Final Justice Part 1

Final justice.

by W.E.B. Griffin.

IN FOND MEMORY OF.

Sergeant Zebulon V. Casey Internal Affairs Division Police Department, the City of Philadelphia, Retired "There came a time when there were a.s.signments that had to be done right, and they would seek Zeb out. These a.s.signments included police shootings, civil-rights violations, and he tracked down fugitives all over the country. He was not your average cop. He was very, very professional."

-HOWARD LEBOFSKY DEPUTY SOLICITOR OF PHILADELPHIA.

ONE.

[ONE].

It was Sunday night, and at quarter after eleven the Roy Rogers restaurant at South Broad and Snyder Streets in South Philadelphia was just about full.

Amal al Zaid, who was five feet seven inches tall and weighed 145 pounds, and who had spent sixteen of his twenty-one years as Dwayne Alexander Finston before converting to Islam, was mopping a spill from the floor just outside the kitchen door when he glanced at the clock mounted high on the wall near the front entrance to the restaurant.

The first thing he thought was that he had forty-five minutes to go on his shift, and then he would be free to ride his bicycle home to the apartment he shared with his mother, two brothers, and a sister in the Tasker Homes Project a few blocks away, grab a quick shower, and then go by the mosque to see what was happening.

The second thing he thought was, Those two is bad news. Those two is bad news.

Amal al Zaid had seen two young men enter the restaurant. Both were in their early twenties. One was of average height and build, and the other short and overweight. Both of them stopped, one at a time, just inside the door, and looked around the restaurant, and then at each other, and then nodded.

The average-looking one slid into a banquette near the door. The sort-of-fat one, who had something wrapped in a newspaper sticking out of his jacket pocket, walked all the way through the restaurant toward where Amal al Zaid was mopping the floor by the kitchen door. Amal al Zaid then pushed the right door to the kitchen open, and held it open while he pushed his mop bucket on wheels through it.

After a moment, Amal al Zaid peered carefully through the small window in the kitchen door. He saw that the short fat guy had taken a seat in the last banquette on the left, with his back to the kitchen wall. And he saw the short fat guy pull whatever he had wrapped in newspaper from his pocket, and lay it on the banquette seat. And then Amal al Zaid saw what it was: a short-barreled revolver.

"Holy s.h.i.t," Zaid said, barely audibly, and turned and looked around the kitchen.

The kitchen supervisor, Maria Manuela Fernandez, a thirty-five-year-old in immaculate kitchen whites, who carried 144 pounds on her five-foot-three frame, was a few steps away, examining the latest serving trays to come out of the dishwasher.

Zaid went to her, touched her arm, and when she turned to him, said, "Manuela, I think we're getting stuck up."

Mrs. Fernandez's eyebrows rose.

"There's a fat guy with a gun in the last booth," Zaid said, pointing at the wall, "and there's another guy-they came in together-in the first booth on the right by the front door."

Mrs. Fernandez walked quickly and looked through the window in the door, then went to a wall-mounted telephone near the door and dialed 911.

Mrs. Fernandez's call was answered on the second ring by Miss Eloise T. Regis in the radio room of the Philadelphia police department, on the second floor of the Police Administration Building at Eighth and Race Streets in downtown Philadelphia.

The Police Administration Building is universally known in Philadelphia as "The Roundhouse," because the building has virtually no straight walls-exterior or interior-or corridors. Even the interiors of the elevators are curved.

Within the radio room are rows of civilian employees who, under the supervision of a few sworn police officers, sit at telephone and radio consoles receiving calls from the public and from police vehicles on the job, and relaying official orders to police vehicles.

There are twenty-two police districts in Philadelphia, and six divisions of detectives. There is also the Special Operations Division, which includes the Highway Patrol-despite its name, far more of an elite force than one concerned with highway traffic-and the Special Investigations Unit.

The Traffic and Accident Divisions actually have the primary responsibility for the public's safety on the highways and streets of Philadelphia. Their tools include a fleet of radio-equipped tow trucks and other special vehicles. The Juvenile Division is charged with dealing with crimes committed against-or by-juveniles.

Additionally, there are special-purpose units, such as the K-9 Unit, the Marine Unit, the Airport Unit, and the Vice, Narcotics, Organized Crime, and Dignitary Protection Units-and others.

Each district, division, and special unit has its own complement of radio-equipped police vehicles of all sorts.

And on top of this, of course, is the communications network necessary to maintain round-the-clock instantaneous contact with the vehicles of the senior command hierarchy of the police department, the commissioner and his staff, the deputy commissioners and their staffs, the chief inspectors and their staffs, and a plethora of other senior police officers.

