like. In an odd elliptical way he admired her; after all, had he not intervened, she would have been shipped on 4/8/82 to a forced-labor camp in British Columbia.

To Herb Maime, Buckman said, "Get me McNulty on the phone. I think I'd better talk to him about this."

A moment later, Maime handed him the instrument. On the small gray screen McNulty's face appeared, looking rumpled. As did his living room. Small and untidy, both of them.

"Yes, Mr. Buckman," McNulty said, focusing on him and coming to a stiff attention, tired as he was. Despite fatigue and a little hype of something, McNulty knew exactly how to comport himself in relation to his superiors.

Buckman said, "Give me the story, briefly, on this Jason Taverner. I can't piece it together from your notes."

"Subject rented hotel room at 453 Eye Street. Approached poi contact 1659BD, known as Ed, asked to be taken to ID forger. Ed planted microtrans on him, took him to pol contact 1980CC, Kathy."

"Katharine Nelson," Buckman said.

"Yes, sir. Evidently she did an unusually expert job on the ID cards; I've put them through prelim lab tests and they work out _almost_ okay. She must have wanted him to get away."

"You contacted Katharine Nelson?"

"I met both of them at her room. Neither cooperated with me. I examined subject's ID cards, but--"

"They seemed genuine," Buckman interrupted.

"Yes, sir."

"You still think you can do it by eye."

"Yes, Mr. Buckman. But it got him through a random pol checkpoint; the stuff was that good."

"How nice for him."

McNulty b.u.mbled on. "I took his ID cards and issued him a seven-day pa.s.s, subject to recall. Then I took him to the 469th Precinct station, where I have my aux office, and had his file pulled . . . the Jason Tavern file, it turned out. Subject went into a long song and dance about plastic 5; it sounded plausible, so we let him go. No, wait a minute; I didn't issue him the pa.s.s until--"

"Well," Buckman interrupted, "what's he up to? Who is he?"

"We're following him, via the microtrans. We're trying to come up with data-bank material on him. But as you read in my notes, I think subject has managed to get his file out of every central data bank. It's just not there, and it has to be because we have a file on everyone, as every school kid knows; it's the law, we've got to."

"But we don't," Buckman said.

"I know, Mr. Buckman. But when a file isn't there, there has to be a reason. It didn't just _happen_ not to be there: someone filched it out of there."

"'Filched,' "Buckman said, amused.

"Stole, purloined." McNulty looked discomfited. "I've just begun to go into it, Mr. Buckman; I'll know more in twentyfour hours. h.e.l.l, we can pick him up any time we want. I don't think this is important. He's just some well-heeled guy with enough influence to get his file out--"

"All right," Buckman said. "Go to bed." He rang off, stood for a moment, then walked in the direction of his inner offices. Pondering.

In his main office, asleep on the couch, lay his sister Alys. Wearing, Felix Buckman saw with acute displeasure, skintight black trousers, a man's leather shirt, hoop earrings, and a chain belt with a wrought-iron buckle. Obviously she had been drugging. And had, as so often before, gotten hold of one of his keys.

"G.o.d d.a.m.n you," he said to her, closing the office door before Herb Maime could catch a glimpse of her.

In her sleep Alys stirred. Her catlike face screwed up into an irritable frown and, with her right hand, she groped to put out the overhead fluorescent light, which he had now turned on.

Grabbing her by the shoulders--and experiencing without pleasure her taut muscles--he dragged her to a sitting position. "What was it this time?" he demanded. "Termaline?"

"No." Her speech, of course, came out slurred. "Hexophenophrine hydrosulphate. Uncut. Subcutaneous." She opened her great pale eyes, stared at him with rebellious displeasure.

Buckman said, "Why in h.e.l.l do you always come here?" Whenever she had been heavily fetishing and/or drugging she crashed here in his main office. He did not know why, and she had never said. The closest she had come, once, was a mumbled declaration about the "eye of the hurricane," suggesting that she felt safe from arrest here at the core offices of the Police Academy. Because, of course, of his position.