With hundreds of police and support vehicles on the job at any one time, it was necessary to develop, both by careful planning and by trial and error, a system permitting instant contact with the right vehicle at the right time.

The police commissioner-or the commanding officer of the Marine Unit-is not really interested in learning instantly about every automobile accident in Philadelphia, nor is a request from the Airport Police for a paddy wagon to haul off three drunks from their bailiwick of much interest to a detective investigating a burglary in Chestnut Hill.

Philadelphia is broken down, for police department purposes, into eight geographical divisions and the Park Division. Each division is headed by an inspector, and contains from two to four districts, each commanded by a captain. Generally, each division has its own radio frequency, but in some divisions, really busy districts-the Twenty-fifth District in the East Division, for example-have their own separate frequencies. Detectives' cars and those a.s.signed to other investigative units (Narcotics, Intelligence, Organized Crime, et cetera) have radios operating on the "H-Band." All police car radios can be switched to an all-purpose emergency and utility frequency called the "J-Band." Special Operations Division has its own, the "S-Band."

For example, a police officer in the Sixteenth District would routinely have his radio switch set to F-l, which would permit him to communicate with his (the West) division. Switching to F-2 would put him on the universal J-Band. A car a.s.signed to South Philadelphia with his switch set to F-l would be in contact with the South Division. A detective operating anywhere with his switch set to F-l would be on the Detective's H-Band, but he too, by switching to F-2, would be on the J-Band.

Senior police officers have more sophisticated radios, and are able to communicate with other senior police bra.s.s, the detective frequency, or on the frequency of some other service in which they have a personal interest. Ordinary police cars are required to communicate through the dispatcher, and forbidden to talk car-to-car. Car-to-car communication is authorized on the J-, H-, and S-Bands.

"Communications discipline" is strictly enforced. Otherwise, there would be communications chaos.

There is provision, however, for a radio room dispatcher- simply by throwing the appropriate switch-to send a radio message simultaneously to every radio-equipped police vehicle, from a police boat making its way against the current of the Delaware River through the hundreds of police cars on patrol to the commissioner's and mayor's cars.

This most often happens when an operator takes a call in which the calling party says, "Officer needs a.s.sistance. Shots fired."

Not every call to 911 requesting police a.s.sistance is legitimate. Philadelphia has its fair share of lunatics-some say more than its fair share-who like to involve the cops in any number of things having nothing whatever to do with maintaining the peace and tranquillity within the City of Brotherly Love. And Philadelphia's youth, having watched cop movies on television to learn the cant, dial 911 ten or twelve times every day to report a murder, a body, a robbery, a car accident, anything that will cause a flock of police cars, lights flashing and sirens screaming, to descend on a particular street corner and liven up an otherwise dull period of the day.

The people who answer the telephones didn't come to work yesterday, however-Miss Eloise T. Regis, for example, had been on the job for more than twenty years-and usually they know, know, from the timbre of the caller's voice, or the a.s.surance with which the caller raises the alarm, that from the timbre of the caller's voice, or the a.s.surance with which the caller raises the alarm, that this this particular call is legitimate. particular call is legitimate.

When Miss Regis answered the call from an excited Latino-sounding lady reporting a robbery in progress at the Roy Rogers at Broad and Snyder, she had known known the call was genuine. the call was genuine.

At 11:21, a call went out from Police Radio.

"Possible armed robbery in progress, Roy Rogers restaurant, Broad and Snyder. Unknown civilian by phone."

Officer Kenneth J. Charlton, of the First District, then patrolling the area, responded, "One seven. In on the Roy Rogers."

As Mrs. Fernandez was speaking excitedly with Miss Regis, there was the sound of a shot, and some unintelligible shouts.

The door to the kitchen burst open, and the fat guy with the gun came through it. He saw Mrs. Fernandez on the telephone, and when she saw him, she dropped the handset and moved away from the telephone, placing her back against the wall near the telephone.

The fat guy went to the handset dangling from the wall phone, put it to his ear, listened a moment-just long enough to be able to determine with whom Mrs. Fernandez was speaking-then grabbed the coiled expansion cord and ripped it free from the telephone.

Then he looked at Mrs. Fernandez and said, "You f.u.c.king b.i.t.c.h!" and raised his revolver to arm's length and fired at her. The bullet struck her just below her left ear and exited her skull just above her right ear.

Her convulsing body slid down the wall until her knees were fully bent, and then it fell forward onto the floor.

The fat guy then brandished his revolver at the other kitchen workers. There were six: three men and three women. The fat guy had not seen Amal al Zaid when he had shoved the kitchen door open. He had done so with such force that it went past the spring stop, causing it to remain in the open position at a right angle to the doorway. Amal al Zaid was behind it, his back pressed against the wall, literally paralyzed by fear.

"In the f.u.c.king cooler, motherf.u.c.kers!" the fat guy said, waving his revolver and gesturing toward the walk-in refrigerator.

When the kitchen staff-stumbling in their haste, one of the women moaning in terror as she held both hands to her mouth-had gone inside the walk-in refrigerator, the fat guy walked quickly toward it, closed the door, and looked around the kitchen.

Holy Christ! Amal al Zaid thought. Amal al Zaid thought. That crazy n.i.g.g.e.r's going to see me! That crazy n.i.g.g.e.r's going to see me!

The fat guy found what he wanted-a wooden-handled sharpening steel-on a worktable right behind him, picked it up, and jammed it in the loops intended for a padlock in the refrigerator door. Then he turned and started for the kitchen door.

In the logical presumption that he would be seen by the guy who'd just shot Manuela, Amal al Zaid lost control of his bladder, and momentarily forgot that he was no longer a Christian.

Our Father, Who art in heaven, hallowed be Thy name . . .

The fat guy looked to the left as he made his way across the kitchen, paused briefly to look down at the body of the G.o.dd.a.m.n b.i.t.c.h who had called the motherf.u.c.king cops, and then went through the open kitchen door into the dining area.

Amal al Zaid finally found the courage to look through the narrow crack between the door and the doorjamb, and saw that the fat guy was working his way though the dining room, collecting wallets and coin purses and watches and rings from the customers.

The other sonofab.i.t.c.h was at the cashier's station by the front door, taking the paper money from the cash register.

The fat guy finished robbing the four people at the banquette he was working, then walked toward the front of the restaurant.

"Let's get the f.u.c.k out of here," the fat guy said.

"f.u.c.k, f.u.c.k, f.u.c.king f.u.c.king f.u.c.k, it's a f.u.c.king cop!" the guy at the register said, gesturing through the window. f.u.c.k, it's a f.u.c.king cop!" the guy at the register said, gesturing through the window.

He squatted down behind the cash register. The fat guy slid into the banquette nearest to him on the right.

At 11:26, Officer Charlton entered the restaurant, holding his service pistol at his side. He glanced at the cashier's station, saw the man crouching behind it, and took a half-dozen steps around the cashier's station.

The guy at the cash register suddenly stood up, lunged at Officer Charlton, and wrapped his arms around him, preventing Officer Charlton from raising his pistol to fire it.

The fat guy jumped from the banquette, ran to them, shoved the muzzle of his pistol under Charlton's "bulletproof" vest, and fired.

Officer Charlton stiffened, then went limp and fell to the floor. The guy who had been behind the cash register then stepped over Charlton's body. Then he turned and fired twice at the body. Then he ran out of the restaurant onto South Broad Street after the fat guy.

After a moment, Amal al Zaid pushed himself off the wall and ran to the employees' locker room.

s.h.i.t! Oh, f.u.c.k, I p.i.s.sed in my pants!

In the employees' locker room, he opened his locker and took his cellular telephone from his jacket, punched in 911, and when the voice said, "Police Radio?" he blurted: "This is the Roy Rogers restaurant at Broad and Snyder. Two black guys just shot the kitchen lady and a cop who walked in while they was robbing us."

This call too, coincidentally, was answered by Miss Regis. And again her experience told her the call was legitimate.

"Sergeant!" she called, raising her voice just to get his attention, not to ask his permission. Then she threw the appropriate switch.

Three fast, short beeps, signifying an emergency message, were broadcast to every police radio in Philadelphia.

Miss Regis pressed the switch activating her microphone.

"a.s.sist the officer, Broad and Snyder, inside the Roy Rogers, report of an officer shot. a.s.sist the officer, Broad and Snyder, inside the Roy Rogers, report of an officer shot. This is a civilian by phone, we have officers responding to a previous call of a possible armed robbery at that location."

[TWO].

The second vehicle to reach the Roy Rogers restaurant at South Broad and Snyder Streets in response to the first "possible armed robbery in progress" call over the F-Band was a new Buick Rendezvous CXL Sport Utility Vehicle, on the roof of which were three antennas capable of listening to police radio frequencies. A fourth antenna was mounted on the rear window, and just before getting close to Synder Street, the driver of the car switched off a flashing blue light with a magnetic base that he had put on the roof after hearing the call.