"Fetishist," he snapped at her, with fury. "We process a hundred of you a day, you and your leather and chain mail and d.i.l.d.oes. G.o.d." He stood breathing noisily, feeling himself shake.

Yawning, Alys slid from the couch, stood straight upright and stretched her long, slender arms. "I'm glad it's evening," she said airily, her eyes squeezed shut. "Now I can go home and go to bed."

"How do you plan to get out of here?" he demanded. But he knew. Every time the same ritual unfolded. The ascent tube for "secluded" political prisoners got brought into use: it led from his extreme north office to the roof, hence to the quibble field. Alys came and went that way, his key breezily in hand. "Someday," he said to her darkly, "an officer will be using the tube for a legitimate purpose, and he'll run into you.,, "And what would he do?" She ma.s.saged his short-cropped gray hair. "Tell me, please, sir. m.u.f.f-dive me into panting contrition?"

"One look at you with that sated expression on your face--"

"They know I'm your sister."

Buckman said harshly, "They know because you're always coming in here for one reason or another or no d.a.m.n reason at all."

Perching knees up on the edge of a nearby desk, Alys eyed him seriously. "It really bothers you."

"Yes, it really bothers me."

"That I come here and make your job unsafe."

"You can't make my job unsafe," Buckman said. "I've got only five men over me, excluding the national director, and all of them know about you and they can't do anything. So you can do what you want." Thereupon he stormed out of the north office, down the dull corridor to the larger suite where he did most of his work. He tried to avoid looking at her.

"But you carefully closed the door," Alys said, sauntering after him, "so that that Herbert Blame or Mame or Maine or whatever it is wouldn't see me."

"You," Buckman said, "are repellent to a natural man."

"Is Maime natural? How do you know? Have you screwed him?"

"If you don't get out of here," he said quietly, facing her across two desks. "I'll have you shot. So help me G.o.d."

She shrugged her muscular shoulders. And smiled.

"Nothing scares you," he said, accusingly. "Since your brain operation. You systematically, deliberately, had all your human centers removed. You're now a"--he struggled to find the words; Alys always hamstrung him like this, even managed to abolish his ability to use words--"you," he said chokingly, "are a reflex machine that diddles itself endlessly like a rat in an experiment. You're wired into the pleasure nodule of your brain and you push the switch five thousand times an hour every day of your life when you're not sleeping. It's a mystery to me why you bother to sleep; why not diddle yourself a full twenty-four hours a day?"

He waited, but Alys said nothing.

"Someday," he said, "one of us will die."

"Oh?" she said, raising a thin green eyebrow.

"One of us," Buckman said, "will outlive the other. And that one will rejoice."

The pol-line phone on the larger desk buzzed. Reflexively, Buckman picked it up. On the screen McNulty's rumpled hyped-up features appeared. "Sorry to bother you, General Buckman, but I just got a call from one of my staff. There's no record in Omaha of a birth certificate ever being issued for a Jason Taverner."

Patiently, Buckman said, "Then it's an alias."

"We took fingerprints, voiceprints, footprints, EEG prints. We sent them to One Central, to the overall data bank in Detroit. No match-up. Such fingerprints, footprints, voiceprints, EEG prints, don't exist in any data banks on earth." McNulty tugged himself upright and wheezed apologetically, "Jason Taverner doesn't exist."

8

Jason Taverner did not, at the moment, wish to return to Kathy. Nor, he decided, did he want to try Heather Hart once again. He tapped his coat pocket; he still had his money, and, because of the police pa.s.s, he could feel free to travel anywhere. A pol-pa.s.s was a pa.s.sport to the entire planet; until they APB-ed on him he could travel as far as he wanted, including unimproved areas such as specific, acceptable jungle-infested islands in the South Pacific. There they might not find him for months, not with what his money would buy in an open-area spot such as that.

I've got three things going for me, he realized. I've got money, good looks, and personality. Four things: I also have forty-two years of experience as a six.

An apartment.