The driver, however, was not a sworn police officer of the Philadelphia police department, and-as had often been pointed out to him-using the flashing blue light on the roof to speed one's way through traffic was in violation of at least four laws of the Commonwealth of Pennsylvania, ranging from violation of Paragraph 4912 of the Criminal Code of Pennsylvania-impersonation of a public official, such as a police officer-to violation of Paragraph 6504 of the Criminal Code-setting up a nuisance in public.

The Rendezvous itself, and all the expensive radios and scanners, were the property of the Philadelphia Bulletin, Philadelphia Bulletin, with whom the driver, Michael J. "Mickey" O'Hara, a wiry, curly-haired man in his late thirties, was professionally a.s.sociated. The magnetic base flashing blue light was the property of the Philadelphia police department, having been removed by Mr. O'Hara from a wrecked and burned unmarked car, rendering him liable to charges of having violated one or more of Paragraphs 3921, 3924, and 3925 of the Criminal Code, which deal with the unlawful taking of property. with whom the driver, Michael J. "Mickey" O'Hara, a wiry, curly-haired man in his late thirties, was professionally a.s.sociated. The magnetic base flashing blue light was the property of the Philadelphia police department, having been removed by Mr. O'Hara from a wrecked and burned unmarked car, rendering him liable to charges of having violated one or more of Paragraphs 3921, 3924, and 3925 of the Criminal Code, which deal with the unlawful taking of property.

Mr. O'Hara's a.s.sociation with the Bulletin Bulletin went back twenty-one years, to his sixteenth year, when he was hired as a copyboy, shortly after having been expelled from West Catholic High School. Monsignor Dooley had caught Mickey with a pocketful of Francesco "Frankie the Gut" Guttermo's numbers slips, and when Mickey had refused to name his accomplice in that illegal and immoral enterprise, the monsignor had given him the boot. went back twenty-one years, to his sixteenth year, when he was hired as a copyboy, shortly after having been expelled from West Catholic High School. Monsignor Dooley had caught Mickey with a pocketful of Francesco "Frankie the Gut" Guttermo's numbers slips, and when Mickey had refused to name his accomplice in that illegal and immoral enterprise, the monsignor had given him the boot.

Mickey had immediately found a home in journalism, and had become a reporter-the Bulletin Bulletin said "staff writer"- before he was old enough to vote. As he had risen in the said "staff writer"- before he was old enough to vote. As he had risen in the Bulletin Bulletin city room hierarchy, his remuneration had naturally increased. He had been perfectly happy with his relationship with the city room hierarchy, his remuneration had naturally increased. He had been perfectly happy with his relationship with the Bulletin Bulletin and the compensation he was given until his childhood friend, Casimir Bolinski, had brought the subject up. and the compensation he was given until his childhood friend, Casimir Bolinski, had brought the subject up.

"Face it, Mickey, those b.a.s.t.a.r.ds are s.c.r.e.w.i.n.g you," Casimir had said when pa.s.sing through Philadelphia to visit his parents.

It was more than an idle observation; it was a professional one. Because Mickey had refused to name him as his fellow numbers runner, Casimir, already known as "The Bull," had graduated from West Catholic High, gone on to Notre Dame on a football scholarship, and from Notre Dame to the Green Bay Packers.

There, while his Packers teammates had spent their off seasons in various nonproductive if pleasant pursuits, Casimir had studied the law. He hadn't wanted to, if the truth be known, but Mrs. Antoinette Bolinski, who weighed approximately one third as much as her husband, was a woman of great determination, and The Bull knew better than to argue with her.

To his surprise, Casimir liked the study of law, and immediately showed a flair for the business aspects of the profession. The day after the Packers-in an emotional ceremony- retired The Bull's jersey, Casimir J. Bolinski, D. Juris, D. Juris, announced the opening of his law offices, in which he intended to deal with the relationships between professional athletes and their employers. He started, rather naturally, by representing professional football players, but as word spread throughout the world of sports about how successful The Bull had been in securing pay far beyond the expectations of the players, professionals from baseball, basketball, and even a number of jockeys-the creme de la creme, so to speak, of the world of sports-began to beat a path to his door. announced the opening of his law offices, in which he intended to deal with the relationships between professional athletes and their employers. He started, rather naturally, by representing professional football players, but as word spread throughout the world of sports about how successful The Bull had been in securing pay far beyond the expectations of the players, professionals from baseball, basketball, and even a number of jockeys-the creme de la creme, so to speak, of the world of sports-began to beat a path to his door.

"The way it is, Mickey," Casimir had explained, "is when I first quit the game, the guys would come to see me and say 'How they hanging, Bull? What's this bulls.h.i.t about you being a lawyer?' and now they come in, shaved and all dressed up in suits, and say, 'Thank you very much for seeing me, Dr. Bolinski.'"

Antoinette Bolinski had been thrilled to find out that D. Juris D. Juris stood for "Doctor of Law," and that she was thus ent.i.tled to refer to Casimir as "my husband, Dr. Bolinski." She immediately began to do so. The phrase had a really cla.s.sy ring to it, and if the other lawyers didn't want to use the t.i.tle, screw them. stood for "Doctor of Law," and that she was thus ent.i.tled to refer to Casimir as "my husband, Dr. Bolinski." She immediately began to do so. The phrase had a really cla.s.sy ring to it, and if the other lawyers didn't want to use the t.i.tle, screw them.

As once the fabled defense of the Detroit Lions had crumpled before The Charging Bull in that never-to-be-forgotten 32-zilch game, the a.s.sembled legal counsel of the Bulletin Bulletin gave way before Dr. Bolinski's persuasive arguments that the few extra dollars they were going to have to spend on Mickey were nothing compared to the dollars they would lose in lost circulation if Mickey moved over to the gave way before Dr. Bolinski's persuasive arguments that the few extra dollars they were going to have to spend on Mickey were nothing compared to the dollars they would lose in lost circulation if Mickey moved over to the Inquirer Inquirer or the or the Daily News. Daily News.

"Jesus, you're dumb, Mickey," Casimir had said later. "You've got the f.u.c.king Pulitzer, for Christ's sake. You should have known that's worth a whole lot of dead presidents' pictures."

As a result of the negotiations by Dr. Bolinski on behalf of Mr. O'Hara with the Bulletin, Bulletin, Mr. O'Hara's compensation was quadrupled, and it was agreed that the Mr. O'Hara's compensation was quadrupled, and it was agreed that the Bulletin Bulletin would provide Mr. O'Hara with a private office and an automobile of Mr. O'Hara's choice, equipped as Mr. O'Hara wished; and that he would be reimbursed for all expenses incurred in his professional work, it being clearly understood this would involve a substantial amount of business entertainment. would provide Mr. O'Hara with a private office and an automobile of Mr. O'Hara's choice, equipped as Mr. O'Hara wished; and that he would be reimbursed for all expenses incurred in his professional work, it being clearly understood this would involve a substantial amount of business entertainment.

With one exception, however-Mickey was the sole supporter of his widowed mother, and had been having a really hard time paying her tab at the Cobbs Creek Nursing Center & Retirement Home-his new affluence didn't change his life much.

After toying with the suggestion of Dr. Bolinski that he have the Bulletin Bulletin buy him either a Mercedes or a Cadillac, Mickey had chosen the Buick Rendezvous. A Caddie, or a Kraut-mobile, he reasoned, would p.i.s.s off most of the people with whom he worked. By that he meant the police officers. It was said-with more than a little justification-that Mickey knew more cops by their first names than anyone else, and that more cops knew Mickey by sight than they did the police commissioner. buy him either a Mercedes or a Cadillac, Mickey had chosen the Buick Rendezvous. A Caddie, or a Kraut-mobile, he reasoned, would p.i.s.s off most of the people with whom he worked. By that he meant the police officers. It was said-with more than a little justification-that Mickey knew more cops by their first names than anyone else, and that more cops knew Mickey by sight than they did the police commissioner.

Mickey knew that most-certainly not all-of Philly's cops liked him, and he attributed this to both reciprocation-he liked most cops-and to the fact that he spelled their names right, got the facts right, and never betrayed a confidence.

As he did most nights, Mickey O'Hara had been cruising the city in the Rendezvous when one of the scanners had caught the "possible armed robbery" call. He was then five blocks south of the Roy Rogers on South Broad Street.

"Possible, my a.s.s," he had said, aloud, then put the gum-ball machine on the roof, glanced in the rearview mirror, and made an illegal U-turn on Broad Street.

When he reached the Roy Rogers, he saw there was a blue-and -white, door open, parked on Snyder, which told him the cops had just arrived, and the possible robbery in progress was probably still in progress, because the cop wouldn't have left his car door open if he hadn't been in a h.e.l.l of a hurry.

He double-parked on Snyder, beside the police car, grabbed his digital camera from the pa.s.senger seat, and quickly got out of the Rendezvous. Two black guys were coming out of the restaurant in a hurry. In a reflex action, Mickey put the digital camera to his eye and snapped a picture.