But, he thought, if I rent an apartment, the rotive manager will be required by law to take my fingerprints; they'll be routinely mailed to Pol-Dat Central . . . and when the police have discovered that my ID cards are fakes, they'll find they have a direct line to me. So there goes that.

What I need, he said to himself, _is to find someone who already has an apartment. In their name, with their prints_.

And that means another girl.

Where do I find such a one? he asked himself, and had the answer already on his tongue: at a first-rate c.o.c.ktail lounge. The kind many women go to, with a three-man combo playing fob jazzy, preferably blacks. Well dressed.

Am I well enough dressed, though? he wondered, and took a good look at his silk suit under the steady white-and-red light of a huge AAMCO sign. Not his best but nearly so. . . but wrinkled. Well, in the gloom of a c.o.c.ktail lounge it wouldn't show.

He hailed a cab, and presently found himself quibbling toward the more acceptable part of the city to which he was accustomed--accustomed, at least, during the most recent years of his life, his career When he had reached the very top.

A club, he thought, where I've appeared. A club I really know. Know the maitre d', the hatcheck girl, the flower girl . . . unless they, like me, are somehow now changed.

But as yet it appeared that nothing but himself had changed. _His_ circ.u.mstances. Not theirs.

The Blue Fox Room of the Hayette Hotel in Reno. He had played there a number of times; he knew the layout and the staff backward and forward.

To the cab he said, "Reno."

Beautifully, the cab peeled off in a great swooping righthand motion; he felt himself going with it, and enjoyed it. The cab picked up speed: they had entered a virtually unused air corridor, and the upper velocity limit was perhaps as high as twelve hundred m.p.h.

"I'd like to use the phone," Jason said.

The left wall of the cab opened and a picphone slid out, cord twisted in a baroque 1oop.

He knew the number of the Blue Fox Room by heart; he dialed it, waited, heard a click and then a mature male voice saying, "Blue Fox Room, where Freddy Hydrocephalic is appearing in two shows nightly, at eight and at twelve; only thirty dollars' cover charge and girls provided while you watch. May I help you?"

"Is this good old Jumpy Mike?" Jason said. "Good old Jumpy Mike himself?"

"Yes, this certainly is." The formality of the voice ebbed. "Who am I speaking to, may I ask?" A warm chuckle.

Taking a deep breath, Jason said, "This is Jason Taverner."

"I'm sorry, Mr. Taverner." Jumpy Mike sounded puzzled. "Right now at the moment I can't quite--"

"It's been a long time," Jason interrupted. "Can you give me a table toward the front of the room--"

"The Blue Fox Room is completely sold out, Mr. Taverner," Jumpy Mike rumbled in his fat way. "I'm very sorry."

"No table at all?" Jason said. "At any price?"

"Sorry, Mr. Taverner, none." The voice faded in the direction of remoteness. "Try us in two weeks." Good old Jumpy Mike hung up.

Silence.

Jesus s.h.i.t Christ, Jason said to himself. "G.o.d," he said aloud. "G.o.d d.a.m.n it." His teeth ground against one another, sending sheets of pain through his trigeminal nerve.

"New instructions, big fellow?" the cab asked tonelessly.

"Make it Las Vegas," Jason grated. I'll try the Nellie Melba Room of the Drake's Arms, he decided. Not too long ago he had had good luck there, at a time when Heather Hart had been fulfilling an engagement in Sweden. A reasonable number of reasonably high cla.s.s chicks hung out there, gambling, drinking, listening to the entertainment, getting it on. It was worth a try, if the Blue Fox Room--and the others like it--were closed to him. After all, what could he lose?

Half an hour later the cab deposited him on the roof field of the Drake's Arms. Shivering in the chill night air, Jason made his way to the royal descent carpet; a moment later he had stepped from it into the warmth-color-light-movement of the Nellie Melba Room.

The time: seven-thirty. The first show would begin soon. He glanced at the notice; Freddy Hydrocephalic was appearing here, too, but doing a lesser tape at lower prices. Maybe he'll remember me, Jason thought. Probably not. And then, as he thought more deeply on it, he thought, No chance at all.